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#thats the most fun angle though bc you get the most Shape!
layalu · 5 months
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WIP Wednesday Friday
got tagged by @herearedragons (and also @greypetrel, @shivunin and @daggerbean last week); and actually have some stuff to show this time xD
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Being sick meant i was stuck somewhere between "too much time on my hands" and "can't get anything done" lol and idk if any of these will get finished, but i do wanna try to get the Liam one done at least! Because i realised i have somehow not drawn a single proper background this year rip
The hollow knight one was a thumbnail sketch that i started doodling more on and that i kinda wanna work more on but also i did most of that on one layer and i LOL
And an Addie and Sam :]
tagging all of you guys back who tagged me, and anyone else who has something they wanna show! <3
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tomatoart · 1 year
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mwah your art is good and nice :>
can I ask for some advice? no worries if u don't want to answer.
do you have any tips on how exactly to practice art? everytime I ask for art advice everyone always says "practice" but idk what to practice first! do you have any strategies for learning how to draw something? do you do excercises? and if so how do they work?and are there any beginner mistakes I should look out for and change specifically?
thank you so much!! have a wonderful week :>
thank you so much! im ok w answering! i dont want to speak as if i am an expert on how to draw things in general as i am learning as well and definitely am not completely learned, so i might not be the best person to ask since im not very professional w my art as I do it as a hobby (and I can only speak on mostly digital cartoon matters) but i reallly hope to try and help u out even a lil ! im really happy that you’re eager to draw :] I wish you so much luck muwah muwah
i also hated when ppl told me “just practice” and i dont wanna inflict tht on u EITHER LOL but also thats just what i ended up doing for awhile but i tried to find some things to help ^_^
tips for practice: My number one rule is that practices should be challenging but still fun, I know it can get frustrating trying to redraw a pose over and over trying to get it perfect. And over time it rlly is all about muscle memory, the longer you draw the more your eyes will pick out specific shapes in everyday life and convert them into its own vision of them! or at least its good to look at life that way, try to pin point key shapes and stress less on details in practices. after you look at key points, THEN you can go over what you have and draw in and over it to make it more “complete.” To stop practices from getting too stressful I recommend starting out drawing what you want a little more simple looking than ur desired finished product. This helps eliminate the pressure of everything not looking “perfect” and keeps your art more loose and fun. Doing this a few times is gonna get ur brain to recognize patterns in art and how things look/flow in anatomy and such. dont get stuck in ur own head abt perfecting everything to the point you either 1) give up bc ur not at a level capable of it being 100% “perfect” or 2) focus so much on making it perfect that you end up saying the work looks “wonky” or stale in dynamics, So while I do think studies help, don’t get too lost in them. I always practice with media I enjoy too, whether it’s characters or fashion I enjoy.
Strategies learning to draw something: people get mad abt this one but I think tracing reference photos is great. its been awhile but When I tried learning to draw hands better at first I would trace them then put the traced image to the side of the canvas, then try and replicate what my mind saw as its most important angles and aspects. Same for clothing folds/hair/etc! I think it’s maybe not the best idea to trace the ref and use the tracings as is, because you learn more from tracing it then trying to replicate and simplify what u learned into the style you’re working in. Find what shapes you like from them and don’t over detail it. you may have to go by eye and think “what parts of this ref photo should i simplify to fit my style” and for me, its usually adjusting the length of the torso and then the limbs by associations. i dont recommend feeling like u need a reference for every art you make though, its ok to let ur own head try out its own sometimes too while trying to learn this, see if it remembers any call bad from the past referenced sketches! over time ull remember where everything goes more, these days i rarely kick myself to use refs but im sure they still would help to use, but figure drawing simple blobby figure in a bunch of random poses was a big thing i used to do as well to get better at full body art + overall dynamics (still does this). also paying attention to silhouettes is great 
Exercises and how they work: I WANNA HELP U SO BAD BUT to be honest, all the works on my blog ARE exercises! i rarely actually do finished pieces, if u scroll thru my posts ull notice most r sketches. i usually just fill up a page and call it “warm ups” then i get attached to some of them, take a few, and just line them up pleasingly on a smaller page, then color them in (or sometimes fix the lines to be more clean too). im not rlly a person who “exercises” to practice, it more so happens from just me drawing a lot for fun as a hobby! but i really should. i will tell u this has humbled me a lil i need to start practicing too 😭 LOL but a good exercise is to look at what ur inspirations do, and study it. Make a collage and write out what you like most abt their styles/what u want to gain from them. For ref Here’s a page I did awhile ago when someone asked me abt my insps:
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i also look at fashion magazines and as well as anime figures and take insps from that sometimes with learning cool poses and compositions to convert into my own things
Beginner mistakes to look out for: its hard for me to pin point “mistakes” beginners make, as sometimes we cant avoid all of them or even notice them, progress comes from growing out of old ways. some mistakes are even the foundation of ur future amazing cool style! but i think some things to look out for could be these, from my own old art experiences
Hands were the first thing I learned bc i liked drawing them. I don’t know if that is the best way to go but I think it is smart to practice sooner than later, here is a lil guide thingggyyy wingyyy from awhle ago
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i see beginners shy away from drawing signs of age in people, sometimes adding too much detail on an older person in cartoon art makes it look weird, so i try and hit the key markings on ppls faces of age.
Too thin of lines. sometimes its a stylistic choice to use thin lineart, and it can look amazing ! but sometimes it can flatten an image if ur not familiar with its flow. im not saying use thick line art, but more so to keep in mind the weight of ur strokes, adding depth with a thick thin combo of line art can do SO much for the simplest of pieces. heres a visual from a while back when i talked abt my brush + more abt lines:
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but if ur desired style is thin lineart that is cool too! tbh it was just harder for me as a beginner
sometimes artists think they need to do full lineart for everything and then hate how it looks compared to the sketch, do not fear i will introduce u to my bff: painting over a sketch, extractinging the lines, then calling it line art. i only do this sometimes but its a fun exercise-ish thing to do in a pinch. example:
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finding what shading fits ur art. sometimes ill see ppl starting out who have a style thats very simple, but they use a very detailed rendering process on it. this is not something id ever police of course, art is each persons own choice! And it CAN work. It can be so cute! but sometimes mixing two very contrasting mediums of art can throw off the “put together” look of it. i use to abuse the airbrush tool thinking it made my simple style look super cool and detailed, but looking back on it now those pieces looked a little off, having such a simple style have somewhat more realistic shading. dont get me wrong the ability i see ppl use rendering like that is so insanely talented! but i found cellshading to be a good match for cartoony art like my own. a tip i learned way too late abt that is rather than shading each layer by color picking a darker color, instead use a clipping mask over the entire art (above line art too as I color my lineart) and lasso tool the areas u want shaded + fill it w a saturated purple then set to multiply + lower opacity. also, sometimes coloring can come out chalky looking when u meant for it to be smooth and transitional, i think this comes from overshading and overlighting pieces without reason. pay attention to where the light source is, and focus on making the shaded and lighter areas nice shapes that cover the necessary areas, then u can add additional shading to the smaller details of what should have a casted shadow/light  
its good to spice up ur art now rather than later, focusing making ur art pop more w backgrounds will help ur coloring skills look better too! i dont mean detailed huge backgrounds, a small lil color pallet and design rather than a blank white bg. like this will make u feel better abt it or at least it helped me *sweats* yeah:
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beginners tend to draw blank faces like “:)” but I think a good thing to do is try and get silly with expressions early on. It’s okay if the mouth hangs off the face cartoonishly with joy or shock, it’s ok if the eyebrows are super high in surprise.
tracing and pasting it as is (already said this but I’ve seen ppl do it a lot with hair styles and it makes it look alienated from the rest of the style) (final fantasy fans found critically injured) n if need a ref for a pose, using a real humans anatomy as-is doesn’t look quite right on a cartoonyish drawing. Shortening torso and legs usually comes out of this for me!
flip ur canvas i promise u it’ll be less embarrassing over time!
using guidelines for perspective and foreshortening is GREAT. Do it stylistically rather than realistically to add some groove to it...yay. Having silly perspective in art can make it look like a 10 so easily opposed to a normal front facing sketch. Look at cool poses from fashion magazines! Don’t be scared to draw something you don’t feel confident in conveying perfectly, this is why progress redraws exist :)
Drawing the hairline b4 u draw the hair is great, it helps u understand where their hair flows from, where it starts and stops, AND prepares u for drawing bald ppl. Also don’t make the head too big, the skull IS bigger up top, but sometimes I see an alien head affect.
Anatomy is an interesting mistake that beginners make a lot, but it’s one they find harder to notice! When I started out, all my art would be SO wonky, but I didn’t even realize it! It still happens today too! specifically though I see beginners struggle with the arms in this department. My advice is to try and measure them out and make sure they don’t go past the knees, and are the same length as each other when Unfolded. asking for criticism is hard but it helped me realize when i would make something bigger/longer than it should have been in my art, and stuck with me being able to go “oh... i see it LOL” 
clothing wrinkles- do not over do it! Too many wrinkles and shading can look unpleasant and wirey- like a plastic table cloth all bunched up which isn’t exactly what ppl wear. pay attention to gravity too
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I hope this helped even a lil im sorry tht I’m not very good at explaining or didn’t have much to sayyy! If u have any troubles no guarantee I’ll have the answer, but ur always free to ask!
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the-space-case · 7 years
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Also!! (It's the Bill's jumper slut here) I recently got into digital art but I am,,, really bad. Can I get any advice for it? Like with colours and shininess and backgrounds because ugh background and stuff? Idk what exactly I want advice on but please help because I am,, really bad and you are definitely the opposite of that
Yo!!! Thats a lot. Digitial art? Just as hard as traditional; it has its own rules. I can give you some tips but the most important thing out there is ehhhh TWO things.
1.) USE REFERENCES, DRAW FROM REAL LIFE. I hate doing this because I feel like a cheap printer, but think of it this way if you do too; if you use references and draw inspiration from real life, you’re making a base for what you make later one. Practice drawing one thing often enough and you have it memorized so you never have to look at it again/can warp it to your own exaggerated devices. You can’t draw anatomy if you don’t understand it! You can’t draw perspective if you don’t observe it critically! You can’t walk until you crawl yadda yadda yadda do as i say not as i do lmfao
--this is helpful for basically everything, including backgrounds and colors and shininess
2.) LEARN FROM EXAMPLE. There’s tons of artists from around the world who put their portfolios online. There’s tons of youtube videos based on learning art! Check out art throughout history, even! Check out your favorite styles, be it traditional or cartoon, and observe what you like about them specifically. Test it loads of them yourself; after awhile of trying style after style your personal preferences will develop.
Aside from those two, here’s some of my personal tips. They might not work for you! I’m not a professional here, these are just some things I enjoy doing with my art.
COLORS:
-if you use a color once in a picture, use it again to balance it out.
-made a character and colored it in but having trouble deciding on the bg colors? Use the ones already on your canvas/in the character. unite that canvas under one palette. Even just an abstract shape in the bg of one color is better than a blank; make it the least used color in the character if thats the case, or at least one not near the edges.
-try analogous color schemes or monochrome schemes to get a feel for colors you dont normally use. 
- try coloring without lineart too, thats a fun exercise. 
-sometimes if you put yellow next to blue it looks green. either decrease the intensity of said blue or adjust the yellow; same with other odd pairings. your brain is weird just go around it.
-if two colors of the same intensity are right next to eachother your brain might blend the line between them; again depends on if you want it but it happens with painting so i mean have at it i guess. 
SHININESS:
-make sure you know the direction where light is coming from; that dictates where lightspots go
-putting lightspots against areas of intense color makes em pop
-try making them not just white, but also pastels or just intense color. It’s good to experiment! 
-A hard lightspot gives an area a smoother, almost rubber like or wet texture. making it jagged makes it look a bit more leathered? Again, experiment as to what you like best. I enjoy putting a hard blot of white on a darker bg and then airbrushing around it to make a nice glow effect. 
-if the lightsource is anything but white, make lightspots that color. 
-BACKGROUNDS:
-I prefer to use references for backgrounds. rough out a few examples of various angles or object placements if you need to. I actually made a sort of room scheme for the parlor in Recovery, as seen below:
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(its ok they can be shitty and still be useful)
-know that for bgs there’s the foreground, mid-ground and background, and it makes more sense to have all of them haha
-also good: make your characters interact with the bg/environment! Really brings the whole thing together. 
-most digital art programs have grids available; use those for making buildings and such, much easier than dragging over a bent-out-of-shape ruler and hoping for the best. 
MISC:
-if you know you’re bad at something in particular don’t shy away from it. Don’t avoid drawing hands bc you feel like you’re bad at drawing them! You gotta practice that shit, even if its hard/you dont like it. 
-generally if you’re going to draw something hard just do it with enthusiasm; a sort of fuck-you to despair. 
-if your wrist hurts stop until it doesn’t, Repetitive Strain Injuries are Bad and so is Carpal Tunnel Syndrome. 
-flipping the canvas after drawing one eye lets you draw the other one without making it crooked, but if you’re lazy like me you can just...copy-paste it and reverse the layer and also maybe transform it to fit LMFAO. Still though flip the canvas just in case. 
-for some reason if you’re drawing a stack of objects start in the middle or do the contour first it helps with sizing. 
-draw at least once a day unless in pain lmfao
-Praaactice makes Peeeeerfect
-tbh anything goes in art, i’ve seen cheese with hair stapled to it in a museum just do what you want just get the basics down first makes things easier haha
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