Tumgik
#studio flat move
Text
Tumblr media
South London Removals understand that every South London Removals has different needs, which is why no two moves are ever the same. Whatever your situation, South London Removals offer a comprehensive menu of moving services, which means South London Removals can personalise the entire move to suit your needs, timescale and budget.
We are a family-run business based in South London that specialises in domestic and commercial removals, deliveries and storage and operates throughout the whole of the UK and Europe. Our aim is to be perceived by our customers as the best removal and delivery specialists providing a seamless customer experience from initial enquiry to work completion. Since our founding, SLR has been known for quality services, exceptional efficiency and professionalism. No matter what service you are looking for, we guarantee to meet and exceed your expectations and ensure your satisfaction.
0 notes
actual-changeling · 8 months
Text
how do people live without constantly being afraid. not in an anxiety way or having something concrete to worry about, i'm just constantly scared simply because i am alive and existing.
i know this is a consequence of all the trauma and abuse i went through but it's genuinely wild to me that people exist and go without their day feeling. normal. and not like this.
7 notes · View notes
thirdsonofeve · 10 months
Text
I don't think Nacho's living situation is ever confirmed in the early seasons but the idea of him working his little job sewing car interiors at his dad's business and then driving his uglyass van home to his all-white house and his three girlfriends is so funny to me
6 notes · View notes
jaffre · 1 year
Text
Tumblr media
suitcase of creatures
8 notes · View notes
cheddar-baby · 2 years
Text
Hoping people read the clip studio subscription update notes because in the twitter thread about them im seeing tons of people really jumping the shark from 0-100. So here is the cliff notes of it.
-Clip studio is putting out a new version called 2.0 (idk what the features are to warrant it being 2.0 it doesn't seem like they've announced that yet)
-2.0 has its own "update pass" which you can pay a yearly or monthly subscription fee to update your 1.0 to this new version. This is what people are angry about.
-2.0 also comes with the perpetual one time purchase just like 1.0 has. Assuming it lines up with how 1.0 is sold it will come on sale often and cost you around $35 (but again i don't know it hasnt been confirmed)
-It looks like when they move into 2.1 onwards you might either need to get the subscription or do a one time payment (it isnt worded super clearly) but you will have access to the 2.0 features and future security/bug fixes. This is also what people are angry about
-You can continue to use 1.0 without any extra money put into clip studio and it will get future safety and bug fix updates but will not get big feature updates.
-a 3.0 clip studio was also vaguely announced and seems to follow the same system of either having a subscription update or a perpetual one time payment (but it isnt clear).
-as always if this isnt something you like, can afford or want to even pay for just pirate the software.
I think there is a good bit to side eye about the update and program subscription models are just god awful in general so i totally understand people being upset. But you can get 2.0 as a one time purchase and im hoping if they're doing this the reason is that its a big actually valuable update but we'll have to wait and see. But i think the biggest take away is if you own clip studio already you DO NOT need to swap to subscription to keep using your program you paid for it and own it (as much as you can with digital software) and they will be doing support updates to keep it functioning.
19 notes · View notes
alonetogether · 2 years
Text
today i become a studio flat bitch
16 notes · View notes
damnprecious · 1 year
Text
apartment hunting be like 'that flat is in an inconvenient neighborhood, that building is right next to a massive construction site, that kitchen hasn't been updated since like the 70s and the stove looks like a fire hazard, this apartment has a super inconvenient layout, this hasn't got enough storage, a minimum one year contract...'
#noopa rambles#frigging studio apartments having stupid layouts#esp the trend with new apartments to have the kitchen just along the living space wall is killing me#it makes furnishing the rest of the apartment such a pain#fucking hate that moving seems like a smart option atm#bc there's gonna be construction that will last for years right outside my window soonish#I'll have some time to find a place before it starts#I really don't want to live right next to a construction site for years when I work from home#if I didn't work from home it wouldn't be an issue#ofc I could wait and see just how loud the construction will be when they start doing the demo first#kinda still wanna move cities but the city I wanna move to is so much more expensive#I'd either need a roommate or live far from downtown#which would be super annoying for a side job commute and I'd like a side job#and I don't exactly know anyone I could ask to be a roommate#and let's be real I also wouldn't want to ruin friendships by existing as a roommate#I feel like I'd be a disaster as a roommate#I really like my current flat the layout is sooo good and the location is excellent#I'm lowkey just considering finding a flat in the same group of apartments but a few buildings down#so that there'd be at least a block and two-three buildings between me and the construction#but idk if that'd still do enough to protect from the noise so it might just be pointless to move half a block#but this location is just so good man!!!
2 notes · View notes
iishmael · 2 years
Text
FINALLY. The horrors have ceased for a moment!!
1 note · View note
disneyrot · 2 months
Text
When I see or hear someone saying Spirited Away and Into the Spiderverse are the greatest animated films ever, I will just throw their opinion straight into the trash. Tell me you haven't watched anything older than 1989 since you were around 7, and you think animation, outside of anime, is for children without telling me. Calling it there. Honestly, if you claim Ghibli movies are better overall than Disney, I know you're just a pretentious noop weeb that hasn't seen Bambi or Beauty and the Beast in 20 years
1 note · View note
treasure-mimic · 8 months
Text
So, let me try and put everything together here, because I really do think it needs to be talked about.
Today, Unity announced that it intends to apply a fee to use its software. Then it got worse.
For those not in the know, Unity is the most popular free to use video game development tool, offering a basic version for individuals who want to learn how to create games or create independently alongside paid versions for corporations or people who want more features. It's decent enough at this job, has issues but for the price point I can't complain, and is the idea entry point into creating in this medium, it's a very important piece of software.
But speaking of tools, the CEO is a massive one. When he was the COO of EA, he advocated for using, what out and out sounds like emotional manipulation to coerce players into microtransactions.
"A consumer gets engaged in a property, they might spend 10, 20, 30, 50 hours on the game and then when they're deep into the game they're well invested in it. We're not gouging, but we're charging and at that point in time the commitment can be pretty high."
He also called game developers who don't discuss monetization early in the planning stages of development, quote, "fucking idiots".
So that sets the stage for what might be one of the most bald-faced greediest moves I've seen from a corporation in a minute. Most at least have the sense of self-preservation to hide it.
A few hours ago, Unity posted this announcement on the official blog.
Effective January 1, 2024, we will introduce a new Unity Runtime Fee that’s based on game installs. We will also add cloud-based asset storage, Unity DevOps tools, and AI at runtime at no extra cost to Unity subscription plans this November. We are introducing a Unity Runtime Fee that is based upon each time a qualifying game is downloaded by an end user. We chose this because each time a game is downloaded, the Unity Runtime is also installed. Also we believe that an initial install-based fee allows creators to keep the ongoing financial gains from player engagement, unlike a revenue share.
Now there are a few red flags to note in this pitch immediately.
Unity is planning on charging a fee on all games which use its engine.
This is a flat fee per number of installs.
They are using an always online runtime function to determine whether a game is downloaded.
There is just so many things wrong with this that it's hard to know where to start, not helped by this FAQ which doubled down on a lot of the major issues people had.
I guess let's start with what people noticed first. Because it's using a system baked into the software itself, Unity would not be differentiating between a "purchase" and a "download". If someone uninstalls and reinstalls a game, that's two downloads. If someone gets a new computer or a new console and downloads a game already purchased from their account, that's two download. If someone pirates the game, the studio will be asked to pay for that download.
Q: How are you going to collect installs? A: We leverage our own proprietary data model. We believe it gives an accurate determination of the number of times the runtime is distributed for a given project. Q: Is software made in unity going to be calling home to unity whenever it's ran, even for enterprice licenses? A: We use a composite model for counting runtime installs that collects data from numerous sources. The Unity Runtime Fee will use data in compliance with GDPR and CCPA. The data being requested is aggregated and is being used for billing purposes. Q: If a user reinstalls/redownloads a game / changes their hardware, will that count as multiple installs? A: Yes. The creator will need to pay for all future installs. The reason is that Unity doesn’t receive end-player information, just aggregate data. Q: What's going to stop us being charged for pirated copies of our games? A: We do already have fraud detection practices in our Ads technology which is solving a similar problem, so we will leverage that know-how as a starting point. We recognize that users will have concerns about this and we will make available a process for them to submit their concerns to our fraud compliance team.
This is potentially related to a new system that will require Unity Personal developers to go online at least once every three days.
Starting in November, Unity Personal users will get a new sign-in and online user experience. Users will need to be signed into the Hub with their Unity ID and connect to the internet to use Unity. If the internet connection is lost, users can continue using Unity for up to 3 days while offline. More details to come, when this change takes effect.
It's unclear whether this requirement will be attached to any and all Unity games, though it would explain how they're theoretically able to track "the number of installs", and why the methodology for tracking these installs is so shit, as we'll discuss later.
Unity claims that it will only leverage this fee to games which surpass a certain threshold of downloads and yearly revenue.
Only games that meet the following thresholds qualify for the Unity Runtime Fee: Unity Personal and Unity Plus: Those that have made $200,000 USD or more in the last 12 months AND have at least 200,000 lifetime game installs. Unity Pro and Unity Enterprise: Those that have made $1,000,000 USD or more in the last 12 months AND have at least 1,000,000 lifetime game installs.
They don't say how they're going to collect information on a game's revenue, likely this is just to say that they're only interested in squeezing larger products (games like Genshin Impact and Honkai: Star Rail, Fate Grand Order, Among Us, and Fall Guys) and not every 2 dollar puzzle platformer that drops on Steam. But also, these larger products have the easiest time porting off of Unity and the most incentives to, meaning realistically those heaviest impacted are going to be the ones who just barely meet this threshold, most of them indie developers.
Aggro Crab Games, one of the first to properly break this story, points out that systems like the Xbox Game Pass, which is already pretty predatory towards smaller developers, will quickly inflate their "lifetime game installs" meaning even skimming the threshold of that 200k revenue, will be asked to pay a fee per install, not a percentage on said revenue.
Tumblr media
[IMAGE DESCRIPTION: Hey Gamers!
Today, Unity (the engine we use to make our games) announced that they'll soon be taking a fee from developers for every copy of the game installed over a certain threshold - regardless of how that copy was obtained.
Guess who has a somewhat highly anticipated game coming to Xbox Game Pass in 2024? That's right, it's us and a lot of other developers.
That means Another Crab's Treasure will be free to install for the 25 million Game Pass subscribers. If a fraction of those users download our game, Unity could take a fee that puts an enormous dent in our income and threatens the sustainability of our business.
And that's before we even think about sales on other platforms, or pirated installs of our game, or even multiple installs by the same user!!!
This decision puts us and countless other studios in a position where we might not be able to justify using Unity for our future titles. If these changes aren't rolled back, we'll be heavily considering abandoning our wealth of Unity expertise we've accumulated over the years and starting from scratch in a new engine. Which is really something we'd rather not do.
On behalf of the dev community, we're calling on Unity to reverse the latest in a string of shortsighted decisions that seem to prioritize shareholders over their product's actual users.
I fucking hate it here.
-Aggro Crab - END DESCRIPTION]
That fee, by the way, is a flat fee. Not a percentage, not a royalty. This means that any games made in Unity expecting any kind of success are heavily incentivized to cost as much as possible.
Tumblr media
[IMAGE DESCRIPTION: A table listing the various fees by number of Installs over the Install Threshold vs. version of Unity used, ranging from $0.01 to $0.20 per install. END DESCRIPTION]
Basic elementary school math tells us that if a game comes out for $1.99, they will be paying, at maximum, 10% of their revenue to Unity, whereas jacking the price up to $59.99 lowers that percentage to something closer to 0.3%. Obviously any company, especially any company in financial desperation, which a sudden anchor on all your revenue is going to create, is going to choose the latter.
Furthermore, and following the trend of "fuck anyone who doesn't ask for money", Unity helpfully defines what an install is on their main site.
While I'm looking at this page as it exists now, it currently says
The installation and initialization of a game or app on an end user’s device as well as distribution via streaming is considered an “install.” Games or apps with substantially similar content may be counted as one project, with installs then aggregated to calculate the Unity Runtime Fee.
However, I saw a screenshot saying something different, and utilizing the Wayback Machine we can see that this phrasing was changed at some point in the few hours since this announcement went up. Instead, it reads:
The installation and initialization of a game or app on an end user’s device as well as distribution via streaming or web browser is considered an “install.” Games or apps with substantially similar content may be counted as one project, with installs then aggregated to calculate the Unity Runtime Fee.
Screenshot for posterity:
Tumblr media
That would mean web browser games made in Unity would count towards this install threshold. You could legitimately drive the count up simply by continuously refreshing the page. The FAQ, again, doubles down.
Q: Does this affect WebGL and streamed games? A: Games on all platforms are eligible for the fee but will only incur costs if both the install and revenue thresholds are crossed. Installs - which involves initialization of the runtime on a client device - are counted on all platforms the same way (WebGL and streaming included).
And, what I personally consider to be the most suspect claim in this entire debacle, they claim that "lifetime installs" includes installs prior to this change going into effect.
Will this fee apply to games using Unity Runtime that are already on the market on January 1, 2024? Yes, the fee applies to eligible games currently in market that continue to distribute the runtime. We look at a game's lifetime installs to determine eligibility for the runtime fee. Then we bill the runtime fee based on all new installs that occur after January 1, 2024.
Again, again, doubled down in the FAQ.
Q: Are these fees going to apply to games which have been out for years already? If you met the threshold 2 years ago, you'll start owing for any installs monthly from January, no? (in theory). It says they'll use previous installs to determine threshold eligibility & then you'll start owing them for the new ones. A: Yes, assuming the game is eligible and distributing the Unity Runtime then runtime fees will apply. We look at a game's lifetime installs to determine eligibility for the runtime fee. Then we bill the runtime fee based on all new installs that occur after January 1, 2024.
That would involve billing companies for using their software before telling them of the existence of a bill. Holding their actions to a contract that they performed before the contract existed!
Okay. I think that's everything. So far.
There is one thing that I want to mention before ending this post, unfortunately it's a little conspiratorial, but it's so hard to believe that anyone genuinely thought this was a good idea that it's stuck in my brain as a significant possibility.
A few days ago it was reported that Unity's CEO sold 2,000 shares of his own company.
On September 6, 2023, John Riccitiello, President and CEO of Unity Software Inc (NYSE:U), sold 2,000 shares of the company. This move is part of a larger trend for the insider, who over the past year has sold a total of 50,610 shares and purchased none.
I would not be surprised if this decision gets reversed tomorrow, that it was literally only made for the CEO to short his own goddamn company, because I would sooner believe that this whole thing is some idiotic attempt at committing fraud than a real monetization strategy, even knowing how unfathomably greedy these people can be.
So, with all that said, what do we do now?
Well, in all likelihood you won't need to do anything. As I said, some of the biggest names in the industry would be directly affected by this change, and you can bet your bottom dollar that they're not just going to take it lying down. After all, the only way to stop a greedy CEO is with a greedier CEO, right?
(I fucking hate it here.)
And that's not mentioning the indie devs who are already talking about abandoning the engine.
[Links display tweets from the lead developer of Among Us saying it'd be less costly to hire people to move the game off of Unity and Cult of the Lamb's official twitter saying the game won't be available after January 1st in response to the news.]
That being said, I'm still shaken by all this. The fact that Unity is openly willing to go back and punish its developers for ever having used the engine in the past makes me question my relationship to it.
The news has given rise to the visibility of free, open source alternative Godot, which, if you're interested, is likely a better option than Unity at this point. Mostly, though, I just hope we can get out of this whole, fucking, environment where creatives are treated as an endless mill of free profits that's going to be continuously ratcheted up and up to drive unsustainable infinite corporate growth that our entire economy is based on for some fuckin reason.
Anyways, that's that, I find having these big posts that break everything down to be helpful.
6K notes · View notes
shadow4-1 · 1 month
Text
I'm just imagining using a secluded space on base to do some yoga away from the 141, only to realize Ghost's been watching disapprovingly the whole time.
Like, what you lack in raw strength compared to the boys, you have in agility. You're not nearly as rigid. You're flexible, and it's only because you take the time to work on it. You have several methods but dancing and yoga are by far your favorite.
Neither hobby you can enjoy on base much, because well...you always get stared at. So, you take it upon yourself to clear out part of old studio space used for storage. It's kind of crappy, with cracked tile and dust bunnies galore, but it'll do. You play some music in your earbuds and do your beginning stretches on your mat.
When you're in the zone you're in the zone. You end up in a place far away and yet still within yourself. The burning stretch from some of your maneuvers feels so good you nearly groan. You get lost in the personal meditation. One certain position uses a specific pair of muscles in your lower back. It takes you a moment to realize why it makes you gasp. You bite your lip and decide to take a short break.
As you untangle your body you feel something's off. You're physically fine, but your heart starts to race. Your stomach lurches. You move to stand, suddenly startled by seemingly nothing.
"Yer doing it wrong."
And just like that Ghost makes himself known from behind a shelf. He's in his workout clothes, which isn't much but some slinky basketball shorts and a tank top. Black of course. His mask is the soft one he uses when he's not on the field.
You scoff at him, still feeling on edge but also relieved at no immediate threat.
"You do yoga?" You ask incredulously. "Fine, big guy. Show me how it's done."
He rolls out a mat and gestures for you to copy him. It's a simple move, one you've perfected. And yet he still shakes his head at your form. You try it again. Wrong. Again. Wrong.
"Where am I going wrong?"
You don't expect him to reach over and grab your back leg. He pulls it out further. You stumble and he rights you with the same arm. He tuts at you, but he's the reason you're off balance.
"Lift your back. No. Higher. Your hip should be down."
Next thing you know he's behind you, his large hands making your body twist and bend. You end up in the same position as you'd been in earlier, but this time you can really feel the stretch. Maybe he was right, you were doing it wrong.
You tilt your back up and feel the familiar stretch. It's better than you've ever been able to get it on your own. You can't help the soft groan that leaves your lips. The last time those muscles had been used was before you joined the 141, when you'd still had a boyfrie-
Two hands grab at those spots. Large thumbs work circles into the areas. Despite yourself, you moan. This was going a bit too far but...
The more he kneads the more you fall to your knees. You can't hold the position with your back up anymore. You practically collapse onto the mat, ass up, Ghost knelt over you.
He still doesn't let up. His thumbs dig into those circles hard enough it should hurt but instead you only feel bliss. You bite your lip, it feels so fucking good. Eventually he relents, and stops digging into you. You whine at the absence.
"That feels so good." You groan, voice sounding way too needy for what just occurred.
"M' glad." Ghost huffs amusement evident in his tone.
Ghost grabs you and flips you over onto your back. He grabs one of your legs and pushes it as far forward towards your head as he can without hurting you. He does the same to the other. It's a weird position, but it's not far off from some of the other ones you're used to. It burns but it also feels good. Considering you're flat on your back, you feel supported.
You smile up at him, a little breathless but also happy that he's willing to help you out. Yoga did not seem like something any where near his wheelhouse.
"I didn't know you liked yoga. How did you learn about this stuff?" You ask, using your own arms to hold your legs in position as Ghost gets up higher on his knees.
Ghost huffs behind his mask as he looks down at you. He narrows his eyes, his head blocking out the white light of the overhead flourescents. You feel a hand slide between the material of your shorts and the curve of your ass.
"The Kama Sutra."
2K notes · View notes
ghosts-cyphera · 8 months
Note
reader getting jealous when she’s seen pornstar!Ghost’s previous work with other girls even if she knows it’s irrational to be jealous since it’s his job 🤭
you chewed on your bottom lip as you flicked through photo after photo. each of them was with a different girl looking up at him or kissing him on the cheek. in some of them, his arm was draped over their shoulder, or they were perched on his lap with twinkling bright eyes.
most of the girls you knew. you'd worked scenes together or met them at work events. they were all lovely, and beautiful, and clearly his type too, judging by the grin on his features.
"christ."
it was silly. of course it was.
it was his job, just as it was yours: you knew that getting dicked down day after day did not mean anything.
it had not meant anything. 
not until you’d allowed yourself to get used to the way he looked at you, his eyes full of adoration. the way he touched you, like the mere permission to run his fingers along your skin was something special. you had gotten used to the way he made you feel special. 
and suddenly, it had all begun to mean something.
the realization had of course followed soon after. you were not any different from the rest, were you?
the fans all shipped you, yet there was not a single picture of you on his social media. the studio praised you for the money that the two of you were bringing in, yet they kept scheduling him with other girls.
girls who looked at him with the exact same twinkle in their eyes that you knew had to possess your gaze whenever you looked at him.
stupid. your fingers swiped through the photos faster in a surge of something bitter: something childish in the way that your lip moved into a pout. it was all stupid, all freaking—
"thank fuck you're here." the low rumble of a familiar voice startled you, and from the surprise, your fingers slipped: the betrayal followed by your phone falling. 
flat across your face.
with a groan, you listened to it clatter against the floor of the common space of the studio, yet as soon as you pushed off the couch to reach for it you realized it to be too late. 
ghost's fingers had wrapped around it, the man now grinning from ear to ear as he dangled it between two of his fingers. "if I didn’t know you any better—“
“ghost.”
“—I’d think you were doin' somethin' sneaky." 
you shot him a warning glare as your fingers rubbed your aching nose. "give it here."
he had never been nosy: never dabbled into your privacy, and you could tell that this time too it was not his intention in the slightest. yet you could not blame him for recognizing himself on the dim screen of your phone, now could you?
fuck.
"darlin'," he paused, fingers still wrapped around your phone. his gaze flicked to yours as he raised a brow. "really?"
"just give it back."
with a grin—nearly boyish in the way his eyes twinkled—he tossed the phone back at you. "you shooting today, stalker?"
"just finished." 
ghost raised an amused brow. “did you, though?”
you couldn’t help but laugh at the implication: at the knowing smirk on his features as he uncorked a bottle of water and brought it to his lips. he looked casual like this: leaning against an armchair opposite from you, dressed in grey sweatpants and a black compression shirt.
“can’t really say that we just wrapped up either, now can I?”
“fuckin’ rawdogging my girl, eh?”
“your girl, am I?” you fell back on the couch, gaze headed towards the ceiling of the penthouse as you bit down your silly little grin. "funny considering that that's what he called me. inspired by our vids, I assume."
“who’d you shoot with?”
“graves,” you mused. 
“ah so, no.” you could hear the grin on his features. “you did not actually finish.”
god. 
your laugh was bright as you rolled your eyes. “if I did not know you any better I’d think that all this—,” you chuckled, “was jealousy. you’re not—jealous, are you?”
"nothin' to be jealous about, is there?"
"it's just work."
"opposed to what we have, eh?" his grin was playful, yet as your gaze met his, there was something else too. something deeper in the way that his eyes studied you. 
what, you did not know. before you'd managed to place a finger on it, he'd pushed off the armchair. 
now walking to you.
"so what if I were a little jealous?" his voice was a warm chuckle, and he crouched on the floor next to you. "would you feed my ego? would you go 'n tell me?"
"tell you—?"
"look me in the eyes," he tilted his head ever so slightly, his voice low, "and tell me, darlin', that graves fucked you like I fuck you."
"no one fucks me like—," your words died down with a laugh: your lips parted before you'd managed to bite down the words. "I'm not gonna go and feed your ego, ghost."
"already did," he grinned. no, he downright glowed, as he took a seat on the floor next to you. "y'know, I do sorta wish it was you today."
the corners of your lips tugged into a warm smile, and you propped your head against your hand. "who is it?"
"shel."
"shel's lovely."
"yeah," he nodded. "yeah, but she's not you, is she?"
you nipped your bottom lip between your teeth as you felt your cheeks turning warmer by the second. "it's not—," you then managed out a soft laugh. "it's just work."
"doesn't feel like fuckin' work with us, though, does it?"
"no," you hummed. "it doesn't."
where your sudden courage to address any of this was coming from, you did not know. yet as you saw the switch in his eyes: the touch of something warm, of something relieved...
"darlin', I wanted you to know I—"
a call for his name, echoing from the hallways of the penthouse cut his words short, and he pushed off the floor with a chuckle.
"fuckin' A."
"duty calls." you smiled. "I'll see you—"
"tomorrow," he grinned. "oh and—," ghost wet his lips with a chuckle, slightly breathless, "it was kate who stopped me from posting our photos, y'know? on social media. somethin' about the marketing team thinkin' it's better to—they want us to be exclusive. as in," he rushed to speak with a shake of his head, "for the website. so that to see what everyone is fussing about—"
oh.
"right," you managed as you fought back the bright smile that threatened to take over your features. "right, alright. so if it wasn't for kate—"
"sweetheart, I'd have you as my goddamn profile picture just to see more of you."
huh.
a call for his name—this time audibly frustrated—echoed across the space once more, and you grinned. 
"go before they fire you for keeping them waiting."
"your loss, eh?"
"only financially," you smirked—your laugh warm as you watched him bump into the doorframe on his way out. and as you unlocked your phone, the grin that ghost had in the photo on your screen—smiling next to a girl—seemed to suddenly dim in comparison with the way he had just looked at you.
Tumblr media
a/n: giggling, blushing, kicking my feet. I’m so goddamn soft for these two, lmao help. / pornstar!ghost masterlist / I'm so freaking here for all your thoughts about him!! 💌
4K notes · View notes
unenomainen · 1 year
Text
I think i am going to move to a smaller, less expensive city at some point For Real
0 notes
woso-dreamzzz · 2 months
Text
Injured X
Alexia Putellas x Child!Reader
Jenni Hermoso x Child!Reader
Summary: You go back to ballet
Tumblr media
Alexia doesn't know whether to be proud or horrified.
You've not even been out of the hospital for three days before she receives a text from Jenni saying that you're going back to ballet - by your own accord.
Alexia has been invited too and she fusses in front of the mirror, tugging at her outfit as she stares.
There's an extra training session tonight, taking penalties, and while Alexia would usually attend, she finds herself staring in her mirror as she contemplates putting her hair up or leaving it loose.
Olga leans by the door, Jaume on her hip. "You are seeing Bambi," She chides," Not going to a business meeting. A suit is not needed."
Alexia tugs at her blazer sleeve. Her slacks aren't buttoned up quite yet and her shirt isn't as crisp as it could be. "Are you sure?"
"Comfortable, Ale," Olga says," A t-shirt and some trackies. Jeans if you must but it's just a ballet class. You're not meeting investors. Change."
Alexia huffs but does as she's told, swapping her slacks for some Barcelona-issued tracksuit bottoms along with her white button-down for a plain t-shirt. Her blazer is taken from her in favour of a lightweight jacket and she's pushed out of the door in her trainers before she can contemplate other shoe options.
She's early for your ballet practice and she can hear you before you and Jenni even turn the corner.
You're talking animatedly to her, your little hand tight in hers as she looks down at you. Jenni's smiling at you, a big beaming smile that falls like a lance through Alexia's chest as she watches Jenni hang off your every word.
You stop in front of her, eyes wide as you shuffle a little closer like you're wary of her. "Hi, Mami."
Alexia smiles. "Hi, Bambi."
You very slowly shuffle even closer, looking like you're going to bolt back to the safety Jenni offers you before your little arms are wrapped around Alexia's legs in a hug.
Alexia's hand very gently runs through your unbound hair as you peer up at her with those same wide eyes.
"Come on, Bambi," Jenni calls and you immediately scamper back to her side," You've still got to change your shoes and gets your hair done. Inside, come on."
Jenni holds the door open for you and you hurry in, finding a place at a bench already crammed with parents and children as you begin to pull off your shoes.
"How is she?" Alexia asks.
"Sleepy," Jenni answers," Still a little emotional. She cried when I told her she should take another day off from ballet so here we are." She rummages around in the bag on her back. "Bambi, feet please."
You place one foot on Jenni's bent knee as she slips on your ballet flat before swapping to do the other. "When I'm eleven or twelve," You tell Mami," I can wear fancy pointe shoes and go up to tippy-toe!"
"Only if you keep practising," Jenni reminds you as she moves around the back to scrape your hair into a bun. Her hand skims your upper back and you flinch and Jenni notices instantly, freezing her movements until you fully relax again.
She doesn't touch your back again as she makes sure all of your hair is tied back in a bun.
"Alright," She says and you twist around to face her, turning your back on Mami as Ma-Jenni cups your face," What's the most important thing?"
"Having fun."
"That's right. Have fun. Turn on your listening ears and try your hardest."
You nod.
"And if you feel sleepy or tired you tell the teacher right away and they'll come and get me, understand?"
"Yes."
"Alright."
The door to the studio opens as students come out and your group goes in. You move with the crowd before stopping and turning around again.
You run back to Jenni, giving her a big hug before being released. You make an aborted movement to go again but stop yourself. In a few light steps, you're standing in front of Alexia.
"I'm going in now, Mami," You say," Bye-bye."
"I'm not going anywhere, Bambi," Alexia says," I'll be right here with Jenni when you come out."
You frown, head tilted to the side in confusion. "Why? Today's always penalty practice. You always go to penalty practice."
"Well, today, I'm at ballet practice. I'm staying here."
You look up at her, trying to puzzle out if she's lying to you and Alexia takes the chance to very carefully pull you into a hug. You're tense and rigid for a moment before you're fully relaxed against her, bringing your own arms up for a hug of your own.
You pull away and Alexia lets you, even though she desperately wants to keep you with her. So, she settles on walking you to the door.
Jenni's there too, talking with your teacher.
"-Just out of hospital. She might be a little woozy today or tired. I'm just outside if she needs a break or something."
You slip into the studio and get lost in the crowd of other kids as Alexia takes a seat on the bench with Jenni and the other parents. It's a little awkward.
Jenni knows everyone, greeting people casually and answering their small talk while Alexia awkwardly sits there.
Usually, she uses the time you're in ballet to run a few errands before going into an extra training session. Usually, she'd already be in the car and gone, picking up the dry cleaning from the fancy place down the street or getting the groceries done even though she could get them delivered.
It's odd to be sitting here.
Sitting here with her ex, staring through the glass walls to watch your session.
It's clear to Alexia that some of these kids are just here to have fun. They're here because their parents signed them up for this. But not you.
Even now, at such a young age, Alexia can recognise her laser focus in you, from the way you very slightly change your positioning or how you're always staring at your teacher, not letting your eyes stray through the windows to where you know Alexia and Jenni are sitting.
Your only focus is on your ballet and Alexia can imagine a grown up version of you in her head, with a proper outfit and pointe shoes and hair in a bun you've done yourself. She can imagine you on a stage with a full orchestra accompanying your dancing.
Alexia blinks and that image of you is gone.
It's just the you now and the way a tiny sliver of your tongue sticks out as you shift your foot further outwards.
"She's so talented," One of the other mothers says to Jenni, who beams.
The praise goes straight to Jenni's chest like this woman has personally complimented her. Your talent is obvious even at this age and Jenni knows under the right guidance, you're going to be great.
Her heart swells with pride as she watches you.
Your teacher has to adjust everyone's positioning but not yours.
You're a little prodigy and Jenni's so proud of you.
You're still a little tired, still have a sore throat from the tube that had been stuck down it but you're powering through it. Jenni would have preferred you staying home with her but you had been adamant.
You've gotten that from Alexia.
Jenni's never seen that level of focus on anyone who wasn't a Putellas. She's even seen it on Alba on occasion. Putellas girls grab what they want and they don't let it go.
Jenni sneaks a glance at Alexia, whose eyes haven't strayed from your dancing.
She knows that if Alexia wants to keep you, if Alexia doesn't want to let Jenni raise you then she won't get you - even if she's the right choice. Even if Jenni puts everything into raising you, if Alexia wants to keep you then Jenni will never get you.
Even if Jenni begs and begs, Putellas girls don't let go of what they want.
If Alexia decides that she can give you a better life, if she clings and clings and clings then you'll never be in Jenni's arms again and she doesn't know if she can cope with that.
Her only hope is that Eli can talk sense into Alexia, that Eli can see that Jenni is the best choice for you, the best choice to support and shape you into who you're going to be as an adult.
They sit in silence for most of your session, only exchanging a few words before you're released to them.
You're panting from exertion and you look so drained. You raise your hands up when you get close to them and Alexia's the quickest one.
She picks you up and settles you on her hip with ease. It's been a long time since you've been so comfortable with that. You're not completely comfortable just yet but you relax more and more until you're like you used to be.
Jenni trails after the two of you.
"How was dance, Bambi?" She asks and you peak over Alexia's shoulder to beam at her.
"Good! Fun!"
"That's excellent!" Jenni says," Do your feet hurt?"
You give her a cheeky smile and nod. "Mama gives me foot massages when they hurt!" You say to Mami.
"That's-" Alexia gets cut off by a loud, familiar voice from across the street.
"No way!" The voice says," Is that my favourite ballerina? It looks like it is!"
"Mapi!" You kick a little bit for Alexia to put you down and she begins to lower you to the ground but Jenni plucks you straight from her.
Alexia's in a little bit of awe at the way Jenni so easily swaps your ballet pumps for your trainers with one hand. She does it so easily and so naturally that it leaves Alexia wondering if she'd practised this or if it came automatically.
Once your outside shoes are on, Jenni releases you.
Thankfully, Mapi (and Ingrid) have already crossed the street so you can get to them without getting hit by a car.
"Hi, Mapi!" You chirp as Mapi reaches around to untie your hair from its bun, leaving it to fall loose down your back.
"What?" Ingrid chuckles," No hi for me?"
You suddenly turn shy, rubbing the tip of your shoe in the ground as you refuse to make eye contact, cheeks going bright red. "Hi, Ingrid." You shuffle into her arms and Jenni laughs, patting Mapi on the back.
"Better watch out," Jenni says," Or Bambi might steal your girlfriend."
Mapi rolls her eyes. "Only if she's into women years older than her."
"Well, by the looks of her crush, she might."
Jenni's clearly teasing but it still sends a bolt of lightning down Alexia's spine. She can't imagine you finding a partner one day. She can't imagine what you would look for in a partner.
Someone your age, Alexia reckons. Maybe someone you met through ballet. Maybe someone that has no association with football. Probably someone from Barcelona.
She's not really sure she can imagine you with someone. She can imagine you on stage. She can imagine you dancing professionally. She can't imagine you dating anyone.
She can't imagine you dating someone and moving away. She can't imagine you moving away as an adult. She can't imagine you moving away now.
She knows that if she lets you go with Jenni then you're going to Mexico. She knows that you're leaving Spain.
Alexia also knows that she's a Putellas. She knows that a Putellas doesn't just roll over and take the punches. She knows that if she wants something (if she wants to keep you with her) then she'll have to hold it tightly and not let it go (let you go) no matter what someone else thinks or says.
You're a Putellas too.
You're not a Hermoso - at least not legally.
You have Alexia's hyper focus. You have Alexia's genes too.
That has to count for something.
You came from Alexia. You grew in Alexia's womb. Alexia endured hours of labour to have you.
That has to count for something, right?
Right?
Blood rushes through Alexia's ears as she looks down at you, at how shy you still look while you stare at Ingrid, the tips of your ears turning pink just like Alexia's do when she's feeling shy.
Jenni's time in Spain is running out every day but for everything of herself she can see in you, Alexia can still aspects of Jenni in you. From the way you giggle and the way you smile and the way you hug.
Everything that used to be Alexia, is slowly changing into Jenni and you seem none the wiser.
"Bambi," Alexia calls and you turn to look at her.
You seem a little confused at being spoken to so suddenly but you're still smiling. It doesn't dim in the slightest.
"We goin' home now, Mami?"
Jenni freezes, whatever she's been saying to Mapi stops in her throat. You haven't called Alexia's house 'home' since Jenni's been with you. You've only called Alba's place 'home'.
Jenni doesn't know what that means. She doesn't know if you mean Alexia's place or Alba's. She doesn't know if you know which one you mean either.
She hates that stupid smug look on Alexia's face.
A look that Alexia doesn't even know she's wearing. She beams from ear to ear at your words. She wants desperately to say yes, to bring you back into the little family that you're a firm part of, to bring you back home to your room full of trains.
But she keeps herself calm.
She knows that she can't just sweep you away like that.
She needs to remain calm.
"Not right now, Bambi," She says," Listen me and Jenni need to go and see your Abuela. Do you want to spend the rest of your day with Mapi and Ingrid?"
You look at Ingrid, cheeks still bright red as you nod. "Yes, please, Mami."
Jenni takes the reins after that, giving Mapi orders on how to look after you and how in an hour or so you have your midday nap and to make sure that you have somewhere soft and warm to rest your head. She lays off orders that even Alexia hasn't thought of like how you should have a glass of water with a hint of lemon because it always wakes you up after naptime and how they shouldn't touch you because you're a light sleeper and you really need the rest after your hospital stay.
You curl into Jenni's arms as she says goodbye to you. You go all limp and boneless and somewhere along the way, your little fist latches on the front of Alexia's shirt, pulling her into the hug too. Just like it was in the Before.
With Mapi rolling her eyes and Ingrid promising to take the best care of you, Alexia and Jenni are at Eli's house within the hour.
Alba is there too, an ever-present figure of disapproval as she leans against the doorframe. Everyone already knows Alba's vote on this matter.
Her position has never swayed and Alexia can't look her in the eyes.
Alba wants her sister out of your life. Permanently if she could help it but at least as your main caregiver if she couldn't get permanently.
She has never been swayed. She has never thought any different. She doesn't care if she has to fly to Mexico to see you. She doesn't care if you never step foot in Spain again.
Alba thinks that's a better alternative than having you with Alexia.
Jenni's position is clear too. She won't say it out loud but everyone knows her position. She wants you. She wants you like she needs air to breathe. She wants you with every cell in her body and she doesn't think Alexia and Olga's home is right for you. It's alright for you but it's not perfect and Jenni thinks she can make you the perfect home.
Alexia's vote is cast in her own favour too. She's acknowledged what she's done. She's fixing it. She's changing how she lives her life so it can be better suited to you and your schedule. She's proving to everyone that she can still be a mother to you. She's showing that she loves you just as much as she loves Jaume. She's making a family for herself, a family that you deserve to be a part of.
But everyone knows where the decision truly lies.
It lies with the woman sitting at the head of the table.
She is not a Putellas. She does not cling to what she wants and refuses to let it go.
Eli is a Segura. She looks at both sides. She weighs up have-beens and could-bes and makes her decisions on that. If she thinks something would do better out of her grip then she will let it go. She will let it thrive and grow away from her even if it means never seeing it again.
She looks at her daughter and then to the woman that could have been her daughter-in-law.
The debates had been going back and forth for hours now, words bouncing off the walls of her house as she sat there.
Alexia made her case.
Jennie made her case.
Alba threw in her own opinions.
Then, Eli spoke.
She spoke for a long while and everyone hung on her every word.
"I cannot force you to do what you do not want to, Ale," Eli says at the end," She is your daughter. You have all the rights to her. Her future is in your hands right now-"
"Mama!" Alba cuts in," You can't be serious?! We all know what Alexia will choose! You cannot let her do this!"
"I cannot force your sister to do anything," Eli says," She is an adult and she holds all of Bambi's rights. None of us can force her to do anything." Her eyes flick back to her eldest. "But think about this carefully, Alexia. Do not make this decision with your heart. Make it with your head. Do what is best for Bambi."
Eli's words come back to Alexia a few days later at the park.
You and Jenni have met her, Olga and Jaume there.
Jaume is now strong enough to hold his own head up and crawl around, exploring the world with his hands and mouth.
He sits on the grass with Olga settled on the picnic blanket. He's crawling around, playing on the slight incline and Olga lets him, keeping half an eye on him and the other on her book.
You and Jenni are in the playground, playing on the slide. You're getting stronger and stronger every day. Your throat and voice are no longer scratchy and you've been given the all-clear from the doctor.
You're holding the new train that Jenni got you to celebrate getting out of the hospital. The usual train store has closed down now but Jenni managed to find another one. It ended up just you and her. You weren't sure that you wanted Mami to come with you. You turn your head a little to look at her.
Alexia sits on a bench, equal distance away from both you and Jaume, able to swivel her head around to see both of you.
Jaume tries to stick a flower in his mouth that Olga promptly confiscates.
You erupt into a fit of giggles as Jenni tickles your tummy.
Jaume tugs his shoes off.
You duck under the climbing frame.
Jaume babbles and claps.
You shriek with laughter when Jenni catches up to you.
Then the bubble bursts and all of the convincing Alexia has done to herself bursts. Every time she tells herself that she can make this work. Every time she tells herself that the decision she has made is the right one.
It's all ruined now.
Jaume tumbles down the incline. It's not a far fall for an adult but it's enough to shock a scream and tears from him. Olga's by his side instantly.
You fall off the slide. You land as a little heap on the ground and it's not a far fall either but you still cry as Jenni picks you up.
Both of you are hysterical, sobbing your eyes out and looking close to a breakdown.
"Ale!"
"Alexia!"
Alexia stands.
She looks between both situations and emotions she's never felt before surge through her system.
Jaume, her little football player.
You, her little ballerina.
Alexia must have glanced between you both countless time in the two seconds it takes her to react.
Her feet move on their own accord, carrying her towards one of her children.
The decision she previously made has changed. Alexia knows that nothing will be the same anymore.
The decision, this time, is permanent.
857 notes · View notes
bleedingoptimism · 6 months
Text
Steve likes to watch youtube videos of a guy who restores old consoles. It soothing to him, it relaxes him. He likes watching how he restores them, fixes them, makes them look brand new.
He also enjoys watching him work for… other reasons. Weirdly, he thinks the guy is kind of hot, even if he never shows his face. He looks fit, with the way his shirts stretch over his chest and are loose on his tiny waist and he’s always wearing cool belts, black leather with studs or chains. He likes the way he moves around, manic and a little clumsy but incredibly precise when necessary.
Steve especially likes watching his hands, thick strong fingers, bony wrists, noticeable veins, and short clean nails that sometimes have chipped black polish adorning them.
He sometimes thinks about those hands when he's alone, but, well… no one needs to know about that.
🎮🤲💖
Eddie has a fairly popular youtube channel… And a huge crush on his next-door neighbor. He simply cannot decide if the dude is cutter than hot or vice-versa.
'He sure is nice, though,' he thinks, when one day he gets a large package of replacement parts that he’s struggling to get inside and the guy walks up to him, asks if he needs any help, and takes the heaviest box with no effort at all.
He says his name is Steve and then stares at Eddie's hand for a really long time when Eddie extends it for him to shake after getting the boxes inside his studio.
He hears Steve’s little 'oh', under his breath and then sees him blush prettily before mumbling ‘He needs to go, now.' And stumbling out of Eddie’s place.
Eddie chuckles to himself as he watches him leave, definitely cute AND hot in equal parts.
🎮🤲💖
A few weeks later Steve's mom tells him she needs help getting rid of some of his nonno's old things and he finds a LOT of cool stuff that look just like the ones Eddie restores on his channel.
He and Eddie have been slowly getting friendlier over these last couple of weeks and he’s been dying to have an excuse to talk to him more, so he takes the items home and then goes to Eddie's and very nervously tries to offer them to him but doesn't know how to explain he knows he's a youtuber without looking like a weirdo because Eddie’s never shown his face.
He stumbles and blushes a lot, barely making any sense and Eddie mistakenly thinks he's trying to ask him out and says, 
"I'd love to go on a date with you," Smiling and hiding his dimples behind a lock of hair he's been playing with since the moment Steve started stuttering.
Steve completely forgets what he was trying to say or do and says he'll pick him out at 6.
The date is amazing, it feels like they are meant to be. They get along so well, talking, laughing, and already making fun of each other as if they’re old friends. And they are definitely attracted to one another. If the way Eddie practically tackles Steve with his rush to get his mouth on him when they get back, it’s any indication.  
Steve is very on board with this and he enthusiastically kisses him back. They kiss desperately as he fumbles with his door handle to get it open. When he succeeds, he walks them backward into his place not wanting to stop kissing Eddie, but stumbles and falls flat on his ass.
When Eddie turns on the light he sees Steve sprawled on top of a bunch of boxes full of old technology. A lot of emotions go through his face, ‘he’s so expressive’ Steve thinks a little enamored, having still not realized how much trouble he’s in.
But Eddie looks confused, then shocked and scared, and finally, angry,
"Steve, what the fuck?"
‘Oh, shit…’
“I can explain!” he says immediately, standing up and walking toward Eddie as he backs away,
“I didn’t want to ask you out-” Steve starts but interrupts himself when Eddie huffs, turns, and starts walking towards his own apartment, “Shit, fuck! No- That’s not what I meant, Eddie! Wait-”
He turns again and glares at Steve but then his eyes go wide, “Steve,”
“Please, let me explain-”
“Steve-”
“I did- do! Want to ask you out! I like yo-”
“Steve!” Eddie screams and Steve stops, shocked, and finally focuses. Eddie is staring at him and he’s so pale even his freckles have changed color. But no, wait. He’s not staring at him, he’s staring at his arm and Steve looks down to see… a lot of blood.
“Oh,” he says faintly. He must have cut himself on a sharp edge when he fell. Too worried about Eddie, he hadn’t even noticed the pain, but now that he’s seeing the cut, it fucking hurts.
“Oh,” he says again, realizing he’s feeling kind of dizzy, ‘that's way too much blood,’ he thinks.
“Jesus Christ!” Eddie huffs, takes off his flannel shirt and wrapping it around Steve's arm, he pulls Steve by his other hand toward his van.
“Oh no, your cute shirt,” he mumbles and hears Eddie snort before he slams the door of the passenger seat and goes to the driver’s one.
They go to the hospital in silence. It's tense. Steve tries to explain himself but Eddie shuts him up harshly, tells him to save his energy.
Even so, when they get there, Eddie still holds him gently by his good arm as he helps him inside. He tells the nurse what happened because Steve is having a hard time focusing right now and then tells him he’ll wait outside for him.
He gets stitches and a tetanus shot just in case because he doesn't remember when was the last time he got one and gets weird looks when he refuses painkillers, but no arguments. He’s given a little juice box and is told he can't get up until he finishes it.
A few seconds after the nurse leaves, the door opens and Eddie walks in. Steve looks up and smiles at him, but Eddie doesn’t smile back and Steve shrinks a little on himself.
Eddie sits on the chair facing the overbed table Steve is perched on and sighs, moving his hand in little circles motioning like, ‘Well go on. Explain yourself’
Steve looks around the room and thinks about where to start. He can't look Eddie in the eye, so he stares at the little juice box in his hands. It's got a cartoon orange in the front. The drawing it’s awful and kind of scary.
Taking a deep breath, he starts, “I've been watching your videos for a long time now. I have- I am- I-”
He fumbles for what to say, even if this date is already ruined…it's not exactly a good first date topic, is it? How fucked up he’s inside.
In a flash, images of his father’s violence, running from home with his mom, going to live with his nonno, taking care of him as he slowly lost his mind with age while his mom worked her ass off to feed them, getting cheated on, losing his “friends” because he didn't want to bully freshmen, working as a babysitter and getting almost beat up to death by his kid’s stepbrother… he shakes his head and shrugs,
“I've been through some…stuff” is what he says in the end, looking up at Eddie. He doesn't look mad anymore, his expressive eyes look concerned. Steve worries about what was it Eddie saw in his own expression, but it surprises him how easily he read him. He’s usually so good at hiding it. 
He breathes in again and keeps going, “Your videos, they calm me down when I've, sometimes I get anxious and-” he clears his throat, again, not wanting to tell Eddie about the panic attacks, the nightmares.
But it seems he doesn't have to, Eddie looks at him like he gets it.
It makes Steve want to keep talking, “Watching you work, seeing you fix things, leave them like new, no sca- marks, no problems, just working again and beautifully clean. It makes me feel better.” 
Eddie gives him a small smile and Steve returns it, “I really like your hands…” he blurts out and then closes his mouth quickly, blushing furiously.
Eddie’s eyes go wide and then he smirks and stands up slowly walking up to him and taking Steve’s hands on his own, they both stare at their joined hands for a while, the touch feather-like and soft.
“You recognized me because of my hands?” Eddie asks him a little incredulous.
Steve giggles, “I saw the logo for your channel on your studio that day I helped you with the boxes,” he clarifies sheepishly.
Eddie blushes and opens his mouth in a silent ‘oh,’
Steve draws small circles on Eddie's knuckles with his thumbs, “When I came over today, I was just trying to offer you those stuff at my place, they were my grandfather's” he explains, “I didn’t know how to say I knew who you were without looking like a weirdo and I got nervous and you thought I was going to ask you out and I wasn’t planning to but you are so beautiful I-
Eddie kisses his cheek and Steve shuts up and looks at him surprised,
“I’m sorry I freaked out,” Eddie says, “I thought- I don’t know what I thought- I was just upset you didn’t actually like me.” 
And Steve immediately answers, “I like you” a little too excitedly.
Eddie smiles at him so warmly it makes his heart rate pick up, “Good. I like you too.”
He blushes and looks down at their hands again unsure, “Do you really? Even tho I’m…”
“What?” Eddie asks, squeezing his hands reassuringly.
“Broken?” Steve whispers.
Eddie hums and drops his hands to hold his face, “Not broken, baby” he says lovingly and kisses the crease between Steve’s brows, the top of his eyelid, his nose, and the corner of his mouth. Then hugs him and Steve buries his face on Eddie's neck, and breathes him in.
A minute goes by or an hour, Steve is not sure, and Eddie leans back enough to kiss him again softly and whispers, “Some things don't need to be fixed Steve, just held.” 
𝒻𝒾𝓃
coffee? a hug? ☕🥐💕
1K notes · View notes
jayrockin · 10 days
Photo
Tumblr media
Hi. I'm very late to Webcomic Day. The concept this year was to nicely showcase what the progression of your work looks like through layers of completion on a single page, but because of the way I am, this is not very easy. The first thing I do is sketch the page. This can be anything between thumbnail scribbles, nice pencil drawings with panels, or a bunch of floating character headshots with speech bubbles on a random piece of paper. I then scan these and add them to the page document. I usually do digital tweaks to the scans until I am satisfied with the panel layout and composition. I add vector speech bubbles at this stage too. The goal is (was... it's done) to make the entire book comprehensibly readable, so editors can read it and suggest changes before I put in actual elbow grease. Second stage is modelling important background elements in Blender. I'm not very good at this, mostly because I am new to Blender and terribly impatient. My models are usually a vague sketch of a hardscape environment that I then draw clutter over. My vehicle models are much nicer and that's because they were commissioned from people who have years of learned skill that I don't. Third step is when I actually start the finished page. I usually draw the character lines and flats (unshaded tones) before anything else because I find it fun and easy. I don't recommend this, it sometimes makes the next step inconvenient. I frequently start flats or shading before I've finished lines, because I get bored of doing lines. I don't recommend this either. Last step is backgrounds, and etc. If I need a Blender model, first I load an .fbx copy into the Clip Studio file and position it; then I often have to resize and reposition the characters I've already drawn, and then I grind out all the background lines and tones. Usually shade the characters around this time. This is also the time when I finally fill in miscellaneous stuff I've been dreading; like conlangs, technical details of equipment and props, conlangs, time conversions, and computer screen displays. Then the page is done. And I move on to the next one. Someday, perhaps, I will be done with all of them (so that I can work on the next book). Hope this was insightful. Take a peek at some of the other great artists making online comics, who posted in the #WebcomicsDay tag yesterday. Read Runaway to the Stars over here.
738 notes · View notes