Hello CC fandom!
I've been lurking on CC Tumblr for a hot minute, and decided I needed to talk to people about the Facebook murder hidden objects/visual novel game. The brainrot won over the anxiety XD
I don't actually know a lot about the later games ( I watched like half of travel in time and the beginning district of MoTP and honestly it didn't feel the same. ) I mostly just brainrot over Pacific Bay and Save the World. I don't know why, but those are just MY games, you feel? The characters are just great, I vibe with them a lot. That being said, I doodled some of them!
I have no explanations or context except this. Amy influenced by Russell and the entirety of Pacific Bay would be unhinged in a good way. They become the CC equivalent of ' go kick his ass bby I got your flower ' if you get what I mean.
Angela loves Lars, I will die on that hill. She loves everyone, but Sombra is... Yknow, Sombra. Tell me they didn't try to threaten her husband and kids at least once, I dare you. Maybe it's me looking for nuance, but I firmly believe that besides her being raised in a cult essentially ( one of their branches literally was one ) she also thought there literally was no way she could stay with the team without sacrificing her family. I mean, Sombra agents got into and almost killed people in the Bureau multiple times. The only reason they didn't is because Jonah exists and he's not having any of it.
Speaking of STW, Michelle deserved better. I don't know why exactly, but I headcanon that because they were never shown together ( or so I remember ) she knew Jonah. Maybe she hired him for protection once. No other reason other than I feel they'd be those two friends that stay sober and drive everyone home after a party.
I'm really speaking about this because I randomly doodled these five, so I might as well give my thoughts.
I swear, I feel parched for interaction, I need more people to nerd out with over these games, even though I'm busy these days and likely will be. Is there maybe a discord server? Maybe I'll also lurk there ( likely not, knowing how excited I am to share all my little headcanons about these two games in particular) but it'll just feel nice to have that space to view more of people talking about the game. •^•
I'm open to doodling some more characters, but I'm doing it from memory, while bored at a seminar thing - and I'm also taking notes. I am a master of multitasking clearly. These are all done at the back of my notepad. XD
I suppose you guys can ask and I'll figure it out. I'm also probably going to give my thoughts on each character, or the little I remember if I don't.
I'm planning on rewatching Grimsborough gameplay soon because half of it has left my mind, and there isn't much emotional attachment, as with these two games, so... Yeah!
This is wordy because I'm feeling awkward posting into a smol fandom Tumblr honestly. I know it's not a crime at all, but it feels like I'm intruding into a sacred space or something XD
Well, I'll get used to it. So will you, hopefully. 👀💫
98 notes
·
View notes
Not to be a weirdo and go all anime tiddy detective(again...) but I've been seeing my awkwardly salvaged Gigi/Senjumaru post getting notes, and among other issues i have with how that post wound up I do feel like I didn't actually articulate my characterization of Senjumaru's design very clearly.
Kubo's got certain sensibilities about his character design. Usually i get fixated on his love of dramatic "crazy face" and the fandom at large fixates on that one big breasted body type he knows the fans love, but he also has a pretty robust cast of modestly proportioned girls. That being said, he walks a line on that, and is very deliberate in making sure to always remind everyone that his small breasted characters do still have a noticeable chest. It's a little weird but it's pretty specific because you'd think it would be easy enough to let their silhouette flatten out for the sake of simplicity, or speed, or just because sometimes a camera angle won't naturally emphasize the bust, yet time and again he stays consistent on it in a way that predicates intent.
Also worth noting in the context of things here, Isane sort of implicitly binds on account of otherwise conflicting omake details vs her strict canon appearances. Unohana implicitly binds due to her traditional style of dress that fundamentally includes flattening out the chest silhouette. AND YET in the face of those facts they're still drawn to show distinct curvature to the chest line. Rukia, Hinamori, and Shino are all generally infantilized as a part of their design aesthetic, Rukia passing as a 15yo, Hinamori being demure and doll-like(ala her name), and Shino being part of an expressly younger generation than the heroes when she's introduced. They're still drawn with noticeable breasts: moreover there is every opportunity to just entirely lose their silhouettes to the featureless blackness of the shinigami uniform, and Kubo goes back in with the white ink anyway. SuiFeng and Hiyori actually both nearly dodge this by wearing clothes that do actually obscure their body shape, but then Kubo seemingly compensates for that modesty by giving Sui Feng her sideboob outfit when she throws off her haori(and its apparent attached sleeves?), and giving Hiyori almost out of place cleavage(well, that and almost constant midriff shots)
Point again being that these are characters with distinctly small breasts, for whom one should imagine no one would be up in arms about being drawn without some subtle bumps in theri chest line, and yet Kubo still does not miss the detail...
So with that intentionality in mind, the fact that he then went out of his way to... I don't want to call it "cleverly"... but eh... """cleverly""" avoid drawing attention to Giselle's chest by putting her in an oversized top, and even changing its design around the sleeves, and subsequently part of her silhouette(she was slightly curvier, and her outfit was less fluffy in her early appearances?), as her "reveal" chapter got closer, becomes a noticeably meaningful choice. In particular in proximity to the "reveal."
And you know who else he seemed to have taken similar care in how he drew? Shutara Senjumaru. And granted, as i prefaced this whole post with facetiousness, not as insulation but as disclaimer, this is a ridiculous angle of approach. it's a ridiculous premise. the evidence and logic underpinning every step of it is dumb, but in spite of any of that, Shurata's silhouette jumped out and grabbed me from her very first appearance. The line from her neck/shoulder down to her waist is unlike how he's drawn any other flat chested/small breasted shinigami. And that comes in conjunction with the rest of her aesthetic:
She is dressed like something between a Geisha: high class personal entertainer, a Tayu or Oiran: a high class prostitute, or a Kabuki actor who could likely be playing a character styled after or explicitly in the role of either.
Obviously her most striking feature is the bizarre headdress, which appears to be made of kanzashi[簪]: a rather broad category of hair accessories typical of geisha and oiran.
She appears to be wearing two exaugurated pins to create the shape of a crescent moon with what look like they would be the sort of hanging elements of a bira-bira kanzashi; meaning that each of those vertical bars hanging from the underside of the moon would be free to swing back and forth from a connecting link or chain(s).
The radiating golden bars from the top I assume would be a kind of hanagushi hair comb, again with obvious exaguration given its size.
And the under hanging radiance being something like miokuri.
It also gives off super distinct vibes of an art movement that I hate that I cannot for the life of pinpoint right now... I want to say it was Spanish colonial(???) that used to specifically carve halos in this style, not as a round solid disc, but as a series of geometric rays... I hate to say that the thing I always think of is how Death Note borrowed it for its pseudo religious imagery. (although I guess the French did it too a bit during the reign of King Louis the XIV, but i always associate it with the mexican art of catholic saints, but I'm not even sure if I'm thinking of the right thing.)
In any case those are motifs or themes that we never get to see explored. boo...
Shutara is however kind of unexpectedly underdressed for a super powered clothier. Her one exterior cloak thing is as bas I can tell not anything real, even ignoring its defiance of gravity. If she were an oiran you would expect more layers, and the distinctive thing i don't know the name for that they hold in front of them and conceals their hands... She does however have the unmistakable oiran raised shoes.
And finally her makeup is a little vague but with relative consistency she's been depicted as extremely pale, which strongly suggests white makeup, typical of unfortunately all three aesthetic culprits, thus not actually narrowing the reference down at all.
Taken then with her theme of clothes and costuming in proximity of theater, the power of clothes/costume and thus presentation and roleplay, Kubo's super distasteful conflation of Giselle's transgender identity as some kind of "disguise" or "deception," kabuki using onnagata --male actors specifically trained in female role performance and upheld and even coveted at times throughout history as an apex of femininity, even above and beyond that of ciswomen-- the fact that Senjumaru is just straight up a masculine name, etc...
Like i said in the other post about all this, which i'm reluctant to even link back to, without any further elaboration it's impossible to say what this actually means for shutara as a character, and any inworld logic that applies. I don't think she is supposed to be a literal actress, like she has some personal history of professional theater training and performance.
That feels like it should be obvious. But understand that while all of this was a pain in the ass to try and lay out explicitly, it's something that, knowing all these disparate factoids already, I didn't actually have to think about at all when I first saw Shutara. I just clocked her as a queer woman immediately. It felt super obvious.
But now for my due diligence.(i actually totally thought there woudl be more of it at first...) Because as confident as I am in my theory, even I can recognize that it is not without holes. For one, entirely outside this pattern is Liltotto, who is actually very consistently drawn without the otherwise ubiquitous indication of AFAB breasts I point out otherwise. And she is certainly given no particular trans coding the way I associate with Gigi and Shutara.
i was going somewhere with this and i forgot... i think i though there dbe a bigger string of tangents to go off and when there werent my brain just kinda fizzled out without drawing a conclusion...
29 notes
·
View notes