#seven rishis | Explore Tumblr Posts and Blogs

dostoyevsky-official · 4 days

Text

Last August, Lucy Letby, a thirty-three-year-old British nurse, was convicted of killing seven newborn babies and attempting to kill six others. Her murder trial, one of the longest in English history, lasted more than ten months and captivated the United Kingdom. The Guardian, which published more than a hundred stories about the case, called her “one of the most notorious female murderers of the last century.” The collective acceptance of her guilt was absolute. “She has thrown open the door to Hell,” the Daily Mail wrote, “and the stench of evil overwhelms us all.”

The case galvanized the British government. The Health Secretary immediately announced an inquiry to examine how Letby’s hospital had failed to protect babies. After Letby refused to attend her sentencing hearing, the Justice Secretary said that he’d work to change the law so that defendants would be required to go to court to be sentenced. Rishi Sunak, the Prime Minister, said, “It’s cowardly that people who commit such horrendous crimes do not face their victims.”

The public conversation rushed forward without much curiosity about an incongruous aspect of the story: Letby appeared to have been a psychologically healthy and happy person. She had many close friends. Her nursing colleagues spoke highly of her care and dedication. A detective with the Cheshire police, which led the investigation, said, “This is completely unprecedented in that there doesn’t seem to be anything to say” about why Letby would kill babies. “There isn’t really anything we have found in her background that’s anything other than normal.”

The judge in her case, James Goss, acknowledged that Letby appeared to have been a “very conscientious, hard working, knowledgeable, confident and professional nurse.” But he also said that she had embarked on a “calculated and cynical campaign of child murder,” and he sentenced her to life, making her only the fourth woman in U.K. history condemned to die in prison.

[...] The N.H.S. has a totemic status in the British psyche—it’s the “closest thing the English have to a religion,” as one politician has put it. One of the last remnants of the postwar social contract, it inspires loyalty and awe even as it has increasingly broken down, partly as a result of years of underfunding. In 2015, the infant-mortality rate in England and Wales rose for the first time in a century. A survey found that two-thirds of the country’s neonatal units did not have enough medical and nursing staff.

[...] A woman came to the hospital after her water broke. She was sent home and told to wait. More than twenty-four hours later, she noticed that the baby was making fewer movements inside her. “I was concerned for infection because I hadn’t been given any antibiotics,” she said later. She returned to the hospital, but she still wasn’t given antibiotics. She felt “forgotten by the staff, really,” she said. Sixty hours after her water broke, she had a C-section. The baby, a girl who was dusky and limp when she was born, should have been treated with antibiotics immediately, doctors later acknowledged, but nearly four hours passed before she was given the medication. The next night, the baby’s oxygen alarm went off. “Called Staff Nurse Letby to help,” a nurse wrote. The baby continued to deteriorate throughout the night and could not be revived. A pathologist found pneumonia in the baby’s lungs and wrote that the infection was likely present at birth.

[...] A team from the Royal College of Paediatrics and Child Health spent two days interviewing people at the Countess [Letby's hospital]. They found that nursing- and medical-staffing levels were inadequate. They also noted that the increased mortality rate in 2015 was not restricted to the neonatal unit. Stillbirths on the maternity ward were elevated, too. [...] The Royal College could find no obvious factors linking the deaths; the report noted that the circumstances on the unit were “not materially different from those which might be found in many other neonatal units within the UK.”

[...] In September, 2022, a month before Letby’s trial began, the Royal Statistical Society published a report titled “Healthcare Serial Killer or Coincidence?” The report had been prompted in part by concerns about two recent cases, one in Italy and one in the Netherlands, in which nurses had been wrongly convicted of murder largely because of a striking association between their shift patterns and the deaths on their wards. The society sent the report to both the Letby prosecution and the defense team. It detailed the dangers of drawing causal conclusions from improbable clusters of events. In the trial of the Dutch nurse, Lucia de Berk, a criminologist had calculated that there was a one-in-three-hundred-and-forty-two-million chance that the deaths were coincidental. But his methodology was faulty; when statisticians looked at the data, they found that the chances were closer to one in fifty.

[...] “Looking for a responsible human—this is what the police are good at,” Schafer [a law professor at the University of Edinburgh who studies the intersection of law and science] told me. “What is not in the police’s remit is finding a systemic problem in an organization like the National Health Service, after decades of underfunding, where you have overworked people cutting little corners with very vulnerable babies who are already in a risk category. It is much more satisfying to say there was a bad person, there was a criminal, than to deal with the outcome of government policy.”

[...] Several months into the trial, Richard Gill, an emeritus professor of mathematics at Leiden University, in the Netherlands, began writing online about his concerns regarding the case. Gill was one of the authors of the Royal Statistical Society report, and in 2006 he had testified before a committee tasked with determining whether to reopen the case of Lucia de Berk. England has strict contempt-of-court laws that prevent the publication of any material that could prejudice legal proceedings. Gill posted a link to a Web site, created by Sarrita Adams, a scientific consultant in California, that detailed flaws in the prosecution’s medical evidence. In July, a detective with the Cheshire police sent letters to Gill and Adams ordering them to stop writing about the case. “The publication of this material puts you at risk of ‘serious consequences’ (which include a sentence of imprisonment),” the letters said. “If you come within the jurisdiction of the court, you may be liable to arrest.”

Letby is housed in a privately run prison west of London, the largest correctional facility for women in Europe. Letters to prisoners are screened, and I don’t know if several letters that I sent ever reached her. One of her lawyers, Richard Thomas, who has represented her since early in the case, said that he would tell Letby that I had been in touch with him, but he ignored my request to share a message with her, instead reminding me of the contempt-of-court order. He told me, “I cannot give any comment on why you cannot communicate” with Letby. Lawyers in England can be sanctioned for making remarks that would undermine confidence in the judicial system. I sent Myers, Letby’s barrister, several messages in the course of nine months, and he always responded with some version of an apology—“the brevity of this response is not intended to be rude in any way”—before saying that he could not talk to me.

[...] Michael Hall, the defense expert, had expected to testify at the trial—he was prepared to point to flaws in the prosecution’s theory of air embolism and to undetected signs of illness in the babies—but he was never called. He was troubled that the trial largely excluded evidence about the treatment of the babies’ mothers; their medical care is inextricably linked to the health of their babies. In the past ten years, the U.K. has had four highly publicized maternity scandals, in which failures of care and supervision led to a large number of newborn deaths.

[...] Johnson, the prosecutor, pushed her to come up with her own explanation for each baby’s deterioration. Yet she wasn’t qualified to provide them. “In general, I don’t think a lot of the babies were cared for on the unit properly,” she offered. “I’m not a medical professional to know exactly what should and shouldn’t have happened with those babies.”

“Do you agree that if certain combinations of these children were attacked then unless there was more than one person attacking them, you have to be the attacker?” Johnson asked at one point.

“No.”

“You don’t agree?”

“No. I’ve not attacked any children.”

Johnson continued, “But if the jury conclude that a certain combination of children were actually attacked by someone, then the shift pattern gives us the answer as to who the attacker was, doesn’t it?”

“No, I don’t agree.”

“You don’t agree. Why don’t you agree?”

“Because just because I was on shift doesn’t mean that I have done anything.”

[...] After a few days of cross-examination, Letby seemed to shut down; she started frequently giving one-word answers, almost whispering. “I’m finding it quite hard to concentrate,” she said.

Johnson repeatedly accused her of lying. “You are a very calculating woman, aren’t you, Lucy Letby?” he said.

“No,” she replied.

He asked, “The reason you tell lies is to try to get sympathy from people, isn’t it?”

“No.”

“You try to get attention from people, don’t you?”

“No.”

“In killing these children, you got quite a lot of attention, didn’t you?”

“I didn’t kill the children.”

[...] Toward the end of the trial, the court received an e-mail from someone who claimed to have overheard one of the jurors at a café saying that jurors had “already made up their minds about her case from the start.” Goss reviewed the complaint but ultimately allowed the juror to continue serving.

He instructed the twelve members of the jury that they could find Letby guilty even if they weren’t “sure of the precise harmful act” she’d committed. [...] The jury deliberated for thirteen days but could not reach a unanimous decision. In early August, one juror dropped out. A few days later, Goss told the jury that he would accept a 10–1 majority verdict.

[...] The public conversation about the case seemed to treat details about poor care on the unit as if they were irrelevant. In his closing statement, Johnson had accused the defense of “gaslighting” the jury by suggesting that the problem was the hospital, not Letby. Defending himself against the accusation, Myers told the jury, “It’s important I make it plain that in no way is this case about the N.H.S. in general.” He assured the jury, “We all feel strongly about the N.H.S. and we are protective of it.” It seemed easier to accept the idea of a sadistic “angel of death” than to look squarely at the fact that families who had trusted the N.H.S. had been betrayed, their faith misplaced.

Since the verdicts, there has been almost no room for critical reflection. At the end of September, a little more than a month after the trial ended, the prosecution announced that it would retry Letby on one of the attempted-murder charges, and a new round of reporting restrictions was promptly put in place. The contempt-of-court rules are intended to preserve the integrity of the legal proceedings, but they also have the effect of suppressing commentary that questions the state’s decisions. In October, The BMJ, the country’s leading medical journal, published a comment from a retired British doctor cautioning against a “fixed view of certainty that justice has been done.” In light of the new reporting restrictions, the journal removed the comment from its Web site, “for legal reasons.” At least six other editorials and comments, which did not question Letby’s guilt, remain on the site.

it looks like a british nurse was wrongfully convicted based on poor evidence and the tabloid media environment. this new yorker article is embargoed in the uk!

1K notes · View notes

humanpurposes · 8 months

Text

De Facto

She can't afford to fantasize over Aemond Targaryen, he's her boss and the Prime Minister... but stopping is easier said than done // Main Masterlist

PM!Aemond x unnamed female character

Warnings: 18+, smut, mentions of SA, questionable power dynamics, politics (putting my degree to good use), unnecessary world building

Words: 7700

A/n: Thanks for the inspo @ewanmitchellcrumbs, sorry it's not Dishy Rishi tho :(

Throughout the whole train journey into Central King’s Landing, she’s sure she’s dreaming. Her body feels strangely light, her hands are restless and her heart is beating steadily in her chest.

She flows effortlessly with the stream of commuters, along the platform, through the station’s glass atrium, then left towards Conquest Street. She knows her way around this part of the city already, and though she’s never been inside, she’s walked past Hightower House countless times.

This time is different. Now she walks up to the iron gates, pressing her thumbnail into her index finger, because the armed guards are making her nervous.

She tells them her name and one of them mutters into a radio.

Her eyes run along the gold crest that marks the gate, a shield divided into seven, a sun for Dorne, a rose for The Reach, a stag for The Stormlands, a Trout for The Riverlands, a Falcon for The Vale, a Kraken for The Iron Islands, a wolf for The North, and at its heart is the symbol that unites them, the three headed dragon (although strictly speaking, Westeros abolished its monarchy centuries ago).

Suddenly one of the guards catches her attention. He opens the gate for her, and says she’ll be given a security pass and instructions to use the staff entrance following her official induction.

Hightower House stands proudly before her, an ornate facade of balustrades and columns, order and symmetry, an obvious juxtaposition of the medieval majesty of the Red Keep, just down the road.

It all feels very daunting, but the last five years have led her to this moment, the entirety of her adult life. She keeps telling herself that she deserves to be here, after all, she was the one who made it through the first round of applications, who made it to the shortlist and the final interviews, and she was the only one of hundreds of applicants who received the phone call, offering her a position as a personal advisor to the Prime Minister.

The contract only lasts two years, but it is the most effective stepping stone into a career in politics that she could ever ask for.

The entire morning is spent working out formalities. First she meets the deputy chief of staff, a handsome man named Criston Cole, who she’ll directly report to. He shows her through mountains of paperwork and gives her a brief overview of her role. Essentially, she is to assist the Prime Minister on whatever he deems necessary, policy aims, speeches, media coverage, political rhetoric, public image.

“You’re a glorified assistant,” Cole says as she reads and signs page after page of her employment contract, “but with a salary to reflect it, so don’t feel discouraged. There will be some admin work which can get tedious, but you’ve been selected for your expertise and your passion for the party.”

That’s the crucial part of the job. Everything she does will be to benefit Mr Targayren as head of the Green Party, still running off the high of their victory at the last general election, just under a year ago.

She signs her last signature triumphantly, despite the ache in her wrist, and hands the pen back to Cole with a smile. “All done?” she asks hopefully.

Cole grimaces sympathetically. “Not quite.”

There are four people to meet before she’s officially in. She takes a deep breath to soothe herself. It’s all just more formalities, which she can understand, given the weight of this job.

The first is the Prime Minister's private secretary, a glamorous woman with black hair and piercing green eyes, named Alys Rivers. She greets her warmly, having already spoken over the phone with her several times. She also knows her CV off by heart. It’s a little strange having someone know almost everything about her education and employment history when her face is unfamiliar.

The next is a young woman named Maris, the other of Mr Targaryen’s personal advisors. She has dark hair and a look of determination in her grey eyes. She explains that there are always two personal advisors, but hired on alternating years. She was hired at the start of Mr Targaryen’s premiership, and has a year left of her contract.

There are a thousand questions she wants to ask Maris, but before she can even scratch the surface, Cole’s checking his watch and dragging her off to another office.

Otto Hightower is the chief of staff. He’s thin and wiry, but incredibly intimidating. He has tired, sunken eyes that seem to glare right through her, and a passive but severe expression on his face, as though he’s scrutinising, having already decided she’s a waste of his time.

It’s not a great feeling, being looked at like that by a man she’s idolised for years. She knows his career timeline by heart. He earned his bachelors in Politics and Economics from Oldtown, before doing a masters in International Relations at King’s Landing, where he met and befriended Viserys Targaryen. He worked his way to becoming an MP and soon into Viserys’ cabinet when be became Prime Minister.

But things changed when Otto’s daughter married Viserys. No one really knows the whole truth, but Otto resigned from the Black Party, and took over from his own brother as leader of the opposition.

Now he works in the background, the mastermind behind his grandson’s remarkable successes.

Cole explains that Mr Hightower had the final say in the shortlist and determining which applicant would be given the final job offer.

“You had an impressive application,” he says, briefly looking up from a document. “I’m sure you’ll do well with us.”

“Thank you, Mr Hightower,” she says through the slight tremble in her jaw.

Other than that, the interaction is brief, and soon Cole is ushering her out of the room, back to Alys’ office, as richly decorated as the rest of the building. Maris is sitting at another desk, typing away furiously on a laptop.

“Tea? Coffee? Water?” Cole offers her, gesturing for her to take a seat on a green leather sofa.

“Water would be lovely,” she says.

“Maris,” he calls.

She glares up from her laptop. “That’s not my job.”

“No, but it’s courtesy,” he says.

Alys’ slight smirk doesn’t escape her attention.

Maris purses her lips, but she closes her laptop, pointedly slams her hands against the arms of her chair, and marches out of the room, her shiny black heels clicking against the dark wood floor.

“She’s nice really,” Cole says, “just a bit… direct at times.”

“Direct,” Alys groans to herself.

She feels her brow flicker into a frown but stops herself.

“She’s good at her job,” Criston says like he might say something else, but he doesn’t.

When Maris returns, she seems a little less on edge.

She takes the glass of water with a cautious hand, Maris’ eyes lingering on her maroon painted nails.

“I like your top,” Maris says.

She glances down. It’s nothing special, black and long-sleeved, to go with her long blue and green patterned skirt.

“Thank you,” she says.

Maris hums to herself before she goes back to her desk.

“Do you often work in here?” she asks.

Maris shrugs. “It depends.” She doesn’t care to explain further.

Alys is smirking again.

“Mr Targaryen was in a meeting with the cabinet this morning,” Cole says, then checks his watch. “He has a few phone calls to make, but he should be ready to see you at about 4pm. Maris?”

“Yes?”

“Will you show her in around then?”

“Yeah,” she says, flatly, “of course.”

Cole shakes her hand before he leaves. “Alys will show you out when you leave. I’ll see you on Monday morning.”

She continues to wait on the sofa, restless in the silence that follows once the door has shut. Alys and Maris are both typing, their nails clicking against their keyboards. She starts to bounce her leg and stops herself.

Her mind is racing. The day seems to have gone well so far, but what if she meets Mr Targaryen and it all falls apart? What if he decides he doesn’t like her and sends her packing?

She’s too lost in her own head to notice the flash of Alys’ emerald green dress as she stands in front of her. That is, until she’s leaning down and waving a bar of chocolate in front of her. “Get a bit of sugar in you,” she says, “and breathe slowly.”

She smiles as she takes the bar and places a single cube on her tongue. She lets it melt, savouring the sweetness and the slight bitterness of its taste.

You can do this, she thinks to herself with every inhale. And then she exhales. You are here for a reason.

The phone on Alys’ desk rings. She checks her own phone. It’s exactly 3:59.

“Yes, sir, Maris will show her in now.”

Aemond Targaryen is on the other end of the line. Her heart drops at the thought.

As the second son of Viserys, it seems like he was always destined for the family business. He differs from his father and grandfather in that he did Politics and Philosophy at Sunspear, before going on to do his masters in History at Oldtown, and then another masters in International Relations at King’s Landing. By all accounts, he is fiercely intelligent, mature beyond his years, with the right balance of intimidating and charismatic to command the support he needed to get in as MP for Rosby, then as party leader.

In fact, it had been his first campaign that inspired her to apply for a degree in politics in the first place. She loved how he spoke, how he managed to strike a balance between grace and passion, and how deeply he cared for his policies. He was poised and perfect, but driven by a genuine want for improvement.

He perfected his craft within a matter of years. With the mess Rhaenyra Targaryen had made of the country, it was all too easy for him to win a majority with a few winning speeches, a hand running through his silver hair, that lazy half-smirk and the intense look in his eyes that just made you want to fall at his feet. And people do. The press adore him, his party worships him, foreign dignitaries often remark on his charm but also his capabilities as a negotiator and a leader.

Maris leads her out of the office, along a quiet corridor. She stops outside a door with gold lettering: Office of A. Targaryen, Prime Minister

Seeing it in front of her, strangely, seems to subdue her nerves. Her chest flutters, but the anxiety is more manageable than before.

Maris taps her knuckles against the door three times.

From the other side of the door she hears a gentle but chilling voice. “Enter.”

She follows Maris inside.

He’s perched against his desk, his long, silver hair falling around his shoulders as he looks over a few pieces of paper. He wears a white shirt, rolled up at the sleeves, black slacks and brown leather shoes.

He looks up slowly, the light of the early Autumn evening beaming through the windows, over the sharp features of his face, his cheeks, his nose, his jaw, his neck.

His eyes find hers, unashamed and curious.

Suddenly she can feel her heart in her throat.

Maris introduces her. “I’m sure Alys already debriefed you, but she’s here for her induction. Cole said you wanted to meet her as a formality and–”

It feels awfully like she’s talking for the sake of it.

“That will be all, Maris,” Mr Targaryen says softly. She can’t help but watch the way his lips move when he speaks.

“Oh, are you sure, sir?” she asks. Her face is twisted into a slight frown but her eyes are wide. “I just thought, for her sake, it might be useful if I’m here to explain everything.”

“I’m sure, thank you.”

She stands with her hands clasped in front of her skirt as she listens to Maris’ footsteps move towards the door. It opens and closes, and now all she can hear are her own breaths, gently flowing through her nose.

She doesn’t know where to look. At the patterned carpet on the floor? No, it would be rude of her to hang her head. At the portraits that line the wall? At the bookshelves? At the desk? No, that all seems too intrusive. Out the window? No, that might seem like she’s not paying attention.

So her eyes settle on him.

He hasn’t moved from his position, but he’s placed the paper on the desk behind him, leaning with his palms at the edge. His eyes glance over her once, up and down.

Fuck, he’s so much better looking in person.

Then he stands to his full height, and picks up a clipboard from the desk. He flicks through a few of the pages and hums softly to himself.

“You had an impressive application,” he says.

She swallows through the slightly dry feeling in her throat. “Thank you, sir.”

“And an excellently written cover letter.”

“Thank you, sir.”

“You did your masters in Comparative Politics at Sunspear. Oberyen Martell is still head of faculty there, isn’t he?”

“Yes, sir. He taught one of my modules, Security Studies.”

“He’s an interesting character,” he muses, smiling to himself. “He was my supervisor for my undergrad dissertation.”

She already knew that. Dr Martell loved to go on about his star student. She would too if she taught the future Prime Minister.

He flicks to another page. She watches as his eyes skim over the words in front of him. “And you came with glowing reviews from Tyland Lannister.”

She’s not sure how she’s supposed to respond to that– it makes her sound more like a product than a person– so she just smiles, as delicately as she can, making sure not to squint her eyes too much.

She had spent the last year as Mr Lannister’s Parliamentary Assistant, at his office in the Red Keep, starting just as he had been appointed as Foreign Secretary.

“How was he as a boss?” Mr Targayren asks.

Straightforward, she thinks. He took his job seriously and was decidedly not a fan of smalltalk. His office often worked in silence, and even when he was stressed he was efficient.

“No complaints,” she says.

“I’m sure you were all kept busy, cleaning up Corlys Velaryon’s mess after the Stepstones.”

A minor military excursion to defend a few key trading routes, or at least that’s how it had started. Within a matter of months the Stepstones had spiralled beyond control, costing Corlys Velaryon his seat and the Blacks their majority in Parliament.

“If I remember right, it was Daemon Targaryen pushing that particular policy,” she says.

The corner of his mouth curls upward. It could be a smile but she’s not entirely sure.

“Sir,” she adds, hoping to soften the blow of her unintentional insult; what idiot tries to correct the Prime Minister on their first day on the job? She does, clearly.

He doesn’t seem irritated or angry, more amused. A cryptic “hmm” sounds in his throat as he flicks back to the first document. “And before that you were a campaign manager for the party, yes?”

“Yes,” she says brightly, grateful for the change of subject. “I was working in the Stormlands in the lead up to the general election.” The region was formerly a Black stronghold, but turned Green thanks in part to her efforts.

“Excellent work,” he says.

The smooth, seductive tone of his voice seems to come so naturally to him. She bites her tongue at the image it prompts in her head, of his lips brushing over her ear, his hands resting on her waist, she can almost feel it–

No. That’s wrong. So wrong.

Fantasising about the Prime Minister of Westeros is not a habit she can afford to keep up, not when she’s supposed to be working with him in such close proximity.

But that’s easier said than done.

Cole enters his office, bright and early on Monday morning, before the rest of Hightower House is awake.

Aemond’s routine is the same every day. Up at 5am, run a few laps of the expansive gardens or spend an hour going through his meticulously planned gym routine. He showers, shaves, applies his skincare and haircare products, dabs some perfume on his wrists, dresses, and takes breakfast and a black coffee in his office. By 7:30am he’s ready to work.

He needs the routines and the outlets. They help keep him sane.

He’d seen how this position twisted his father into a tired, irritable and irrational man, how it got to Rhaenyra’s head until she became a liability to herself. He won’t be like them. He has a reputation to uphold, a legacy to claim.

Cole places a folder on his desk. “The background check you ordered, sir.”

He thanks him, quietly and sincerely, and waits until he’s left the room to open the folder.

His new personal advisor intrigues him. He’d made the request for the background check as soon as their meeting had ended on Friday.

She has no criminal record, which is unsurprising, that definitely would have come up sooner if she had one.

He browses through her education history, a star student at Storm’s End Grammar School, a bachelor’s in history from Rainwood, a masters from Suspear, where she was head of Debate Soc and Amnesty International, while working various internships and retail jobs in between.

The next page is full of articles from student publications, The Importance of Integrity in Politics for the Rainwood Student Journal, Sovereignty in the Stepstones for Red Sun Rising. He reads through them both. Her writing is immaculate, concise and convincing.

The final page is more personal, social media profiles. It’s nothing scandalous, but she clearly has a certain image she wants to project. Her Instagram is full of art and history museums, coffee shops and preppy outfits. She has a few pictures on her LinkedIn of her at the Green Party conference last year, pictured with a group of girls her age and a caption that talks about the importance of representation in politics, with links to various charities and initiatives. In the photo she’s wearing a white silk shirt, open just enough to show off a dainty gold necklace and a hint of the swell of her chest.

She seems perfect. Too perfect for his own good.

The first months go smoothly enough.

Maris is a practical person. She’s good with numbers, good for bouncing off ideas for economic policies and analysing data for him, even if she is a little overbearing at times.

But she fills the gaps perfectly. He secretly looks forward to their meetings and debriefings, when he asks her to write or edit speeches for him, or run through questions with him before a press conference. Politics is never easy, but she has a remarkable talent for keeping a level head. He likes that she’s always calm and composed. He likes her soft, reassuring smiles and the sharp look in her eyes.

They just click. She’s always switched on, always knows the right things to say and do, always knows what he needs.

Every moment they are alone feels monumental; the settled quiet of his office when she first walks in and takes a seat on the other side of his desk; when they make an exchange, debriefing papers for an empty coffee cup, and their fingers will brush over each other; when he stands over her shoulder to read the document she’s working on, close enough to smell her perfume and feel a heat simmering under his skin. It’s starting to become unbearable, and yet he craves that feeling.

And then, one morning, he gets a phone call from the Crownlands Messenger. They’re about to publish a story. His brother has been accused of inappropriate conduct by no less than three women.

Fucking Aegon.

The entire country is in an uproar. How can anyone trust their Parliamentary representatives when they do shit like this? Is Aegon an outlier or is this just scratching the surface? What will his punishment be? What else are the Greens hiding?

There are hundreds of emergency meetings with his grandfather, tense phone calls, bearating headlines, and onslaughts of outrage online. There’s no question about it, Aegon has to resign as an MP, but the damage is done. The polls are turning Black instead of Green. People don’t trust the ruling party, or its leader.

It’s late. Aemond paces his office while a headache pulses in his head. He’s long ditched the coffee for whisky, swirling it about in his glass. He sent Maris home hours ago. He doesn’t have the patience for anyone at the moment. Except for the woman leaning against his desk, flicking through news articles and the pages of notes she’s prepared for him.

Tomorrow is PMQs. No doubt there’s only one topic the Blacks will be asking about. He can already see Rhaenyra and Daemon’s smug faces, the delight they’ll take in watching him fall apart. There’s just no way he’s getting out of this easily.

He feels so restless. His hands are trembling and his lips won’t seem to stop moving, so he places himself against the wall, mindlessly tapping his fingers against his glass as he takes another generous sip.

From the desk he hears a heavy sigh that hums slightly in her throat. “Is there anything else you want to go over, sir?” she asks.

“No, I think we’ve exhausted the hypotheticals,” he says, running his free hand through his hair. He resists the urge to pull at the roots, to take his frustration out on something. “It’s just– fuck’s sake, I’ve been saying Aegon’s a liability for years. But no, Otto always wanted to keep pushing for him. Said it was good for the family’s image.”

She places her phone and the document behind her, and takes a few steps towards him.

He glances down at her, at the way the low light of the lamps and the fireplace glows against her skin, the contented sort of look in her eyes.

Her eyes flicker down at his now empty glass. “Refill, sir?” Her lips stay slightly parted once she stops speaking.

Then he realises he’s staring.

“No, thank you,” he mutters, tapping his finger against the glass. “I should probably stop now.”

She takes the glass from him with her middle finger and thumb, avoiding touching his hand before she takes it away. Maybe it’s the alcohol getting to his head but his heart sinks at the lack of contact.

What is he doing? It must be after 9pm now and he’s still keeping her here without a real reason.

She’s standing by the drinks cabinet, carefully placing the crystal bottle of whisky away and setting the empty glass out for housekeeping to clean up in the morning.

Instead of thinking about her, the way her hair looks, the way her skirt hugs her waist and the curve of her backside and thighs, he tries to think about how much he hates Aegon. This only makes him more agitated.

He closes his eyes and throws his head against the wall. His heart is racing and there’s a hollow feeling in his chest. He’s craving something, not another drink, not a smoke (he quit once he was first elected as an MP). He wants something else, something dangerous and damning.

The heels of her shoes tap softly against the floor, until she’s standing in front of him.

He opens his eyes.

She frowns slightly before lifting her hand and delicately placing it on his shoulder. “You need to relax, sir,” she says.

He lets out a low “hmm,” as he weighs out his options. This seems like a bad idea. A really, really bad idea.

“That’s not going to happen with you here,” he says.

Her calm, somewhat smug expression falls. She looks so innocent now, so sweet. “What does that mean?” she says.

He leans in closer to her, until the tip of his nose barely brushes against hers. “I think you know what it means, darling.”

She hesitates, before her mouth spreads into an eager smile that shows off her teeth.

Her hands find his, ensnaring him under a soft but commanding grip. She leads him away from the wall, to the sofa by the fireplace.

He settles on it, leaning against the arm as she comes to her knees before him, spreading his legs apart to make room for herself.

She palms her hand over the hardness that’s been straining painfully against his trousers for hours now. She feels along his clothed cock, pressing her cheek against it and gazing up at him with a look of teasing innocence.

Aemond knows he is done for, jaw slack, chest rising and falling as he breathes. He would have never presumed he would find himself in this kind of position, not after all the work’s he’s had to do cleaning up the mess of Aegon’s fuck ups, not after working this hard to get where he is, and least of all because he believes himself to be a decent man.

But he doesn’t stop her as her fingers undo the button and the zip on his trousers, and he doesn’t make any kind of protest as she takes his freed cock in her hand and teasingly strokes along it.

He keeps his hands firmly on the sofa, digging his fingertips and his nails into the leather, as if he hasn’t been dreaming of having her like this for weeks, as if he hasn’t fucked his own hand countless times pretending it was her.

He doesn’t have to pretend anymore. He looks down, his jaw slack, barely containing his strained breaths, and there she is, doe-eyed and eager as she places a delicate kiss to his flushed tip. Her lips barely brush against him before she pulls away, keeping a hold at the base.

His arousal stains her mouth and she fucking grins.

“Enjoying yourself?” he says through gritted teeth.

“Yes, sir,” she says, sweetly, earnestly.

He runs his hand against her hair, gently, as if trying to soothe her. It seems to take her by surprise which only serves to excite him further.

She leans into his touch, lips parting, her eyes half-lidded and dreamy.

Until he grips his fist and pulls. He tilts her head up. It shouldn’t hurt, but it’s enough to bring her attention back to him.

He decides he won’t tell her what to do, not directly, but she’s a smart girl, she knows what he wants.

With her eyes wide again, she opens her mouth and inches his cock past her lips. The tightness in his gut starts to burn as she works up and down his length, slowly– excruciatingly slowly. It’s not in anyway relaxing, he thinks, but it’s a nice kind of torture.

He loses himself to the warmth and the wetness of her mouth, her tongue running over the underside of his cock, her lips teasing over the tip before she moves back down, using her hands where her mouth can’t reach.

He chokes out a throaty “fuck,” knowing there’s a security guard outside the door, and probably a few of the staff still lingering about.

But she looks so beautiful like this, her brow furrowed in determination as she tries to take him deeper and deeper, desperate to please him, happy to make him suffer for it. And the little noises she makes, the gags and the moans. He imagines that she likes this, that she’s been wanting this for as long as he has, and if he pulled her onto his lap and slid his fingers under her skirt, he’d find her drenched.

She starts to up the pace until he brings his hand to the side of her face again, his hand large enough that he can rest his palm against her cheek and tease his fingers through her hair. Her eyes dart up to his, wide and teary.

“Good girl,” he whispers, “nice and slow, just like that.”

She whimpers around him, breathing desperately through her nose.

“Don’t look at me like that,” he coos, “you started this, didn’t you? Wanted to taste me? Wanted to feel my cock in your mouth?”

She hums in agreement.

“Just fucking take it then,” he says with a clenched jaw, gripping her hair to bob her head up and down, keeping that torturous pace.

The pleasure builds slowly, running hotly through his body, but he fights the urge to clamp both hands around her head and buck his hips up to fuck her throat.

He comes harder than he thinks he ever has before, keeping himself sheathed within her as he paints the inside of her mouth, and pulls her head away to see the last few drops spill against her lips.

She gazes up at him with dazed and glassy eyes. She’s panting, trying to catch her breath. Her forehead glistens with sweat, mascara runs down her face and his spend drips over her chin.

He wipes some of the mess away with his thumbs, cradling her face in his hands. “Swallow,” he orders.

Her mouth closes and her throat bobs. He can already feel the tension in his gut tightening again.

If only he could keep her like this forever.

She makes it to Hightower House at the usual time of 8am, despite leaving work so late last night. Despite the hours she spent consumed by thoughts of Aemond Targaryen as she rode the train and dragged herself into her bed. Despite the aching arousal that went unfulfilled. Despite the marks on her knees and the stiffness in her jaw.

When she walks into Alys’ office to sign in, she’s already there, perfectly poised and typing away on her laptop.

“Morning,” she says brightly.

Alys looks up from the screen. The white light shining from below makes her face look a little eerie. “Morning,” she says with a smug look on her face.

She ignores it, scrawling down the time and her signature beside her name.

“You were working rather late last night,” Alys says.

“Yeah, I was,” she mutters, placing the pen down and straightening her spine.

Alys is staring at her. Her eyes are unnervingly bright. “He never asks Maris to work late.”

Her heart drops.

It’s like she can feel the weight of him in her mouth, the taste of him on her tongue.

“I bet he’s just realised I’m more of a people pleaser,” she says.

Alys hums and smiles. “Yeah?”

She doesn’t have time for this. She hangs up her coat and her bag, and picks up two black coffees from the coffee machine in the kitchenette down the hall.

Aemond is in his office, leaning back in his chair with his mobile pressed to his ear. He doesn’t react much when he sees her, he just watches her as she sets one of the cups in front of him. He raises his eyebrows in thanks and brings it to his lips.

She imagines the person on the other end of the call is starting to bore him.

“Yeah… yeah… I know… well there’s not much to be done now but get it over with.”

She takes a few sips from her own cup, wiping the corners of her mouth. Aemond follows her fingers as she does.

“I’ll speak to you after. Yes, thank you, grandfather.” He hangs up the phone and tosses it onto a stack of papers on the desk. “Seven fucking Hells.”

“How did that go?” she asks.

Aemond rolls his eyes and huffs a tired laugh. “He wants to talk through candidates for the by-election in Duskendale. I said I’ll think about it if I survive PMQs.”

She sets her coffee cup down. “What are you most worried about? You’ve prepared for this. What’s worrying you?”

Aemond taps his fingers against the desk. She tries not to ignore the thrill it sends through her belly.

“I’ve never had to deal with something like this. I’ve never been this worried about the party’s image, but that’s usually because I do everything right.”

The whole Aegon situation is beyond his control, and yet he’ll be getting the scrutiny for it.

“People need to be able to trust you,” she says.

Aemond looks up at her expectantly.

“Is Aegon still a party member?” she asks.

Aemond’s expression darkens. “That was discussed. Otto wants him to remain an official member.”

“You’re the Prime Minister. Put your foot down.”

“I can’t,” he says, standing and fixing the rolled up sleeves and undone buttons on his shirt before he reaches for his tie.

“You can’t afford not to. If you go easy on Aegon, Rhaenyra’s going to play to some kind of ‘the Greens are anti woman card.’ Your voters need to know you’re taking this seriously.”

“And throw my own brother under the bus?” he says, sternly.

But she can tell he’s still nervous. His hands are shaking as he ties the tie around his neck.

She pauses, wondering where the line is here. Aegon Targaryen will be fine. He’ll be put under investigation and keep getting bad press for a while, but he can live off daddy’s money in the meantime, and in a few years the whole scandal will be forgotten.

She takes a few steps towards him and comes close enough to smell the dark, boozy smell of his perfume, and shoos his hands away.

“What would be better for the country,” she asks, tilting her head and keeping her eyes focused as she fastens his tie, “presenting yourself as a leader who is committed to integrity and respect, or leaving yourself open to further criticism?”

She pushes the knot up tightly against his collar for emphasis.

Aemond just smirks. “You’re very persuasive,” he says.

“That’s my job, sir.”

She gasps as his hand grabs her hip and pulls her against him. His breath runs hotly over her face as he tilts her chin up to look at him. His throat hums as he breathes.

She could fall apart then and there.

Until a knock on the door has her practically shoving him away.

Aemond chuckles and shrugs on his suit jacket. “Enter,” he calls.

She turns her back to the door to hide the flustered look on her face, pretending to look through a bookshelf that she’s never really looked at properly before.

“Car for you, sir,” Alys says from the doorway.

Aemond calls for her by her surname. Fuck– she was supposed to pack his briefcase before he left. She takes a breath and goes about collecting all the pages of notes and briefings he’ll need.

She brings it to him, and notices Maris standing in the hallway behind Alys. Maris usually goes with him to the Red Keep for PMQs, but today he requests that she accompany him. She supposes it makes sense, she’s been the one helping him prepare after all.

Maris’ face is a storm. Alys looks down at her feet and tries to stifle a giggle.

The next few hours are a blur. She trails after Aemond through the ornate corridors, keeping her eyes on his silver hair, flowing down the back of his black suit jacket. Somewhere along the way, Cole and the head of security, a man Aemond greets as “Mr Westerling”, joins them.

They leave through the front entrance, into the sharp September air and into a black car. The hum of the engine and the smell of leather makes her nauseous, but they’re only in the car for a matter of minutes before the door swings open and she’s been ushered towards the Red Keep.

Once a seat of Kings, now the red stone castle seems a little out of place with the rest of the city. This is where Parliament gathers.

As they walk through its halls, Aemond tells her to throw a few questions at him. She has them all memorised in her head, able to recite a few without really thinking about it. Aemond mutters the answers they’ve rehearsed under his breath, smiling politely and waving as they pass by civil servants, MPs, Green and Black party members alike. They even pass Cregan Stark, leader of the Northern Independence party. He whispers all of their names in her ear.

There’s a small room where Aemond waits in before he enters the Great Hall. She can hear the noise and the chatter on the other side of the double doors, engraved with the same crest that marks the gates to Hightower House.

He won’t stop moving, adjusting his tie and his cuffs, tutting and pursing his lips.

She makes sure Cole and Westerling are muttering to each other before she leans into Aemond, putting her hand on his shoulder. “You’ll be fine,” she whispers, “don’t see it as a chance for them to criticise you, see it as an opportunity for you to reassure everyone else of how brilliant you are.”

Aemond turns his head towards her. He’s not touching her but she feels the proximity.

“That’s an interesting way to look at it,” he says.

She smiles. “It’s all perspective.”

Before Aemond is called into the hall, Cole directs her to the gallery, above the benches where the MPs sit.

She and Aemond meet eyes before she leaves. She stops herself from reaching for him, not wanting to leave his side.

“Good luck,” she says.

As if he needs it. She watches everything unfold from the gallery, the MPs sat below her like she’s watching a play in a theatre.

Aemond starts off with an amazing opening speech which, at her recommendation, doesn’t shy away from the issue of the whole Aegon scandal. He affirms his commitment to ensuring that central government is a safe and inclusive working environment, which is when he announces Aegon’s resignation as an MP, as well as his removal from the Green Party.

The chamber in an uproar. A few members of the Green Party make a bit of a fuss, but mostly Aemond’s announcement is applauded, even by a good number of Black Party members.

Rhaenyra, Aemond’s sister and predecessor, is at a loss for words, as is her deputy, Daemon.

Aemond seems to get a boost of confidence from this and takes every question in his stride, using elements from the answers she had rehearsed with him and even throwing in a few one liners which has half the room cheering him.

And he’s fucking hot when he’s cocky.

While he speaks all she can think of is how he sounded while she was between his legs. “Good girl… just fucking take it…” she has to clench her fists and her jaw at the wave of arousal that rises within her.

Afterwards she walks with him to the car. A whole host of Green Party members crowd him as they walk through the hallways, praising him, commending him. He smiles graciously, looking over his shoulder every so often to look at her, to make sure she’s not fallen behind.

The silence of the car is unbearable with Cole and Westerling in the front, and Aemond beside her, drumming his fingers against his thigh and running his other hand through his hair.

She presses her thighs at the obvious arousal pooling at her centre.

Seven hells, she’s acting like she’s in heat.

She follows Aemond back through Hightower House, past Alys’ office, to his own office. When he closes the door behind them, he locks it.

She leans against the desk, keeping her hands on the wood behind her.

Aemond turns back to her with a ravenous look in his pale blue eyes. He reaches into his pocket, effortlessly pulling his hair into a low bun, as he usually does in informal company.

She can’t take her eye off him as he tosses his jacket over the sofa, and begins to roll up the sleeves of his shirt. Then he stalks towards her, his chin tilted down and his lips in a tight line, until he’s close enough to paw at her waist.

“I suppose I should thank you for your help,” he says, eyes fixed on his hands as they tease over the fabric of the red mini skirt she had picked out this morning, the way she squirms underneath him.

“Oh,” she breathes. One of his hands trails up, untucking her blouse from her skirt and brushing his fingertips against the bare skin underneath. “Just… doing my job, sir.”

He hums to himself as his hand works its way round to her backside, squeezing gently. “Do you like calling me ‘sir’?”

She can’t help but nod, dazed at the feeling of his hands tracing the shape of her body.

“Yeah, I think you do,” he says, leaning in to press a slow, firm kiss to her neck.

Her resolve is shattered. She throws her hands around his neck, pulling herself into him, desperate to feel him against her, to stay close to him.

She almost whines when he moves away, much to his amusement, feeling her mouth fall into a pout.

“Don’t tell me I’ve got a brat,” he says, taking her chin in his hand. “Are you going to be good for me, pet?”

“Yes, sir,” she utters.

“See? You don’t even need to be told,” he says with a smile. “You’re going to turn around and lean over the desk.”

She follows his instructions without missing a beat, bracing herself on her forearms, against the surface. She feels her skirt being pushed up over her hips, her tights and panties pulled down in one go, fingertips trailing over her thighs. Then she feels his breath against the wetness of her bare pussy.

She can’t help but let out a quiet moan, pressing her nails into the wood in anticipation.

“Haven’t even fucking touched you yet, are you that desperate for me?”

“Yes, sir,” she whimpers, trying to look over her shoulder.

Aemond’s hand finds its way against her head, pressing her down. And he doesn’t let go.

His fingers drag through her folds, teasing her entrance and her clit before he slides in a single digit. It feels so different from her own, longer and thicker, pressing into her at an unfamiliar angle. She feels utterly weightless, the obscene sound of him moving in and out of her only adding to her arousal.

Aemond’s voice is dark and husky, as it was last night. “Good girl,” he coos, “that feels good, doesn’t it?”

When she doesn’t reply, he withdraws and lands a stinging slap against her cheek, before he pushes into her again. “Answer me,” he says, clearly and firmly.

“Yes, sir,” she says, frantically trying to nod against his hold of her head. “Feels so fucking good.”

He increases his speed, pumping in and out of her until her climax washes over her. It happens gradually, building and building before a pleasant numbness washes through her, to every corner of her body.

While she comes down from her high, her attention is caught by the sound of a belt buckle and rustling fabric.

The tip of his cock presses into her without warning. He inches further and further in until he bottoms out, the material of his trousers pressing against her skin– the cunt hasn’t even bothered to take off his clothes.

He finally relents his hold of her head, grabbing at her waist as he ruts into her. It’s fast and primal, adrenaline pumping through her blood, Aemond’s fingers digging into her flesh, her breath coming out in moans, his belt buckle hitting the desk with every harsh thrust.

“Knew you were a little slut,” he grits out, grabbing at her cheeks and spreading them out to watch his cock moving in and out of her. “Fuck, you’re so tight.”

She covers her mouth with her hand to hold back the wanton noises threatening to slip past her lips.

Suddenly a hand comes to her shoulder, pulling her up against his chest. One hand kneads at her breasts through her blouse and her bra, while the other slips between her legs, tracing quick circles over her clit.

“I wanna feel you come,” he rasps into her ear, “wanna feel my good girl clench around my cock.”

She doesn’t know what to do with herself. She clings to his arms and digs her teeth into her bottom lip. She can feel herself hurtling towards her climax, if only he would move his fingers a little faster.

“Please,” she whispers.

“What was that, pet?” Aemond asks, brushing his lips over her cheek. “Tell me what you want.”

“I want to come!” she whines. “Fuck– please… please, I just want to come, sir.”

She feels him smiling against her as his fingers rub faster over her clit. She can feel how deep he is inside her, how his cock bullies against that sensitive spot, over and over again, until her orgasm tears through her.

She tries to keep her mouth shut but she can’t help the pleading groan that hums in her throat. Aemond holds her as she falls apart, fucking her thoroughly through it all.

Until finally, he reaches his end, hissing through his teeth and pulling out to spill himself onto her pussy. She feels the warmth, how it drips through her folds, for now uncaring of the mess they’ve surely made.

Aemond keeps holding her against his chest. His forehead falls against the back of her head and his hot breath echoes over her neck. “I really appreciate the work you’ve done for me,” he says breathlessly. “I think you and I make quite a pair, wouldn’t you agree?”

“Yes, sir,” she mewls, letting her head fall against his arm.

Aemond hums a laugh to himself, it rumbles in his chest and against her back. “So pretty and polite,” he coos, “how did I ever manage without you until now, pet?”

General taglist: @randomdragonfires @jamespotterismydaddy @theoneeyedprince @tsujifreya @dreamsofoldvalyria @targaryenrealnessdarling

A/n: I might do a part 2 to this so let me know if you would liked to be tagged :)

517 notes · View notes

thatsonemorbidcorvid · 10 months

Text

Tackling the threat from artificially generated images of child sex abuse must be a priority at the UK-hosted global AI summit this year, an internet safety organisation warned as it published its first data on the subject.

Such “astoundingly realistic images” pose a risk of normalising child sex abuse and tracking them to identify whether they are genuine or artificially created could also distract from helping real victims, the Internet Watch Foundation (IWF) said.

The organisation – which works to identify and remove online images and videos of child abuse – said while the number of AI images being identified is still small “the potential exists for criminals to produce unprecedented quantities of life-like child sexual abuse imagery”.

Of 29 URLs (web addresses) containing suspected AI-generated child sexual abuse imagery reported to the IWF between May 24 and June 30, seven were confirmed to contain AI-generated imagery.

This is the first data on AI-generated child sexual abuse imagery the IWF has published.

It said it could not immediately give locations for which countries the URLs were hosted in, but that the images contained Category A and B material – some of the most severe kinds of sexual abuse – with children as young as three years old depicted.

Its analysts also discovered an online “manual” written by offenders with the aim of helping other criminals train the AI and refine their prompts to return more realistic results.

The organisation said such imagery – despite not featuring real children – is not a victimless crime, warning that it can normalise the sexual abuse of children, and make it harder to spot when real children might be in danger.

Last month, Rishi Sunak announced the first global summit on artificial intelligence (AI) safety to be held in the UK in the autumn, focusing on the need for international co-ordinated action to mitigate the risks of the emerging technology generally.

Susie Hargreaves, chief executive of the IWF, said fit-for-purpose legislation needs to be brought in “to get ahead” of the threat posed by the technology’s specific use to create child sex abuse images.

She said: “AI is getting more sophisticated all the time. We are sounding the alarm and saying the Prime Minister needs to treat the serious threat it poses as the top priority when he hosts the first global AI summit later this year.

“We are not currently seeing these images in huge numbers, but it is clear to us the potential exists for criminals to produce unprecedented quantities of life-like child sexual abuse imagery.

“This would be potentially devastating for internet safety and for the safety of children online.

“Offenders are now using AI image generators to produce sometimes astoundingly realistic images of children suffering sexual abuse.

“For members of the public – some of this material would be utterly indistinguishable from a real image of a child being sexually abused. Having more of this material online makes the internet a more dangerous place.”

She said the continued abuse of this technology “could have profoundly dark consequences – and could see more and more people exposed to this harmful content”.

She added: “Depictions of child sexual abuse, even artificial ones, normalise sexual violence against children. We know there is a link between viewing child sexual abuse imagery and going on to commit contact offences against children.”

Dan Sexton, chief technical officer at the IWF, said: “Our worry is that, if AI imagery of child sexual abuse becomes indistinguishable from real imagery, there is a danger that IWF analysts could waste precious time attempting to identify and help law enforcement protect children that do not exist.

“This would mean real victims could fall between the cracks, and opportunities to prevent real life abuse could be missed.”

He added that the machine learning to create the images, in some cases, has been trained on data sets of real child victims of sexual abuse, therefore “children are still being harmed, and their suffering is being worked into this artificial imagery”.

The National Crime Agency (NCA) said while AI-generated content features only “in a handful of cases”, the risk “is increasing and we are taking it extremely seriously”.

Chris Farrimond, NCA director of threat leadership, said: “The creation or possession of pseudo-images – one created using AI or other technology – is an offence in the UK. As with other such child sexual abuse material viewed and shared online, pseudo-images also play a role in the normalisation and escalation of abuse among offenders.

“There is a very real possibility that if the volume of AI-generated material increases, this could greatly impact on law enforcement resources, increasing the time it takes for us to identify real children in need of protection.”

340 notes · View notes

i-am-aprl · 1 month

Text

BRITAIN ARMS ISRAEL ISRAEL KILLS BRITS

The Israeli killing of seven aid workers in the Gaza Strip has reignited calls for the British government to stop selling weapons to Tel Aviv. Among the dead were three Britons who died after an airstrike hit their car. They were working for the World Central Kitchen, a charity providing food to thousands of Palestinians facing starvation amid Israel’s bombardment and blockade.

Supreme Court judges and hundreds of lawyers and academics have now written an open letter to UK Prime Minister Rishi Sunak, warning the continued shipment of arms is a breach of international law. Despite the growing pressure, Downing Street insists it won’t change its policy and will continue to back Israel’s onslaught.

#palestine #gaza #free palestine #israel #jerusalem #i stand with palestine #فلسطين #free gaza #israel is a terrorist state #israeli war crimes #israel is committing genocide #israeli terrorism #israel is an apartheid state #israel is a war criminal #israelis are terrorists #israelis are war criminals #israel is evil #Wckitchen #wck

71 notes · View notes

palestinegenocide · 1 month

Text

Key Developments

Israel kills 62 Palestinians, wounds 91 in the past 24 hours across Gaza, raising death toll since October 7 to 33,037 and number of wounded to 75,668

World Health Organization: Patients at al-Shifa will die if they are not evacuated, newborn deaths are on the rise in Gaza.

Hamas chief: Israel is maneuvering in negotiations to prolong the war on Gaza.

WCK demands third-party independent investigation into killing of seven aid workers in Deir al-Balah.

UN’s human rights council studies a resolution to impose arms embargo on Israel, warning of “possibility of genocide” in Gaza.

600 British lawyers in letter to Rishi Sunak demand halt to arms sales to Israel, argue that selling arms to Israel violates international law.

Hezbollah announces one of its fighters killed in Israeli strikes and that it carried out six attacks against Israeli positions across the border.

West Bank: One Palestinian killed near Jenin as Israeli forces raid Hebron, Bethlehem, and Qalqilya.

#israel #free gaza #gaza strip #israel is a terrorist state #genocide #jerusalem #gazaunderattack #free palestine #palestine #gaza #key developments

81 notes · View notes

barid-bel-medar · 11 months

Text

The StarHeart Incident everyone!

Comic done by the most excellent @tunafishprincess!!!!

For some bonus trivia under the cut!

Legacy's Quirk is called Hadrian's Wall. She's capable of making barriers around herself (as she does in the last panel) or around others/objects. Her being named Jamie Stewart is 100% me finding it funny (the Stewarts were the longest ruling Scottish royal house at over six hundred years and seven of them got named James).

StarHeart is a massive reference to DC's 'Green Lantern, in particular the Golden Age Green Lantern Alan Scott, who's power originates from 'The Starheart' (which turned out to be connected to the Green Light of the more modern Green Lanterns). StarHeart's costume is a outfit in particular is a reference to Jennifer-Lynn Hayden's iconic hero outfit as Jade.

Rishi City is named for Rishi, a world in Star Wars.

#failure to Explode #the starheart incident

208 notes · View notes

wheelie-butch · 4 months

Text

Chants for Palestine

These are the chants I can remember doing at the pro-Palestine protests and vigils I've been to recently. People from the local mosques usually lead them with a loudspeaker.

They're pretty easy to pick up when you're there if you can hear okay but I thought being able to memorise them in advance might be helpful for some people, especially if you have difficulty hearing or processing audio. Having confidence in what you're saying really helps the protest sound effective.

Please add on any you know too!

Call and Response Chants

If you hear the first part, the part in bold is what you should shout back. Obviously if the people around you know a different version, follow what they're staying instead, but these are the ones I've been taught.

ONE, TWO, THREE, FOUR - OCCUPATION NO MORE! / FIVE, SIX, SEVEN, EIGHT - ISRAEL IS A TERROR STATE!

IN OUR THOUSANDS, IN OUR MILLIONS - WE ARE ALL PALESTINIANS!

FROM THE RIVER, TO THE SEA - PALESTINE WILL BE FREE! / FROM THE SEA, TO THE RIVER - PALESTINE WILL LIVE FOREVER!

RISHI SUNAK YOU CAN'T HIDE - WE CHARGE YOU WITH GENOCIDE! (this one I heard also with Kier Starmer's name, I assume other relevant politicians also get put in there)

GAZA GAZA DON'T YOU CRY - WE WILL NEVER LET YOU DIE! / GAZA GAZA DON'T YOU FROWN - WE WILL NEVER LET YOU DOWN!

FREE! FREE! - PALESTINE!

Repeating Chants

(These ones don't have a call and response aspect but I find it helpful to only shout on every other shout the leader does, so you can hear when they change it up.)

CEASE FIRE NOW!

STOP BOMBING GAZA!

STOP BOMBING CHILDREN!

These are just the ones I've heard at my local events, please add on any others you know or variants!

#palestine #free palestine #pro palestine #gaza #protests #current events #idk maybe this is like too basic and silly to be useful but i thought if it helps people feel liek they know what they're doing #they might be more likely to go along and stuff

34 notes · View notes

father-of-the-void · 7 months

Text

...the more I learned about 'the Seven Sages' on my journey through the ancient texts and commentaries, the more they began to sound to me like a religious cult armed with powerful spiritual ideas, fired by yogic asceticism and the quest for gnosis, manipulating the development of 'kingdoms' in India from retreats in the Himalayas. And maybe not only kingdoms in India, but elsewhere in the archaic world as well?

— Graham Hancock, Underworld: The Mysterious Origins of Civilization

#graham hancock #underworld #the mysterious origins of civilization #seven sages #seven rishis #the seven sages #the seven rishis #rishis #seven sages of india #sages of india #the seven sages of india #hindu #hinduism #sanskrit

8 notes · View notes

talonabraxas · 2 months

Text

The Cosmic Egg and Evolution of Man

There is a great mystery hidden behind the universe and one’s own life and until this mystery is unravelled our life can have no real meaning and we cannot be at peace, wrote Taimni in his preface to “Man, God, And the Universe.” The vast majority of people are not even vaguely aware of this mystery and are so completely assimilated with their environment and the current of life in which they find themselves that the deeper problems of life do not trouble them at all. But these deeper problems of life do not cease to exist because they are ignored. They appear in the form of other problems, generally more serious and sometimes deadly, he added. Here I am trying to delve into the mystery of the universe from what I understood from the teachings of Navajyoti Sri Karunakara Guru, the Founder of Santhigiri Ashram at Thiruvananthapuram, Kerala.

Some of us may wonder about life and its perfect processes. Let us take for example the process of procreation among humans. A woman and a man desire to come together stirred by the primal fire of Kama and the man deposits his egg in the womb of the woman. This egg develops into a human undergoing nine or ten months of evolution. This process was not invented by scientists, but it is the microscopic replication of the method evolved by God to create the universe. Rigveda (10.121) mentions Hiranyagarbha, the Golden Egg as the source of the creation of the universe. It is said that God, wishing to create the world, produced an egg as big as the cosmos. God meditated for a thousand years sitting inside the egg and when the egg burst, the Lord himself was born out of the egg as the Progenitor of the universe (“He made Himself by Himself.”, Taitiriya Upanishad: 2.7.1). The Rishis called the Egg Brahmanda (the Cosmic Egg), and the Progenitor Manu. Rig Veda acknowledges Manu as the progenitor of mankind and refers to him as ‘The Father Manu’ (Verses 1:80:16, 1:124.2, 11:33-16). Also read this section dealing with death in Chandogya Upanishad, which refers to the world as Manu’s creation:

“He (the soul of the dead person) proceeds from the sun to the moon, from the moon to lightning. Some superhuman being coming from the world of Hiranya Garbha leads those who arrive there to Brahman. This is the path of the gods; this is the path to Brahman. Those who attain by proceeding along this path, do not return to this cycle of birth and death, to this creation of Manu.” (Chandogya Upanishad 4.15.5).

Scientists have discovered that the universe has an oval shape. Like the nine months of the evolution of the human egg, the Cosmic Egg also undergoes nine stages of evolution before it gets dissolved during what we call ‘Maha Pralaya’. What is the Cosmic Egg like? The Puranas mention that Brahmanda has 14 biospheres, seven nether and seven upper inhabited by different types of souls. If we count from the human world, there are ten dimensions of consciousness. Rishis called these astral biospheres Mandalas/Lokas with different wavelengths and colours. Sri Karunakara Guru referred to them as Avasthas, or spiritual stages]. The Buddhists and Hindu esoteric sects such as the Theosophical Society explain these levels of the Absolute in terms of Physical plane, Astral plane, Mental plane, Buddhic plane, Atmic plane, Anupadaka plane, Adi plane and Shiv and Shakti. These Avasthas are related to the expanding consciousness reaching up to the core of the Cosmic Egg, the Paramatma. Like a spider which creates a web around it sitting in the centre, and withdraws it in the end, Paramatma creates and withdraws webbed multi-dimensional universes. Nobody can say when it started and when it will end as it is a beginningless and endless process.

Parabrahman (the Absolute) is ‘Shubra Jyotis’- ‘White Light’, says Mundaka Upanishad. The example of the prism is given by Taimni. “When passed through a prism, the Pure White Light gets dispersed to form a spectrum of different colours and frequencies. What has happened is that the beam of white light has been dispersed or differentiated by the prism and all the vibrations, visible and invisible have been separated from each other, according to their wavelengths, forming a continuous spectrum. By putting another inverted prism in the path of the emergent rays it is possible to recombine or integrate them again into the original beam of white light. So, the whole process is reversible.” That is how the Absolute Brahman self-manifests and disperses into various astral biospheres with the potential to remain unaffected by what is created. One must evolve through these astral biospheres one by one to merge with the Absolute. Then only there is Mukthi. Following are roughly the ten Lokas beginning from the human world:

1. Bhuloka (abode of man). 2. Bhuta loka (abode of earth spirits) 3. Pitru loka and Bhuvar Loka (abode of ancestral souls, 4. Bhuvar Loka (abode of Yakshas, Kinnaras, Devi-Devas, angels, etc.) 5. Swarga Loka (Heaven, the abode of Trimurti (Brahma,Vishnu and Mahesh) and other spiritual powers in heaven. Indra is the lord of heaven) 6. Rishi Loka (The abode of transcendental Rishis above heaven) 7. Parashakti Mandala (the sphere of the feminine principle) 8. Ishwara Mandala (The abode of supramental souls such as Sri Krishna) 9. Brahm-Mandala (the Cosmic Mind in creative mode) 10. Parabrahma Mandala (the ultimate seat of Parabrahm, God Almighty)

The abode of human beings is Bhuloka which is perceptible through the sense organs, mind, and intellect. When the soul (sookshma sharira) departs from the body it reaches various atmospheres in the Brahmanda according to its karma and evolution of consciousness. Gross souls with sinful actions remain in the atmosphere as earth spirits. Lighter souls with some virtues are transported to Pitru Loka. Those who are yet more radiant attain to Bhuvar Loka and then to Swarga Loka to reap the result of their virtuous actions. Swarga or Heaven is a place of super-sensuous enjoyments, inhabited by devas and other angelic beings. Indra is the Lord of Hindu heaven.

Similarly, there can be different lords in the heavens for Christians and Muslims, whom they call the ‘One God’ who sits in heaven and delivers judgment. The Swarga of Indra exists between the sixth and seventh spiritual sky. A man cannot attain Mukti in heaven because it is a world for the enjoyment of karma, and there is an end to it. Many people mistakenly think that their destination is heaven. But “Greater than the earth, greater than the sky, greater than heaven, greater than all these worlds (is Brahman)”, declares Chandogya Upanishad (3:9:28:7).

The transcendental experience begins from the seventh spiritual sky identifiable with the Rishi Loka. There are no physical limitations in this sphere because the souls can exist here as pure radiance. What we see as millions of stars in the Brahmanda are such evolved souls. They can take a body at their will when descending into the world. They are called Avatars, meaning the ones who descend from the Nakshatra Loka, the star world. Sri Krishna was the only Mahatma who had transcended the seventh spiritual sky and attained the status of Ishwara in the eighth spiritual sky by birth itself.

Christianity and Islam are heaven-centric religions promising enjoyments in heaven. That means the spiritual stature of Jesus Christ and Prophet Muhammad is related to the spiritual skies equivalent to the Swarga of Hindus. The final Judgement by God is related to the theory of karma, which is not acknowledged in the dogma of Abrahamic religions. You reap the result of your karma in heaven or hell in an organic way. There is nobody to judge you. You touch fire you get burnt. Why should be there someone to judge? Even if there is a judge, what difference does it make? When the merit or demerit of karma is exhausted in heaven or hell, the souls are reborn on the earth plane. They must resume the journey of evolution all over again to reach the Absolute. The goal of man is not heaven. A soul must transcend heaven too, forsaking the desire for pleasures to reach the presence of Paramatma. That is why the Ishavasya Upanishad said that the face of Truth is hidden by a golden disk. One must remove this lid to see the truth of God. Only the one who achieves this feat can become a Rishi and inhabit the blissful Rishi Loka.

This soul-travel through the above astral planes is not an easy feat. It requires tremendous will- power and self-sacrifices, and most importantly the help of a spiritual master who himself has transcended these spiritual abodes. The journey up to heaven is not as difficult as the journey beyond. The powers in heaven such as the Devi-Devas and other angelic beings can be pleased with a certain amount of spiritual regimen and devotion. They may grant your wishes, and even the power to perform Siddhi (miracles). But once you try to cross their territory, the problems start. There will be tests and resistance from the fallen souls known as Yogabhrashta, Satan, and Jinn. These are powerful souls with tremendous Siddhis. They are fallen from the path in the middle of their journey because of their egoism and thus failed to achieve Mukthi.

These jealous souls intimidate the genuine seekers with the lure of Siddhi or may trap them in sexual scandals or some other issues that create public outrage against them. This is done to stop them on their path of evolution to higher regions above heaven. The persecution becomes unbearable in this stage, and most of them fall prey to these evil powers. Even great souls like Sri Krishna, Buddha, Mahavir, Moses, Jesus Christ, Prophet Muhammad, and innumerable other souls were intimidated by these fallen souls. The persecution of Sri Krishna by demonic powers, the death of Buddha by consuming rotten meat, the sufferings undergone by Mahavir, and Moses, the crucifixion of Jesus Christ, the sickness that led to the death of Prophet Muhammad after partaking of the poisoned food offered by a Jewish woman, all these are a few examples of such persecution.

Trimurti of Hinduism also exists below the seventh sky, the Rishi Loka. Vishnu is one of the Trimurti gods. The pundits made Sri Krishna an avatar of Vishnu. That is not right. Shiva, Vishnu, and Brahma are called Devas. But Sri Krishna was not a Deva. He was a Kalanthara Guru, the spiritual authority of Dwapara Yuga. Sri Krishna called himself Ishwara, not a Deva. There is no evidence that Sri Krishna was an Avatar of Vishnu. That is the sectarian view of Vaishnava Puranas. Different sects appropriated great Mahatmas to promote their sects. Sri Krishna stood at a higher pedestal than all other gods and prophets. There was no parallel to him. He is known to have subdued even Brahma and Indra. After Sri Krishna, only Sri Karunakara Guru could transcend all the spiritual abodes and become the true image and instrument of God in this Kali Yuga. When the Guru transcended all the spiritual levels, Sri Krishna himself appeared in a vision and revealed to the devotees that they should follow only Guru from now on. But this is understood only by the followers of the Guru, the rest of the people are living like the proverbial frog in the well (koopa mandukas) who know nothing of the sea.

Evolution is supposed to be ending with man, considered the most perfect among all created living beings. One cannot calculate when exactly man originated in the world. We can perhaps discover it in relation to the present Manvantara. The British geneticist and evolutionary biologist JBS Haldane held that the ten Avatars or incarnations (Dashavatara) of God are a true sequential depiction of the great unfolding of the evolution of life, in the present Manvantara. The first Avatar Matsya was fish. The initial forms of life were aquatic during the Cambrian period (the earliest three geologic eras roughly 542 to 251 million years ago). The second Avatar Kurma belongs to the group of reptiles when the aquatic life gets evolved into amphibians. The third Avatar was Varaha or boar when the amphibian evolved into land-dwelling animals. The Avatar Narasimha or man-lion can be compared to primitive uncivilized humans. The fifth Avatar Vamana the sward-man may be related to the first man who originated during the Pliocene era (the period that extends from 5.332 million to 2.588 million years before the present), and Parashurama the sixth Avatar with the first man originated during the quaternary period (the most recent of geologic time scale spanning 2.588 million years ago), the weapon-wielding iron age. Rama, Krishna, and Buddha indicate advanced states of physical and mental evolution of man. The transition to the next stage is inevitable.

The present civilisational crisis can be overcome only when the orthodoxy in all religious traditions including Hinduism comes out of its shells and make possible the transition to the next stage of the supramental evolution of consciousness instead of going on proving and justifying their dogmas that are irrelevant now. The age of superhuman beings and supramental spirituality is coming. Sri Aurobindo Ghosh had predicted it, and Sri Karunakara Guru has put the cornerstone for such a civilisational change. --Mukundan P.R.

The Cosmic Egg by Talon Abraxas

19 notes · View notes

lesbianchemicalplant · 1 year

Photo

[Image ID 1: UK Labour Party twitter post reading “13 years of Tory failure has left our streets unsafe. Labour will bring back neighbourhood policing” with accompanying propaganda graphic reading:

Do you think thieves should be punished? RISHI SUNAK DOESN’T.

Under the Tories, only 180 of the 4,500 thefts a day will see someone charged this year.

Labour would put 13,000 more police and PCSOs on the street to keep our communities safe and get justice for victims.

Based on Home Office data. Produced by the Labour Party

Image ID 2: reply reading “Starmer jailed and then deported someone for stealing a scoop of ice cream”

Image ID 3: accompanying book except, transcribed as follows:

Second, Starmer had to decide whether the main offence related to the riots – stealing from commercial premises – should be charged as theft or burglary. Theft had a maximum sentence of seven years, while burglary carried ten. He advised that burglary offences should be slapped onto other public order charges so as to increase the likely jail time. CPS guidance stated that even those who could not be proven to have taken part in the public disorder should also be charged with burglary rather than theft, “to reflect the unwarranted invasion of another’s property and the serious context of the offense”. This ratcheting up of the severity level issued in a serious of tragicomic incidents that were picked up by the national papers. A twenty-two-year-old Portuguese man who had not participated in the riots was walking past a ransacked ice cream shop when he decided, on a whim, to help himself to a scoop of coffee gelato. He took one lick, didn’t like the flavour, and abandoned it on the street outside. He was jailed for sixteen months and set to be deported back to Portugal, where he had not lived since he was a child. Another man in his early twenties received a two-year prison sentence for wandering into an unlocked Quality Save shop and stealing a small quantity of skincare oil. Ken Macdonald described such rulings as a “collective loss of proportion”, lacking “humanity or justice”.

/end IDs]

[x]

#(sorry for twitter screenshots. in this case the Labour party's post is Part Of The Story so it's harder to untwitterify)#labour party #uk #uk politics #police #kier starmer #starmer #I hate liberals #my uploads #my uploads (unjank)#twitter thread /

113 notes · View notes

celticcrossanon · 5 months

Text

BRF Reading - 27th of December, 2023

This is speculation only

Cards drawn on the 27th of December, 2023

Was the 'Harry' mentioned in Rishi Sunak's Christmas skit meant to be any Harry (i.e. no one in particular, just who the audience thought of when they heard the name), or was it meant to be a particular Harry, such as Prince Harry?

Note: This is a reading done with all the cards in the deck in an upright position.

Interpretation: Prince Harry fits the cards below, but it could also be any other Harry who fits these cards.

Card One: The Four of Cups.

The Four of Cups is a card about refusing or overlooking opportunities. It is also my gossip card, as the picture shows Psyche's two sisters telling her all the gossip about her husband.

In this reading, the gossip interpretation of the card is coming through strongly. The Harry referred to in the skit is someone about whom there has been a lot of gossip/talk/speculation. It could also be a Harry who has missed out on several very good opportunities for one reason or another (not seeing them, not interested, walked away from them etc). This could be Prince Harry, who is missing out on the opportunities that come with being a royal, or it could be another Harry who fits those criteria.

Card Two: The Five of Pentacles

The Five of Pentacles is the card of being an outcast, being in exile. The Harry that was mentioned in the skit is currently an outcast of some sort. This could be Prince Harry, who has exiled himself from the royal family, or it could be a political Harry who is not part of the inner circle of politics, or it could be another Harry was is similarly on the outskirts of some event/circle.

Card Three: The Hermit

The Hermit is the card for Virgo, which is Prince Harry's sun sign, so this is a strong indication that Prince Harry was who the writers had in mind when they penned the skit. Alternatively, it could be another Harry who is a sun sign Virgo, or it could be a Harry with the qualities of the Hermit card - someone who works by themselves, is introspective, who tucks themselves away from society etc.

I am getting Prince Harry energy from this card. I am also getting an 'I can't act so you have to do it for me' energy from the card.

Underlying Energy: The Ten of Wands

The Ten of Wands is a card of burden, and the energy of this is very clear: The Harry in the skit is someone whose actions are a burden for the current Prime Minister of the UK.

Conclusion:

Based on all the cards above, I think that the 'Harry ' in the skit was meant to be Prince Harry, but I also think this will not be confirmed as the Prime Minister needs to be able to deny it was Prince Harry if necessary. I think that Prince Harry has been a burden to the Prime Minister by his actions, as per the underlying energy, and this was the Prime Minister's way of taking a little jab at him in retaliation. The name Harry would also have been chosen because of all the gossip about various Harrys in the UK (so no one can say the PM was picking on one specific Harry) and because the name is associated with someone who is disliked, an outcast, so the chance of people rising up in outrage over the skit is minimal,

Bonus Card: Has Harry been ringing the Prime Minister and asking for his security back?

Card Drawn: The Seven of Swords

The Seven of Swords is a card of sneaking around and going behind other people's backs, of deception, lies, trickery, cunning, and scheming. It is about getting away with something underhanded. and is known as the Thief card in tarot.

For me, this says yes, Harry was trying to get the Prime Minister to give him the 24/7 security he desires. He was going behind the backs of Ravec and the justice system to get what he wanted in a deceitful and underhanded way. Fortunately, as Harry does not have his security back, we can assume that the PM was either 'unavailable' to take his calls or that the PM refused to do this for Harry.

32 notes · View notes

boonesfarmsangria · 1 month

Text

Basement alchemy: Yannis & The Yaw sees Foals' Yannis Philippakis and Afrobeat legend Tony Allen forge a treasure with 'Walk Through Fire'

The lead track from YANNIS PHILIPPAKIS’ posthumous collaboration with Afrobeat drumming legend TONY ALLEN captures the electrifying spark that ignited during their global musical meeting, weaving a tapestry of sound that reflects the cultural touchstones of Lagos, Paris, and London. Read our latest Dork Mixtape cover feature now.

Words: Martyn Young.

Photos: Kit Monteith, Rishi Salujah.

“It’s about serendipity and coming together with someone.” There’s always something amazing when you get to meet your heroes, but for Foals frontman Yannis Philippakis, the opportunity to not only meet but work with legendary Afrobeat pioneering drummer Tony Allen was a truly special experience. Tragically, Tony passed away during the pandemic, leaving the work that they started in flux, but seven years after they first met, Yannis has now put together a beautiful EP documenting their time and the music they made together as a special project under the name Yannis And The Yaw. ‘Lagos Paris London’ is a reflection of a moment in time and two generations meeting and creating a little bit of magic.

With Foals riding high on the wild success of their fourth album ‘What Went Down’, a call offering an intriguing opportunity came following two years of hard touring. “I got a call when we were deep in a Foals tour. We were touring ‘What Went Down’ so it was quite a few years ago now. I got a call from a mutual friend who said, do you want to go and write with Tony Allen in Paris?” says Yannis.

The mention of Tony Allen’s name immediately conjured excitement as he remembered the pivotal role Tony and his work as drummer for Fela Kuti, as well as his long and winding career, played in the genesis and evolution of Foals. “A lot of our formative musical years were spent listening to Fela Kuti,” he explains. “Especially this one compilation of Tony Allen’s that I think is just called ‘The Best Of’. It’s a quadruple vinyl. We used to hammer it when we were writing ‘Antidotes’ and ‘Total Life Forever’. I was a huge fan.”

He was immediately hooked on the unique skill of his drumming. “Another song that we loved that he played on was ‘La Ritournelle’ by Sebastian Tellier; that was a song we all obsessed over. His drumming is a huge part of why that song is great.”

youtube

While the opportunity sounded exciting, a “no brainer”, as Yannis explains it, the reality of actually making it work became more of an issue. “I got home, and I hadn’t been home for a couple of months, and I collapsed into a puddle the moment the keys were thrown on the table. I was like, fuck, I don’t know if I’ve got the energy to get up and get to Paris the next day,” says Yannis as he describes his exhaustion after a punishing Foals tour. “I almost put it off, but my friend at the time encouraged me and said, look, you’ve got to go there for two days. It might be the experience of a lifetime, then you can come home and rest.”

For the experience of a lifetime, Yannis recounts the details in a refreshingly simple and down-to-earth style. “So, I trotted off with my guitar to the Eurostar and I got there in the morning,” he begins. “It was a basement studio. Very French and very 70s. Full of cigarette smoke and bad carpet and mirrors in weird places. It was basically Tony’s home, in a way. His drums were permanently set up in the live room.”

For the music icon that is Tony Allen, he had seen and experienced everything there is to experience and had worked with a who’s who of musical legends, “What was funny about the first encounter was he wasn’t particularly phased or that excited that I was there. He was just in his own vibe,” laughs Yannis. “I don’t think he knew of my work. It was set up, and he was in a place where he was very open to collaborating with people. He was doing some stuff with Jeff Mills. Tony, in general, collaborated a lot. He approached it like a jazz drummer. The producers and the other musicians that were around Tony knew me; they helped me set up and were very welcoming.”

Was there a sense of trepidation, though, and having to prove yourself and prove your musical chops? “It wasn’t that Tony wasn’t welcoming, but he was waiting to see what it was going to be like. Who’s this little punk?” he laughs.

Almost instantly, though, the musical alchemy bubbled up, and from their first jam together came the project’s first track with the heavy groove of ‘Walk Through Fire’. “It’s a simple song,” he explains. “It largely revolves around this one riff. We played it round a couple of times, and some of these other French guys in the studio who knew Tony played along and were either helping out on bass or percussion. We kinda had it there. The moment that that had happened we were getting on like a house on fire after that. The room changed.”

As they played more and more, Yannis discovered at close quarters what he loved about Tony’s artistry and even discovered new things. “I was surprised at how quietly he played,” he says with deep reverence. “Coming from proper big arena rock shows on this Foals tour and playing songs like ‘What Went Down’ and ‘Snakeoil’ was a total pivot into this much more deft style of playing. Just being in a room with him and hearing him in the moment playing his drums that I had become so familiar with, the texture and the rhythm of the way he played and that being on something that I was writing live on the spot and that we were inhabiting the same moment of creativity together in a room was just electrifying.”

‘Walk Through Fire’ was the spark that ignited the whole project. “It was the first thing. It’s immediate in the same way that it was immediate in the room on that day,” enthuses Yannis. “The lyrics are pretty resonant with the time we’re living in. Tony encouraged this in me. He wanted the lyrics to be engaged with the social fabric. A lot of Tony’s music, and the lineage of Fela Kuti and Afrobeat, is often very political with protest songs. In discussing with Tony about the lyrics, he wanted it to mine the social discord. It resonates today. It’s got this fresh energy. It feels like a more garagey or bluesy song. It’s quite rough and freeing and fun. It was a good entry point to the project but also makes sense chronologically.”

The jamming session in Paris was intended to lead to work beginning on a full album, but events got in the way firstly with scheduling issues and then Covid before Tony’s sad passing, which ultimately gave Yannis the impetus to turn those special moments into something real and tangible. “Covid really scuppered us because he was based in Paris. It was impossible for so long,” he explains. “As is the way with collaborations, once you’ve captured the lighting in the bottle, sometimes you don’t complete it when you should. You know that it’s there, so you get slightly complacent about it. I had a lot of stuff with Foals and he was busy as well doing The Good, The Bad and The Queen. He was really busy, and between us we couldn’t get together. Sadly and tragically, he passed away during Covid. It strangely was a massive motivation to try to finish it. Largely out of guilt that we hadn’t done it while he was alive and realising that it had been such a special experience in my life creatively, but just as a person, it was such a unique moment for us to have not completed it and played shows together. Out of bittersweet guilt, I really wanted to finish it. We needed to put them out to do it justice.”

The EP is a beautiful tribute to the enduring legacy of Tony Allen and the creative spirit he represents. “His music will live on forever,” says Yannis passionately. “The drums will play on. He had such an incredible and unique style of playing. He was the originator. He was the source. There’s an untappable well that will continue to inspire people for generations.”

The record is also an example of his dexterity as a musician and willingness to still try new things. “This release is an interesting perspective on Tony’s writing,” says Yannis. “It’s definitely a different project than Tony’s worked on before. It’s the heaviest stuff he was involved in. For me, it’s obviously the most inspired by jazz and Afrobeat. For people coming to the EP, it’s an interesting prism that we were both put in and thrust together to write this.”

Even more remarkable is that it almost never happened. “Had I not gone to Paris that day and further along, had we not kept it up and had we not finished it, through these chance meetings and happenings, you can end up with something that’s precious and is permanent,” he continues. “When so much of life is impermanent, that’s a really important lesson that I learned. I feel protective over the record. It’s a treasure and a document of two people who came together. He was in his seventies when I met him, and I was in my twenties. There’s something amazing about two people from different cultures and backgrounds and generations being thrust together unknowingly without knowing each other and through music very quickly bonding and forming and creating something that will last.”

This collaborative project comes at a time when Foals are able to take a pause and reflect on a triumphant couple of years following their euphoric 2022 album ‘Life Is Yours’ which cemented them firmly at the top of the UK band pantheon after almost two decades of innovation. “We’ve been smashing it for so many years; it’s been such a constant focus of our lives,” says Yannis, explaining the band’s desire to take stock. “It has been incredible to devote yourself to something so absorbing, but I think every now and then you just have to come up for air and remind yourself what life looks like above the parapet. For self-preservation and the preservation of the band, it’s important to occasionally stop and assess what exactly we want to do next rather than just automatically make another record without consideration. This time, we want to think about what we’re going to do next, and I think that’s natural after having put out quite a few records; it’s important for us to decide what we want to do.”

In the meantime, Yannis And The Yaw offers the opportunity to have some fun and do something a little different. Certainly not a solo project, but just a different kind of creative expression. “I’ve left it open-ended,” he says excitedly. “The idea behind the Yaw part is that it could be a rotating collaborative project. The title, ‘Lagos Paris London’, is the cultural touchstones for the EP, and it’s a musical postcard from these locations. If there was to be another project with the Yaw again, it would be three different locations and a different cultural mix. It’s not meant to be a solo expression. This EP is an archive of time recording with Tony and French musicians Vincent Taeger and Vincent Tuarelle, who were really important and produced it. I would imagine they might be part of the Yaw. It’s important to make the distinction. If I were to do a solo record, it would sound a lot different. This is led by Tony and the group of his musicians in France. If I was to do another one, it would sound quite different. There are no plans for that right now. I want to leave it open-ended and let this EP have its time in the sun, and let’s see what happens later on.”

With the EP arriving at the end of the summer, there’s a tantalising opportunity for perhaps some gigs as Yannis looks to continue to honour the legacy of one of his all-time heroes. “I think we will,” he smiles when asked if he’s planning to bring these songs to life on stage. “Not an extensive tour, but a couple of shows to give the record a good release and a good send-off and honour Tony.”

#yannis philippakis #y&ty #interview #actual reading #yannis & the yaw

8 notes · View notes