#sequencer and tracker
Text
today's purple album of the day is: Rhododendron by d'Eon!
#purple#purple aesthetic#purple albums#purplecore#2020s#rhododendron#deon#montreal music#midi music#sequencer and tracker#no text#mauve
4 notes
·
View notes
Text
youtube
118 notes
·
View notes
Text
Tracklist:
Once Upon a Time • Start Menu • Your Best Friend • Fallen Down • Ruins • Uwa!! So Temperate♫ • Anticipation • Unnecessary Tension • Enemy Approaching • Ghost Fight • Determination • Home • Home (Music Box) • Heartache • sans. • Nyeh Heh Heh! • Snowy • Uwa!! So Holiday♫ • Dogbass • Mysterious Place • Dogsong • Snowdin Town • Shop • Bonetrousle • Dating Start! • Dating Tense! • Dating Fight! • Premonition • Danger Mystery • Undyne • Waterfall • Run! • Quiet Water • Memory • Bird That Carries You Over A Disproportionately Small Gap • Dummy! • Pathetic House • Spooktune • Spookwave • Ghouliday • Chill • Thundersnail • Temmie Village • Tem Shop • NGAHHH!! • Spear of Justice • Ooo • Alphys • It's Showtime! • Metal Crusher • Another Medium • Uwa!! So HEATS!!♫ • Stronger Monsters • Hotel • Can You Really Call This A Hotel, I Didn't Receive A Mint On My Pillow Or Anything • Confession • Live Report • Death Report • Spider Dance • Wrong Enemy !? • Oh! One True Love • Oh! Dungeon • It's Raining Somewhere Else • CORE Approach • CORE • Last Episode! • Oh My... • Death by Glamour • For the Fans • Long Elevator • Undertale • Song That Might Play When You Fight Sans • The Choice • Small Shock • Barrier • Bergentrückung • ASGORE • You Idiot • Your Best Nightmare • Finale • An Ending • She's Playing Piano • Here We Are • Amalgam • Fallen Down (Reprise) • Don't Give Up • Hopes And Dreams • Burn In Despair! • SAVE The World • His Theme • Final Power • Reunited • Menu (Full) • Respite • Bring It In, Guys! • Last Goodbye • But The Earth Refused To Die • Battle Against A True Hero • Power Of NEO • MEGALOVANIA • Good Night
Spotify ♪ Bandcamp ♪ YouTube
#hyltta-polls#polls#artist: toby fox#language: instrumental#decade: 2010s#Video Game Music#Sequencer & Tracker#Digital Fusion#OST#8-Bit#Chiptune#16-bit#Ambient#Cinematic Classical
68 notes
·
View notes
Text
I've been working on a midi melodic death metal demo thing to see what I am capable of for sequencing n stuff.
Hope ya like!
#midi#tracker#sequencer#reaper only#reaper daw#melodic death metal#melodeath#meloblack#black metal#8bit#fakebit
3 notes
·
View notes
Text
youtube
Installer Theme By Jamie Christopherson, Cody Weistheimer, and Sean Beeson
from Disney's Toontown Online OST
2 notes
·
View notes
Text
i found a post on here from like, soon after hypnospace came out about how the music files used to be a mix of .ogg and .hsm, i’m assuming they changed them all to .ogg in an update (the plus update maybe?) which probably made the large amt of music in the game a lot easier to organize and whatnot, but GOD i wish the .hsms were still there so i could see them in the sequencer EDIT: i found em lol they have their own folder
#it's so incredibly cool that the sequencer exists it's like a much simpler tracker which is great for me cause i've been trying to learn how#to use a tracker. and the production side of it is very intimidating#the production stuff in the hsm sequencer is much easier to parse and fun to mess around with#i'd love to see how the .hsms used in the game look in the sequencer and learn from that#jposts
2 notes
·
View notes
Text
youtube
0 notes
Text
HAPPY NEW YEAR MAY YOU ALL HAVE A WONDERFUL 1997 OH MY GODNESS TIME DOES FLY
0 notes
Text
Buzztrax ~ All In One Music Composer
Buzztrax aims to be a music studio that allows one to compose songs using only a computer with a soundcard. If you’ve used tracker programs like FastTracker, Impulse Tracker, or the original AMIGA SoundTracker, that will give you an idea of how one can sequence music in Buzztrax.The Buzztrax editor uses a similar concept, where a song consists of a sequence with tracks and in each track one uses…
View On WordPress
0 notes
Audio
New single! Off the EP “KITI”, dropping June 10th. (koolcat)
0 notes
Text
#J-Rock#Electronic#Electropop#Pop Rock#Picopop#Sequencer & Tracker#Vocaloid#2010s#2020s#Japan#poll#Spotify
121 notes
·
View notes
Text
Tracklist:
♒ INSTRUCTIONS • NONE OF THIS IS REAL (#2-55)
Spotify (abridged ver.) ♪ Bandcamp ♪ YouTube (abridged ver.)
#hyltta-polls#polls#artist: dj rozwell#language: english#decade: 2010s#Instrumental Hip Hop#Experimental Hip Hop#Plunderphonics#Dungeon Synth#Ambient#Chopped and Screwed#Illbient#Sound Collage#Broken Transmission#Sequencer & Tracker#Dungeon Rap#Glitch Hop#eyestrain
27 notes
·
View notes
Text
Avatar Cycle Trivia
Avatar Wan
Wan's name translates to "ten thousand" in Mandarin Chinese, as he lived ten thousand years before Avatar Korra. His name is also a pun on "one", as in Avatar number one.
Wan wore the colour of each of the four nations during his battle against Vaatu. His robes were yellow and orange (air), his armbands were green (earth), his sash was blue (water), and his scarf was red (fire).
In addition to becoming the first Avatar, Wan is also the first true firebender, as he was the first person to learn firebending from a dragon.
By fusing with Raava during Harmonic Convergence, Wan is technically the oldest Avatar to be identified, being 21 at the time.
The Earth Kingdom battlefield where Wan died is the same field that Zuko visits millennia later in Zuko Alone (Book 2: Episode 7). Interestingly, Wan first appeared in Beginnings, Part 1, which was the seventh episode of Legend of Korra, Book 2: Spirits.
Avatar Yangchen
Yangchen is the only known Avatar to have a sibling (Jetsun).
Yangchen is technically the first Avatar to have an established Team Avatar (not counting Wan and Raava).
Yangchen had split-personality disorder with her past lives, where she essentially suffered from nightmares of her past lives bleeding into her present self.
Yangchen's companion Kavik is the first person ever seen get chi-blocked.
Yangchen did not like the idea of people creating statues of herself in the future. Ironically, she was greatly revered in the Four Nations, and a statue each was built in both the Eastern and Western Air Temples.
Avatar Kuruk
Kuruk is currently the only known Avatar whose predecessor and successor were both women (Yangchen and Kyoshi respectively).
Kuruk had more lovers in 3 decades than Kyoshi did in over 2 centuries (the true story is more tragic).
Kuruk had a habit of challenging random people to feats of strength, which makes him the only known Avatar in history to have participated in an Agni Kai.
Kuruk was the best hunter and tracker in the history of the Four Nations. It's said there was nothing he couldn't hunt or track down (that includes spirits).
Kuruk is the only known Avatar to enter the Spirit World after death. Considering that only people with a special connection to the Spirit World can enter at death (such as Iroh and Yue), this means Kuruk must have had a spiritual connection rivalling that of most Air Nomad monks or nuns.
Avatar Kyoshi
Kyoshi is the only known Avatar known to be of mixed nationality; her father was from the Earth Kingdom, while her mother was a renegade Air Nomad.
Kyoshi had a rare condition with her earthbending where she could move large objects with ease but had difficulty in moving smaller objects (Suffering From Success).
Kyoshi has witnessed more passings of Sozin's Comet than anyone else, with three (not counting Lao Ge).
Kyoshi learned the secret to immortality from Lao Ge, which led her to have the longest lifespan of any Avatar.
Kyoshi has threatened both the Earth King and the Firelord.
Avatar Roku
Roku and Firelord Sozin share the same birthday.
Roku has been featured in the introduction sequences of both Avatar: The Last Airbender and The Legend of Korra.
Roku is the only known Avatar to appear old when he was called upon by the current Avatar.
When Roku entered the Avatar State for the first time, he destroyed the Fire Sage Temple.
Roku's dragon Fang is the only animal companion ever seen in the Spirit World.
Avatar Aang
It took Aang longer than any Avatar in history to become fully realized, being over a century old.
Aang has a scar on his back and on his foot, because of how electricity works.
Aang choosing four toys out of thousands – to identify him as the Avatar as these four toys were the same ones that past Avatars had chosen for generations when they were children – was the same procedure used by the Tibetan Buddhist monks to recognize the next reincarnation of the Tulku Lama.
Aang has met the original source of every bending art: a flying bison for air, the Moon Spirit for water, badgermoles for earth, and two dragons for fire.
Aang is the first Avatar to have his picture taken.
Avatar Korra
At four years old, Korra is the youngest Avatar in history to be identified.
Korra is the first Avatar to learn spiritbending.
Korra is the only Avatar to break out of bloodbending without the use of the Avatar State (sorry, Aang).
Korra is the only Avatar to have killed a member of her own family (Unalaq).
Korra is the first known person to ever tame a polar bear-dog (Naga).
Miscellaneous
Wan and Roku are the only two Avatars to die in combat.
Roku and Aang are the only two Avatars to fight a volcano. Aang was successful, while Roku died.
Aang and Korra are the only two Avatars to ever be defeated in the Avatar State.
Aang and Kyoshi are the only two Avatars to ever get hit by lightning. Ironically, when Kyoshi was hit by lightning, her chakras were opened and she gained the ability to enter the Avatar State; conversely, Aang's chakras were blocked and he was unable to enter the Avatar State.
Kuruk and Roku are the only two Avatars to have been identified the "traditional" way in their respective nations at 16; Wan fused with Raava at 21, Kyoshi was identified at 16 when she recited Kuruk's poem, and Yangchen, Aang and Korra were identified at younger ages.
Yangchen, Aang, and Korra are the only Avatars to have been identified at younger ages than 16.
Wan, Aang, and Korra are the only Avatars who are modeled after real-life people. Wan is modeled after co-creator Bryan Konietzko (but with cooler hair); young Aang is modeled after Arjuna, Sifu Kisu's son (but Aang is bald), while adult Aang is modeled after co-creator Mike DiMartino; and Korra is modeled after various female MMA fighters, most notably Gina Carrano.
Roku and Korra are the only two Avatars who have worn an outfit from each of the four nations on-screen.
Roku and Korra are the only two Avatars to have connections to royalty. Firelord Zuko, and thus every following Firelord, are descendants of both Roku and Sozin, whereas Korra's father was a member of the Northern Water Tribe's royal family, and was later elected as the chief of the newly independent Southern Water Tribe.
When Kyoshi first met Yangchen, she (Kyoshi) mistook Yangchen for her own mother.
When Kyoshi first met Kuruk, she almost drowned her physical body trying to communicate with him.
Roku and Yangchen are the only two Avatars to have hugged the current Avatar at the time (Aang and Kyoshi respectively).
Wan, Korra, and Kuruk are the only Avatars to refer to Raava by name, although the latter (Kuruk) had never met Raava.
Yangchen, Kuruk, and Aang are the only Avatars to have invented an airbending technique. By extension, Kuruk is the only person outside of the Air Nomads to invent an airbending technique (he didn't get his mastery tattoos, what a shame).
Aang and Korra are the only two Avatars to learn energybending.
Kyoshi, Roku, and Aang are the only Avatars to use bending after their respective deaths.
Kyoshi, Roku, and Aang are also the only Avatars to have descendants (but let's be realistic, so did Kuruk).
Aang and Korra both learned their native element from a companion of the previous Avatar, and their final element from a descendant of the previous Avatar. Aang learned airbending from Monk Gyatso, a companion of Roku, and learned firebending from Zuko, Roku's great-grandson. Korra learned waterbending from Katara, Aang's wife, and learned airbending from Tenzin, Aang and Katara's youngest son.
That's all the fun facts I could find.
253 notes
·
View notes
Text
Deleted/altered Monsterverse scenes in Godzilla & Kong: The Cinematic Storyboard Art of Richard Bennett
Kong: Skull Island
There's a longer opening sequence, with Marlowe discovering Gunpei's camp instead of them both crashing at around the same time.
Conrad stows away on the expedition instead of being hired as a tracker
Weaver and Conrad meet at a Philadelphia train station (no clue what the context was).
Kong swings around a helicopter while the gunner is still firing and the bullets hit another helicopter, which I think is the closest he's ever come to using a gun.
Packard's group watches Kong fight the Mire Squid instead of Chapman.
Very different take on the Iwi village, with smaller lost ships/planes incorporated into the architecture.
The big one: Conrad flashes back to an encounter with King Ghidorah in Vietnam. The three-headed monster's silhouette is basically just the Godzilla vs. King Ghidorah version, but he has at least five prehensile tails he uses to snatch up soldiers.
Conrad and Weaver are tied to a tree during the napalm plot against Kong. Another character sets them free and they go wild on a few soldiers, with Weaver hitting one on the head with a rock. The Skull Devil emerges in a separate scene.
Kong uses a plane wing as a weapon in the final fight.
The Skull Devil has a grappling tail similar to that of Otachi in Pacific Rim.
The Iwi fight Conrad's group (I think) as the Gray Fox is lowered down a waterfall with a pulley system and something ambushes Kong in the background. This one was especially hard to make any sense of without dialogue.
Godzilla: King of the Monsters
Jonah spies on Emma and Madison as they drive to Mothra's temple.
The video montage in the Senate hearing is done via hologram. A mushroom cloud is displayed while Serizawa argues with a senator.
Mark bows to a wolf that approaches him in a nice bit of foreshadowing.
Mothra arrives in Boston alongside Godzilla instead of turning up later.
Godzilla vs. Kong
In an alternate opening, the Iwi retell the history between Godzilla and Kong's species using highly-elaborate puppets. There's a horned character loaded with weapons who briefly traps Godzilla in a cage and transforms into a Rodan-like figure. An ancient mecha?
Text mentions that "the Pensacola/Florida Godzilla attack scene was going to be much longer, involving a mall stampede.
A massive explosion takes place on Skull Island (I believe coming from the Vile Vortex there).
Jia is first shown signing with Kong just before the fleet engages Godzilla.
In true kaiju kid fashion, Jia messes with the controls of the ship to set Kong loose.
Nathan discovers his brother's crash site in the Hollow Earth and gets into a fight with several guards. This scene was definitely filmed.
Bernie was at one point a woman (drawn with ultra-short hair, although in general the human characters in these storyboards bear little resemblance to their screen counterparts).
Kong finds a skeleton of another member of his species sitting on the throne. He breaks off the skull, stares at it, and throws it aside.
Group troops engage Godzilla and Kong during their Hong Kong fight; neither even notices.
Mechagodzilla coils into a semi-sphere to deflect Godzilla's atomic breath.
Echoing his fight with Kong, Godzilla tries to outrun Mechagodzilla's Proton Scream through the streets of Hong Kong.
#godzilla king of the monsters 2019#kong skull island#godzilla vs. kong#godzilla#king kong#skullcrawler#mothra#king ghidorah#mechagodzilla#kaiju#behind the scenes
105 notes
·
View notes
Text
2024 Book Review #20 – Foundryside by Robert Jackson Bennett
I’ve in theory been a big fan of Bennett for a couple years now, having adored American Elsewhere when I read it. I say ‘in theory’ because I had not actually followed that up by reading any of his other stuff until I happened to see him doing an AMA on r/fantasy and was jolted to go put something of his on hold. The most convenient option was Foundryside so, here we are.
The story follows Sancia, a former slave-turned-magical-experiment who now uses her rather inconveniently always-on sort of object empathy to be a really excellent thief for hire in the hopes of earning enough cash to pay some black market surgeon to make her normal again and then stay quiet about it. That price tag lures her into accepting a job for an eye-watering amount of money from what it clearly one of the merchant houses who rule the city – which she discovers to be an ancient relic, a key that can open any lock. And talk to her. And revolutionize the entire industry of enchanting upon which the city’s fortune and empire are built. She correctly assumes that there’s no way they’re planning to let her live after turning it (him) over, and things spiral out of control from there.
It’s fundamentally a heist story, with all the main action setpieces being about breaking into places and stealing things. And like all good heist stories, the protagonists are totally incapable of winning through anything like brute force, and have to be clever bastards about it – sneaking past guards, not slaughtering them in the night. Those heist sequences are all vividly described and just a lot of fun, almost worth the price of admission on their own.
So this is the rare story where calling it ‘magipunk’ is both accurate and helpful. Which is to say, it is almost literally a cyberpunk story translated into the idiom of vaguely-early-modern fantasy city states instead of corporate arcologies. Scheming oligarchs, overmighty corporate states, miraculous technologies that are only felt by the underclass as news ways of being oppressed and objectified, the works. The most triumphant and hopeful part of the ending involves the founding of a worker’s coop that doesn’t get immoderately crushed. Notably useful and plot-relevant enchanted items include a listening device, trackers, and a powered gliding rig. It’s only when you really get into it that the magic starts feeling at all magical, is what I’m saying – you could translate almost all of this into Cyberpunk 2020 terms in a couple of hours. I think it’s quite fun.
Sancia’s whole backstory – a slave on one of the plantations supplying the city with food and spices, taken as a subject for bloody experimentation in creating perfectly obedient magical cyborgs, surviving and escaping because they got sloppy with occult grammar and reality interpreted ‘be like object’ as ‘be like [INSERT NEAREST OBJECT HERE]’ – is fun on a few different levels. The story definitely leans into a running theme of the reduction of the powerless and subordinate to literal objects and tools wielded by those who control them, both metaphorically and literally. But also there’s an absolutely great beat where she’s explaining her story to the rest of the main cast who are all horrified and disgusted that anyone would do such a thing. To which she reacts very angrily and goes ‘you know that isn’t, like, worse than the whole rest of the chattel slave economy, right? More people get horribly tortured to death as part of everyday operations than creepy magical experiments?”
Sancia as a character is just a lot of fun to spend time in the head of, honestly. Her relationship with Clef (the magical key, the more literal example of being objectified and insturmentalized by one’s masters) is the core dynamic of the first ~half of the book, and it absolutely carries it. Though in the final act it then runs into the very common action/adventure story issue where she starts talking about this guy she’d known for barely a week like a life-long friend she’s shared more good times than she could count with. Entirely forgivable but like, it does stand out.
There’s this whole subtheme of, like, futile misogyny running through the text? It’s never explicitly brought up, and the only character whose actually vocally sexist on the page is the asshole philistine moneygrubbing abusive husband wannabe-coupist you’re clearly supposed to hate. But it’s a repeatedly mentioned point that the culture of enchanting grew significantly more patriarchal in the previous generation (for unstated reasons, possibly just the one epoch-defining genius being a misogynistic ass) and that this was very bad for the career prospects of several major characters. Despite this, important women in the story include a) half the main cast, b) the only competent and attentive head of any of the four merchant houses and c) the enchanting-prodigy wife of aforementioned sexist asshole who turns out to have been feeding him every useful idea he ever had until she could kill him and scoop up everything he’s gathered. This is one of those things that amuses me because it’s clearly deliberate but is never directly mentioned.
This is also one of those books that’s queer rep not in the revolutionary groundbreaking it’s-a-core-part-of-the-tezt way, but in the ‘wow isn’t it great how normal and unremarkable queer representation is now?’ way. Like, Sancia is gay, which is one of remarkably few things about herself she never expresses a single moment of angst, anger or self-doubt about, and she has the sort of C-plot romance subplot every adventure story is obligated to (right down to agreeing to go out for a drink if she survives the last big heist), but with a woman. Her sexuality otherwise basically doesn’t matter. When people ask for queer SFF book recommendations I’m never sure if offering stuff like this is missing the point or exactly what’s desired.
As mentioned, the only other book of Bennett’s I’ve read is American Elsewhere. Which was an absolutely horrible way to set my expectations going into this. Foundryside is fun adventure fantasy, but it has far fewer literary pretensions. The prose is incredibly readable – it’s absolutely a page turner – but that’s basically all it aspires to be. Elsewhere had several different passages I stopped and reread just for the pleasure of it, Foundryside I went back and reread only when I skimmed past some important detail and got confused.
But it’s a really fun fantasy heist story, and the sequel promises to be about a rampant artificial intelligence clockwork djinn which turned against the ancients who made her. So I’m sure I’ll get to it sooner rather than latter.
49 notes
·
View notes
Text
Fire-Toolz - Skinless X-1
(2018 album)
Youtube Playlist | Bandcamp
[Electro-Industrial, Progressive Electronic, Vaporwave, Sound Collage, New Age, Sequencer & Tracker, Glitch, Utopian Virtual, Electronicore]
#music#electro industrial#progressive electronic#vaporwave#sound collage#new age#sequencer & tracker#glitch#utopian virtual#electronicore#youtube#playlist#bandcamp
1 note
·
View note
Last Seen Blogs
omgrachelgifs-blog
Omg! Rachel Gifs!
vmexblogg
Sans titre
charlottedante
Skerp.
spireclangen
SpireClan
linkotemius
linkotemius