Join me in reviewing Olivia Rodrigo's album GUTS. I've waited years for this!!
all-american bitch - 9/10, big fan. I love it when she screams because the world is unfair. same girl, same
bad idea right? - 10/10. I know this one is controversial but I LOVE her more punky songs, I think that's when she's best
vampire - 10/10. I'm not always a fan of piano ballads, but the bridge and outro really make it for me. The hurt turning into anger and despair is just so cathartic. And the video is one of my faves of all time
lacy - 1000/10. What the hell. Did not expect to feel this much emotion from that title. Uhhh... yeah, same. I super relate to that. Whether or not lacy is supposed to be a real person or a manifestation of the beauty standard, this hits. Also, idk if I'm making this up but I dig the romantic undertones, they sell it
ballad of a homeschooled girl - "I made it weird, I made it worse"/10. OLIVIA HOW DID YOU KNOW that I lie awake thinking about all the weird things I did and said, Olivia, did you write this for me specifically??? Every day I am alive IS social suicide. I'm sorry, this is my song, actually. "Can't think of a third line", she's so real
making the bed - "I'm playing the victim so well in my head"/10. How. Does. She. Do. It? I could write an entire essay about this song. Maybe THIS is my song?? She's so good at saying exactly how I feel. I already know that this song will play a million times on my phone. Also I love the drivers license references. Big fan of the making the bed metaphor
logical - 9/10. favourite crime vibes. She's good with these songs about bad relationships. Used to be my favourite thing she did, but now I'm more invested in the songs that are about her/other experiences. That being said this song is really fucking good. This is the Olivia I fell in love with and she's still amazing at doing piano ballads
get him back! - 9/10. Olivia having ANOTHER song with speak-singing where she wants to get back with her ex?? Yes, PLEASE. Bad idea right 2.0. Fucking obsessed
love is embarrassing - 10/10. I said it before I'll say it again, angry Olivia is the best. And she's right, love IS embarrassing as hell
the grudges - 10/10. She does the paino ballads SO WELL. I think this is my favourite one on here. Because, wow, yeah, that is how it is
pretty isn't pretty - i can't rate this/10. GOD, I love it when she talks about insecurities. And don't think I don't see that skipping lunch line. It's sp hard to articulate how this song makes me feel. Especially since I've been low key comparing myself to her, even though we have entirely different bodies and faces. It's nice to know she also struggles with this. And she's right, you could do literally anything to change your appearance and you'd still be unhappy
teenage dream - 100000/10. "Is it recording? Of course it is.", the way I gasped. Okay, I love the interpretation of it ending with a child to be about growing up and childhood innocence. But the line she says?? Especially combined with the meaning of the song it feels a lot like it's about taking away youth by recording it and putting it out there just like she was supposed to be everyone's teenage dream as a child actor and young musician. This feels so personal to her while also being relatable to others. I'm 19 too, Olivia and I are born in the same year. And this is exactly how I feel about growing up. I hope it gets better, my teenage years were crap, I'm tired of being young, but it's also the only thing I can hold onto. I'm honestly terrified of turning 20. But hey, Olivia did it, so... it'll get better, right?
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Ok so it's like.
The motorcycle scene: Touga is obviously imitating Akio and failing miserably. Represents an attempt at achieving maturity and adulthood through adopting empty symbols of power. Gives the impression of movement and progress, but in reality is going in circles. It gets faster and faster, there's a sense of danger and agitation. Touga is driving and Saionji sits in the sidecar, they're not on the same level and Saionji disapproves. Seems like they're heading towards some destination, but they're going nowhere.
The bike scene: A reference to their shared memories. Represents clinging to the past and trying to return to the time of childhood. The wheels may be turning, but the bike stands in place. It get slower and slower as Touga gets more tired until he finally stops completely. There's a sense of nostalgia and emotional fatigue. Touga is the only one pedaling, but Saionji doesn't comment on it (meaning that perhaps Touga being in control wasn't the problem in the first place. Maybe it was always about wanting to restore their lost connection and equal footing). They're facing opposite directions, but at the same time leaning on each other.
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