#sir integra kin | Explore Tumblr Posts and Blogs

horrorlover99 · 1 year

Text

Vampiric Representation in Hellsing Ultimate

Vampire portrayal in contemporary media has had quite a few changes since Bram Stoker’s Dracula. However, despite these changes, a lot has also stayed in line with the traditional media. Hellsing Ultimate puts some interesting takes on traditional patterns seen in vampire media while also taking on common issues seen before. One such issue being vampires representing the “other” in society. Another being vampires representing repressed sexuality and individual choice in relationships. In Hellsing Ultimate “Hellsing I”, vampires are used to highlight such issues as purity and “otherness”, repressed sexuality, and personal choices in relationships.

While Bram Stoker’s Dracula was not the first vampire in media, Hellsing Ultimate seems to take heavy inspiration from this source of media. Agata Łuksza makes the comment “vampire fiction is indebted to a long-standing tradition and, therefore, has to face similar critiques its multiple predecessors were confronted with” (2015, p.432).The main vampire in Hellsing Ultimate, is Alucard, whose name backwards spells Dracula. This is because Alucard is Dracula, but over the years of adapting who he is, was given a different name. Dracula, after being defeated by Abraham Van Hellsing, swears loyalty to the Hellsing family in order to stay alive. Dracula, or now Alucard, is passed down from head of the family, typically to the next of kin. This is where Sir Integra Fairbrook Wingates Hellsing, after the passing of her father, is told of a saving grace, or legacy, that is in the basement. As her uncle starts to chase her, to try and claim the Hellsing Organization as his own, she rushes to the basement. There, Alucard is resting, having been locked up, presumably by Integra’s father. However, it is not until Integra is shot and Alucard is able to drink her blood that he springs into action.

This loss of blood can be seen as the loss of Integra’s innocence. From that moment on, she leads the Hellsing Organization in the fight against the monsters that would attack England.

Integra’s explanation of the organization being the monsters that rid England of the other monsters (Kuroda, et al., 2006), is blatantly calling monsters, and in course vampires the “other” of this society. This also gives us our boundaries for what Kathleen Spencer wrote “the redrawing of boundaries to mark the pure (inside) and the evil (outside)” (1992, p.207). The pure in this case, is England, while the evil is the vampires attacking people across the United Kingdom. Part of what makes this show different is that while Integra is fully human, she is not afraid to use monsters to help in her work. She often sends Alucard and Seras to take care of the vampires, but is also not afraid to step into the line of action when necessary. However, this is not the only reference to purity made in the show.

Another reference that the show makes to purity is how one becomes a vampire. To become a vampire, one must be a virgin otherwise, they will be turned into a ghoul, also known as a zombie under the control of the vampire that turned them. When Alucard meets Seras Victoria, she is under threat of another vampire. Alucard’s first words to Seras are to ask if she is a virgin and upon the reveal that she is, he shoots through her to kill the other vampire (Kuroda, et al., 2006). Upon being turned into a vampire, or a monster, Seras starts to lose that purity as Noël Carroll defines monsters as impure, or unnatural, threatening creatures thought to not exist in a rational world (as cited in Yanal, 2003). This loss happens slowly throughout the show, as Seras refuses to drink blood, and does become a full vampire until later. This could also be a representation of Seras sexual desires. Throughout the show, Seras is flirted with and becomes flustered at the advances of those around her. It is not until she finds love that she is able to accept what she is and drink blood. However, Alucard gave her a choice in her turning, either die or become a vampire.

In her becoming a vampire, Seras Victoria had to decide between death or life after death. This sense of choice has been a common theme in recent years for the vampire genre. As Agata Łuksza wrote “female sexual subjectification in contemporary vampire fiction develops as a part of a broader question of individual choice within a love relationship” (2015, p.438). Victims of vampires in earlier forms of media were not given choices about their transformation. They were put under the control of the main vampire and turned by the vampire’s will. Contemporary media, however, usually shows the vampire giving the victim a choice, as seen in Hellsing Ultimate. While Seras’s options come down to death or a different kind of death, she still gets the choice. It is also important to note that Seras’ relationship with Alucard is not one of romantic love, but more of a familial bond. As the show progresses, Alucard treats Seras harshly for not drinking blood, reminding her that her choices led her to where she is. This relationship becomes a mix between that of a friend and a fatherly figure, especially when Seras falls in love later in the series.

Hellsing Ultimate adds a twist to a traditionally seen relationship in the vampire genre. The relationship being that of the master and servant. In traditional media, the vampire is usually the master and the human is the servant. However, in Hellsing Ultimate, Sir Integra is that of a master while Alucard is her servant with Hellsing commanding Alucard and Alucard needing her permission before acting. This is seen in the following clip

youtube

It is a unique twist on the master servant relationship of the human having power over the vampire that has not really been seen before. Whereas, the master servant relationship between Alucard and Seras is pretty traditional to that of the genre. As Seras must answer to Alucard, the one who turned her. However, it also adds to the relationship between Seras and Alucard as well, because Alucard also becomes a kind of guide to the ways of vampirism. Which is slightly unusually for the genre as the main vampire usually does not care about those that have been turned unless they are a lost love, which is not what Seras is.

Hellsing Ultimate shows that despite time, contemporary vampire media still tackles similar issues as that of predecessors. The show Hellsing Ultimate, incorporates some twists on traditional vampire media such as the master and servant relationship where the human is the master instead of the vampire. The show also still takes on issues such as vampires being considered the “other” of society as Integra describes her organization as monsters ridding England of other monsters. The show also has themes of repressed sexual desire, seen in the way that Seras does not want to accept what she has now become. Finally, the show takes on the more recent issue of choice in becoming a vampire, seen in the fact that Alucard gave Seras a choice. With these factors, Hellsing Ultimate shows that despite changes over the years to the vampire genre, there is still a lot that stays the same.

Works Cited

Best of Hellsing Abridged GIF [Digital Image]. (2017). Retrieved from https://gfycat.com/fr/admirablewelloffiriomotecat

Coldiron, E. B. (2006). Sir Integra Fairbrook Wingates Hellsing [Digital Image]. Absolute Anime. Retrieved from https://www.absoluteanime.com/hellsing_ultimate/integra.

Kuroda, Y. (Writer), & Tokoro, T. (Director). (2006). Hellsing I [Television series episode]. In U. Yasuyuki & Y. Fudetani (Producers), Hellsing Ultimate. Geneon Entertainment.

Łuksza, A. (2015). Sleeping with a Vampire: Empowerment, Submission, and Female Desire in Contemporary Vampire Fiction. Feminist Media Studies, 15(3), 429–443. https://doi.org/10.1080/14680777.2014.945607

Spencer, K. L. (1992). Purity and Danger: Dracula, the Urban Gothic, and the Late Victorian Degeneracy Crisis. ELH, 59(1), 197–225. https://doi.org/10.2307/2873424

tsuki. (2016). Seras Victoria [Digital Image]. Animo. Retrieved from https://aminoapps.com/c/anime/page/item/seras-victoria-police-girl/w4tp_IBx4xbgK6lqNQDGa0G6RzMoMW.

Yanal, R. (2003). Two monsters in search of a concept. Contemporary Aesthetics. Retrieved from https://quod.lib.umich.edu/c/ca/7523862.0001.011/--two-monsters-in-search-of-a-concept?rgn=main%3Bview

YouTube. (2013). Hellsing Ultimate| Alucard and Integra on the Phone. YouTube. Retrieved from https://www.youtube.com/watch?v=w2SCGUnUJXY&t=19s.

#For class #Hellsing ultimate #essay #Youtube

11 notes · View notes

kin-drawings · 7 years

Photo

Dazai and Integra for Anon!

#dazai osamu kin #sir Integra kin

2 notes · View notes

helsung · 5 years

Photo

RETRIEVED FROM THE INTERNAL DATABASE OF HER MAJESTY’S SECRET HELLSING ORGANIZATION, NOT FOR PUBLIC RELEASE OR FOR COPY . ORDER SIGNED BY SIR INTEGRA FAIRBROOK WINGATES HELLSING HERSELF .

of all supernatural creatures that have crossed paths with the van helsing clan, & later the hellsing organization, none stand out & as a memorable as THE VAMPIRE . the family whose namesake & history intertwines with the organization has painted its legacy with the blood of these monsters, they have found their greatest feats in slaying them & protecting humanity from their corruption . it is no coincidence then that of all beasts that reach the shores of the united kingdom, the vampire is our most common threat . there are many factors which make it feared among all other creatures, the apex predator of a food chain beyond the limits of human comprehension, & the subject of the hellsing organization never-ending crusade to hunt it to extinction :

SECTION #001 — PHYSIOGNOMY .

VAMPIRES ARE LIKE CHAMELEONS, sharing the figure & features of a human, able to hide & lie in wait among its natural prey, with an appearance subject to change of their own will . of course, the weaker they are the easier it is to distinguish them from your fellow man, you can quite easily assess the threat level of any given vampire by how well it hides itself among a crowd of people . weak vampires may also be unable to truly shift in appearance, like many of their abilities, such a skill is something to be learned & mastered . the common traits that set a creature of this nature apart from any human are RED EYES & SHARP SHARK-LIKE TEETH . as mentioned previously, more powerful vampires may chose to hide these traits, the red in their eyes hidden beneath a fake glint, though in darkness it is still quite visible . they might also cover their fangs, but it is important to note the canines of this creature’s maw, for they will ALWAYS remain sharp . weaker variations can also lessen their vampiric traits through restraint from blood consumption, which might provide the slightest cover, but in said state a vampire’s nature as a shambling corpse is most well seen .

starved of what satiates their hunger, a vampire’s form will begin to slowly wither & they will grow weaker . given enough time a vampire may return to a corpse-like catatonic state, though the length of this process may itself take months or years depending on their inherit strength . human blood is what fuels their vampirism, what allows them the power to prey on humanity, & without it they are fated to revert to their truest form, the corpses they should have been .

it was not always this way, vampires of old were quite easily distinguishable from humans, sharing only in the humanoid figure but with more telltale signs of their status as apex predators . they have since EVOLVED to hide themselves among humanity, a natural consequence of their never-ending thirst for blood, & only the most ancient of vampires retain elements of their historical depictions . to a trained eye, however, even the vampires of now may be told apart from people . while humans possess a solid composition, a vampire’s is more shadow-like, shifting endlessly in infinite states of dishevelment which make one tense upon eye contact . it is hard to notice just how inhuman vampires appear, but under the right light conditions, through the right photographs, one can tell .

SECTION #002 — LIFE-CYCLE .

according to legends, vampires are not born, THEY ARE MADE, a curse spread from one host to another . it is true, that vampires do not & can not procreate ( with humans or each other ), but the beginnings of a vampire are a far more complicated process with endless, situational variations . vampirism is a curse, & thus, it has a source . though it is impossible to trace it down to any single progenitor, it is foolish to believe that people become vampires simply through the spread from one infected patient to another . a human may become a vampire in numerous ways, either they are sired into their unholy existence by someone already afflicted, or they become vampires from their own hubris . vampirism is an illness born out of HUNGER, hunger for many things, be it eternal life, or power . the latter is the most common narrative, & thus many who seek greater strength beyond the limitations of humanity may become vampires out of pure desire . they might perform forbidden rituals of the occult, sacrifice their soul to all manner of devils, gods & specters or something as simple as satiating their thirst with the blood of their fellow man .

once afflicted, a vampire’s life-cycle is virtually limitless, able to live for an insurmountable number of years beyond that of a human . it is this longevity that makes the vampire one of the last supernatural creatures to stalk the edges of our perception . many other monsters of its ilk have since died our or have been hunted to extinction, YET THE VAMPIRE SURVIVES . is this simply down to their prolonged existence ? is it their status as the top of the unholy food-chain that allowed them to survive when their comrades did not ?

NO, while those are factors to consider, the vampire continues in spite of its kin for it draws its satiation from a different source . while beasts may feed on the nutrients present in human flesh, after all, we are red meat, vampires hunger for blood . like all creatures, humans possess a SOUL, their very essence contained within that allows to exist & perceive, & BLOOD IS THE CURRENCY OF THE SOUL . drain someone of their blood, quench your thirst with it, & soon you will be allowed to peer into them, their thoughts, their feelings & even their very memories . by draining a person’s entire bloodstream, vampires are able to absorb their soul, granting them further power beyond simply that which is gained from normal feeding . vampires are then able to do with these souls as they please, should they know how to utilize them, summoning their victims as familiars, using them to hone their skills & abilities . making them the most feared among the forces of darkness & the last surviving vanguard of the night . it is this discovery, made by the late arthur van helsing, that truly explains the source of the vampire’s abilities, & the need for its TOTAL ERADICATION .

SECTION #003 — THREAT .

vampires posses an array of abilities that prove deadly to any human unfortunate enough be become their prey . the exact nature & number are ill-defined & so not even the hellsing organization can provide a complete assessment of the capabilities of a vampire . vampirism is a tailored curse, one that suits each corrupted individual down to their need . in essence, THERE IS NO UPPER LIMIT TO THE POWERS BORN OF VAMPIRISM, as each encounter may differ in its own unique way, & thus each mission is required, according strictly to the hellsing organization’s internal regulations, to perform an extensive reconnaissance operation before a target is engaged in combat .

however, there are shared traits between many of the vampires slain by hunters & soldiers of the organization, which are to be memorized & understood as an observable pattern within vampirism . it is, after all, an affliction of those who hunger for POWER, & in that shared origin one will find common abilities . they are as follows :

ENHANCED STRENGTH, AGILITY, ENDURANCE & RESILIENCE — self-explanatory, vampires possess capabilities beyond any mere human, able to move faster than the eye can perceive, to tear through flesh like it is paper, to outlast trained soldiers in battle & to survive a hailstorm of bullets . they are not to be underestimated, as they can rip apart an overconfident squadron in seconds ;

REGENERATION — again, self-explanatory, any wound a vampire is caused can be healed quickly without visible scarring . more powerful & skilled the vampire, more potent their regenerative abilities, able to even regrow or reattach limbs which have been severed . it is said that a strong enough vampire may even regrow their head ;

LONGEVITY — decay & rot are of little concern to a vampire, they are corruption inhabiting a body, & given a consistent stream of human blood they can live on for as long as they desire, nigh immortal if not for the existence of bodies such as the hellsing organization to seek their end ;

INTANGIBILITY — if they so choose, a vampire may become immaterial to the world, & pass through any matter it desires . of course, this is a skill uncommonly seen, & a technique that necessitates a degree of mastery before it is to be used offensively . the only know material to cancel it out is SILVER ;

PERCEPTION — a vampire’s ability to perceive the world around them is enhanced & honed specifically for the hunting of humans, thus their hearing, sight & sense of their surroundings reaches far above ours . they can hear single a heartbeat among a crowd from miles away, can see their prey through solid objects & perceive the surrounding area to such a degree that a plan of attack may be formed in seconds ;

TELEPATHY & HYPNOSIS — is it because of this enhanced perception that vampires have to the ability to stalk a person through their thoughts, able to project their desires onto a potential victim & draw them closer . as well, they may simply sense a human’s thoughts & emotions when they are close by without needing a single drop of blood . of course, this is not a common ability, & is a skill to be mastered before it sees use in the vampire’s hunt ;

TELEKINESIS — certain vampires may possess minds so powerful as to move solid objects . while another infrequent ability, it may be used by a vampire to drag their opponent off their fit & into their claws, or simply to levitate objects & even themselves to be used as weapons or for better spacing when engaging in combat ;

refer to previous sections for anything missing from this list .

SECTION #004 — SPREAD .

one might imagine vampirism to travel among the populace like a plague, an illness passed on from an infected individual to another, but it is a mistake to think of it this way . vampirism is no common affliction, & though it can be passed, a more correct assessment would be to say that VAMPIRISM IS A CANCER . as previously mentioned, one might give into becoming a vampire because of their lust for greater power . how, then, is vampirisim granted ? does it simply manifest out of thin air & infect those wanting ? of course, the answer is much more damming . vampirism is a curse which is present within us all, any human serves the potential of becoming a vampire, should they find themselves under the right circumstances . it is an affliction born of humanity’s own hubris, manifesting itself as vengeful beasts that seek nothing but our destruction .

we all born into this world with a corruption in our hearts that may overtake us & turn us into monsters, each of us serves the potential of becoming a vampire, but to then imagine a necessity for the culling of fellow humans in an effort to stop the spread of vampirism is monstrous in & of itself . the circumstances by which a human may turn are so specific & uncommon that billions of us can go our entire lives without knowing we are all corruptible . in order for one to turn themselves, they necessitate a pathological hunger for power without limit, not power over others granted through the hierarchical systems we live under, power beyond the constructs we agree upon . power to dominate without restraint & to do it as they please . as well, another of the few known triggers for our inherit corruption is desperation beyond measure, a willingness to sacrifice one’s own humanity in order to survive in the face of certain doom . combine these two circumstances, give it human blood of any sort, & you just might have witnessed the beginnings of a self-made vampire .

it is for this reason that vampirism is so uncommon among humanity, despite every individual presenting a potential risk of the affliction, & why, in order for the lineage of vampires to continue, it is customary for the vampire to turn humans into more of its kin . this too can be an uncommon sight, such a ritual, while easy to perform, can be deeply personal & born of incredible circumstance . it is quite easy to understand that granting another immortality & power beyond measure, against their will or because of it, while sacrificing their humanity is not a decision to be made lightly . thus, it is more rational to fear DEATH by a vampire’s hand rather than the granting of UNDEATH . the way by which a human is turned is quite simplistic in comparison, it requires them to be drained of most if not all of their blood by a vampire’s bite, allowing the plague to spread through their body from the touch of fangs alone, & then they must be given a taste of vampiric blood . vampirism is an unstable corruption, one that can destroy a human’s mind & body if not contained by a vampire’s blood . self-made vampires need not worry, but those being turned NEED vampiric blood within their system lest the poison take away their rational mind & rot their body to the core, turning them into GHOULS .

SECTION #005 — WEAKNESS .

almost in spite of their great power, dispatching a vampire can be quite easily done . in ages past they were quite weak to objects of religious significance, such as crosses, & unable to withstand the radiation of the sun, but today most vampires have evolved past such classical weaknesses . regardless, SILVER remains their natural deterrent, contact with it will burn their skin & any wound they contract from the metal is either permanent or harder to heal . as such, soldiers of the hellsing organization are outfitted with silver plated rounds of both exploding & standard variety, designed specifically by our research & development department to incapacitate most types of vampires . blessed silver is found to be double as effective, & thus we also provide standard ammunition forged from melted silver crosses provided to hellsing by the manchester cathedral . however , these are in short supply, & are only to be used under dire circumstances as a last resort or if a vampiric threat is assessed to be greater than normal, as per our internal regulations .

when attempting to incapacitate a vampire, one should make sure to aim for one of two potential areas of their body, either the head or the heart . destroying either/both of them or severing from a vampire will, in most cases, kill them instantly without any chance of regeneration . even a well placed non-silver bullet may dispatch a vampire if aimed well enough, & thus precision with a fire arm is the difference between life & death . as well, while not commonly used by the organization, FIRE can prove a useful tool when dealing with vampires, able to burn them at a rate similar to contact with silver or, at the very least, weaken them enough for a well placed shot . vampires are scarcely immune to explosives, as well, & can be incapacitated if one were to explode one/both of their vital points . dispatching an entire group of vampires is generally better done by utilizing explosives than engaging them with firearms .

THIS ENTRY HAS BEEN COMPILED FROM RESEARCH INTO THE OCCULT DONE OVER THE MANY GENERATIONS OF THE VAN HELSING FAMILY, WRITTEN & SIGNED BY SIR INTEGRA FAIRBROOK WINGATES HELLSING .

#* ( could've been so much better ┊ ooc. )#* ( signed & printed ┊ headcanon. )#* ( doing hirano's work for him ┊ worldbuilding. )#eat your heart out kouta hirano #i WRITE hellsing now #it's mine #*beats hands against chest like a gorilla while screaming*#blood //#blood mention //#cancer mention //#illness mention //

28 notes · View notes

getitfrenchship · 5 years

Text

F/O List, Now in Post Form!

This is copy/pasted from the “My F/O’s” page. Post will be tagged with “f/o list”. It’s a doozy so I put it under a “keep reading” thing

Romantic:

Priam from Fire Emblem Awakening

Yen’fay from Fire Emblem Awakening

Kaze from Fire Emblem Fates/Fire Emblem Heroes

Conrad from Fire Emblem Echoes: Shadows of Valentia/Fire Emblem Heroes

Dedue from Fire Emblem: Three Houses

Dorothea from Fire Emblem: Three Houses

Jeritza from Fire Emblem Three Houses

Gladiolus from Final Fantasy 15

Theodore from Persona 3 Portable

Nino/Crow from ACCA 13

Aizawa gets his own category:

Shouta Aizawa from My Hero Academia

Familial:

Libra from Fire Emblem Awakening/Fire Emblem Heroes (brother)

Say’ri from Fire Emblem Awakening (sister-in-law)

Sakura from Fire Emblem Fates/Fire Emblem Heroes (little sister)

Benimaru Shinmon from Fire Force (brother)

Midori from Fire Emblem Fates (daughter)

Kyouka Jirou from My Hero Academia (niece)

Eri from My Hero Academia (daughter)

Izuku Midoriya from My Hero Academia (son)

Mezo Shoji from My Hero Academia (son)

Tamaki Amajiki from My Hero Academia (son)

Berkut from Fire Emblem Echoes: Shadows of Valentia/Fire Emblem Heroes (son)

Vivi from Final Fantasy 9 (son)

Tanjiro Kamado from Demon Slayer (son)

Inosuke Hashibara from Demon Slayer (son)

Narancia Ghirga from Jojo’s Bizarre Adventure: Vento Aureo (nephew)

Archer of Shinjuku/Moriarty from Fate/Grand Order (father, more like a crack relationship more than anything)

Gentle Criminal from My Hero Academia (father)

s2g they would be my friends irl/i’d wanna be friends with them:

Azama from Fire Emblem Fates/Fire Emblem Heroes

Python from Fire Emblem Echoes: Shadows of Valentia

Thorkell the Tall from Vinland Saga

Sylvando from Dragon Quest 11

Shinobu Kocho from Demon Slayer

Alisha Diphda from Tales of Zestiria

Hatsume Mei from My Hero Academia

Iskandar from Fate/Zero

Rokurou from Tales of Berseria

Cynthia from Fire Emblem Awakening

Melia Antiqua from Xenoblade Chronicles

Riley Miller from Valkyria Chronicles 4

Eizen from Tales of Berseria

Rashid from Street Fighter 5

Lillie from Pokemon Sun and Moon/Ultra Sun and Ultra Moon

Pip Bernadotte from Hellsing Ultimate

Okuyasu Nijimura from Jojo’s Bizarre Adventure: Diamond is Unbreakable

Sir Integra Fairbrook Wingates Hellsing from Hellsing Ultimate

Junpei Iori from Persona 3

Sherlock Hound from Sherlock Hound (other incarnations of Sherlock too like in Case Files no. 221 or FGO)

Zaveid from Tales of Zestiria

I may not ship with them but I respect the hell out of them:

All Might from My Hero Academia

Bruno Bucciaratti from Jojo’s Bizarre Adventure: Vento Aureo

Ignis Scientia from Final Fantasy 15

Zedd O'Brien from Blood Blockade Battlefront

Freya from Final Fantasy 9

Vincent Valentine from Final Fantasy 7

Cornell from Castlevania Judgement

Bayonetta/Cereza from Bayonetta

Shamir from Fire Emblem Three Houses

I like them as characters but don’t ship with them/They make me smile when I see them on screen and going through character development:

Steven A Starphase from Blood Blockade Battlefront

Akihiko Sanada from Persona 3

Shinjiro Aragaki from Persona 3

Hatsuharu Sohma from Fruits Basket

Okada Izou from Fate/Grand Order

I just think they’re neat/one-sided crushes:

Lukas from Fire Emblem Echoes: Shadows of Valentia/Fire Emblem Heroes

Jushiro Ukitake from Bleach

Allen from Visions of Escaflowne

Shanna from Fire Emblem Genealogy of the Holy War/Fire Emblem Heroes

Arvis from Fire Emblem Genealogy of the Holy War/Fire Emblem Heroes

Sigurd from Fire Emblem Genealogy of the Holy War/Fire Emblem Heroes

Mathilda from Fire Emblem Echoes: Shadows of Valentia

Hector from Castlevania

Claude Wallace from Valkyria Chronicles 4

Ogata Hyakunosuke from Golden Kamuy

Alfyn Greengrass from Octopath Traveler

Cyrus Albright from Octopath Traveler

Regal Bryant from Tales of Symphonia

Arthur Pendragon from Fate/Prototype

Molayne from Pokemon Sun and Moon/Ultra Sun and Ultra Moon

Howl from Howl’s Moving Castle

Grimsley from Pokemon Sun and Moon/Ultra Sun and Ultra Moon

Primrose Azelhart from Octopath Traveler

Marin from Legend of Zelda

Ms. Hamilton from Sherlock Hound

Azazel from As Ms. Beelzebub Likes

Siegfried from Fate/Apocrypha

Chiron from Fate/Apocrypha

They work well with OCs I pair with

Setsuna from Fire Emblem Fates/Fire Emblem Heroes (Seki)

Benny from Fire Emblem Fates (Seki)

Tibarn from Fire Emblem Path of Radiance/Radiant Dawn/Fire Emblem Heroes (Nilima)

Risotto Nero from Jojo’s Bizarre Adventure: Vento Aureo (Menta)

They follow my niche of “nice hair, nice voice”/usually are buff/badass:

Azrael from Blazblue

Seteth from Fire Emblem Three Houses

Alucard from Hellsing Ultimate

Worick Arcangelo from Gangsta!

Colossus from Deadpool

Timeskip!Dimitri from Fire Emblem Three Houses

Dryden Fassa from Visions of Escaflowne

Trevor Belmont from Castlevania (Netflix series)

Tarba from Fire Emblem Fates (definitely a crack ship with Fatesona Pikes)

Travant from Fire Emblem Genealogy of the Holy War/Fire Emblem Heroes

Randal from Fire Emblem Echoes: Shadows of Valentia

Tanigaki from Golden Kamuy

Tengen Uzui from Demon Slayer

Gyomei from Demon Slayer

Hawkeye from Fire Emblem Blazing Sword/Fire Emblem Heroes

Vega from Street Fighter

Ogata Hyakunosuke from Golden Kamuy

Archie from Pokemon Omega Ruby/Alpha Sapphire

Adam from NieR Automata

Echidna from Fire Emblem Binding Blade/Fire Emblem Heroes

Kiroranke from Golden Kamuy

Protagonist from NieR Gestalt

Dunban from Xenoblade Chronicles

Malik Caesar from Tales of Graces F

Munehisa Iwai from Persona 5

Cross Marian from D.Gray-Man

Fenris from Dragon Age 2

Klaus von Reinherz from Blood Blockade Battlefront

The Captain from Hellsing Ultimate

Antonio Salieri from Fate/Grand Order

Wamuu from Jojo’s Bizarre Adventure: Battle Tendency

Hanzo Shimada from Overwatch

Mamoru Ichiyo from Zanki Zero

Taneo Takeru from My Hero Academia

Balthus from Fire Emblem Three Houses

Tsuchigomori from Toilet-Bound Hanako-kun

Leonard Burns from Fire Force

Rath from Fire Emblem Blazing Sword/Fire Emblem Heroes

Literally me:

Haru Okumura from Persona 5

An odd combo of Choromatsu, Ichimatsu, and Jyushimatsu from Osomatsu-san

Ruby Rose from RWBY

Sophie Hatter from Howl’s Moving Castle

Wander from Wander Over Yonder

Hifumi Togo from Persona 5 (government assigned kin)

Sawa from Amnesia (government assigned kin)

Deirdre from Fire Emblem Genealogy of the Holy War/Fire Emblem Heroes (government assigned kin)

#long post #i should've warned ny'all #list of f/os #f/o list

11 notes · View notes