I find myself wondering sometimes if House intentionally gave 13 the unlucky number during the hunger games. If he looked at her and could tell that there was something wrong with her and thought 13 would be the most fitting number for her. Same way he might have intentionally given Kutner the opportunity for his 6/9 thing because he seemed like the type of person to do that.
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When I find it hard to do certain things, I like to pretend I am a neanderthal living in a cave with my clan, and I must do The Thing in order to survive.
So, when I'm doing cardio at the gym, I'm actually chasing and tracking a mammoth, and when I need to cook, well, I'm not cooking on a stove top, I am hurdled over the first fire and watching the fat of our kill drip down onto the burning wood. And when I find it hard to crochet, I pretend that the first winter storm is coming and our clan needs me to make blankets to hurdle under and that I must contribute.
I hope whatever you do to do The Things will help. It is a uniquely personable trait to motivate yourself through pretend and stories. That's what makes this life interesting - that's what makes you feel larger than yourself 💛
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this sounds mean, but if for example somebody adds a "likes do nothing!" banner to their post, that makes me not want to reblog it. not out of contrariness, but there's a passive-aggressive layer of guilt to that I don't feel like inflicting on anyone else.
"reblogs > likes" is a little better. still a slight demanding, but not as uncomfortable.
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[Start ID. A drawing of @mieczmaszyna 's character Izzy. In the words of its creator, Izzy is a humanoid robot with a white chassis, oval head, black headset, square green glasses, claws, and a tail resembling a cable plug. Ai wears a cowboy hat, vest decorated by a star and bottle cap, pants with tassels, spurred boots, and a red bandanna. He's viewed from the side, kicking up one leg and holding both arms out in front of itself to shoot finger guns, looking excited and rather jaunty. The background is a dull yellow-green, muddied by the warm reddish tone of the drawing, and in paler green are the words "BANG BANG!!" by ais arms. End ID]
robot cowboy!!!
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Why do I feel everything surrounding Carlos is blown out of proportion?? people change jobs, sponsors leave, drivers say things, give interviews, make mistakes on track, crash, change friends and leave their girlfriends and it's normal, or it seems to be normal with everyone except with Carlos. Maybe it happens with other drivers and idk because I don't follow them closely, but with Carlos it seems all it has to have a secret motive, or he has an evil plan. Sometimes things are easier than we think.
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I'm still thinking about that scene in Victoriocity S3E7 where Fleet runs back towards the Beast so as to lure it into the path of the train...
Clara's exclamation of 'Teamwork, Fleet!' after Fleet says he's got a plan reflects her conviction that any plan that Fleet has will be a shared plan, something they do together.
This conviction is a kind of trust, and that trust is part of the reason Clara takes a moment to realise Fleet has headed back towards the Beast. She trusts that he's following behind her. She keeps talking to him, her words full of optimism.
When she realises Fleet isn't there, she immediately realises what that must mean he's done, and her voice sounds more small and scared than I think we've ever heard it before.
Fleet's attempt at self-sacrifice is a kind of betrayal of Clara's trust, but when he echoes her celebration of their teamwork in a more somber tone, I think it suggests that he understands the weight of that betrayal.
If Fleet's plan is that Clara won't realise he's gone until it's already too late, then he thinks "Teamwork, Clara" will be the last words he'll ever speak to her. In what he imagines will be their final conversation, Fleet affirms Clara's understanding of them as a team who work well together, even as he is making a choice that rejects the possibility of their teamwork in this scenario. It's a recognition of what their dynamic has meant. It's a goodbye and an apology, even if Clara doesn't understand it as such at first.
I don't think Fleet sounds scared as he initially faces down the train. When he shouts "Yeah, this way, you stupid machine! Come on then!", he sounds defiant and grimly determined.
In fact, I don't think he sounds afraid until Clara appears, until she might be at risk of being in the path of the Beast or the train as well. It's when he shouts "Clara, stay back for God's sake!" and "Please, get back!" that there's real fear and desperation in his voice. He can confront the idea of giving his own life, but not the idea that doing so might put Clara in danger.
Another thing about these lines is that the move from 'stay back' to 'get back' suggests that Clara didn't obey his first instruction but got closer to him (and therefore to the path of the Beast and the train) between those two lines.
Then Fleet gives what might be another attempt at his last words: "I'm sorry! I'm sorry." A repeated apology before an attempted self-sacrifice is an implicit acknowledgement of how much losing him would hurt Clara. He regrets causing her pain.
Even so, he's accepted that he is about to die and that it'd be worth it to destroy the Beast. But Clara very much hasn't accepted either those things. She's still trying to yell over the noise of the train; she's pulling off her ring to throw at him.
I think it's a good illustration of how Clara's optimism is a kind of strength. She always believes that they can "make a new plan" and that it'll be one in which no one has to die. I think Archibald Fleet needs someone like that, someone who'll tell him to drop to the ground when his death advances from both sides, someone who - even in a dark tunnel with an murderous metal monster and a speeding train - won't stop shouting that there's hope.
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the GREAT PATREON SMUSH
I was going to make an advertisement for this with bright colors and maybe animated sparkles but 1) I hate making ads and 2) we are all so exhausted by bright ads vying for our brain chemicals that I just don’t want to do that to you anymore!!!! I’m TIRED of things grabbing for my attention in an unending assault on my senses and I’m sure you are too!!!!!!!
if you’ve been doom-scrolling and need a break (a nice beverage, a stretch of the legs, etc.), take this as a sign to do so now. if you’ve got the energy for a little reading, though, and want to learn about my work - keep going!
ANYWAYS I’ll get to the point: ALL of my patreon benefits are now available to the lowest ($3) tier.
in fact, there ARE no other tiers anymore. they’re gone! scrunched! smunshed! stirred up all together into one big super tier soup of everything I offer now and will offer in the future!
everyone now gets:
over 100 4k desktop wallpapers
early access/wips
25% discounts on prints
livestream voice chat
art votes & art suggestions
commission slots
and access to the Art Grotto discord, a friendly and chill server with a small community of creative folks. we share art, writing, pets, memes, and also come up with fun art ideas together! 🌈
why am I smushing the tiers and giving up the higher pledge amounts?!
because capitalism sucks, we’re in a recession, and I’m lucky enough to have a full-time job that allows me to make art without being reliant on Patreon income. anyone who has sat in on one of my livestreams knows that I try to be a calming force in an often-chaotic world, and that I’m always looking for ways to make art more accessible to everyone. I want my Patreon to be a place where I can give back to those who are supporting me in this mission!
this tier smush is just the start of how I hope to transform this space! I have a bunch of fun ideas about stuff I want to do in the future, so keep an eye out for more announcements like this 👁
that’s all!!!! thank you if you’ve read this far, and here’s the link to the Patreon if any of this interested you!
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A casual note that as Liyue-native, as much as Yelan may be very well-traveled and thus may be familiar to various degrees with foreign cultures, they are still that to her: foreign. If we were to take Fontaine's inspiration of France to heart, it wouldn't surprise me if the common 'informal' greeting of the cheek kiss would be practiced there. Let it be known that if this were to ever be done to Yelan (and even the second, perhaps third, especially from each 'new' individual' as it would take some time getting used to), she'd likely show a semblance of confusion and retreat a little. Not out of uncertainty or insecurity, but simply out of confusion. It's important to remember that she is from Liyue, the nation that is firmly influenced and based on ancient China, and cultural differences are very much a thing. And while I still have much research to do on the social customs in both ancient and modern China (and taking these into account accordingly, just as Fontaine does not bear all customs and traditions from France and/or England by any means whatsoever), I am aware enough that this is not a custom that's shared between those countries.
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