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n7punk · 9 months

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She-ra (2018) Action Dolls: Design Details

In 2019, Mattel released a line of eight action dolls for the 2018 She-ra reboot. The line featured Adora, Glimmer, Bow, Catra, Shadow Weaver, and 3 versions of She-ra (there was also a Swift Wind model). There were more dolls planned that were canceled which I've covered in their own post.

For this post I've gathered official images and information about the dolls' design courtesy of the Instagrams of two of the designers: Darren Sander (known for work on Monster High, he designed this line's packaging and did work on She-ra and Swift Wind) and Annalise Lao (who worked on the BFS & Catra). It takes a lot of people to make even one doll for mass production (the SDCC exclusives were two years in the making, before the show even debuted!), but these are the only designers I've found talk about their personal involvement. I found a few more names to credit further in, though.

For data such as price and further stock/promotional shots (as well as the source of most of the ones in this post), see the line's page in the Dollect database.

Builds:

[Regular She-ra; Glimmer, Adora, Bow, & Catra; Battle Armor She-ra & Swift Wind. I'll cover the SDCC exclusives later in the post. Photos via Twitter.]

For the main four dolls (center image), the bodies are pre-existing sculpts, with the girls coming from the 2019 DC Super Hero Girls line and Bow coming from Monster High (generation 2). She-ra had a unique body sculpt. All of them had unique heads and clothing/accessories.

Glimmer's body is supposed to be a "curvier" sculpt compared to the other girls. Annalise says the foreshortening on the promotional pictures makes her look skinnier, but I will say that what counts as curvy when it comes to dolls is usually ridiculous. They tried with the options they had, at least.

Swift Wind was designed by Darren Sander and his wing artwork was done by Kristen Kress. His wings are supposed to flap when you move him up and down, and he has a plastic clip on his back to keep She-ra in place.

She-ra(s):

[Regular She-ra; SDCC-exclusive She-ra; Battle of Bright Moon She-ra - officially named "Battle Armor She-ra & Swift Wind." All stock photos.]

Regular She-ra: Her outfit is made of plain fabric with plastic accessories for the boots, gauntlets, chest emblem/pauldrons, and tiara (basically, anything gold). Her peplum skirt is unhemmed (on all her outfits) and is made from a sparkly tulle. Her cape is a one-sided fabric, but both sides look pretty much the same. The cape has no hemming either and is sewed directly onto her shoulders. It matches the shorter (more practical) length in the show. The plastic chest piece has overlapping straps and pegs in the back to hook it on.

SDCC Exclusive: The plain fabric of her uniform has been swapped out for a thin, rubbery pleather and her skirt "upgraded" to an iridescent fabric (the fabric feels stiff and way cheaper than the tulle, but was probably chosen for displaying well. It's one-sided). Her cape was redone, now much longer and made from a double-sided foil, still unhemmed. Her boots also have extra paint on their backs (details on that all the way down in the boots section). Otherwise her outfit is the same.

Battle Armor: Her torso and legs are cast in white to give the illusion of clothes. A plastic chest piece clips over the front of her, leaving her back exposed underneath her hair. She has no gauntlets, her forearms instead cast in gold to give the illusion that she is wearing some. Her boots are their usual cast, but they're solid gold with no painting. She has a one-sided reflective skirt, but its curving cut means it's shortest right in front and it often lets her articulation joints peek out. The chest piece was sculpted by Kittaya Wongchinda.

SDCC Exclusive:

[Display packaging in the upper left; both dolls in middle; compact storage box in upper right; closeups on bottom. All stock photos.]

These two dolls were the first part of the line revealed. She-ra's unique sculpt in the regular line originates here. She-ra is capable of standing on her own while Shadow Weaver requires a stand. Shadow Weaver has the same body as core line Adora and Catra, but this is the only set that includes a stand since it's supposed to be more deluxe.

Shadow Weaver: Her outfit is two layers, made from a long red dress with a turtle neck and an unhemmed, tendril-cut bottom edge. Over the top of it she wears a monastic scapular made from red foil and black fabric. She does not have any shoes. She has a black shadow accessory to hold with glitter suspended through it.

Her mask does not come off, but is cast as a separate piece and then glued tightly to her head to create the appropriate silhouette and depth. Her head is likely smooth underneath and she has small elf ears. Her hair is Polypropylene.

Packaging: The display packaging on the upper left folds in half (with velcro on the insides to keep it together while unfolded) to fit into the storage box in the upper right. The tops of the displays feature the same backdrop as the storage box with Shadow Weaver and She-ra's names written in the First Ones script to label each of them. The storage box has the show logo on two sides with Shadow Weaver and She-ra art opposite each other on the other two sides.

Models & Designers: We know Darren & Garrett Sander (fraternal twins, the latter also being the creator of Monster High) worked on the SDCC dolls, in addition to more unnamed creators, but we have some modeler names!

[Shadow Weaver's model with her accessory; She-ra's plastic chest emblem model; She-ra's body model, via Instagram. There are three more photos showing She-ra's accessories and sword through the link but I've hit the image limit.]

The dolls and their accessories were sculpted by Arpine Keurjikian, Kittaya Wongchinda, Adam DeFelice, and Sean Olmos (this is gonna shock you but they all worked on Monster High).

Regular She-ra vs. SDCC:

[SDCC exclusive on the left, regular on the right]

For the con exclusive, the Sword of Protection's blade has glitter suspended throughout it while the others are clear blue, but the cast is otherwise the same. I already compared outfits in the She-ra section, but the con version also has unique hair. Her hair is longer (10 inches vs. around 6 regularly) with some reflective strands (likely tinsel) threaded through it to make it shine. More side-by-side comparison photos of regular vs. con She-ra can be found on Darren Sander's Instagram.

Main Line:

Annalise and Garrett were both fans of the show (unknown for anyone else since I don't have their personal comments) and worked back and forth with Dreamworks on rounds of revisions for the dolls. The dolls had all major joints articulated (just missing ankles, and no torso/chest articulation). They have 11 joints, many of which can be moved in multiple directions. Some individual details:

Catra:

[Catra's screening; the rest are stock photos]

Catra's faceup is pretty much the first design Annalise tried, painting it directly onto the prototype early in the process. Her tail is rotatable, giving her an extra point for posing. She has all her stripes (and pant rips, Catra was Annalise's favorite) from the show. Her belt includes a tiny (and fully painted!) Force Captain badge. She came with a staff accessory. Catra uses Saran for her hair.

Glimmer:

[Glimmer's boots; the rest are stock photos]

Glimmer's hair is also saran, but it has been heavily gelled to achieve its shape, which explains why it's often a mess (or at least deflated) in any dolls that have been played with. Glimmer's white glove is painted on to make the layering with her gauntlets work, but otherwise she has her accessories from the show and her jumpsuit is two layers. She has a unique star sparkle in her eye screening and uses the same skintone as the original DC Super Hero Girls Wonder Woman doll. She came with a "sparkle burst" accessory to hold.

Bow:

[Bow's chest; the rest are stock photos]

Bow has real textured hair up top with his short sides painted (the more expensive Monster High dolls also have their short sides painted on). His top is a white fabric shirt with a single plastic accessory layered over the top of it to represent his armor pieces. Funnily, the strap for his quiver is included despite him not having one. He came with a (single piece) bow-and-arrow accessory.

Adora:

[Posed photo; the rest are stock photos]

I don't have many details on Adora's build, but here's her closeups. The white long-sleeves that are supposed to be from her shirt actually start at the hem of her jacket sleeves and are sewn directly to them. She has a white shirt front sewn on under the jacket collar to give the illusion of proper layering, but it's all one piece. She came with the same Sword of Protection that the two core She-ra dolls had.

Bootprints:

This was the only line they had at the time (and could still be) to have unique bootprints. I don't have a photo of it at the moment, but Adora's boots have four sparkles (the same shape as the emoji ✨) printed on the tread. She-ra's boots were fairly generic, but Glimmer's have a moon print on the bottom and Bow's featured hearts. Dreamworks shared the show designs with them ahead of time, since these dolls started production long before Bow's heart-soles were shown off in season two, and it was a detail they were excited to include for the fans.

It's mentioned up above, but the same cast was used for all of She-ra's boots. The pair pictured here is her con boots. Her regular boots didn't have the blue paint on the very top edge but were otherwise painted (they're up in the sword comparison photo in the SDCC section). The Battle Armor version was gold with no painting at all.

Packaging:

[A lineup of stock photos with the core five box fronts]

And finally, because it's really well-designed IMO, here's the packaging design that was used for the core five dolls. Darren Sander designed the packaging layout and blister with the artwork coming via Dreamworks. The front has the outlines from the Sword of Protection's blade embossed into it. The sides each have a little sword embossed into them and the top has the She-ra logo. They're difficult to see (much less photograph) in transparent plastic, and of course these are head-on photos, but the details really make it.

#some expansions from the post:#the modeling insta post only lists 3 modeler names but darren tagged four in his post & i trust that more.#i really wish i could include the side-by-side regular vs con she-ra photos from darren's instagram but i already exceeded the image limit-#-and getting photos off instagram is... a fucking nightmare. so just follow the link.#that's it except no it's not because i'll be making an editorial part 2 later with more notes & opinions #maybe a smaller part 2 and then the editorial actually #clearly i have a Lot to say but I found info when i was just trying to look at the prototype posts & then i absolutely had to catalogue it #so here's more detail than anyone wanted on the fashion dolls that no one can have! oops!#she ra #spop #spop meta #merch #words and things #spop dolls

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thefirstknife · 6 months

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New article with more details (from Jason Schreier who first broke the story). If you can't see it, I'll copy the whole text under read more.

About 100 employees were laid off in total (8%) and one of the main reasons listed is "underperformance," "sharp drop in popularity" and "poor reception of Lightfall."

So you know when for the last year and a half content creators have been shitting and pissing on the game as a full-time job and the amount of negativity and ragebait content became the only thing to make content about for them? Well they certainly won't take the blame, but I will let it be known. These people either don't understand the influence they have or they do and they're doing it on purpose, and I don't know which of these two options is worse, but I am 100% confident that their campaign of rage and hate contributed to this.

You don't base your entire community around constantly hating everything about the only game you play (despite clearly not enjoying it anymore) and somehow avoid galvanising thousands and thousands of people into perceiving the game negatively. Imagine being employees who have barely worked there for 2 years and the only community reception they've seen is 24/7 hate train for their work and then they get fired because of "poor reception" and "drop in popularity." How can they not take that personally? I am absolutely devastated for these people who delievered a banger product and who were met with an unrelenting barrage of toxic gamer children which ended up having more sway over their boss than them.

Which brings me to the next bit and that's FUCK THE CEO. He is now my mortal enemy #1. I am projecting psychic blasts directly into his brain. What an absolute spineless coward who is more willing to bow down to fucking gamers than to protect his own employees. This is absolutely rage inducing because this has happened before. From the article from 2021 about the toxic culture at Bungie:

Reading this shit from the new article absolutely fucking sent me into blind rage because I immediately remembered this. Another instance of employees suffering because of comments on reddit. And because of toxic players. And proof that leadership is not protecting employees and is instead siding with players.

Match made in heaven. Asshole gamer content creators and asshole CEOs, all of whom sit at home on piles of money made from someone else's labour. I hope they all explode. None of the people that worked on this game deserve this.

Another article with an infuriating comment from the CEO:

In an internal town hall meeting addressing a Monday round of layoffs that impacted multiple departments, Bungie CEO Pete Parsons allegedly told remaining employees that the company had kept “the right people” to continue work on Destiny 2.

"Kept the right people." Really. Veteran composers weren't the right people? Die!

Bloomberg article in full:

Bungie’s decision to cut an estimated 100 jobs from its staff of about 1,200 followed dire management warnings earlier this month of a sharp drop in the popularity of its flagship video game Destiny 2. Just two weeks ago, executives at the Sony-owned game developer told employees that revenue was running 45% below projections for the year, according to people who attended the meeting. Chief Executive Officer Pete Parsons pinned the big miss on weak player retention for Destiny 2, which has faced a poor reception since the release of its latest expansion, Lightfall. The next expansion, The Final Shape, was getting good — not great feedback — and management told those present that they planned to push back the release to June 2024 from February, according the people, who asked not to be identified because they weren’t authorized to speak publicly. The additional time would give developers a chance to improve the product. In the meantime, Parsons told staff Bungie would be cutting costs, such as for travel, as well as implementing salary and hiring freezes, the people said. Everyone would have to work together to weather the storm, he said, leaving employees feeling determined to do whatever was needed to get revenue back up. But on Monday morning the news got worse: Dozens of staffers woke up to mysterious 15-minute meetings that had been placed on their calendars, which they soon learned were part of a mass layoff. Bungie laid off around 8% of its employees, according to documentation reviewed by Bloomberg. Bungie didn’t respond to requests for comment. Employees who were let go will receive at least three months of severance and three months of Bungie-paid COBRA health insurance, although other benefits, such as expense reimbursements, ended Monday, sending some staff racing to submit their receipts. Laid-off staffers will also receive prorated bonuses, although those who were on a vesting schedule following Sony Group Corp.’s acquisition of Bungie in January 2022 will lose any shares that weren’t vested as of next month. The layoffs are part of a larger money-saving initiative at Sony’s PlayStation unit, which has also cut employees at studios such as Naughty Dog, Media Molecule and its San Mateo office. TD Cowen analyst Doug Creutz wrote in a report Monday that “events over the last few days lead us to believe that PlayStation is undergoing a restructuring.” PlayStation president Jim Ryan announced last month that he plans to resign. Many of the layoffs at Bungie affected the company’s support departments, such as community management and publishing. Remaining Bungie staff were informed that some of those areas will be outsourced moving forward.

#destiny 2 #bungie #long post #and like i don't care what's anyone's opinion on lightfall. it doesn't matter #the expansion is fine. there's some bad shit in there as there is in every expansion #literally nothing on this earth was so bad to deserve the amount of vitriol that lightfall got #it was purely motivated by hate and rage from people who have clearly lost their interest in the game a long time ago #no one else normal enough would respond even to a weaker expansion this way. and lightfall wasn't even weaker #literally nothing ever released in destiny deserves to have comments bad enough to end up affecting employees #there's been some bad expansions/dlcs/seasons. whatever. none of them were like... gollum level. not even close #people genuinely treated lightfall like it personally killed their dog. it was insane. the reaction to it was insane.#it stemmed from people who should have stopped playing a long time ago and stopped being content creators for one game #i can't even properly explain just how long and tireless the ragebait content campaign for destiny has been #opening youtube and seeing 10 videos in a row of just complaining and bitching #opening twitter and seeing thousands upon thousands of posts and comments dedicated solely to hating the game #imagine being an employee trying to maintain some communication with the community #hippy was relentlessly bullied by people I've seen suddenly lamenting that she was fired. you caused this #they will never accept even a miniscule portion of the blame for this ofc. they will just keep claiming they don't have that influence #but they do. it's been proven years ago. in the same way #community comments DO reach devs and community comments DO influence what happens to them and the game #'the event is bad' 'meta is bad' 'pvp is bad' 'raid is bad' 'story is bad' stop playing. no longer asking.#it's a video game. if you hate it stop playing. you don't have to justify it to hundreds of thousands of people and take them with you #especially when it leads to employees taking the fall #so to all content creators who are appalled and baffled after spending 2 years hating the game: you did this.#and to the ceo even more: explode into dust and be forgotten

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unproduciblesmackdown · 1 year

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reread the rest thus far of lackadaisy and there's the both v easy & difficult task of gathering a shit ton but only a shit ton of excerpts (like every single page is a highlight i'm not exaggerating)

and every single element is superlative and the way it all only becomes More So....already mentioned the way the like smooth gradient shading made the successful evocation of 3D Shapes more noticeable, along w/the consistent geometries of character design & details in fabric folds; the way Lighting & Coloring only goes on to become more prominent elements only enhances that further. the compositions, backgrounds, pacing, angles....everything is so dynamic & expressive, such as including the expressions which you know i also Love / absorbed

going "hell yes for people to discover this superlative comic" then having to occasionally refresh past site traffic overloaded server errors like "nooo" but actually yes

whilest clapping & cheering for the fun of everyone who's been here a minute. My God the invigorating reward when again i started reading in '07 & the concept of rocky & freckle on a "proper" run had only manifested via fun official bonus art, then a literal decade later as it was actually happening in the comic like screeeeaammm i can feel it coming in the air tonight oh lord etc....i've loved following it, again, if i see another new comic page. i am going to be Enriched

i also really was right on the ball myself this time around like okay okay yep i have picked up on Everything, at least to the degree i can lmao. i love the mysteries. i love how Character Focused it is too ofc and there's no characters i'm uniterested in / dislike. you gotta point to one of them, truly, and i have been a [pointing at freckle] enjoyer these fifteen years but fr i am a connoisseur of everyone, i love that so many characters are a weird mysterious chaos element story driver in their own right. i considered mordecai more intently than ever, love his like ultra mystery (and that we leave off on him doing some detectiving even) and truly fun that like, the source of the more Immediate problems he keeps having in every damn interaction isn't the like [wow mordecai with the just diving into the hatchet murdering] factor so much as it's that he's generally like "i am just standing here" and is not nt in any way that matters and people insist on fucking with him on that front. the peak tragedy of him in a bonus comic getting bullied into having to dance with someone to Be Polite like i'm so sorry i wish you could be that ficus too. anyways intrigued with the marigold &/or mordecai mysteries including that it's like, how coincidental is it that he talks about marigold having a thorn in its side & the savoys' nickname for him is peekon = thorn. there is so much to consider, love that for us truly. and i'm rooting for mordecai & nicodeme's dynamic out here, is another conclusion....very enriched by comparing & contrasting that serafine nicodeme mordecai triumvirate with the rocky ivy freckle one, to be sure. im enriched

i'm also enriched by every footnote that's got like historical facts / research notes / [this is inaccurate for xyz prioritization but here's the disclaimer] explanations. i Love information. and everything else like i loooove this comic it's Soooo Fucking putting my hands to my temples and inhaling at length through my teeth

#first time i've really taken tumblr up on that new thirty image limit expansion; bit of a surprise maybe lol #put your back into autism acceptance month &/or press j; scroll fast; read through it actually; filter the following:#long post //#learning abt the overwhelming popularity of baby ruth candy bars from lackadaisy footnotes? relevant to gtm:pota aficionadoship at one pt #remember discussing what i learned from another footnote abt some christian denominations / other religions being very Anti Prohibition #every time i use the word cagey i think of lackadaisy. cagey thing... we've all been there #fantastic time revisiting and i love to be considering all these characters all the further / with reckless juxtaposition #especially the two triumvirates as mentioned. rooting for them all #rooting for mordecai to be relieved of that v realistic [ppl sensing a Mess With His he is not nt in any way that mattersness Free For All]#either let him be or start shooting at him lmfao. but i Love that the gang had that pleasant nonbrunch together & no shots exchanged yet #more brunches! and i think nicodeme could be mordecai's bestie or w/e he wants. turn out to be Supportive in any way that matters #they are more so the ivy and freckle of their group after all lol. slightly would-be Unlikely coupling there as well anyways; and yet!#i am as enriched and intrigued and appreciative and etc as ever #and reminded that in my rereading i haven't yet gone over all the bonus material lol....#also stumbled across that sungwon cho had fandubs of lackadaisy comics posted like 9 yrs back??#which means i probably saw one or two; think i remember one being shared and checking that out #like hey didn't know i'd encountered you before like; vines & oh the lamps are fucking & etc. and now there he goes voicing mordecai yaay #lackadaisy

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rohirric-hunter · 5 months

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TBH I think a lot of the things people will just go on the LotRO forums and say to and about the devs fully qualifies as cyberbullying and while I understand why they don't I feel that they would be justified in just banning some people's accounts from the game after a while.

#ever since i have been playing #over five years now #instances and raids have not been released at the same time as expansions #thats just the way they do it #and yet people are going on the forums acting like the fact that they are not available now means they arent going to be #and this is some kind of long running scam from the devs #oh yeah #the scam where they... release things according to the schedule thats clearly posted on the website??? that one?

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lem-argentum · 25 days

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i *DID* like end.walker, but playing it has just made me want to talk more about the strengths of shadow.bringers because it highlights them evenm more. help!.!!!!!

#lem text #xivposting #ITS ABOUT THE.THE FLOW. THE PACING. HOW THE EMOTIONAL WEIGHT OF THE INCITING INCIDENT NEVER LOSES MOMENTUM #ew focuses on the final days but you jump around to so many places that are far away from each other and have suchj different situations #and that kind of progression is similar to how the expansions work too #but THE ENTIRE. PREMISE. SETS UP SHB TO PROGRESS IN A WAY WHERE EVERYTHING SEEMS RELEVANT AND ENHANCES GHE MAIN POINT #AND AND SND. i’m too scatterbrained to word it hfnksjzfk YOU KNOW..!!.!/!!!!#ITS LITERALLY ALL ABOUT THE SETUP. FROM THE CRYSTAL TOWER SIDEQUESTS TO THE WARRIORS OF DARKNESS PLOTLINE IN POST-HW #TO WHEN ALL OF YOUR FRIENDS START COLLAPSING AND YOU FIND OUT THEY’RE BEING SUMMONED TO SOME UNKNOWN WORLD.#****AND THAT PART!!!!!**** IS ESSENTIAL BECAUSE. THE FACT THATJ THE SCIONS SPEND YEARS ON THE FIRST. GIVES **THEM** ALL SPECIFIC REASONS TO-#CARE ABOUT THE PEOPLE. AND THE EVENTS. AND THE PLACES. WHICH IN TURN GIVES *YOU* THE SAME REASONS FOR INVESTMENT. AKNFHDKFJ #because OK. you meet alphi and he tells you about how much of himself he sees in eulmore. how to him it is a mirror of his past failings #and so you care about ITS development because you care about HIM and then it does the same witg ALI.SAIE #who cares so sosososo deeply about the people in the inn at journey’s head and how they’ve been affected by the flood #the scions all feel a connection to the first for a unique reason. introducing you to each bit of the worldbuilding alongside them #AND THAT PATTERN. IS SO MUCH MORE EFFECTIVE THAN IF EVERYONE WAS NEW TO THE EVENTS. INSTEAD YOU ARE LED TO CARE THROUGH THEIR FAMILIARITY…….#efkdjzn i could word this better on a better day. it’s the setup it’s the setup…….. ahgkdnjf 💛💛💛

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weatheredfailnot · 1 year

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Alphinaud Realms → Heavensward character growth my beloved

#FFXIV #Heavensward #Alphinaud #My posts #Going from the Warrior of Light is MY political tool and does whatever I say they will #to calling them a friend and being one of the first Scions to recognize how often they send the WOL into danger #Also undermining the WOL's intelligence in Realms #And then in later expansions he relies on the WOL's experience a number of times #He'll state some sort of fact and then turn to the WOL and go Can you confirm that for me and it's neat #I'm just having a lot of Alphinaud thoughts since this is my first replay of Heavensward

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haunted-xander · 7 months

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You ever look at ARR and go wow absolutely none of the Archons were done any justice at all

#out of the archons the one who directly contributes the most is URIANGER #who is absent 90% of the time and all he does is doing vauge research that somehow works #like. at least early on (pre-waking sands raid that is) the archons barely do anything worthwhile #at most they guide you along and provide some small assistance that you are too busy to do yourself #yshtola at least SUPPOSEDLY helps with the pre-titan fetch quest section #but like. when your negotiating with the sylphs yda & papalymo are kinda just. there #and during the pre-ifrit investigation thancred just. sucked at his job. youd never believe hes a master spy from that lmao #like granted he otherwise has the excuse of being possessed #but he wasnt at the time and he doesnt like. Do Much on screen after that anyway #thank god they got post arr(in part) + the rest of the expansions to make up for it #(well except papalymo... but he got a bit still! at least! even if it wasnt a lot!)#actually most of the scions in general wasnt done much justice in arr #only alphinaud really helped you directly #but minfilia & tataru at least have the excuse of being non-combatants #anyway. arr sure was a time huh #final fantasy #final fantasy 14 #final fantasy xiv #ff14 #ffxiv #a realm reborn #xander rambles

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kuwdora · 9 months

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I always have thoughts about book-to-media adaptations running in the back of my mind these days since it’s part and parcel of our fannish landscape. There’s just so much that goes into translating something from book to a visual medium. And then the adaptation fails in some small and/or large way and it ends up being a disappointment. (I think there’s also a lot to be said about adaptations that are more Successful than not and what success means in an adaptation…but I think that deserves its own post.)

I’m often considering a person’s entry point to adaptations, whether it’s through the media or the original source, and how that plays into people’s reactions about failures of adaptations or—like, what each person is wanting to get out of the adaptation if they know the original source material. And what they’re happy with when they’ve just discovered it through the adaptation.

Just gonna ramble a little bit about my own experience with being a book-to-adaptation person. I think even when writing and production circumstances are the most ideal, it’s still fucking hard as hell to adapt complicated narratives to the screen. Still. I’m not immune to heartbreak about seeing something play out badly because I had been so attached to the original book material.

When I was a little girl I picked up a fantasy book featuring a little girl protagonist. This main character was living in a foster situation, had dead parents, and a wishy-washy background she didn’t know much about. She was a little bit of a ruffian and kind of defied everybody and everything because she had a very strong sense of self and moral code. She is, of course, a child of prophecy and has a lot in store for her.

Over the course of the first book she ends up embroiled in some social and political intrigue and ends up going on a grand adventure. She meets an outcast who is is hated by humans but they use his services anyway because he’s good at his job. He ends up becoming her protector and guardian and would do anything for her.

She eventually crossed paths with a world-traveling misfit with who brought levity and a heart of gold to every scene. She also ended up meeting a very old, very beautiful witch also fell in love with this child and would move heaven and earth to protect her and help her survive and thrive.

The whole series deals with a lot of complex issues of the moral and social variety, and there’s a running theme about how men and institutions headed by men wield their power and try to impose their vision of the world on everyone. Particularly on women.

The little girl also eventually found out that her dad isn’t actually dead like she was told. The dad is alive and well and he’s asshole, also a bad guy. But he has the MOST CHARISMA EVER, holy fuck.

I ate these books up as a kid and reread them over and over and my brain and heart totally grew around them. I admired the protagonist and her sharp wit and mouthiness and determination. Her resiliency and perseverance to do what she knew would be right and just. As I got older and I reread the books and absorbed the more complex issues about personhood and agency. I thought more about how you can resist a bad situation or person when the world/person is trying to change you to fit their ideal. (That part was particularly important to me when I was young). But also the themes of good and evil, etc. I started seeing the politics and then understanding it more with every reread over the years when I started reading more history, more politics. It had always been there in the books but I could finally SEE it. It felt like a revelation.

A dozen or so years later it turns out someone was going to going to adapt these books! It was much discussed and heavily anticipated. These were well-known, beloved fantasy books from the 90s. Amazing characters and great scenes! Fascinating themes.

God I remember being so excited when I heard about the adaptation. And then I got to see it. It was the most confusing and disappointing experiences of my life. What I ended up seeing was pretty. Great costumes, CGI. Amazing actors! But everything that made the books interesting and magical and profound had been watered down, elided over the moral complexities. Or it outright changed things that would have fundamentally shifted the events of the rest of the books and make the adaptation even MORE incomprehensible.

I’m talking about the 2007 film adaptation of The Golden Compass from Philip Pullman’s trilogy His Dark Materials. A lot of this probably sounds familiar to my Witcher mutuals, right?

Anyway.

The film had so many boycotts by the Catholic Church and other churchy groups in the United States for its depiction of institutionalized religion in Lyra’s world. So on the studio-side they made so many changes and demands that fucked the movie. So much doesn’t make sense or is just pales in comparison to what was actually originally intended.

After the film’s flop even more articles and reviews came out talking about Tom Stoppard’s original draft of the film and the director’s first take on the screenplay. Vulture read both versions and it's really illuminating what they discovered. The film was indeed supposed to be significantly longer but the studio wasn’t having it because they wanted kids to go and see this film and 2+ film wasn’t gonna be it.

Like. The studio was really hoping for another Harry Potter franchise and were treating this book-to-film more like a YA fantasy type of thing. When in reality someone wrote a sanded down version of the story for the screenplay that left me and a whole bunch of other people fucking jaded as hell. Because damn. Way to miss the fucking mark on an amazing fantasy series. 10000% missed it. I’ve blacked out most of the actual film from memory because I just could not believe it. The disappointment. The heartache of not doing the story justice.

But yeah…just… someone really thought The Golden Compass was gonna be a huge fantasy action/adventure hit because there were really cool talking animals.

It’s so fucking hilarious to me in retrospect. When you realize these books are Phillip Pullman’s AU fanfic/fix-it of Paradise Lost where Lucifer gets to have his revenge on the kingdom of heaven, there was noooo way that original film was going to even begin to set up a 3 or 4 film franchise. Nooo way.

The first book ends with an absolutely heartbreaking and horrific scene that is the catalyst for Lyra and what motivates her for the next 1500 pages of the series. I was there opening weekend in that theater for The Golden Compass. I have never been more confused in my LIFE while watching a film because they ended the film like 5 chapters before the end of the book. They lopped it off and made the first film a very strange Cliffhanger for a sequel that would absolutely never get made. I was flabbergasted.

The disappointment. The confusion. The despair. I was fucking depressed about it for a good long time. I had been so excited and been brimming with anticipation because I loved the books so much and I wanted it to be good and then what I got was….absolute garbage. To me. I mean maybe if I had been a little girl watching the film for the first time it would have been better. But as an adult who had spent the better part of my life immersed in Lyra’s character arc… I just. Could not feel more betrayed.

I can’t even be that upset anymore because I’ve had enough time to grieve and leave it behind. Then somehow the universe came together and HBO let Jack Thorne and company re-do the books as a series. It is a much more faithful adaptation. I’m too close to the book source to know if people who don’t read the books will get the same kind of experience out of seeing the show play through Lyra and Will’s experiences in the show.

The final season of His Dark Materials was also probably the most philosophical and abstract season of fantasy television I’ve seen. I fucking loved it. I don’t think it was perfect, but it was really enjoyable and did more to soothe my soul than I thought possible. It’s not a show for everyone—and I’m still not sure how it got made because HBO the last few years had been going through some changes. Maybe I’m very sentimental and forgiving, I don’t know. The narrative pacing was a bit weird to me in places and some of the dialogue was hit or miss but overall, I could not have gotten a better time from it.

That experience with the film a has made me much more intentional about managing my expectations of how I approach media adaptations.

Where am I starting with an adaptation? What am I hoping to get out of this? Who is making it and what are the production constraints working against it? How do I manage my expectations if I know the original source and what do I want from the visual media and acting? Etc etc. Do I want to go and read the original if I don’t know it already because I want to see what changes they made?

I keep thinking about everything with The Witcher Netflix. It’s so fucking difficult to get anything made through studios and networks (especially now, but even then in the late 2000s)… And when you’re trying to appeal to the widest audience possible, you’re only going to get so far when you’ve left the rest of the source inspiration on the table. And didn’t bother to make up for the difference in what you left there.

We all know how depressing it is. The streaming model has fucked television over completely. The depreciation of writers rooms… we had 20 and 22 episodes, and then 15 and 12 episodes. Filler episodes with great character moments. Space to flesh out complex narratives with nuance. And now 8 episodes as a standard runtime. The lack decent amount of time for production (including pre and post) to actually set things up in a way that serves the media narrative.

It’s so hard to cater to everyone when you’re drawing from a book/comic book. Also harder to cater to your specific audience. But when you’re trying cater to enough people so you don’t get cancelled and keep going to try and tell the story you’re trying to tell, that’s fucking hard and shitty and I don’t begrudge them for that. Even though it sucks.

Even though I can hate it as much has I can understand it. Wish it was different. Even though it can be a fucking travesty of epic proportions because these writers/showrunners/directors don’t get the space to actually flesh out what they’re trying to do.

Even if people are writing a very different iteration of the story that I don’t like/want/agree with/understand/etc.

That doesn’t even go into the issue of when showrunners and directors don’t understand the characters they’re working with or make fundamental changes because of their own vision, production constraints, and everything else. You might see a lot of this going around again with Red, White, and Royal Blue and what the director had changed in his film adaptation. People are worked up into a froth for very valid reasons. It’s all exhausting but this is all nothing new. Still demoralizing when people so attached to the original material.

Anyway. That’s….just some thoughts that have been sitting with me for awhile. Could probably ramble more if I can get the brain cells together.

Fun fact: George RR Martin looked at the 2007 The Golden Compass film and said (paraphrasing here): “I am never, ever fucking EVER letting anyone make my books into a film. A television show is the way to go.”

Fun fact #2: James SA Corey (Daniel Abraham and Ty Frank) worked with GRRM extensively over the years and I think others have written more extensively about GRRM’s influence the way they wrote sprawling narratives with multiple POV characters. Anyway they developed a tabletop RPG that they eventually turned into novels that became The Expanse.

Which eventually got adapted to television. SyFy network was in a bidding war with Netflix for the show and out-bid Netflix. This was a show adaptation that did not hold your hand whatsoever. Fascinating, new, interesting. Faithful adaptation. Still got cancelled after two seasons. Even though both authors had become producers on the show and were learning more about production and writing teleplays from experienced sci-fi showrunners/producers/television writers.

Show was later picked up by Amazon to finish out the last few seasons. But I would bet my bottom dollar that both these authors watched how the Game of Thrones adaptations went and probably went “we’re not gonna let this happen to us.” And I think that’s reflected in the way they and their team were able to adapt the story faithfully with multiple huge and small changes specifically so it would work with the television medium.

#so rambly #next time I'll edit more #honestly this is still only like 30% of my feelings about His Dark Materials books #and only like 15% of my feelings about how The Witcher Netflix has been adapted #my crankiness about the way witcher netflix adaptation goes is so variable. i love. i hate. i'm confused and chill at the same time.#hurray for posting some rambly thoughts #and for years i've wished i had the brain and energy to write my like eight part essay about The Expanse adaptation #maybe this will spur me into writing about Lyra & Ciri & Teresa Duerte from The Expanse & how they're treated by the authors and narrative #my brain is soggy and worn down from capitalism but still always churning with thoughts #i need to practice being more pithy and editing but alas this is what i have right now #textpost #blogdora

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