HL Incorrect Quote #62
*in the Scriptorium*
Sebastian: Extraordinary! I could stay in here all day!
Ominis: I would rather we didn't. I wish for us to leave as soon as-
*slurping sounds*
Sebastian and Ominis: *turn to see and hear MC sipping from a cup*
Sebastian: Where did you get that?
MC: Oh, it was just sitting here.
Ominis: And you DRANK it? Do you not realize how long that beverage had to be sitting there?
MC: It was only a little dusty.
Ominis: A little-?! You are going to kill yourself one of these days!
Sebastian: Why would you just drink some random cup of...whatever is in there?
MC: I think it was tea. You're telling me you're not curious what kind of tea a founder of Hogwarts drank?
Sebastian:
Sebastian: Well, when you put it like that-
Ominis: DON'T ENCOURAGE THIS-
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Some thoughts on Asra's route...
Replaying Asra's route after having played Muriel's really hits different...
In one of the other routes Asra and Muriel appear to start a romantic relationship, and in Asra's route it's very clear that Muriel cares very deeply for Asra and dislikes the Apprentice. He mentions in one of the paid? dream scenes that he's worried about Asra and the Apprentice fading into their own world and leaving everyone else behind (again, apparently), and that he's determined to stop this from happening. His concern for Asra and initial hostility toward the Apprentice may be rooted in jealousy, not only because his oldest (and only) friend was more or less taken from him, but perhaps with romantic connotations as well.
In Book XI: Justice, Asra and Julian stage a mock trial by combat against Muriel. Though he apparently agreed to participate and is implied to have returned to the Coliseum of his own volition, presumably out of concern for Asra, who has been accused of being Julian's accomplice... he is still more or less backed into a corner and forced to play along with Asra and Julian's plan to stage a fight.
Now, to be fair to Asra, he states after everything goes wrong that it wasn't supposed to end this way, and it appeared that he was attempting to not only exonerate himself and Julian from their charges but somehow help Muriel overcome his past (he does disintegrate Muriel's chains during the fight no matter what choices you make). There was a point during this that I thought I could guess what Asra's plan was regarding Muriel's past, but being refreshed on how it actually pans out, I can't remember it now. Something about making the people of Vesuvia realize how barbaric the Coliseum was under Lucio.
The thing that stands out to me throughout this whole ordeal is that Asra knows about Muriel's trauma. He knows he was enslaved to Lucio and forced to fight and execute people in the Coliseum. He knows that Muriel is terrified of hurting other people, especially those he cares about. In Asra's route, the only person Muriel cares about is Asra, so hurting him is triggering for him. He literally is in a stupor after the board he was using as a weapon splinters off and hits Asra in the mouth, making him bleed. This is clearly meant to make the reader worried about Asra, but Muriel reacts as well, and appears hypnotized by the blood. I remember the first time I read this I thought he was going to have some crazy berserker-Hulk sort of reaction, but having read his route, it's way more tragic.
Though Muriel did seem to return to the Coliseum of his own volition, it does seem that Asra took this as a sign that he was coming to terms with his trauma. He was willing to exploit Muriel's care for him in order to save his own skin so he can be with the Apprentice. Though I recognize Asra's other toxic traits to some degree, I also have similar ones myself so they don't really stand out to me. This, however, where he more or less disregards Muriel's feelings on the matter, is actually really crushing. In Muriel's route, his whole thing is that he DOES NOT want to fight, he DOES NOT want to even spar with the Apprentice with blunt sticks out of fear of hurting them, so why would he willingly go along with this unless he was more or less in the same position Lucio put him in? Fight in the arena, or something bad will happen to Asra.
Asra knows this, and puts him through it regardless. During the whole fight, Julian's actions are written so as to make it seem like he's the one messing things up--he takes the "finishing blow" that Muriel was going to deal to Asra and gets knocked unconscious. Asra spends most of the entire time doing flashy, dramatic magic tricks that get the crowd cheering for him. After he "wins", he and the Apprentice are carried out of the Coliseum like heroes. Though Asra will try to soothe Muriel if the Apprentice so chooses right before the end, and he does look for Muriel in the crowd, he seems otherwise unbothered or unaware of the impact this may be having on his oldest friend. Which is pretty shitty.
Of course, Asra, Julian, and Muriel are all playing characters during their fight--Asra is the flashy magician, Julian is the rogueish BDSM dagger guy, and Muriel is the Scourge. Asra obviously can't show his concern even if he wanted to because he's supposed to be fighting Muriel. But putting his bro into this situation in the first place says a lot about his character. Though Julian is the one whose route is based around self-loathing because he believes he hurts everyone around him, Asra is the only one who gets what he wants out of this ordeal, and he even says so right before the chapter ends. Muriel was forced to relive his trauma and didn't get the resolution that was intended, and Julian gets KOed by a punch that literally sent him flying across the arena (though he probably enjoyed it tbh, he's a nasty little man like that lmao).
I wonder if this dynamic between Asra and Muriel was intentionally written this way in order to further amplify his tunnel vision when it comes to the Apprentice. Is this is how he acted in the past, causing Muriel to hate the Apprentice as he does and remark that he won't allow it to happen again? Maybe (probably) I'm reading too much into it, but as a survivor of abuse and trauma it rubs me the wrong way much more than Asra's obsessive, clingy nature. Of all of the reversed ends, Asra's is the one that actually scared me and kind of haunted me, because it hits a little too close to home.
These are all just thoughts that I wanted to spill out because I thought it was interesting and I wasn't sure if anyone else has talked about it before.
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I'm already know for being very opinionated and having some Hot Takes, but I still usually keep it in line and fairly reasonable. Typical "Unpopular (but still somewhat safe to voice) Opinion" territory, where I might get some blocks and some scowls, but like, nothing major.
However I'm... gonna be posting an uncharacteristically rancid take this time.
I cannot fucking STAND vibes based design. Its become a trend lately to explain game systems by vibes, and it feels EXACTLY like the tropification of romance novels. A thing so many other people have complained about far more than I have, where so many works of fiction are now just being advertise as "Its a queer little slow burn, found family story that features enemies to lovers" OKAY, BUT WHATS THE FUCKING BOOK ABOUT?
And I feel like over the past 15-20 years, the TTRPG industry has been having the exact same issue. I can go through dozens of listings on itch.io for indie games and not see a single fucking game mechanic mentioned, and its frustrating. "This game is about gathering your friends to turn your local farm into a sustainable commune!" WHAT KIND OF FUCKING DICE DOES THE GAME USE? DOES THE GAME EVEN HAVE A GM?
And like, this isn't just about the feel good warm and fuzzy games. OSR is JUST as fucking guilty in this. "This game is a black metal death crawl through your worst nightmares." IS IT A RETROCLONE? IS IT A RULES LITE D6 SYSTEM? HOW THE FUCK DO I RESOLVE AN ACTION? DO ENEMIES USE STATBLOCKS?
If a video game showed absolutely no gameplay in any of its advertisements, only showing concept trailers and cutscenes and talking about its plot, you would probably shy away and think the game isn't worth playing if it can't even stand on the merits of its own gameplay. So why the fuck are we accepting that as the norm in TTRPGs?
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hello beans!! hope you're doing well 💜 ^w^ I know you've probably gotten a lot of requests - but I'm gonna add to that pile anyway because it's fun and also your writing is wonderful and always cheers me up to read!! I'm so inspired by your drabbles and you really bring these characters and this little world to life ;w;
From drabble list #1:
14. "Please tell me, this is not why you woke me up."
Character(s): honestly anyone, but my gut was saying Es as soon as I saw that sentence so... up to you!
Woo thank you pal, same to you!! Thanks for your kind words ah ;--; This is the perfect line for Es omg, I've been cracking up over it for so long 😂 I was tempted to write them waking up for T2, taking one look around and going "uh-uh," but decided on some T1 comedy...
Es rarely dreamed. Usually it was vague images and thoughts. Sometimes it was just them thinking about breakfast the following morning. Occasionally they were plagued by a nightmare of being forced to sing karaoke with the prisoners. Most of the time, though, it was just silence that welcomed them at the end of the day. Wonderful, peaceful, silence.
BANG-BANG-BANG!
Someone slammed their fist on the door. Es just about fell out of bed.
Mikoto’s voice came from outside. “Oi, get up! There’s been… uh… an incident!”
That was the last thing a prison guard wanted to hear at -- Es checked the clock -- 2am. Damn.
They muttered to themself as they threw on their uniform. Why the prison’s cells didn’t lock was beyond them. Some of the prisoners were more troublesome than others, but the first trial had been going smoothly thus far. Why now?
Their mind flashed with various possibilities, each one worse than the last, all urging them forward. By the time they were running down the hallway, their shirt buttons were a row off, and they had to switch their shoes to the opposite foot. They adjusted the cap clumsily on their head.
Fear gripped their chest as they heard Jackalope’s voice crying out for help from the panopticon. Jackalope never called for help.
Es burst into the room. The prisoners froze, looking up guiltily.
They sat in a huddle on the floor. Yuno and Muu held the little furry warden over a tub of sudsy water. Bottles of soap and shampoo sat nearby. An assortment of brushes and combs sat to the side. Splashes of water spread across the prisoners and ground, speaking to several failed attempts at getting Jackalope into the bath.
Nearby, Mahiru was holding up the tiny guard’s uniform, her sewing kit spread out on her lap. Es spotted bandages on Yuno’s and Kazui’s fingers. Shidou was currently dabbing blood off Fuuta’s nose as he fumed. Jackalope leaned over to nip at the hands holding him, but Yuno and Muu held him fast.
“Es!” came his frantic voice as he thrashed around. “You gotta help me! Make them stop, dammit!”
From the group of prisoners who had been watching from a distance, Haruka turned to them. “Oh! Es! Th-they thought that he needed a -- uh, a bath! His uniform had a h-hole, and Mahiru can s-sew! And they thought, they thought we could do it all t-together… Muu called it a -- a spa night…”
“At two in the morning?” Was all that came to mind.
“We tried to get him to do it earlier today,” Muu said, “but we didn’t get a chance until now.”
“They didn’t get a chance to kidnap me, she means!” He squirmed around some more, swinging his antlers wildly. “They hid around the corner and nabbed me like the filthy criminals they are!!”
Yuno said, “hold still,” as she brought him closer to the water. He kicked his feet wildly, screaming at Es to show a little authority and do something.
“Hold on a second,” they stopped her.
They closed their eyes, pinching the bridge of their nose. They took a measured breath. They were here to contemplate sin and crime, guilt and forgiveness. Their job should have consisted of questions about morality and life and death; they never anticipated looking around their prison and asking, “is human shampoo even safe for his fur?”
Kotoko spoke up from the other side of the room. “That’s what I thought, but is he really a rabbit? He eats human food and everything, we didn’t think a bit of soap was that different.”
Jackalope disagreed (“that stuff is as bad as poison -- poison I tell you!”) but the others chimed in with their agreement. From around the room came promises that they were being gentle with him, and that they’d keep quiet, and that they’d dry and brush his fur really well when they’d finished, and that they’d feed him treats, and that his uniform was already good as new, and so on. A few complaints at getting bit mingled with Jackalope’s own insults.
“-- Alright.” Es held up a hand to silence them all. They knew a warden shouldn’t be making compromises with their prisoners. At the same time, they didn’t have the energy to argue about bunny baths at this time of night. “You can continue, but wash him outside of the tub. And go easy on the shampoo. Any mess you make must be cleaned by morning.”
They were met with excitement and thanks. Jackalope grumbled that they were too soft, but he sounded relieved as he was whisked away from the dreaded bathwater.
Es sighed. There may have been a few bites and bumps, but that was all. No emergency, no fight, no danger plagued Milgram tonight. Their relief quickly turned to annoyance. They leveled their gaze at Mikoto as he entered from the hallway behind.
“Please tell me this isn’t why you woke me up.”
“Huh? Oh, this? No, no -- we have everything under control. Aw, Mappi, that looks great!”
He pointed at her sewing job, revealing bandages on his hands as well. It looked like no one was safe from the rabbit’s little teeth… Then Mikoto jabbed a thumb casually over his shoulder. “Nah, the faucet in the men’s room broke when we tried filling the basin. The whole room’s flooded now. I think it’s gonna start spilling into the hallway soon.”
“WHAT?”
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