#they ARE lindsay and sam weir | Explore Tumblr Posts and Blogs

vital-information · 3 months

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"But, for at least part of the 1999-2000 TV season, Freaks And Geeks was a beacon to anyone whose high school experience was awkward, boring, humbling, or painful—basically, anything other than the sexy and stylish depictions that had dominated teen-centered movies and shows. It begins with a feint in the pilot episode, one of best series introductions ever. Director Jake Kasdan scans the high school track, seeking out a very blond football player (Gabriel Carpenter, in a role not unlike his appearance in 1999’s Drive Me Crazy) who’s confessing his affection to a very blond cheerleader in the bleachers. This early encounter is the extent to which Freaks And Geeks would engage with the kind of prepossessing teens who were frequently the subjects of these shows. This decision, Feig tells The A.V. Club, was based on having “grown up on such a diet of teen stuff being about beautiful people who were so cool with everything, including sex. It didn’t reflect anything I grew up around. You would see those kids; they were around. But they weren’t my group. They weren’t the majority of the kids that I knew.”

The camera ventures under the bleachers, where Daniel Desario (James Franco) is holding court among the other “freaks,” before panning over to our protagonist, Lindsay Weir (Linda Cardellini), who’s lurking nearby, ever between groups. The camera keeps moving, settling on an altercation between the “geeks”—Lindsay’s brother, Sam (John Francis Daley), and his friends Bill Haverchuck (Martin Starr) and Neal Schweiber (Samm Levine)—and a bully named Alan (The Sandlot’s Chauncey Leopardi). Lindsay comes to their rescue, but inadvertently offends Sam by referencing his diminutive stature. Lindsay is insulted by Alan’s buddies for her trouble, and Sam stalks off. This opening scene is a prime example of the brand of subversion found in Feig’s good-hearted show. A lesser series would have dedicated at least five minutes to Lindsay making up her mind, either in approaching the freaks or standing up for her brother. In Feig’s pilot, Lindsay acts decisively and still gets it wrong, which is not how this is supposed to go—that is, not on network television, and certainly not on the powerhouse network that was NBC in the late ’90s.

That was far from the last time Freaks And Geeks would defy expectations. In the same episode, we learn Lindsay is in the midst of an existential crisis brought on by her grandmother’s death. Hearing from her grandmother, the kindest and best person Lindsay had ever known, that there was nothing waiting on the “other side” leaves her questioning everything. So the former mathlete goes looking for answers in unlikely places, including under the bleachers and on the “smoking patio” with the freaks. Lindsay bonds with the freaks, especially Kim Kelly (Busy Philipps), whose depths were just as filled with teen-girl fury as insecurity. She even manages to win over the caustic Ken Miller (Seth Rogen). But her behavior flummoxes her parents, Harold (Joe Flaherty) and Jean (Becky Ann Baker), and to a lesser extent, her brother. Lindsay’s quest, which unfolded over the course of the season, was probably just as baffling for NBC executives (and possibly viewers). She wasn’t mollified by a new relationship with sweet stoner Nick Andopolis (Jason Segel), nor did she quickly learn her lesson and return to her high-achieving best friend Millie’s (Sarah Hagan) side. The absence of easy answers became a defining element of Lindsay’s life, as well as of the show.

But Freaks And Geeks was always just as optimistic as it was realistic, which is a key part of its enduring appeal. It’s a show about survival, about how a found community can help you muddle through anything. Despite the labels, Feig’s characters are all basically good people—failing that, they’re people who are capable of doing better."

Danette Chavez, "Why Freaks and Geeks Is the Teen Show that Endures"

#film criticism #linda cardellini #freaks and geeks

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masonhawth0rne · 5 months

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What I read in 2023!

Isn't it nice to have the whole year's worth of something in one handy list?

January

Medieval England: From Arthur to the Tudor Conquest, Jennifer Paxton ⭐️⭐️⭐️ NF

The Day of the Triffids, John Wyndham ⭐️⭐️⭐️⭐️

Hannibal, Livy ⭐️⭐️⭐️ NF

John Wayne Gacy: Defending a Monster, Sam L Amirante, Danny Brodrick ⭐️⭐️⭐️ NF

This Is How You Lose the Time War, Amal El-Mohtar, Max Gladstone ⭐️⭐️

Trouble With Lichen, John Wyndham ⭐️⭐️⭐️

The Reanimator's Heart, Kara Jorgensen 😠

The Miracle of Dunkirk, Walter Lord ⭐️⭐️⭐️ NF

Alone on the Ice, David Roberts ⭐️⭐️⭐️⭐️ NF

The Midwich Cucoos, John Wyndham ⭐️⭐️⭐️⭐️

The Hanging Tree, Ben Aaronovitch ⭐️⭐️⭐️⭐️

The Polygamist's Daughter, Anna LeBaron, Leslie WIlson ⭐️⭐️⭐️ NF

Stowaway to Mars, John Wyndham ⭐️⭐️

Confession of a Serial Killer, Katherine Ramsland ⭐️⭐️⭐️ NF

Sparta's First Attic War, Paul A Rahe ⭐️⭐️ NF

FantasticLand, Mike Bockoven ⭐️⭐️⭐️⭐️⭐️

Instructions for American Servicemen in Australia 1942, Special Service Division Services of Supply US Army ⭐️⭐️⭐️NF

Columbus Day, Craig Alanson ⭐️⭐️⭐️⭐️

Blood in the Snow, Tom Henderson ⭐️⭐️NF

The Andromeda Strain, Michael Crichton ⭐️⭐️⭐️

The Last Days of Stalin, Joshua Rubenstein ⭐️⭐️⭐️NF

Sons of Cain, Peter Vronsky ⭐️⭐️NF

Taaqtumi: An Anthology of Arctic Horror ⭐️⭐️⭐️⭐️⭐️

Web, John Wyndham ⭐️⭐️

An Unnatural Vice, KJ Charles ⭐️⭐️⭐️⭐️

An Unsuitable Heir, KJ Charles ⭐️⭐️⭐️⭐️

Alexander the Great, Norman F Cantor ⭐️⭐️⭐️⭐️NF

A Dark Night in Aurora, William H Reid ⭐️⭐️⭐️⭐️NF

The Gentle Art of Fortune Hunting, KJ Charles ⭐️⭐️⭐️⭐️⭐️

The Snow Killings, Marney Rich Keenan ⭐️⭐️⭐️ NF

The Odyssey, Homer trans. Emily Wilson ⭐️⭐️⭐️⭐️⭐️

The Martian, Andy Weir ⭐️⭐️⭐️⭐️

How Great Science Fiction Works, Gary K Wolfe ⭐️⭐️⭐️⭐️NF

Lies Sleeping, Ben Aaronovitch ⭐️⭐️⭐️⭐️

February

False Value, Ben Aaronovitch ⭐️⭐️⭐️

Amongst Our Weapons, Ben Aaronovitch ⭐️⭐️⭐️⭐️

Revelation Space, Alastair Reynolds ⭐️⭐️⭐️

The Lancashire Witches, William Harrison Ainsworth ⭐️

Queen of Teeth, Hailey Piper ⭐️⭐️⭐️⭐️

The Hacienda, Isabel Cañas ⭐️⭐️

Age of Myth, Michael J Sullivan ⭐️⭐️

The Demolished Man, Alfred Bester ⭐️⭐️

All Quiet on the Western Front, Erich Maria Remarque ⭐️⭐️⭐️⭐️⭐️

Meddling Kids, Edgar Cantero ⭐️⭐️⭐️⭐️⭐️

The Monsters We Defy, Leslye Penelope ⭐️⭐️⭐️⭐️

Red Mars, Kim Stanley Robinson ⭐️⭐️⭐️⭐️

The Man and the Crow, Rebecca Crunden (ss)⭐️

A Better Fate, DN Bryn (ss) ⭐️⭐️⭐️

Artemis One-Zero-Five, CHristopher Henderson DNF

House of Suns, Alastair Reynolds ⭐️⭐️⭐️⭐️

All Systems Red, Martha Wells ⭐️⭐️⭐️⭐️⭐️

Artificial Condition, Martha Wells ⭐️⭐️⭐️⭐️

Rogue Protocol, Martha Wells ⭐️⭐️⭐️⭐️

Exit Strategy, Martha Wells ⭐️⭐️⭐️⭐️

New Earth, Ben Bova ⭐️⭐️

Death Wave, Ben Bova ⭐️

Mouth of Mirrors, Maxwell I Gold (ss) ⭐️⭐️⭐️

March

On the Beach, Nevil Shute ⭐️⭐️⭐️⭐️⭐️

Star Nomad, Lindsay Buroker ⭐️

Burning Roses, SL Huang ⭐️⭐️

Trick or Treat, Richie Tankersley Cusick ⭐️⭐️⭐️

Unfinished Tales, JRR Tolkien ⭐️⭐️⭐️⭐️⭐️

Pushing Ice, Alastair Reynolds ⭐️⭐️⭐️⭐️

The End of the World Anthology ⭐️⭐️

The Home of the Blizzard (nf), Sir Douglas Mawson ⭐️⭐️⭐️⭐️⭐️

The Night Stalker (nf), Philip Carlo ⭐️⭐️⭐️

In the Court of the Nameless Queen, Natalie Ironside ⭐️⭐️⭐️⭐️

Green Mars, Kim Stanley Robinson ⭐️⭐️⭐️⭐️⭐️

The Ultimate Evil (nf), Maury Terry ⭐️

The Hillside Stranglers (nf), Darcy O'Brien ⭐️⭐️

The Element of Fire, Martha Wells ⭐️⭐️⭐️⭐️

Chasm City, Alastair Reynolds ⭐️⭐️⭐️⭐️

April

The Stolen Heir, Holly Black ⭐️⭐️⭐️⭐️⭐️

Kintu, Jennifer Nansubuga Makumbi ⭐️⭐️⭐️⭐️

Kidnapped, Diane Hoh ⭐️⭐️

Overlord, David Wood & Alan Baxter ⭐️⭐️

Child of God, Cormac McCarthy ⭐️⭐️⭐️⭐️

Walking to Aldebaran, Adrian Tchaikovsky ⭐️⭐️⭐️

Redemption’s Blade, Adrian Tchaikovsky ⭐️⭐️⭐️

At the Mountains of Madness, HP Lovecraft ⭐️⭐️⭐️

The Initiation, Diane Hoh ⭐️⭐️

The Book of Queer Saints Anthology ⭐️⭐️⭐️⭐️

The Expert System’s Brother, Adrian Tchaikovsky ⭐️⭐️⭐️⭐️

Pluto’s Republic, David Roochnik (nf) ⭐️⭐️⭐️

The Twisted Ones, T Kingfisher ⭐️⭐️⭐️⭐️⭐️

Evil Roots, Killer Tales of Botanical Gothic Anthology ⭐️⭐️⭐️

The Shadow Over Innsmouth, HP Lovecraft ⭐️⭐️⭐️

Annihilation, Jeff VanderMeer ⭐️⭐️⭐️⭐️⭐️

The Whisperer in Darkness, HP Lovecraft ⭐️⭐️

Alien: Convenant Origins, Alan Dean Foster ⭐️⭐️⭐️

Alien: Coveant, Alan Dean Foster ⭐️⭐️⭐️

The Wendigo, Algernon Blackwood ⭐️⭐️⭐️

Alien III, William Gibson ⭐️⭐️⭐️

Alien: The Cold Forge, Alex White ⭐️⭐️⭐️⭐️

The Republic, Plato ⭐️⭐️⭐️⭐️

Alien: Prototype, Tim Waggoner ⭐️⭐️⭐️

Alien: Isolation, Keith RA DeCandido ⭐️⭐️

A Thief in the Night, KJ Charles ⭐️⭐️⭐️

The Dialogues, Plato ⭐️⭐️⭐️⭐️

Alien: Into Charybdis, Alex White ⭐️⭐️⭐️

Alien: Infiltrator, Weston Ochse ⭐️⭐️⭐️

Percent, Jon Elofson (ss) ⭐️⭐️⭐️⭐️

Aliens: Bug Hunt Anthology ⭐️⭐️⭐️

Growing Things & Other Stories, Paul Tremblay ⭐️⭐️⭐️

Babel-17, Samuel R. Delany ⭐️⭐️⭐️

Lords of Uncreation, Adrian Tchaikovsky ⭐️⭐️⭐️⭐️⭐️

May

The Day We Ate Grandad, CM Rosens ⭐️⭐️⭐️⭐️⭐️

Alien: Out of the Shadows, Tim Lebbon ⭐️⭐️

Jaws, Peter Benchley ⭐️⭐️⭐️

Room on the Sea, Andrē Aciman ⭐️⭐️⭐️

Alien: River of Pain, Christopher Golden ⭐️⭐️

Alien: Sea of Sorrows, James A Moore ⭐️⭐️⭐️

The Gentleman From Peru, Andrē Aciman ⭐️⭐️⭐️⭐️

Century Rain, Alastair Reynolds ⭐️⭐️⭐️⭐️

Hyperion, Dan Simmons ⭐️⭐️⭐️⭐️⭐️

Dust, Elizabeth Bear ⭐️⭐️⭐️⭐️⭐️

100 Fathoms Below, Steven L Kent & Nicholas Kaufmann ⭐️⭐️⭐️

Saturn’s Monsters, Thomas K Carpenter ⭐️

Address Unknown, Kressmann Taylor ⭐️⭐️⭐️⭐️⭐️

Murder by Other Means, John Scalzi ⭐️⭐️⭐️

The Ethics of Aristotle, Joseph Koterski ⭐️⭐️⭐️⭐️

The Neil Gaiman at the end of the Universe, Arvind Ethan David ⭐️⭐️

Bag of Bones, Stephen King ⭐️⭐️⭐️⭐️

Bewilderness, Part One: Threshold, Jonathan Maberry ⭐️

Ten Low, Stark Holborn ⭐️⭐️⭐️⭐️

Benny Rose, the Cannibal King, Hailey Piper ⭐️⭐️⭐️

My Dark Vanessa, Kate Elizabeth Russell ⭐️⭐️⭐️⭐️⭐️

The Stars My Destination, Alfred Bester ⭐️

Three Hearts and Three Lions, Poul Anderson ⭐️⭐️⭐️⭐️

Almost Human(nf), Lee Berger & John Hawks ⭐️⭐️⭐️⭐️

Paladin’s Grace, T Kingfisher ⭐️⭐️⭐️

Killing the Bismarck(nf), Iain Ballantyne ⭐️⭐️⭐️

Ancient Mesopotamia(nf), Amanda H Podany ⭐️⭐️⭐️

The Art of War(nf), Andrew R Wilson ⭐️⭐️

The White People, Arthur Machen ⭐️

June

Witch King, Martha Wells ⭐️⭐️⭐️⭐️

The Broken Sword, Poul Anderson ⭐️⭐️⭐️⭐️⭐️

The Early Middle Ages (nf), Philip Daileader ⭐️⭐️⭐️⭐️

The History of Ancient Egypt (nf), Bob Brier ⭐️⭐️⭐️⭐️

Banewreaker, Jacqueline Carey ⭐️⭐️⭐️⭐️

Godslayer, Jacqueline Carey ⭐️⭐️⭐️⭐️

Chernobyl 01:23:40 (nf), Andrew Leatherbarrow ⭐️⭐️⭐️

Stress and Your Body (nf), Robert Sapolsky ⭐️⭐️⭐️⭐️

Ice Ghosts (nf), Paul Watson ⭐️⭐️⭐️

The Illiad, Homer, trans. Edward Earl of Derby ⭐️⭐️⭐️

Th Hunt & the Haunting, Victoria Audley ⭐️⭐️⭐️

Our Shadows Have Claws Anthology ⭐️⭐️⭐️

Writing Creative Nonfiction (nf), Tilar JJ Mazzeo ⭐️⭐️⭐️⭐️

Brain Wave, Poul Anderson ⭐️⭐️⭐️

The Forever War, Joe Haldeman ⭐️⭐️⭐️⭐️

July

Travel by Bullet, John Scalzi ⭐️⭐️⭐️

Redemption Ark, Alastair Reynolds ⭐️⭐️⭐️⭐️

Labrys(ss), Victoria Audley ⭐️⭐️⭐️

Grown Gown(ss), Derek Des Anges ⭐️⭐️⭐️⭐️

The Hellbound Heart, Clive Barker ⭐️⭐️⭐️

Orca, Arthur Herzog III ⭐️

The Gallows Pole, Benjamin Myers ⭐️⭐️⭐️

Rebecca, Daphne Du Maurier ⭐️⭐️⭐️⭐️⭐️

The Chemist, Stephanie Meyer ⭐️

Icehenge, Kim Stanley Robinson ⭐️⭐️⭐️

Band Sinister, KJ Charles ⭐️⭐️⭐️⭐️

Now She Is Witch, Kirsty Logan ⭐️⭐️⭐️⭐️

Slow Bullets, Alastair Reynolds ⭐️⭐️⭐️

Inside the Mind of BTK(nf), Johnny Dodd & John Douglas ⭐️⭐️⭐️

The Woman in White, Wilkie Collins ⭐️⭐️⭐️⭐️⭐️

Antarctica, Kim Stanley Robinson ⭐️⭐️⭐️⭐️⭐️

August

The Henchmen of Zenda, KJ Charles ⭐️⭐️⭐️⭐️⭐️

Morning Star, Peter Atkins ⭐️⭐️⭐️⭐️

Subsidence (ss), Steve Rasnic Tem ⭐️⭐️⭐️

The Man in the High Tower, Philip K Dick ⭐️⭐️⭐️

What the Dead Know (ss), Nghi Vo ⭐️⭐️⭐️

Maze Runner, James Dashner ⭐️

Unfit to Print, KJ Charles ⭐️⭐️⭐️

Chill, Elizabeth Bear ⭐️⭐️⭐️⭐️

Bryony and Roses, T Kingfisher ⭐️⭐️⭐️

Confessor (ss), Elizabeth Bear ⭐️⭐️⭐️

Grail, Elizabeth Bear ⭐️⭐️⭐️⭐️⭐️

Babylon (nf), Paul Kriwaczek ⭐️⭐️⭐️

Unquiet, E Saxey DNF

The Ritual of the Labyrinth (ss), Esmée de Heer ⭐️⭐️⭐️

Terminal World, ALastair Reynolds ⭐️⭐️⭐️⭐️

Essays of Flesh and Bone (ss), Victoria Audley ⭐️⭐️⭐️

The Book Eaters, Sunyi Dean ⭐️⭐️⭐️⭐️

The Future of Work: Compulsory (ss), Martha Wells ⭐️⭐️⭐️⭐️

The Lady or the Tiger (ss), Frank Stockton ⭐️⭐️⭐️⭐️

Too Like the Lightning, Ada Palmer ⭐️⭐️⭐️⭐️

Falling Free, Lois McMaster Bujold ⭐️⭐️

Dreamsnake, Vonda N McIntyre ⭐️⭐️⭐️⭐️

The First Fossil Hunters (nf), Adrienne Mayor ⭐️⭐️⭐️⭐️

Shards of Honor, Lois McMaster Bujold ⭐️⭐️⭐️

Red Land, Black Land (nf), Barbara Mertz ⭐️⭐️⭐️

On Planetary Palliative Care (ss), Thomas Ha ⭐️⭐️⭐️

Nova, Samuel R Delany ⭐️⭐️⭐️

September

Time to Orbit: Unknown, Derin Edala ⭐️⭐️⭐️⭐️⭐️*

The Invincible, Stanislaw Lem ⭐️⭐️⭐️

The Prefect, Alastair Reynolds ⭐️⭐️⭐️⭐️

Myrtha (ss), Victoria Audley ⭐️⭐️⭐️

Archaeology: An Introduction to the World’s Greatest Sites (nf), Eric H Cline ⭐️⭐️⭐️⭐️

Catching Teller Crow, Amberlin Kwaymullina & Ezekiel Kwaymullina ⭐️⭐️⭐️⭐️

Old Man’s War, John Scalzi ⭐️⭐️⭐️⭐️

Don’t Hang Up, Benjamin Stevenson ⭐️⭐️⭐️

Superluminal, Vonda N McIntyre ⭐️⭐️⭐️⭐️

World War Z, Max Brooks ⭐️⭐️⭐️⭐️⭐️

Flight of the Fantail, Steph Matuku ⭐️⭐️⭐️⭐️

Cyteen, CJ Cherryh ⭐️⭐️⭐️⭐️

Regenesis, CJ Cherryh ⭐️⭐️⭐️⭐️

Mindfulness for Stress Management (nf), Dr Robert Schacter ⭐️⭐️⭐️

The Orange Eats Creeps, Grace Krilanovich ⭐️⭐️⭐️⭐️

Kushiel’s Dart, Jacqueline Carey ⭐️⭐️⭐️⭐️⭐️

Aye, and Gomorrah (ss), Samuel R. Delany ⭐️⭐️⭐️⭐️

Carnage (nf), Mark Dapin ⭐️⭐️⭐️⭐️

Blue Mars, Kim Stanley Robinson ⭐️⭐️⭐️⭐️⭐️

Unknown, Jordan L Hawk ⭐️⭐️⭐️⭐️

Chocky, John Wyndham ⭐️⭐️⭐️⭐️

Sword of Empire: Praetorian, Richard Foreman ❌

Revival, Stephen King ⭐️⭐️⭐️⭐️⭐️

The Apollo Murders, Chris Hadfield ⭐️⭐️⭐️⭐️

*Time to Orbit: Unknown is hosted online [HERE] and is currently still updating twice a week

October

Unfortunate Elements of My Anatomy, Hailey Piper ⭐️⭐️⭐️⭐️

Ghost Bird, Lisa Fuller ⭐️⭐️⭐️⭐️

The Hound of the Baskervilles, Arthur Conan Doyle ⭐️⭐️⭐️⭐️

The Forest of Stolen Girls, June Hur ⭐️⭐️⭐️

The Liar’s Dice, Jeannie Lin ⭐️

Straya, Anthony O'Connor ⭐️⭐️⭐️⭐️⭐️

Toxic, Dan Kaszeta (nf) ⭐️⭐️⭐️⭐️

Illuminae, Amie Kaufman & Jay Kristoff ⭐️⭐️⭐️⭐️

Penhallow, Georgette Heyer ⭐️⭐️⭐️⭐️⭐️

The Myth of the Self Made Man, Ruben Reyes Jr (ss) ⭐️⭐️⭐️

The Call, Christian White & Summer De Roche ⭐️⭐️⭐️

The Death of the Necromancer, Martha Wells ⭐️⭐️⭐️⭐️

Cretins, Thomas Ha (ss) ⭐️⭐️⭐️

Kill Your Brother, Jack Heath ⭐️⭐️⭐️

The Doors of Perception, Aldous Huxley (nf) ⭐️⭐️⭐️

Valley of Terror, Zhou Haohui, tr. Bonnie Huie ⭐️⭐️

The Curse of the Burdens, John Wyndham ⭐️⭐️

Amazons, Adrienne Mayor (nf) ⭐️⭐️⭐️⭐️⭐️

The Kraken Wakes, John Wyndham ⭐️⭐️⭐️⭐️

Dead Mountain, Donnie Eichar (nf) ⭐️⭐️

Family Business, Jonathan Sims ⭐️⭐️⭐️

Wuthering Heights, Emily Brontë ⭐️⭐️⭐️⭐️

In the House of Aryaman A Lonely Signal Burns, Elizabeth Bear ⭐️⭐️⭐️⭐️

A Blessing of Unicorns, Elizabeth Bear ⭐️⭐️⭐️⭐️

METAtropolis Anthology ⭐️⭐️⭐️

Plan for Chaos, John Wyndham ⭐️⭐️⭐️⭐️

A Fatal Thing Happened On the Way to the Forum, Emma Southon (nf) ⭐️⭐️⭐️

The Outward Urge, John Wyndham ⭐️⭐️

King Solomon’s Mines, H. Rider Haggard DNF

The Nicomachean Ethics, Aristotle tr. David Ross (nf) ⭐️⭐️⭐️

November

The Jewel of Seven Stars, Bram Stoker ⭐️⭐️⭐️⭐️

The Terror, Dan Simmons ⭐️⭐️⭐️⭐️

Hannibal: The Military Genius who Almost Conquered Rome, Eve MacDonald ⭐️⭐️⭐️⭐️ nf

Luna, Ian McDonald ⭐️⭐️⭐️

Hoka! Hoka! Hoka!, Poul Anderson & Gordon R Dickson ⭐️⭐️⭐️

Dracula, Bram Stoker ⭐️⭐️⭐️⭐️⭐️

Cicero: The Life & Times of Rome's Greatest Politician, Anthony Everitt ⭐️⭐️⭐️nf

The Worst Journey in the World, Apsley Cherry-Garrard ⭐️⭐️⭐️⭐️nf

METAtropolis: Cascadia Anthology ⭐️⭐️⭐️

The Haunting of Willow Creek, Sara Crocoll Smith ⭐️

Journey to the Center of the Earth, Jules Verne ⭐️⭐️

METAtropolis: Green Space Anthology ⭐️⭐️⭐️

December

Carrion Comfort, Dan Simmons ⭐️⭐️⭐️⭐️

Wanted, A Gentleman, KJ Charles ⭐️⭐️

Interview With the Vampire, Anne Rice ⭐️⭐️⭐️⭐️⭐️

Henry VIII: King & Court, Alison Weir ⭐️⭐️⭐️ NF

Alexander the Great & the Macedonian Empire, Kenneth W Harl⭐️⭐️⭐️ NF

The Isles of the Gods, Amie Kaufman ⭐️⭐️⭐️

The Sandman, Neil Gaiman & Dirk Maggs DNF

Phosphorescence, Julia Baird ⭐️⭐️⭐️NF

And so the grand total for 2023 is....

267!

Of course, there's a couple of DNFs in there which inflate this number somewhat, but I am absolutely not going to pick through and count them out. Plus, a DNF only gets included on the list if I've gotten through a significant portion of the book. If it's a page one no-no, it's not even worth mentioning.

I made the decision at the start of this year, to try out more books I'd never heard of before. I really like trawling through the library app, or through audible's free archives and finding stuff that I'd probably never normally have discovered. Also, revisiting books that I read a long time ago and seeing if they resemble my memories of them.

Overall, I think this was a very satisfying year of reading, and I hope that I enjoy 2024's reads just as much!

nf= non fiction ss= short story

Stars awarded at my whim.

#what i read #mine

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thatbitchkimkelly · 1 year

Text

So this is the Vanity fair article that all those season 2 predictions came from.

“Although Freaks and Geeks never got within hailing distance of a second season, that didn’t stop Paul Feig and Judd Apatow from imagining what might become of their characters in a further future.

“I would keep my own private notes as the season went along,” says series creator Paul Feig, “but there was never a time when we sat around a table and said, ‘Let’s plan Season Two.’ It was really more just ‘Hey, it would be funny if’ or ‘This would be cool.’ But we so knew the writing was on the wall: We never got too deep into it, because we never thought it was going to happen.”

One thing he knew for sure was that, had the show gone on, his kids wouldn’t have stayed in high school forever. “It was going to become much more of a story of a small town and who gets out and who doesn’t.” And he still dreams of turning the series into a stage musical. “I want to bring the spirit of failure that I brought to TV to the Broadway stage. ‘Guys, don’t worry—you’re going to lose a lot of money up front, but 10 years from now people are going to be talking about this play.’”

Read more of Feig's Freaks and Geeks Season Two predictions below:

Lindsay Weir (Linda Cardellini)

Paul Feig: I always figured something bad was gong to happen to Lindsay when she was out with the Dead. [The series ended with her ditching a summer-school program to follow the Grateful Dead with Kim Kelly.] I was hoping the second season would open with her being taken out of a concert on a stretcher while Queen’s “Tie Your Mother down” plays. That’s all I had. But I thought it would be interesting—she comes back, has completely lost the trust of her family; so she’s in even deeper having been really been outed as a problem. But there wasn’t a strong direction I had for her; I just knew she’d probably end up at some point in her twenties in Greenwich Village as a performance artist, and after that she’d probably become a lawyer—a human-rights lawyer.

Sam Weir (John Francis Daley)

Sam’s future was going to be drama club. Because that was my experience in school: I got deep into drama club. That was the storyline I was most excited about, because I was going to portray what actually happened to me. I thought he’d be more on the stage crew than actually performing, just because that was kind of interesting, the guys that were keeping it together from behind the scenes. But my drama teacher, who was one of the biggest influences on my life creatively, was an alcoholic, and over the course of my sophomore through senior year, she got worse and worse and started depending on me. I’d get called away from class under the guise of an emergency, and it would be her on the phone saying, “You’ve got to come pick me up. I left my car at the bar last night.” So I was really excited to get that going, this weird kind of taking-care-of-an-adult relationship, while he’s still learning amazing stuff from her, this tortured drama-teacher soul. That bummed me out the most, not getting to play that story out.

Neal Schweiber (Samm Levine)

Another burning desire I had was to get Neal into swing choir. Now Glee has taken it and run with it, but I always thought that would be a funny world for Neal to go into. There’s a weird little clique, and you have all these inside jokes, and all these kind of obnoxious performance things you bond with people over—I just thought he would really blossom in there and think he was kind of the king of the school. We figured it could be his outlet while his parents are going through a really horrible divorce. Since Judd had gone through that in his real life, that was kind of going to be his domain—telling all his tales from adolescence through that.

Bill Haverchuck (Martin Starr)

With his mom dating Coach Fredricks, Judd and I liked the idea of Bill slowly becoming a jock—that he turned out to be good at basketball and started to get into it, so that he was getting pulled a little more over to the jock side. Which would create an odd little rift with him and the other geeks. Because Martin is quite athletic in real life, and we were like, “Oh, let’s maybe play that out for him.” He works out a lot, Martin does, and at the beginning of the show he would come in with these giant biceps—we had to make him stop doing that.

Daniel Desario (James Franco)

Daniel’s such a drifter. I always liked the idea that eventually Daniel would probably end up in jail. [Laughs.] We were kind of, you know, taking him in this different direction. I wasn’t quite sure where that was going to lead. I knew it couldn’t stay in that world. I always liked the idea of: you go away for the summer and you come back and everybody’s kind of in a different place. But it’s hard to say with him; I think he had too many things pulling him in different directions. Having lost Kim, there would be a weirdness between them. But I wasn’t quite sure yet.

Kim Kelly (Busy Philipps)

I wanted Kim Kelly to be pregnant, but it wasn’t necessarily going to be Daniel’s. I thought this actually happened when she was out on the road with Lindsay following the Dead—that she shacked up with some guy, whether she was high at the moment or whatever, and comes back pregnant. That was another burning desire of mine, because when we were in high school there’d always be a girl or two who were pregnant, and it was so mind blowing. I thought it would be interesting with Daniel kind of around, and it’s not his, and it’s weird—and would he step up, since she doesn’t really know who the dad is, or isn’t really in contact with him? So maybe it was a chance for Daniel to become a young teen father—see what could have happened if we had a second season? And Kim and Lindsay—that would become a true friendship. Obviously they would have to have some back and forth and falling apart, but I like the girl power they had at the end of the last episode—they had both come through the fire in different ways and really bonded hardcore.

The Geeks of “Freaks and Geeks”

Nick Andopolis (Jason Segel)

I liked how we were kind of moving Nick towards having to go into the army, because of his badass dad. ’Cause that was a real option for so many people in my school—but he would be desperately trying to avoid it. But I was never quite clear exactly what direction we were going to go with Nick.

Ken Miller (Seth Rogen)

There was a guy I knew in school who was kind of Ken-like and he moved away to Hawaii; we were told he moved there just so he could smoke pot. I don’t know if that was the direction Ken was going to go. I always liked that we had set up that he had rich parents. But Ken’s such an enigma. I think he’s the guy that just kind of hangs around town. My instinct is we would have had the most fun searching for what his life would be. We liked to surprise people with Ken’s character—what was the thing you’d least expect he would do, or place he’d come from? I can completely see us loading him up with a lot of weird shit. I was sad we never got to show his parents, and God only knows whom we would have had him dating. I can definitely see a scenario where Lindsay would have tried dating Ken—that would be really funny. High-school romances are so flash-in-the-pan; there’s that awkwardness of having your ex walking around the school. Or, in my case, girls who turned me down but I had the awkwardness of them knowing I was into them and they had no interest in me.

Millie Kentner (Sarah Hagan)

We had actually thought about trying to turn Millie into a burnout at some point—“What? You’re what?” It would have been really fun to twist where she was going. I love changing people’s alliances. Because no one knows who they are or what they’re doing—basically they’re trying on different hats, different masks, if you will.

Cindy Sanders (Natasha Melnick)

We ended with Cindy as such a hardcore Republican. I liked her being a weird nemesis for Sam—I would have loved seeing them run against each other for student-council president. There’s nothing funnier to me than when the person you were in love with suddenly becomes this monster. You can’t figure out why you liked them. I think we would have had a lot of fun with Cindy.

Mr. Kowchevsky (Steve Bannos) and Mr. Rosso (Dave “Gruber” Allen)

We established [in the episode “The Little Things”] that [math teacher] Mr. Kowchevsky was gay, but we didn’t end up using that scene. I loved that storyline and was looking forward to playing with that, having it get out. [Guidance counselor] Rosso’s always on such a journey of discovery; it would have been fun to put him through some crises. I love that he had a band—Dave (Gruber) Allen and I actually had a band at the time; we were the house band at a place in Burbank called the Butcher’s Arms. We played there every weekend. There’s something funny to me about guys who won’t have a career in music but who are still trying to start a band at the age when you probably shouldn’t be trying to start a band. We could have had a permanent set of some low-rent club where Rosso was in the house band.

Harold and Jean Weir (Joe Flaherty and Becky Ann Baker)

Mr. and Mrs. Weir just kind of go along their way and have their crises of trying to figure what to do about Lindsay and how to protect her. And then Sam, whatever problems he has coming up.”

——

It’s definitely not as shitty as I thought it was from the one line summaries I had seen going around in comments on videos or on here. Like Lindsay just ODing and that’s her plot. No, they had more ideas for her.

Still it’s not like this was a script. And it wasn’t set in stone. Not only would they actually have to write it into coherent episodic storylines, actors and actresses often do have a lot of input with improv and script changes during the production process. They really didn’t know what the fuck they were going to do.

#freaks and greeks

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