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#suguru geto analysis
bliss-in-the-void · 6 months
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Satoru, Suguru, and the Detriment of Their Origins. (How their characters completed each other.)
This is going to be an analysis on how their differences came together and contributed to their downfalls once they parted. I really like how this turned out—it’s very interesting.
Long post, read under cut:
Satoru:
Blamed the Jujutsu Higher-ups for even burdening him and Suguru, who were both sixteen, with the task of escorting Riko—who was only fourteen—to Tengen. The fate of the entire world rested on the shoulders of three kids who were only put in their position because of abilities assigned at birth, and nothing else. The three of them literally had no choice in the matter. Also, because of what happened with Haibara. Satoru deduced that the elders shouldn’t be in charge of sending kids off to their deaths to fight uphill battles.
So, he in turn decides to raise strong allies in the form of students so that they one day can overthrow the elders in hopes of establishing a more fair and just system for sorcerers. Here, he recognizes the need for sorcerers to exorcise curses to protect the populace, but does not agree with the system as it stands.
Note, Satoru before the Star Plasma Vessel incident had barely any motivation to exorcise curses other than the fact that he could do it. He did it for fun. He just liked using his powers. He was always a self-assured person.
Suguru:
Blamed non-sorcerers for generating curses in the first place, and developed a deep hatred for them that was seeded after Toji (a non-sorcerer) ‘killed’ Satoru and killed Riko, as well as after he witnessed non-sorcerers applauding the death of Riko, a fourteen year old girl. He met Yuki, Tsukumo, who introduced to him the idea of getting rid of the source of curses. He also blamed humanity for conjuring a curse that killed Haibara. His turning point was finding two young sorcerer girls, Nanako and Mimiko (~seven years old) caged up like animals by non-sorcerers. It probably reminded him of his own childhood—I can only imagine how his parents must have at least alienated him for his abilities, since they were not sorcerers. It also in part probably reminded him of Riko, and how she’d been a young girl unfairly targeted due to her abilities. It definitely triggered him.
So, his goal became to rid the world of non-sorcerers, so that curses wouldn’t exist. To do this, he had to abandon all of the principles he had subscribed to thus far and become a villain who kills people—but he did it for his cause.
Note, Suguru has always been a self-righteous person. It’s a bit different from who Satoru is. He has had time to think about his place in the world because unlike Satoru, he was born to a normal family and had to find where he belonged himself. Satoru, on the other hand, was told where his place was from the moment he was born.
So, Suguru defined himself as somewhat of a hero who valiantly, selflessly swallows nasty curses to protect the populace.
Satoru never had to define himself. He was already defined at birth. A wielder of the Six Eyes and Limitless, a once in a lifetime anomaly, a scale-tipping, monstrosity more powerful than anyone else.
These origins are both of their downfalls, and this is ultimately why the two needed each other so badly. They did complete each other as people.
As I said above, Suguru had to define himself. He had to affirm to himself that what he was doing was for the good of the people—it was how he had convinced himself society had to run. The strong protect the weak, it doesn’t matter if one had a choice or not. If you are strong, you have a duty to become a protector.
The issue with this mindset is that he has absolutely no attachment to it whatsoever. The only thing it does for him is make him feel good about himself in his early days as an active sorcerer. Even Satoru calls him out, letting Suguru know he “hates righteousness” and that he just “makes himself feel better” by “spouting bullshit”, the bullshit being his ‘heroic’ beliefs. At his core, Suguru believes himself to be a hero of sorts, which is why when things go sideways, he does a one-eighty and decided to kill all non-sorcerers rather than protect them. In his mind, he’s still affirming to himself that he’s the hero. It’s just that now, he’s protecting other sorcerers. The enemy has changed. He’s still the self-righteous, martyr-Suguru he has always defined himself as, sticking his neck out for the good of his cause.
He lost his grip because he was not emotionally attached to being a sorcerer. He was just attached to being a hero. This is why when entering Jujutsu High, Yaga puts such a huge emphasis on digging deep and finding a strong, personal reason to be a sorcerer. He recognizes that he fell short in that aspect when it came to Suguru, and doesn’t want it happening again. Resolve is very, very important so that once doesn’t lose their mind.
Now, let’s take a look at Satoru’s mind in contrast. He is the strongest sorcerer. The ‘honored one’. He always has been. He had bounties on his head before he could walk, and grown adults feared him even as a child. He was always seen for his abilities first and not his soul, so he identified with his powers more strongly.
This caused him to become disillusioned with himself. He believed that being strong was all someone could need, and that he was untouchable. He was relied on by everyone. “Gojo can handle it.” “Just wait for Gojo.” He was the trump card. That’s why he strolled up to Shibuya so nonchalantly—the way he was raised gave him a natural arrogance. It’s not because he’s a jerk. It’s because that’s all he knows. He was raised believing he was all powerful, so what else can he default to? He was literally wired that way.
Unfortunately, because he leaned so heavily on his powers, he forgot who he was as a person. Especially after Suguru, the only person he was able to form a vulnerable emotional bond with, compared him to his powers and left him.
Caveat I want to make about that point: Suguru was the only person who treated Satoru like a human being. Everyone else saw him as the Six Eyes. Because he made Satoru feel seen, because he tried making Satoru a better person (teaching him manners, acting as his moral compass), Satoru grew attached to him. So, when Suguru’s psyche took a turn for the worst and he left Satoru in Shinjuku, the line “are you the strongest because you’re Satoru Gojo? Or are you Satoru Gojo because you’re the strongest?” dealt a fatal blow to his heart. This was the one person he trusted deeply, reducing him to a man with powers, just like everyone else his whole life did. It caused a rift in their relationship. It caused Satoru to rethink his entire identity—how much of himself was based off of his powers? How much of himself wasn’t based off of his powers? Suguru’s presence allowed him to feel more human and less like a creature than he ever had. But those words pushed him back into that constraint.
In chapter 236, Satoru reveals to Suguru that somehow, though he had love for everyone around him, he felt a line had been drawn where he felt more like a creature than a human being.
A TikTok user (lauravpvp) pointed out something that drives this point home. Satoru wears a blindfold over his eyes 90% of the time. As his powers grow, the coverings get thicker and more restricting. He starts with glasses, then bandages, and then the black blindfold. Eyes are the window to the soul—and as he gets stronger, the less he shows them; the less he beard his soul.
We look into someone’s eyes to see how they’re feeling, to connect to them. His eyes are always covered, so he prevents that connection and prevents people from knowing how he feels. He dehumanizes himself that way.
Because of that, when he goes into his fight with Sukuna, he goes believing he’d the strongest and that he would win. It’s all he’s reduced himself to. This blind attachment to his powers, to the idea that he had to do it alone, is what lead to his downfall.
Because he learned the hard way that he wasn’t the strongest.
In his final moments, he reinforces what he had discovered after Suguru left him in Shinjuku.
Strength alone is not enough. Why?
He said that if Suguru had been there to pat him on the back, he would have truly been satisfied.
Suguru, who had to fight to find his identity his whole life—who, because he spent so much time defining himself, helped Satoru define himself in ways that were separate from his abilities. And Satoru, who identified himself with his abilities so much that it reinforced Suguru’s confidence in his own abilities.
They completed each other. Suguru’s moral compass and strict principles held Satoru’s head on right, and Satoru’s confidence and youthful heart kept Suguru motivated and away from the dark.
Without each other, Suguru descended into madness and Satoru lost sight of his human side.
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exstasyplague · 8 months
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My analysis/view on SatoSugu ☆
Some disclaimers: I am a fanfic author and I do personally ship the two yet I will try to keep my thoughts as objective as possible for the sake of this post. I will include my perosnal points of view as well but 'll keep them separated from the "canon facts." Contains manga spoilers.
Are they gay?
This is a funny question yet it's the best way to start in my opinion. Short answer: they don't fit inside a label. I think the best word to describe their bond is intimate. Emotionally, it's at a place in the middle of love and appreciation and I don't think this balance is constant, sometimes it might have leaned more to one side, sometimes more to another. From an emotional point of view, they could very well be in a platonic situation.
The physical aspect is not a detrimental side for either of them in regards to one another. What makes their connection so special is the fact that it happened before Gojo Satoru became officially the strongest, before he was burdened with so many things. However, he was never free. The beginning of his very existence caused a deep disturbance within the Jujutsu world. For Satoru there was never a childhood, there was never a normal life, only a path of emptiness.
Gege is good at making his characters. Especially the villains/ good guys parallels. Just how Yuji came to the realization that he is Mahito and Mahito is him, the same parallel is drawn between Gojo and Sukuna, only Sukuna is what Gojo would've been without Geto. Both the strongest sorcerers, the difference is that Satoru got surrounded by love and his mentality evolved from "the weak ones are pathetic, I don't want to look after them" to "I will push everybody up along with me through teaching and have pupils even stronger than me, allies."
Back in highschool, Gojo was young and somewhat arrogant. His power was like a blanket for him; despite not understanding Geto's philosophical things and not agreeing with them, Gojo also, unintentionally, gave a meaning to the things happening to him "I am the strongest."
Even in the current ongoing fight (Sukuna vs Goatjo), the panels sometimes speak about love, but not in the way we would normally think; it's about the feelings of the strongest, different from the perception of average folks like us. Nurture vs Destruction.
Gojo had the power of being evil without any repercussions. Being the strongest, nothing could hurt him. He always showed his compassion towards Riko through small gestures, such as staying more at the beach, teasing her etc. Him wanting to go on a killing rampage under the pretext of 'not feeling anything' was Gojo's way of showing his disgust at the fact that hundreds of people were celebrating the death of an innocent girl. Being the strongest didn't matter. She was dead.His conviction shattered. However, he had so much trust in Geto's morality and mentality that he followed his advice. That is the kind of person he was for him. Even in Jjk 0, Suguru said that he didn't think Satoru would have any trust left for him— he did.
The only one who could understand him, speak with him, treat him like a human. His one and only. Gojo liked the fact that they were the strongest together because he also had someone to lean on.
In the manga, Naoya, the head of a powerful branch of the Zen'in clan talks about Toji. He said that as a child, he expected him to be a miserable man since he had 0 cursed energy yet when he saw how powerful and proud he was he got scared of him. He mentions that the only one being able to understand Toji was Gojo.
Only... Gojo is stronger. Toji couldn't understand him, he called him a monster. He got drowned in petty feelings characteristic to what Sukuna would call weakness and got himself killed.
Gege also mentioned in an interview that he wanted to give his characters abilities similar to Bankai (Gege legit started making manga because of Bleach, what a God) Bankai is a reflection of the soul in Bleach projected onto the swords of the Shinigami. Same with Domain Expansions in JJK. Gojo's literally repels everybody around him, it's called Infinite Void and it shows the way in which he looks at the world and views himself. Untouchable. Out of reach. An overflow of information.
Even if Bleach is a pretty stereotypical Shonen creation (don't get me wrong, I love it but the plot is pretty basic) when the protag. Ichigo was fighting against the main big powerful villain, Aizen, he said that he could feel Aizen's sword wavering with loneliness. This very concept applies to the powerful peaks of Jujutsu Kaisen. The path of power is lonely. Kenjaku himself said that Gojo is truly in his element when he is fighting on his own, the ones around him can become a liability really quickly. This of course, when it's about fights where he has to put in some efforts. That's why nobody is interfering with his Sukuna duel.
Satoru started being truly alone after Suguru left.
Another waver of his conviction. But this time, not only about not being strong enough. He didn't do enough. Ever since Gojo unlocked his techniques and became powerful, he wasn't allowed to be human anymore. He had to do mission after mission, take over the missions unfinished by others, he was expected to do everything and be the saviour of the Jujutsu World. With Suguru, he was human. Yet, just as Suguru said 'it was a busy summer'. No more space for one another.
Geto was also strong. A special grade. He too became lonely.
For Sugru, having a meaning was fundamental. His cursed technique was a constant reminder of how awful non-sorceres are. He would eat their malice, who tasted like a cloth wiped in puke and shit and whereas he understood Satoru, nobody understood him. He himself said that nobody has any idea just how bad curses taste.
When Itadori was eating Sukuna's fingers in the beginning, he would choke, cough complain a lot. Geto had over 2000 curses. He had exorcised and ingested again and again and again. The only humanity around him was Satoru, his best friend. And that got taken away by the Jujutsu world and he remained alone with his own despair. He went on his own path, feeling useless and misunderstood, still viewing Satoru as a friend but also as a term of comparison. He got left without meaning and so he forged himself a new one. He became really similar to Sukuna, with no regard for the ones beneath him, the monkeys. But also, ironically enough, Suguru stopped being the strongest. He viewed himself as weak. He doomed himself. He wanted to feel necessary— he was desperate. He thought he was saving the Jujutsu world.
They were probably meant for tragedy. And that's the sad part. Satoru would've outgrown him regardless but maybe Suguru wouldn't have chosen such a radical path. Toji's existence, an anomaly, broke the flow of their fate. (approx quote from manga) That's why he is more relevant to the story than people believe. Sure, he is sexy as fuck but Toji is literally the beginning and the end of an era, he is everything.
Gojo's second waver pushed him to become a teacher. He had grown and chose a smart path, preserving the youths, the future; no more mass murder. Suguru remained stagnant with his hatred and eventually died. For him, I'd say his life stoped the moment Riko died. His potential as a sorcerer came to a plateau. Everything came to an end so it was only a matter of time before his body died as well.
Back on Gojo's humanity. The funny thing is that this point was proven by the readers of the manga themselves, lol. When Satoru got sealed, he got shat on hardcore. Like, you can't imagine. Reddit and Discord servers were eating his ass up worse than they do now with Sukuna for using Mahoraga. Gojo got blamed for Nanami and Kugisaki (rip my angels, still praying for Nobara), he got blamed for Sukuna taking over Megumi and probably he blames himself too— what "mistake" did he make? Showing humanity when being met with the corpse of his best friend, his only catalyst, his only balance, the only one to ever make him feel normal and give him his Blue Spring, the most beautiful moments of his life. And Kenjaku knew that Suguru's corpse was the only thing to make Satoru waver. In the manga it's clearly stated that despite more than one minute having passed in his mind, physically he stood still for 6 seconds. Even his most regretfull, sorrowful crisis lasted him an inhumane amount of time.
And Gojo too, was the only thing that caused the remaints of Suguru's soul to attempt strangling Kenjaku. (which he admits has never happened before. and suguru is dead— gojo literally triggered the residues of his soul). That's what I mean by intimate.
Even if the concept of soul is often spoken about, their souls are connected. That's how much they mean for eachother.
Perosnally I find this relationship to be perfectly beautiful as it is, without any flaunt of erotica needed, kudos to Gege. I still enjoy writing angst and smut based on their dynamic tho XD. And I don't agree with the ones calling them straight and being so eager to deny them or resume this deep connection to just friends. Like sure, they are not gay-gay but they are... linked. More than friends, more than family. Gege themself said so when speaking about them. I think it's a very clear statement.
If you like the way I think and view characters, check my fics, lol. Much love <33 exstasyplague on A03.
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I think people project on Suguru way too hard. /l-h /gen
Like, when YOU say "are you sitting next to me despite being a bad person?" for setting a boundary to a toxic friend, it's one thing. When Suguru Geto says "are you sitting next to me despite being a bad person?" he's thinking about murder and prejudice and hate. 😭
Suguru didn't "abandon" himself. He was ALWAYS that person. He never liked the weak, he didn't change, he just destroyed the societal-placed limit. He ALWAYS protected the weak out of a sense of obligation.
I.E: "Satoru, it isn't nice to make fun of the weak, you know?" NOT "it's not okay", "it's not nice". Suguru WANTS to make fun of the weak, but he has the mental restrain not to do so.
The only thing he did is get rid of the voice in his head that told him to keep those feelings dormant. And when he had no one to keep him in line, he realized he had no reason to stay in line. As someone else pointed out, Suguru's change wasn't a break in his perception and reality, it was a slow, self-aware descent. He didn't break, he stopped caring.
All this to say y'all want more grey-morality characters but can't handle Suguru Geto and recognize he's an asshole. Smh.
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something that's been rattling around in my head for a while about geto and his mental snap:
on the surface, geto appears to snap because amanai dies, kuroi dies, haibara dies, and gojo almost dies. because he was so close to tragedy, and for someone who came into the jujutsu world from the outside, he can't take it.
but i think deeper than that is that amanai dies, juroi dies, haibara dies, gojo almost dies, and it's all treated like that's normal. the loss of life, especially young life, has no meaning. it wasn't the death. he's a special grade, probably very familiar with the concept of sorcerers dying, and yes, unable to handle that reality when it became personal to him. but more importantly, he was unable to accept that their suffering, the suffering and sacrifice of literal children (amanai was 14, haibara was 15/16, he and gojo would have been 17 at the time) meant nothing.
that's why the village was the last straw. he saw young kids, 5 years old, suffering at the hands of the people he fought to protect and was expected to treat that like it was normal.
and to be honest, i'd lose my mind at that realization too.
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sasukesun · 7 months
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the directing choice of putting the soft music playing the moment kenjaku says “yo, satoru” and make it stop the moment gojou realises it was a trap, the moment he falls back into reality and asks who is he, as if in the meantime he was dumbstruck by the possibility of having suguru back while also being flooded with the memories of his first and last blue spring of youth and the warmth that those memories bring him, to make him subtly smile when his six eyes tell him that it’s suguru, and then to play the same song but in a sinister way when kenjaku reveals himself and gojou realises his best friend’s body was violated like that, the sickening feeling. you could say the music expresses how gojou was feeling inside. and would also like to highlight the excellent job getou’s va did here, he speaks in a much somber way than real getou. great choices mappa.
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justrustandstardust · 3 months
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in the season two op, we see gojo with an umbrella, rushing over to meet geto. despite the fact that he literally doesn't need one, gojo very clearly brings the umbrella for geto; this is made obvious because this scene is intercut with shots of geto impatiently waiting in the rain and holding a bag over his head.
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in the season one op, he's once again walking through the rain, but this time he doesn't have an umbrella.
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the absence of an umbrella in the rain is stark in comparison to the season 2 op, where the umbrella is the focal point of gojo's stroll through the rain. in season 1, literally everyone else in the opening has an umbrella, making the absence of gojo's even more noticeable.
in both openings, he's walking in the rain. but only in one of them does he have an umbrella, despite the fact that he doesn't need it in either of them.
if you notice something is missing from a room, it's still there, isn't it?
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ellionwrites · 4 months
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The way that Gojo cares so much about protecting his students’ right to be young and have fun…
In JJK0, with Yuta
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In JJK S1, with Yuji
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Because Gojo's own youth (especially his early years at Jujutsu high) was so precious to him. Probably the happiest times of his life.
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redrocketpanda · 10 months
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Something that has been driving me insane about the credits are these sections with the fish so please bear with me whilst I do a mini deep dive (hehe) into fish discourse because YO, we need to talk about these fish!
Notice how at the beginning of the credits we actually have two white fish swimming along beside one another; one with bright turquoise eyes and the other with black.
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A little while later the fish begin to circle each other and a droplet falls into the water between them. As the disturbance ripples out from the center, one of the fish dives deeper into the water and changes its colour to black; symbolizing Geto's change and descent into darkness
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Then we have this heartbreakingly beautiful moment with Gojo and Geto:
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I cannot stop thinking about how long Gojo watches the black fish for as it swims across the screen, whereas Geto's eyes are lowered the moment the white fish appears and he closes them as it swims past.
Gojo cannot bear to tear his eyes away, whilst Geto cannot bear to look
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Throughout the credits, Gojo and Geto have been making their way towards each other through the pouring rain (or mostly sitting and waiting in Geto's case). At the end, they meet each other under a bridge and as they walk away together we see the fish a final time, swimming together again in a puddle formed by the heavy rain.
Geto walks on the left in the light, as the white fish swims close to his head, almost invisible in the brightness of the light. Whilst Gojo walks on the right in the shadow with the black fish swimming further away but still close by.
The fish speed after the two men before disappearing completely under the water just before the camera pans up and we watch as Gojo pulls Geto in for a hug as they walk away, before he's playfully shoved away by Geto.
There's a lot going on the credits (+ opening) that is absolutely killing me but man, these fish?! Breathtaking.
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virgobingo · 5 months
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i wish people didn't try to filter geto's decision through a western lens because they're forgetting a huge part of the puzzle and it's the fact that sorcerers are oppressed by non-sorceres in the world of jujutsu kaisen. geto’s whole thing is "there's so few of us and yet we work ourselves to death for your peace of mind, while you remain ungrateful".
it's all more equivalent to health care workers trying to treat a virus. which also aligns thematically with the subject of labour across the series (jujutsu sorcerers being spread thin to the detriment of inexperienced workers, a job you value vs a job that compensates but drains you of your spirit, the myth of meritocracy) .
which is why controlling the output of cursed energy should be seen as the equivalent of being born with or developing an immunity to a disease. this is why a "culling" sounds possible to geto to begin with— people being pushed to adapt or die in their lifetime to prevent future outbreaks, like one would with a virus. strongly differing to kenjaku, because they essentially yearn for this disease to spread out of morbid curiosity (while geto wants the work to end):
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geto is a character you are meant to see yourself in. as, in all likelihood, a laborer yourself or someone that will become one. his story is that of exploitation at the hands of a system that only cares for results. leading to isolation in hopes of achieving high productivity.
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tangentially, i think a subject that is often ignored in these discussions is the financial incentive to take on more and more work onto your plate too. mei mei is perhaps the clearest example of this, no explanation needed. nobara, a second, when she explictly tells us sorcerery work is the only way a small town girl like her can make it in the big city. megumi, a third, when we learn the money the school gave him helped keep him and his sister tsumiki afloat.
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while gege does not delve into geto's past, we can safely speculate part of the reason geto keeps working day after day, after day— despite his wavering convictions is because there is something that encourages him to do so. financial stability would not be an odd motivater. after all, why do we push ourselves everyday to work jobs that no longer add anything meaningful to our lives? geto is the type of character that forces us to examine such things.
as an aside, when he first dons the robes of a cult leader, money is at the forefront of his concerns. if it wasn't obvious before, gege tells you again— choosing not to be a sorcerer, implies a serious loss of income.
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i think, all in all, geto's spiral does not hinge on the fact that he was secretly evil the entire time. it lies in disillusionment of a system that only seeks to preserve itself. note that this is why yuki works outside of it. no doubt her experiences as a former star plasma vessel informed her reasoning. it's also why gojo decides to become a teacher and change the institution from within, wielding his privilege as a shield over others.
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lxmelle · 1 month
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The man surrounded by the theme of love…
Geto.
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Gege has made several writing choices to depict Geto as someone who was handsome and loved - arguably more than any other character in the series. Maybe Gege loves him the most - not complaining at all.
More under the cut - just a few visuals I’ve collected to demonstrate this. I’m certainly not alone in noticing it and there may be others who show this much better, lol. Tag me in if you want to share!!
My post does end with a not-so brief analysis which you can skip if you wish.
Geto, despite being cursed at birth with the technique to absorb the ills of the world, the very skill that led him to fight alongside Gojo as part of the Strongest Duo - by design, each others’ counterpart in so many ways - a twist of fate led them onto opposite paths, leading to complete imbalance, one that drove him into madness.
If Geto in some ways represented Love, it is truly the most twisted curse of all which played a part in his death.
Geto witnessed the most love confessions in the whole series - I found (and stole) it off twitter/now X:
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The Japanese originals seem more compelling to me:
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Riko says “daisuki” whereas Yuta uses a more traditional “Aishiteru” which, is quite embarrassing of a confession, and therefore almost hints at what could be Gojo’s last words to Geto, if it directly parallels Yuta & Rika’s relationship. And that expression Geto wears when he sees Riko and Kuroi struggle with separating?
That does not look like a person who cannot sympathise and empathise with people. Geto was a person who cared too much, and in search for a way to protect those he cared for, needed an outlet and something (in this case, lesser being, the humans) to blame. He descended into a mania and much like shinobu sensui from yu yu hakusho, seemed to develop some kind of mental disorder due to being unable to carry the conflicting ideals together. The dissonance the world presented to him was just too cruel, and he himself became a weapon to defend his ideals.
Before his defection, Geto was liked by his peers:
Haibara
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Mei Mei
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Loved by his family for and despite his ideals:
Mimiko and Nanako
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Shibuya crew liked/loved him and carried his will/beliefs even after his death, in their own ways, as family:
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Miguel and Larue in the most recent chapter to date:
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Translations (rough):
Larue: You and me alike, we just wanted Suguru-chan to be King.
Miguel: Yea, I followed just because it was Geto. After shibuya, I trained Okkotsu and I don’t want anything to do with the country anymore. (Something along these lines; a little too complicated for my rudimentary Japanese)
Larue: You , me, Mimiko, Nanako, Manami, Toshihisa, everyone just really liked/loved Suguru-chan.
Canonically, he was known to be handsome and popular:
Takaba
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Gege’s character book:
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JJK popularity poll:
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I do not have screengrabs of how Manami and Larue joined, but it was said to be due to how handsome they thought he was.
Maybe he was like Rika, who did realise how she came across in her life, and manipulated people, lol. But that’s a bit of a stretch to bring that parallel/similarity in. Geto was just quite a magnetic person, according to Gege.
And in the most roundabout way:
Gojo:
“my one and only”
“Love is the most twisted curse...” “curse me a little at the end.”
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“I don’t need love to satisfy me” ... “if you were there I might’ve have been satisfied”
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While love surrounds Geto, the theme that follows Gojo appears to be “the strongest” cursed; he was admired, revered, feared, and disliked by many. It truly breaks my heart, to think of what he had to give up to carry the weight of this for his whole life, until the very end.
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This looks like the most dizzyingly lonely picture of Gojo. It was indeed ironic to have it all but to embody what it means to have an unlimited void by being totally different.
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He suffered so much for his power and to have carried this strength. The sorcerer world was practically on his shoulders. The balance was up to him; everyone relied on him. Every time he tried to protect his love (geto) it seemed to fail. It worsened each time, ending with his own demise. But of course that’s just a dramatic interpretation - I don’t really mean/believe that, but it is one way to see the tragedy between Gojo and Geto. Strength at the expense of love; it plays out with the strongest this far as those identifying with this title are plagued by loneliness and do not know love.
They met before things got twisted within themselves, between them. Even after Geto left, Gojo seemed to be looking and waiting for him - to prove his trust for him almost as if he saw through his illusions and lies. Geto was the shadow (Yin) and Gojo was the light (Yang). Only the light can see through the dark. I’ll leave the gojo characterisation for another time / to other better writers.
For now, I’ll just say that I felt that he had planned for the possibility of losing to Sukuna (with the various things we see him do between scheduling the 24th and the actual day) and if he won, he’d just carry on the plan to cremate Geto on top of saving everyone and being a good example as the strongest. Worst case scenario, he would weaken Sukuna and I guess just die on the same day as Geto - idk, maybe as a form of redemption for one of his most painful experiences in life. Who knows?
I headcanon he was relieved to pass on, doing his part to defend the world that relied on him so much, with a big bang - a really fun fight.
And I’m glad they found each other at the end - the loved and the lost.
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Back to Geto:
We don’t get much insight into what Geto wanted or felt aside from a world that was better for sorcerers, those he cared about. Even at the afterlife scene, or in subsequent chapters, we only hear from others rather than Geto.
Call me biased and delusional; I believe he didn’t kill the innocent despite saying he hated them all. He loved and hurt so strongly that he hated with almost equal force. He did want to force evolution and eventually extinguish all human kind, to him: the ignorant source of suffering, but I’m glad he didn’t manage to get Rika. I headcanon that he was aware he was losing himself by defying his own principles (to kill sorcerers) for his own gain. That, and Rika with a binding vow for a life, no less, was just too powerful.
In the official character book, Geto was described as someone who told himself that he hated humans a lot, like a reminder. He didn’t kill people indiscriminately. I’m sure he was well aware of how evil he had become but he had chosen, hadn’t he? He expressed to Yuta, that self-affirmation was incredibly important in his view. And the more he interacted with the students, I think the more his humanity fought back - I mean, he was standing there crying from being so moved by what he saw. He also let Yuta heal his friends. How villainous? Or how incredibly loving in spite of himself?
Geto has been shown to lie to others too: jjk 0: described having lied to the school about the conditions for obtaining a cursed spirit, and after defecting: upon taking stage for the first time, stating that the looking the part (wearing gojokesa) was important (ie lying). At his death’s door, he also prefaces with, no matter what anyone says - why would there be a need for that if he wasn’t telling a half-truth? He sought to avenge Riko (first person at the cult he killed after calling him onto the stage + cue mic throw) and the village represented a bunch of people who he slaughtered out of rage and ignorance. I’m definitely not defending him here - his actions are reprehensible. My headcanon view is that he didn’t know how to live with himself after snapping and that was the only path laid before him, which he ardently committed to.
I just think that he held onto a form of love/humanity still- Gojo and Geto both did. Without it, Geto would’ve become the Queen of curses due to Rika (uncaring about his family, or killing young sorcerors despite witnessing the students’ bond and yuta’s selfless power of love in jjk0) and Gojo may have focused on training at all cost without embracing Geto’s principles and becoming a teacher to change the jujutsu world - he could’ve become the next Sukuna and take the title of the King of curses instead - crowning them both King and Queen - instead of both the King and Queen contributing to their deaths. Anyway, I digress...
Geto appears very mother-coded in his protective and defensive relations to the girls, but also to Riko, Kuroi, and Gojo - especially after Toji had killed them. He was so fiercely trying to avenge and defend them, but failing that had a huge effect on him. Moreover, Haibara - innocent, glowingly positive - suffered an undeserved death. It weighed so heavily on Geto, that he didn’t defend Gojo when Nanami vented about leaving things to Gojo who seemed to take it all in his stride, almost insinuating that Geto, too, had little autonomy but to carry on that cycle of curse consumption he began to loathe.
Yuki also underlined the meaninglessness of the death / sacrifice / relationship rupture / suffering. And like the novel implies: Geto was too sincere for this world. He just loved too deeply and wounds cut him too painfully. At just 17... what inner resources were they forced to develop?
He was disillusioned by the system, but respected that Gojo had a place there. This is also SatoSugu indulgent: He never once attempted to talk Gojo into joining him, despite it being the most logical choice, but Geto was the emotional and loving kind - he prioritised Gojo over his ideals / himself. This man was willing to die trying to pursue his ideals, but didn’t want to try convincing his friend even if he know it might fail. What does that say about him? I think it says he loved Gojo. And Gojo loved him.
He masked like Gojo did : the infamous “yeah I’d win” and Geto’s “I’ve made my choice” and his face fell as he had his back turned, stating that he just needed to do it to the best of his ability. This may be headcanon but it does seem plausible to me. He was under no illusions about what he had done. To love was to turn away too. To love was to let the other go. Sigh.
Backtracking a bit: When Geto encountered the twin girls, who knows what entered his mind, but there was something that emerged from being horrified, enraged, and it gave birth to new meaning. He would take control and save them - from humans and the institution that made child sorcerors die. According to Gege, he became Papa Geto. (Kenjaku is also mum-coded but the antithesis of motherly love, with the womb protrusion domain and actually bearing children.)
This is of course not limited to feminine energy, as parents, both male and female, have protective instincts. But I’m not here to go into that discourse. Just stereotypically, and loosely speaking, Geto is very Yin energy. He is a big Mama Bear. With extreme maternal aggression. We see female counterparts do this in the wild more than males. And yes, of course both male and female are protective. Both geto and gojo were protective in their own unique ways. That’s for another post. Geto would rather die than have anyone come save him. In fact, the scripture behind him in the temple goes somewhere along the lines of “death to the weak”. If he had failed, he deserved to die. His family should live.
Gojo cares for others differently. And yes we know he died whilst defending others too. He is inherently more individualistic due to what he is with his gifts and noble heritage. He is less emotional and more cerebral, the only time we saw him lose his composure was due to Geto.
He allows his students to take risks and would allow them to fight in his stead, like in jjk 0 where Toge and panda were sent to be defeated by Geto. Tough love, as Gojo admits. This is also very Dad-like in the modern sense of the word.
In my subjective experiencing of the world, it’s almost like a husband who is only really emotionally vulnerable with his wife, and is otherwise the successful businessman, dad, and whatever else he is. Geto is much like a mum that he would walk away from her husband (lol, Gojo in this case) in order to protect them in a way she deems is best. Maybe I’m a little nuts, I don’t know. (Actually I am a little eccentric, but that’s by the by).
Now this is totally just satosugu indulgent: I headcanon that Gojo also “protected” / was possessive of Geto by making a deal with Miguel since the latter said he would curse Geto if he died, lol. Especially in light of the latest chapter where Miguel said he was spared by Gojo. (And i reckon Gojo was respectful of Miguel being Geto’s family, so he spared him for that reason too). I mean, Gojo had to kill his best friend, but this was his burden to bear, you know? It’s almost sickeningly intimate to allow someone to end your suffering, and be entrusted with that too. Ugh, ouch, my heart…..
Edit: I’m reminded of that scene where Shoko reflects on loving neither of them, like Gojo, Geto didn’t want anyone to be alone anymore either. Geto said he didn’t feel happy from the bottom of his heart. Gojo felt lonely (although he said it got better at the airport scene). They weren’t alone, but probably felt it… because of the absence of their true/first love? Larue stating in the panels above that Geto wouldn’t wish for them to fight seems like a nod to what Geto believed happened between him and Gojo. Gojo raised allies - be strong, don’t be left behind. Geto a family - get along, don’t fight. Just pointing out what my take is on the parallels I’ve observed.
That ends the brief analysis portion of what I wished to convey about what appears to surround Geto. He may not have been depicted much in the series, but his presence has been felt through the eyes of many. It made me wonder why did Gege do this?
This author deliberately wrote multiple people in the verse to love and follow him (and spare him a death sentence for 10 years) despite not agreeing to his ideals.
Perhaps it isn’t Gege’s focus, understandably, to give us a lot more insight from Geto’s pov, but there is certainly some kind of narrative he is pushing to depict how this man, cruel yet kind, is somehow one of the few he seems to portray in this way more than others within the sorcerer world at the very least. That his life was somehow a tragedy that he might not have really known the love at all? I wonder what Gojo’s last words were to incite such a heartfelt reaction - well done? Welcome home? You did well? I love you? My one and only best friend? Sigh, I guess it’s a secret between them.
There are others who have written metas on Gojo and maternal energy. If I find it I’ll link it! Otherwise, search through my reblogs! So many fantastic writers and thinkers out there!
Thanks for reading if you made it this far!
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bliss-in-the-void · 6 months
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The way Suguru looks at Satoru has me by the neck already, but the way Satoru looks at Suguru?? Oh my god.
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That’s his entire world right there. I don’t know how to explain it but these frames just scream “all Satoru sees is Suguru.” Like. He adores Suguru.
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Don’t get me started on the look in his eyes when Suguru expresses his concern over his overuse of his technique. The vulnerability? The way he looks surprised, the way it looks as though he feels seen for the first time ever? There is something so tender about this. I can’t even describe it but it’s just there.
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“I’m fine.”
Satoru knew damn well he wasn’t okay. No one sneaks up on him. I know he had to have been freaking out on the inside. How did he sneak in? How did I not sense him? No one gets behind me, no one is stronger than me, what’s going to happen?
But he held it together for Suguru. I feel like it’s instinct for him to automatically reassure Suguru, regardless of if it’s true or not. He schooled that expression on his face and looked so gently at Suguru…man.
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You can just see how absolutely devastated this man is in the moment he has to kill the man he loves.
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The split second he defied all logic and believed that, even though he’d killed Suguru with his own hands, Suguru had somehow survived? The elation on his face to see him one last time?
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“It might be goodnight for me, but it’s about time for you to wake up.” This is the smile he had on his face before calling out to Suguru, attempting to reach into the land of the dead for him. It’s like in this frame instead of the monster inhabiting Suguru, he just saw Suguru.
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The last thing he sees before he gets sealed is Suguru’s face, smiling. I can’t imagine the anguish he must have felt here. It’s almost as if he’s clinging to it, trying to pretend that it really is Suguru. Trying to convince himself what he knows isn’t true.
Conclusion: there is no one that loves anyone as much as Satoru loves Suguru.
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exstasyplague · 7 months
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geto shedding a tear after gojo tells him he wished he'd be there to cheer on him will never cease to break me.
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after he got released from the prison realm, he instantly teleported where geto's body was.
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just realising that back then, his gaze was so cold because he sought suguru in the crowd is..... GEGE WHEN I CATCH YOU GEGE
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sugurusmoon · 5 days
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I'd be the voice that urged Orpheus
When her body was found (hey ya)
I'd be the choiceless hope in grief
That drove him underground (hey ya)
I'd be the dreadful need in the devotee
That made him turn around (hey ya)
And I'd be the immediate forgiveness
In Eurydice
Imagine being loved by me
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Lyrics taken from “Talk” by Hozier
Art from the anime Jujutsu Kaisen
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posletsvet · 9 months
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Something about the conflict which Gojo and Geto's ideologies present in the narrative being a war in the field of ethics that is deontology versus utilitarianism. The former placing value on the means, on the nature of an action, on how it is done; the latter prioritising the end, the outcome of an action, on why it is done. It is one of them choosing to tend to the younger generation in order to foster them into strong and reliable allies, no matter how much time it will take him to arrive to the finish line which is changing the system. It is the other erasing himself in pursuit of his goal, succumbing to the most wicked of ways to bring about the greater good.
It is the trolley car problem. It is Gojo refusing to accept the sacrifice of the one for the good of the many (we see him do this several times: with Megumi, then with Yuuta, then with Yuuji). It is Geto reasoning that whiping out the majority of the population to ensure the survival of the few (particularly those he holds dear) is still worth it.
They perfectly counterbalance each other while waging war not against one another but rather the system that brought them apart.
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Dunno! Just something to think about I guess.
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There is so much angst potential in the way that Gojo is also Tsumiki’s guardian I feel like it’s making people uncomfortable and they happily ignore if. But like idk. Like i am so insane about this. That Gojo would go and sneak some time for Suguru if not for the fact that he cares about two kids now, one of which isn’t a sorcerer. What would he do if Suguru kills Tsumiki? As a dumb show of how weak and insignificant she is? Gojo would not forgive that and he cant face the reality that Suguru would be ready to kill someone rhat close to him. But it is, thats what Suguru lives for
Idk i feel like we cant ignore how actually fucked up Suguru is. Like genocidal. Like he taught his daughters how to kill and they are legitimately the most fucked up kids in the series, actively enjoying strangling non shamans. Like there is so much shit there is just want to ignore canon entirely but also GOD just imagine Gojo and his desire to show him the kids he’s taking care of but he cant because then Tsumiki would be in danger
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justrustandstardust · 2 months
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i saw an incredible post on tiktok and i wanted to expand on it, because it's genuinely amazing. all the credit to @noesbf on tt for the idea that inspired these thoughts.
geto's character is threaded through with motifs of consumption. he takes things in, whether they be curses or daughters, and is spurred by intense empathy that ends up going in the "wrong" direction once he takes the entire jujutsu world under his wing.
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when we're introduced to him in hidden inventory, our first glimpse is of him consuming a curse. he's also alone, in a dark alleyway, a symbolic image that parallels his journey throughout the story. he's a consumptive force, a facet of his being that ultimately leads to his undoing because he consumes the responsibility of "saving" the strong, who are burdened by the weak.
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gojo, on the other hand, repels. he's an outward force, extending out a physical barrier that creates distance between his body and the world. where geto invites, gojo rejects. their abilities are constructed as diametrically opposed to one another's.
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through the motif of gojo's abilities, this image captures their consume/repel dynamic in a singular shot. after riko's death, gojo leans into red, which repels. he focuses on growing stronger and in doing so, isolates himself from the world (and subsequently, geto). on the other hand, geto leans into blue, which aligns with the consumptive nature of his character. he harbours riko's death inside of himself and it festers, like a curse.
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black holes are all-consuming vacuums. they subsume everything around them and create an inescapable vortex— once you're pulled in, you're never getting out. it will literally eat you and in doing so, makes you an everlasting part of it.
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white holes, on the other hand, function in opposition to black ones along the same axis. where black holes pull, white holes push. nothing can enter them; they're doomed to a lonely eternity because of the force that holds the universe at a distance. nothing outside of it can affect what goes on within, yet it affects everything around it.
however, white holes can be subsumed by black holes. while nothing can enter them, if a white hole were to cross paths with a black hole, its consumptive force is so powerful that it would eat them too.
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after geto and gojo experience a rapture in their relationship, gojo withdraws from the world, holding everyone at a literal and figurative distance. yet, even while he's alone, he's endlessly drawn towards geto. his eyes are bound but his soul isn't— it's tied to the piece of him inside of someone else, and gojo visibly feels the pull.
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white/black holes also correspond to the colours associated with gojo and geto's characters (they align with their yin/yang dynamic, where yin (black) symbolizes darkness & the moon and yang (white) symbolizes light & the sun).
yin/yang are more than two halves; they form an indivisible whole. they become one another: light turns to dark, the moon replaces the sun in the sky, life transitions into death only to be born as life again.
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if two celestial bodies exert oppositional forces upon each other, they function in equilibrium. geto's consumption was growing alongside gojo's repelling, reaching an event horizon when he took the lives of 112 villagers and forcing the two of them out of equilibrium. he continued to consume (curses, money, vulnerable people through his cult) until he died and took gojo's soul with him.
consumption can only exist if there's a repellant force pushing back. geto and gojo are not opposites, instead, they each contain the other— every yin has yang within it and vice versa.
they are borne of each other, they are unknowable without the other. they are more than matching; together, they are complete.
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