headcanon that when estelle is old enough. percy and annabeth take her trick or treating. and estelle dresses up in the loudest colors she can find. and claims she an international super spy. and percy and annabeth accompany her while wearing tuxedos. claiming that their her bodyguards.
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chewing on big 3 kids being capable of absolutely devastating natural disasters and apocalypse-level outbursts of power.
Percy who creates hurricanes complete with lightning that pummel titans and flooding and whirlpools that can trap god-powered crocodile kaijus. Earthquakes that erupt volcanoes. Hazel who sunk an entire small island entirely on her own with her final breath, against giants and a primordial goddess of the earth.
If Nico dramatically wilts plants and cracks the ground when he's mildly stressed, and disintegrates enemies down to their skeletons with a single touch or rips their souls out of their still-living bodies, and can command armies of the undead, what happens if he tries to cause destruction? Even outside of total zombie apocalypse or insta-killing a crowd, he's shown enough geokinesis to absolutely be capable of the same destruction Percy and Hazel can manifest.
What about Jason? He can control the winds and storms. There's no way he can't create the most destructive tornadoes with casual effort that he can never justify using for the collateral damage they'd cause. With a single thought he can rip up a town and launch the remnants 50 miles out. (Jason in the center of a Dead Man Walking tornado, vortexes responding to his movements like an avatar...)
And what can anyone do to combat it? How can you fight the wind lifting everything you know and love into the sky, or floods sweeping you away, or the ground giving way beneath you? The Big 3 kids are scary because they are forces of nature, and their whims are the only thing preventing you from witnessing that at any given moment.
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i was so caught up in the euphoria of logan roy dying that for a minute i lived in a world where shiv pregnancy arc didn't exist
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New adrinette au where adrien is the ( surpriscingly hot) driving instructor and marinette is the still-hasent-gotten-her-liscence-yet 24 year old who is a horrible horrible driver
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Contact Other Plane really is such a perfect wizard and warlock spell, because it truly encapsulates the hubris of those classes. It's the most extreme "fuck around and find out" spell. It's like, you can make a collect call out of this world. You might get some answers, but you also might go insane for trying it. You'll be fine in the morning, though. You will learn nothing from this experience.
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I’ve mentioned this elsewhere but it feels relevant again in light of the most recent episode. Something that’s really fascinating to me about Orym’s grief in comparison to the rest of the hells’ grief is that his is the youngest/most fresh and because of that tends to be the most volatile when it is triggered (aside from FCG, who was two and obviously The Most volatile when triggered.)
As in: prior to the attack on Zephrah, Orym was leading a normal, happy, casual life! with family who loved him and still do! Grief was something that was inflicted upon him via Ludinus’ machinations, whereas with characters like Imogen or Ashton, grief has been the background tapestry of their entire lives. And I think that shows in how the rest of them are largely able to, if not see past completely (Imogen/Laudna/Chetney) then at least temper/direct their vitriol or grief (Ashton/Fearne/Chetney again) to where it is most effective. (There is a glaring reason, for example, that Imogen scolded Orym for the way he reacted to Liliana and not Ashton. Because Ashton’s anger was directed in a way that was ultimately protective of Imogen—most effective—and Orym’s was founded solely in his personal grief.)
He wants Imogen to have her mom and he wants Lilliana to be salvageable for Imogen because he loves Imogen. But his love for the people in his present actively and consistently tend to conflict with the love he has for the people in his past. They are in a constant battle and Orym—he cannot fathom losing either of them.
(Or, to that point, recognize that allowing empathy to take root in him for the enemy isn't losing one of them.)
It is deeply poignant, then, that Orym’s grief is symbolized by both a sword and shield. It is something he wields as a blade when he feels his philosophy being threatened by certain conversational threads (as he believes it is one of the only things he has left of Will and Derrig, and is therefore desperately clinging onto with both bloody hands even if it makes him, occasionally, a hypocrite), but also something he can use in defense of the people he presently loves—if that provocative, blade-grief side of him does not push them—or himself—away first.
(it won’t—he is as loved by the hells as he loves them. he just needs to—as laudna so beautifully said—say and hear it more often.)
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