i took martin to atohl's end without knowing that he starts out with level 5... i ran out of rp just to wake him up 19728 times becuse he passes out every time he gets hit. this must’ve been so embarrassing for him im so sorry
i should draw whoever wins tomorrow in some vault aesthetic shit. golden frozen statue. tied down or encased on their podium forever. lotta ancient roman aesthetics. you get the idea (you probably do not you probably did not blase a ball)
I’m not great at explaining my thoughts but last episode it hit me that in C2 Caleb was almost perfectly built to help Veth and now I look at Imogen who’s life has been going into people’s heads and Laudna who in the end game needs a person out of their head and I am shocked at how these things just keep lining up seemingly perfectly because I don’t think the cast collaborates to that level with character creation.
First of all, lets all take a Moment™ to appreciate Caleb and Veth, Partners In Crime My Beloveds. Codependent and desperate and holding each other so close. <3 <3
Second of all- oh yeah, the parallel of voices in heads and diving in and pulling out- very nice. God dammit Imogen and Laudna. 🥺
But, ah, allowing me to get on my soapbox for a moment:
I will say, that more than just a thing of character creation OR things conveniently lining up, I think its a testament to the casts ability to do collaborative, character driven storytelling. To craft a character is one thing, but to have that character grow and be shaped by the forces and other characters around it, to have that starting point and then lean into everything that grows around it rather than adhering to What You Made This Character For, is very difficult to do, and also facilitates incredible stories.
Humans love looking for patterns and common threads and taking little coincidences and turning them into stories, letting them grow off of that. Humans love stories about connections and growth and lives colliding and intertwining.
Coincidences can just be that, coincidences, and there are millions of them that happen constantly. When you take the time to flesh those out, to ascribe meaning to them, to follow through and reinforce, thats when they start becoming themes, and parallels, and character motifs, and they become THINGS, and- it gets fun! But this approach also requires you provide that space and flexibility for the organic coincidences to flourish, for all those possibilities to spin out and breathe and grow without getting too wrapped up in telling your specific story, in a specific way.
I think the nice thing about extended media with downtime and fluff and character spaces like CR is that if you give it the space, a lot of stories tell themselves. People will pick out patterns and meanings and thoroughlines, and some of them are intentional and a lot of them won't be. And as a story progresses, not all of them will get realized, not all of them can get realized. And. IMO. Thats fine, and to be expected.
In my opinion, good storytelling in this kind of medium is about that balance- about providing the flexibility and openness where you let the stories and characters grow on their own, you work with the people and characters and environment and let those organically shape your character and story and landscape. But you also, as you progress, to pick and choose what threads to follow, what threads to reinforce, and making sure there's that consistency, that whatever you choose makes you look back and go oh. Oh. Of course. Of course.
Anyway this is a lot of personal opinions about how stories and crunchy characters can be told and made and I'm not claiming its the Only or Best way. But, IMO, I think characters like Veth and Caleb and Imogen and Laudna are lovely examples of fascinating coincidence, intentional creations and actions, and collaborative, thoughtful character work by the cast, and I'm thrilled by it. :D
[Image description: A digital drawing of Vanitas. Two panels at the top show Vanitas laying on his back in a patch of grass with a stern frown. He’s holding a Mandrake above his head. The two stare at each other, and then Vanitas rolls onto his side, setting the Mandrake down and gingerly stroking it with a melancholic expression. Vanitas is wearing a black tee, denim shorts, and black and magenta shoes. The rest of the drawing shows that he’s by one of the Land of Departure’s cliffs. The end of a short stone wall stands to his left. The sky is partially cloudy and is colored a blue-pink sunset gradient. End image description.]
when i first met my bf i was passed the hell out on the ground at school because i drank one too many energy drinks and i cant handle caffeine (i did this because i had not slept the day before and was sick) he asked me if i was okay for obvious reasons. and somehow that lead to him being with me for 5 years love wins