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#stella dallas
murderballadeer · 1 year
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barbara stanwyck + letterboxd reviews 
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gmzriver · 1 month
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Barbara Stanwyck as Elizabeth Lane in "Christmas in Connecticut" (1945) icons
like if you save or use
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eyesfullofmoon · 1 year
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Barbara Stanwyck in publicity stills for Stella Dallas (1937).
Photographed by Robert Coburn.
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silentlondon · 1 year
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Silent dispatches Spring 2023: essays, films and festivals
Film on Film Festival Lots to enjoy at the BFI Film on Film festival this summer (8-10 June) but now the lineup is out we can confirm that there are silents to be savoured among the banquet. British silents in fact: The First Born (Miles Mander, 1928), and two Manning Haynes films: Sam’s Boy (1922) and The Boatswain’s Mate (1924). All three films with be screened on vintage prints with live…
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shade713 · 11 months
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The fact that she DIDN’T win the Oscar is a crime. Especially knowing who did win. Justice for Stanwyck.
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lesbiansstudy · 1 year
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From the essay «Something Else Besides a Mother »: Stella Dallas and the Maternal Melodrma by Linda Williams
I absolutely love this article, I found it very interesting. These are just the parts I found most interesting. A lot of great stuff to think about!
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lifes-commotion · 2 years
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 Happy heavenly Birthday, Ruby Catherine Stevens (16 July 1907 – 20 January 1990)!  She’s best known as actress Barbara Stanwyck from films like Stella Dallas, Ball of Fire, Christmas in Connecticut, The Strange Love of Martha Ivers,  Double Indemnity,  Executive Suite, and Sorry, Wrong Number.  She also starred in the television miniseries The Thorn Birds and television shows like The Colby’s and The Big Valley.  She was married to actor Robert Taylor from 1939 to 1952
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roses-in-hollywood · 2 years
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Happy Birthday Barbara Stanwyck! Here are some pictures of her I have saved on my phone because I love her so much <3
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we love ya, Missy.
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autumncottageattic · 2 years
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Stella Dallas is a 1937 American drama film based on the 1923 Olive Higgins Prouty novel of the same name. Stars Barbara Stanwyck, John Boles, and Anne Shirley.  
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byneddiedingo · 2 years
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Barbara O'Neil and Barbara Stanwyck in Stella Dallas (King Vidor, 1937) Cast: Barbara Stanwyck, John Boles, Anne Shirley, Barbara O'Neil, Alan Hale, Marjorie Main, George Walcott, Ann Shoemaker, Tim Holt. Screenplay: Sarah Y. Mason, Victor Heerman, based on a novel by Olive Higgins Prouty and its dramatization by Harry Wagstaff Gribble and Gertrude Purcell. Cinematography: Rudolph Maté. Art direction: Richard Day. Film editing: Sherman Todd. Costume design: Omar Kiam. Music: Alfred Newman. I'm bothered by an inconsistency in the title character of King Vidor's Stella Dallas. When Stella's estranged husband, Stephen (John Boles), shows up unexpectedly at Christmastime bearing gifts for her and their daughter, Laurel (Anne Shirley), Stella makes a determined effort to look "respectable": She rummages through her closet, rejecting all the flowery, overtrimmed dresses she usually favors, and chooses a black dress, removing most of its trimmings, and even goes so far as to wipe off the lipstick she has just applied. But later, when she takes Laurel to a snooty resort, she's a blowsy horror again, swaggering vulgarly through the amused upperclass crowd -- and thereby precipitating the final separation between her and Laurel. What happened to the self-aware Stella who knew how to present herself as a suitable mate for Stephen Dallas? But the thing about this inconsistency, and other little melodramatic clichés that infest the film, is that it doesn't matter: Stella Dallas triumphs because Barbara Stanwyck believes in her and because King Vidor knows how to manipulate our responses to the characters. Stella's appearance at the resort is played as simultaneously comic -- who doesn't laugh at the way she's dressed, swanning around with a white fox fur? -- and tragic -- Stella's insistence on being herself is her fatal flaw. Similarly, when her friend Ed Munn shows up drunk, wagging around a large turkey he has brought for Stella and Laurel's Christmas and stuffing it head, feet, and all into the oven, the scene is hilarious -- Alan Hale is wonderful here -- until it isn't, until we realize the damage it is going to do to Stella and her daughter. And the celebrated final scene, of Stella watching Laurel's wedding through the window, is beautifully performed by Stanwyck, chewing on her handkerchief, and magisterially staged by Vidor. Tears are flowing in the audience as Stella strides across the street, but she's beaming, having accomplished her chief goal: to see Laurel happy. Critiques of the movie's treatment of maternal self-sacrifice, or of marriage as the consummation of a woman's happiness, are many and cogent. But let's just take a moment to reflect on the skill with which these ideas and attitudes, retrograde as we may find them, have been presented on film.
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shesbeenmarooned · 7 months
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Barbara Stanwyck and Anne Shirley in Stella Dallas (1937)
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bornaftermytime · 1 year
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Source: fb Turner Classic Movies: TCM
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angelbabyyys-world · 1 year
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silentlondon · 10 months
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Il Cinema Ritrovato 2023: women who worry and men who don't
Someone just asked me if I were back from Bologna yet. Oops. I have been back home for over a week now, but I haven’t written anything about the festival. So here I am, to tell you what rocked my world at Il Cinema Ritrovato. This year I enjoyed a truly excellent programme, and some even more excellent company. Here are some of my highlights, of the silent variety. Continue reading Untitled
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