#sea god izzy

[ladyluscinia]

I really fucking love Daemon AUs but also I pretty much never do one myself. However. I did just read a very good BlackHands one - A Splash of Red by lucelafond - that had some fascinating exploration of Edward's inner conflict externalized by his soul literally being a kraken, and now I'm rolling over ideas in my head. Read the fic and also join me in contemplation.

#our flag means death #i remember we had a lot of fun with the few days of #sea god izzy #posting so i'm feeling like thinking out loud again #blackhands #steddyhands #fic rec #daemon au #blackbeard ofmd #izzy hands ofmd #fanfic #ladyluscinia #ofmd daemon au

[phoenixduelist]

The only S3 opening I accept is Izzy literally clawing out of the grave, yelling: 'None of you absolute TWATS bothered to check for a pulse??'

In a show where every tiny movement has 26280 meanings and possible interpretations, I refuse to believe that this death has absolutely none.

And I also hope after crawling out, his first half conscious journey is into Ed's and Stede's inn, sending both into a cardiac arrest

#ofmd #ofmd spoilers #izzy hands #our flag means death #omfd season 2 #ofmd s2 #The reactions would be slightly better if he had gotten a death he and his arc deserved. Protecting the crew or even Ed after everything #That his funeral was somewhat respectful; the crew finally verbalizing the thanks for his protection during the Kraken era; Ed who knew him #longest also saying a few heartfelt words. and bury him in the sea maybe? instead of keeping him around like a garden accessory. #idk for some reason that also bothers me. that everyone got to live the life they planned; their freedom while he's trapped underground #Everyone got used to god tier writing; so what in the Game of Thrones finale & Avengers Endgame Natasha gets no funeral fuck was this??

[mysteriouslybluepirate]

Queer Book Recommendations!!

I haven't really read a book book in years. Due to money problems and a lack of free time, audiobooks and AO3 were a MUCH cheaper option for me. But now that I'm struggling to fully read text posts on Tumblr I realize my attention span is shot. Reading novels is helping me tune out and focus in again. So I'm turning to queer novels written by my 'queer elders'.

For anyone who is struggling to get back into long form content after reading Fic for years, I highly recommend the books of TJ KLUNE (summaries of what I've read under the break).

If you are a fan of the 'escaping a shitty life and being welcomed into a found family' fanworks, this is the writer for you! All his stories center on home and feeling welcomed and loved. Of middle age and finding out who you are. Of finding love for others and yourself. He makes you hunger for that type of romantic and platonic love where people just know the real you. His stories also float by so quickly, there are so many things he does that I want to emulate his writing into my work.

Someone on Tumblr described the romances as: “what if a real life disney prince fell in love with the human equivalent of a wet paper bag?” and I agree 100%. All his protagonists are just like that, and I love them all.

(Also, this man definitely had an office job he hated, and writes office work culture as a death sentence in every one of his novels and I love it).

If you have any queer novels you love, don't be afraid to leave me a recommendation! (Especially WLW that isn't 'One Last Stop')

HAVE READ: The House in the Cerulean Sea : [An amazing love fantastical found family story (with a hint of romance)! I listened to the audiobook on Audible and absolutely loved it! I can't wait for the sequel coming out next year.]

Linus Baker is a lonely case worker for a governmental organization which manages orphaned kids who are magical beings.

One day, he's given a secret assignment to assess a special orphanage on the island of Marsyas, run by a man named Arthur Parnassus, who has secrets of his own. Among the six unique children living there, one of them is Lucy, short for Lucifer, who just happens to be the Antichrist.

Despite his initial reservations, as Linus's days pass in Marsyas, in this idyllic setting among a coterie of magical children, Linus finds himself coming across a little romance, an unlikely family and possibly even a home.

Currently Reading: Under the Whispering Door. [I know this is going to be heartbreaking, but I'm loving it, only on page 50/373. Will likely post something vague about how it made me cry lol]

When a reaper comes to collect Wallace Price from his own funeral, Wallace suspects he really might be dead.

Instead of leading him directly to the afterlife, the reaper takes him to a small village. On the outskirts, off the path through the woods, tucked between mountains, is a particular tea shop, run by a man named Hugo. Hugo is the tea shop's owner to locals and the ferryman to souls who need to cross over.

But Wallace isn't ready to abandon the life he barely lived. With Hugo's help, he finally starts to learn about all the things he missed in life.

When the Manager, a curious and powerful being, arrives at the tea shop and gives Wallace one week to cross over, Wallace sets about living a lifetime in seven days.

Planning on reading: In The Lives of Puppets(The book is on my shelf).

In a strange little home built into the branches of a grove of trees, live three robots—fatherly inventor android Giovanni Lawson, a pleasantly sadistic nurse machine, and a small vacuum desperate for love and attention. Victor Lawson, a human, lives there too. They’re a family, hidden and safe.

The day Vic salvages and repairs an unfamiliar android labelled “HAP,” he learns of a shared dark past between Hap and Gio–a past spent hunting humans.

When Hap unwittingly alerts robots from Gio’s former life to their whereabouts, the family is no longer hidden and safe. Gio is captured and taken back to his old laboratory in the City of Electric Dreams. So together, the rest of Vic’s assembled family must journey across an unforgiving and otherworldly country to rescue Gio from decommission, or worse, reprogramming.

Along the way to save Gio, amid conflicted feelings of betrayal and affection for Hap, Vic must decide for himself: Can he accept love with strings attached?

#They are utter delights #dont be surprised if my next long Izzy fic is inspired by 'under the whispering door' lol #Under the Whispering Door #The House in the Cerulean Sea #tj klune #Sometimes I just want to read a sweet queer love story with people older than 20 god damn it

[khruschevshoe]

Lucius Spriggs and Izzy Hands

Don't forgive me when I fail

'Cause everything I touch just turns to pain

I don't struggle either way

Suppose some things never change

All I know

You can call me the devil in disguise

I don't care, call me anything you like

I can see my redemption in your eyes

From my fool's paradise

-The Wandering Hearts, Devil

Lucius gently rubs his thumb along Izzy's cheek, as tender as Pete is when he massages oil into Izzy's joints. "I get it," he says, and reaches out his free hand to Pete, who takes it with a smile. "We all have our shit to deal with. We've all been fucked up in one way or another. Some damage will never go away. But when we hurt, we have each other to turn to. That's what a relationship is about. That's what love is about. Sticking through it all. Fighting not each other, but the world."

"Great speech, babe," Pete says, and Lucius flashes him the brightest, fondest of smiles.

Izzy breathes in the possibilities that are rising in this room, this faith that does not demand but asks, this relationship that throws love about like it is a gift and not a punishment.

Then Izzy leans in and presses a soft kiss to his sea god's mouth, giving Lucius Spriggs his offering.

And the sea god offers him a kiss of his own in return, tribute for tribute, faith for faith.

-aletterinthenameofsanity, the sky above us shoots to kill (hold on hope)

Saint Izzy and the sea god. I don't think I've ever had such visceral shrimp emotions to a metaphor before but there we have it- the way that the devotion, faith, and love Izzy has for Lucius mirrors and refracts the faith he once had in Blackbeard is going to be imprinted on my brain as THE way to execute an intimacy arc for a very long time. I've already screamed about it multiple times to my apartment. I am still not over the ending lines of this fic and I'm pretty sure I never will be. Simple as that.

@polikate @possumsmushroom @yuenity @angxlwiings @bricksbloggyplace

#lucius spriggs #izzy hands #lucius x black pete x izzy #sprizzy #ao3 #fanfic #fic rec #aletterinthenameofsanity #moodboard #lyrics #ofmd season 2 #ofmd #devil #the wandering hearts #the religious metaphors! #the intimacy arc! #the understanding! #the way that the sea god metaphor evolves has me WEEPING y’all

[flora-builds-an-ocean]

You know what I loved about the finale? How everyone got to be happy. Zhang and her auntie made up. Auntie allowed softness into her life. Black Pete and Lucius got married surrounded by their family. The crew was together, at sea. With a new purpose.

Even Izzy had arguably a good ending. He was at peace when he went. He said important things. He wanted to go. And he went feeling loved and cherished and with a sense of belonging. He went surrounded by family.

And Ed and Stede finally caught a break. They have their little house!!!!!! And they'll fix it up!!!!! Oh god they can finally breathe and slow down and enjoy their lives together!!!!

Also let's not forget Buttons visiting Izzy's grave. Perfect touch.

#my god theyre finally happy #im so emotional about this #ndjcjdkkeldslmdmdm #the little house by the sea omg #our flag means death season 2 #ofmd spoilers #ofmd finale #izzy hands #crew of the revenge #blackbonnet #stede bonnet #Blackbeard

[queerfandomtrifecta]

One more prediction before tonight: Izzy will be the one to return Ed’s leathers. He saw him throw them away and I bet he got them out.

#I am unwell over this show #ofmd spoilers #izzy hands #ed teach #Blackbeard #ofmd speculation #I swear to god Izzy better survive even if he’s revived by buttons the sea witch whose figured out necromancy next season #idgaf I will buy it #do you hear me David Jenkins??

[thewolfofthestars]

don't mind me I am just thinking about. Izzy and Ed being young pirates but Izzy is still like a decade older than Ed (if we're going by the ages of their actors, which, judging by the tone and writing of the show, seems to be the aim--OFMD is very much a show about middle-aged queer love, and that doesn't work if we're meant to think of these characters as teens and 20-somethings like they were IRL at the time).

Just. Ed being a scrungly little 15-year-old who just killed his own father and ran away to hop on a pirate ship, he's just this poor shivering little traumatized kid, spotting the surly badass attractive 25-year-old leaning against the mast and latching onto him immediately. He trails after Izzy like a puppy, begs him to teach him how to swordfight etc, and Izzy's flattered and shrugs off Ed's admiration with the barest veneer of confidence covering his own mountain of problems. And over the years Ed grows up and gets more confident and bold and clever. And one day Izzy realizes the tables have turned, now he's the one looking up to Ed instead of the other way around (literally and figuratively because now this kid is taller than him dammit)

#ofmd #our flag means death #ofmd izzy #ofmd blackbeard #ofmd edward teach #edizzy #blackhands #I am sorely tempted to write a fic exploring this dynamic #just. that slow switchover of admiration and attraction over time #izzy friendzones ed and then suddenly he catches feels and he's the one being friendzoned #I can only imagine izzy felt very weird about it when he first figured it out #'oh god I have a crush on this guy who I remember being a gangly little kid while I was an adult' #maybe they have a glorious short time where they're together before Ed starts to drift away #and becomes Blackbeard terror of the seas while Izzy is just some lame cranky old guy

[beansprean]

God I wish I could find the post that inspired this but apparently I didn't save it djdjsjsks

Edit: THE POST WAS FOUND TY @cujotheloyalheartdog

(ID in alt and under cut)

1. Roach, Ed, and Ivan standing at the edge of the ship's deck, looking down over the edge. Ivan has his arms crossed to look tough. Ed has one hand on his hip and is sighing, looking disappointed. Roach is leaning on the banister and holding up a wrapped sandwich in one hand. He wiggles it and grins down toward the sea, singing, "For the road!"

2a. Shot from above of Izzy standing alone in a rowboat, fists clenched at his side and scowling. He glances over as the sandwich flies into view towards his head. 2b. Izzy whips his head to the side and catches the sandwich between his teeth, maintaining his angry expression.

3. Back to the deck. Roach is still leaning against the banister, other hand frozen in a throwing position as he opens his mouth to shout an impressed "Yoooooo!" Ed is smiling and clapping his hands together. Ivan's brow has furrowed and he looks vaguely disturbed. /end ID

#ofmd #izzy hands #roach ofmd #ed teach #ivan ofmd #our flag means death #my art #fanart #image described

[areyoudoingthis]

"So," Ed says while the crew gets the ship ready for Lucius and Pete's matelotage ceremony, shyly swaying his shoulder as he leans towards Stede in what is rapidly becoming Stede's favorite bit of Ed body language. "Zheng's offer."

And Stede hears the question he isn't asking. Hears the plea this time, too. This time he isn't drunk and coming off the high of being worshipped for killing a man to protect his loved ones. The renewed threat on their lives and watching Ed sob brokenly while Izzy died in his arms have sobered him up fast, instilled a new understanding of the way Ed views piracy in him and rearranged his priorities one more time. He thought he had this right when he left Barbados. No matter, he'll keep learning as he goes, keep listening and trying his best to do right by himself and by Ed.

"You wanted to become a fisherman." Ed winces. Stede doesn't hold a drop of resentment towards him, understands how easy it is to panic when faced with something as immense as what they share while the burdens of their pasts still plague them.

"I think I wasn't as well suited to fishing as a I thought," Ed says, ruefully.

"Nonsense. You're great at fishing." He beams at him, knows that Ed is capable of excelling at anything he sets his mind to. But it doesn't have to be fishing, it can be anything they choose. There's a whole world of possibilities open before them now. "What if we explored a different avenue?" he suggests.

Ed's eyes open wide, excited. Stede knows he's on the right track, the way his heart settles in his chest at the look in Ed's eyes tells him he can't go wrong if he follows this instinct for the rest of his days.

"Yeah? Like what?" He sounds impatient to get started.

"I remember you expressing an interest in becoming a restauranter once?"

"Eh, the food industry might be a tad too much work. We'd have to catch the food first, then cook it and serve all the customers..." he looks bashful, like there's something on the tip of his tongue that he's hesitant to speak out loud. "What if-?"

"Yes?" Stede asks, quiet and a little breathless with anticipation. His blood is thrumming, he wants to take this leap with Ed with every fiber of his being, is leagues more eager for this than he was when he first commissioned a ship and set off to sea.

"What about an inn?"

The memory flashes through his mind of Ed gifting a couple of kids on the Republic a bag of gold and a pair of knives, and claiming they weren't pirates but inn owners afterwards. How long has he been thinking about this? How long has this been a dream of his?

"Sounds fun." He smiles, radiant. He's thrilled to join Ed on their next adventure, inn ownership or fishing or bar and grill management. He would go anywhere with him.

"Yeah?" Ed sounds exhilarated too.

"Yes."

And there isn't an ounce of hesitancy in his voice this time around. He knows himself at last, knows the bottomless capacity for loving Ed his heart possesses, doesn't intend to ever let him go again.

Ed leans forward as if he intends to kiss him and Stede's heart starts beating faster, always greedy for Ed. But Ed stops, pauses halfway to Stede and looks doubtful all of a sudden.

"What about this?"

"This?"

"The ship. The crew. Piracy." Stede thinks he means the last one most of all. And god, what a fool he was to almost lose this to a fantasy. What he set out for a lifetime ago wasn't piracy, it was a dream of freedom and a place where he could be himself. He's never more himself than when he's standing next to Ed, looking the future in the eye together. This is his home, where his body and soul belong forever. The ship will continue to house their family and carry them safely across the sea, and they'll come back to visit as much as they want to. He can't wait to see what they get up to, either.

"You're the only adventure I need, Ed."

And Ed melts into his arms and kisses him sweetly.

#blackbonnet #gentlebeard #ofmd #our flag means death #ofmd fic #ofmd spoilers #here have this drabble as a treat because I'm drowing in feelings #my fic

[adamarks]

The thing is. Not gonna put this on fox’s post bc it’s a tangent. Anyway the thing is Ed and Stede are kinda codependent? What they are, though, is a) two animals who have pair bonded and b) ed seems to have more of an actual clinical depiction of codependency.

The big thing about codependency is that it’s not actually “one partner keeps the other partner good and pure and keeps them from being Mean and Bad.🥺” Codependency’s whole thing is control. It’s a saviour complex. And THE THING IS? It doesn’t work. You cannot “save” a person from being themself, from engaging in their addiction, from hurting themself. They need to make the executive decision to change, the codependent person cannot do that for them. Thus it becomes a cycle. Try to save -> see that they’re not doing what you want -> get angry/upset/punish yourself for not succeeding/sink with them -> rinse and repeat.

Izzy? Now HE is codependent on Ed. You can be codependent on someone who is perfectly fine. He tries to control Ed’s every move, doesn’t succeed, and inevitably gets angry. If you pick up an on god actual textbook, or like any Melody Beattie book, you will see that he is the very definition of codependency.

Cycling back to Ed, though. I do think he’s codependent. You don’t kill your alcoholic father to protect your mother. We don’t mysteriously never see his mother again and know that he went to sea at a young age for no reason. He tried to save her, it backfired. A woman telling her child that they’ll never have better because god decided they’d be miserable is not ready to be saved, is not ready to get out of an abusive situation.

Then, of course, there’s Jack. Jack is eternally getting Ed to do shit for him. To help him because he’s so helpless uwu or whatever. A douchebag who can’t seem to take care of himself and is on the hunt for someone to cater to him??? Mmm yummy! A codependent’s dream! In the episode, he caters to Jack’s every whim, makes excuses for him, and finally does the “sinking with him” thing when he inevitably pushes too far. This is partly because of Jack’s manipulation, partly because that’s what Ed’s family situation had been.

Now that we’ve established all of that, back to my original point: you don’t stop being codependent just because you get into a healthy relationship. I’m certain that a small part of the breakup era sads was that yet again he’d done something huge, sacrificed something big, and his efforts had gone wholly unwanted, just like what he’d done for his mom. And then there’s that fear. Ed knows the power that people he loves have over him. He knows how he acts in love! He knows how much it hurt when Stede left him! It makes sense, then, that he would run away when he sees Stede doing something he’s not too keen on (going full pirate party animal when Ed doesn’t want to be a pirate anymore). It’s fantastic that he’s running away though! He’s not doing shit he doesn’t want to do to humor Stede like he did with Jack. He’s not trying to force Stede to change directions. He’s not trying to control the situation! He’s seeing that he’s freaking out and he’s removing himself. Albeit poorly, but this is a step closer to being able to actually communicate things. He realizes he’s the variable he can change in dynamics.

So to close up, yeah the relationship is maybe a little codependent but not in the way people seem like to say? It’s codependent in that Ed has codependency issues and those will inevitably crop up in any deeply intimate relationship you’re in. It doesn’t mean you shouldn’t be in a relationship. It doesn’t mean that the relationship is bad or unhealthy. It just means you’re a human person with shit to work on.

#idk. sorry for the rant. maybe this is stupid #aaaauuuggghhh don’t look at me

[ladyluscinia]

Ok, Dark Sea God Izzy thoughts...

Edward can't forget what Izzy is - being trapped in the middle of a burning ship and knowing death is coming only to have a god offer to save you... well that leaves an impression - but he tries not to think about it too much. Both for the aforementioned horror and because (he'll die before admitting this to another soul) everything happened so fast and chaotic that he doesn't fully remember what he agreed to. He just wanted to live.

Izzy, meanwhile, didn't actually intend to stay by Edward's side for decades. He grabbed a perfectly serviceable corpse, fixed it up, and then only meant to watch his new devotee / partner / master for a bit. But he hadn't actually been in a form much like a human in so long, he kinda forgot what it was like and everything was so novel. It was fun. He got distracted, and then by the time he remembered he'd planned to go back to the water he was fully enamored.

I like the fear thing. Maybe Izzy can only more directly do Sea God type things when part of or at minimum in the sea, so a lot of his day to day powers are more subtle and (initially) underwhelming then you'd expect from an eldritch being. Things like Fear. I also like the idea he can inflict people with Thirst (the saltwater kind).

He can talk to Button's seagulls but he refuses to unless they pay respects. Which they won't, because he's doing a stellar job of pretending not to be a god and also seagulls are stingy.

I think he should have eaten someone at least once. Sacrificial offering and all that. Or maybe he just makes a habit of licking spilled blood off his fingers and looking way too thrilled about it.

Back to the whole devotee / partner / master thing, literally neither of them knows who is actually in charge in this magic arrangement, assuming anyone is. Izzy is doing the thing where he's got an entirely different frame of reference, so "serving" Edward is not something he has to do or sees as work. He just wants to. But of course Edward occasionally remembers Izzy could change his mind and then that tricky little blood oath he owes him could come up again.

#our flag means death #gonna keep rotating this concept in my mind #also to get back to my original fixing wild takes via magic... izzy doesn't know how weather works because he controls it #but like - on accident. you can't 'predict' the weather don't be absurd. it just does things randomly based on his mood #izzy hands ofmd #blackbeard ofmd #sea god izzy #fic concepts #ladyluscinia #blackhands

[isleofapplepies]

oh my god izzy this izzy that

we. should really be talking about why buttons turned into a bird to be with his true love, the sea, and not some kind of fish. bird form doesn't make much difference from his sailor form, so why seagull?

I'll tell you why, it's because he's left to bonk olivia who's been over at mary's widow club

just another important conversation the izzy discourse has completely derailed and overshadowed

#ofmd #our flag means death #why is he not a dolphin djenks? david break your silence

[bougiebutchbinch]

horrid little brainworm

Frenchie is still green at the start of the Kraken era.

He isn't, by the end.

But back then, when it all begins - when he isn't used to the sting of kohl-mixed sweat dripping into his eyes - he makes mistakes. Lots of them. Simple little things - fluffing a knot in the rigging that has their sail unfurling midway through the dogwatch, goods left unstowed to roll with the list of their ship.

Most of the time, Izzy yells himself hoarse for five minutes, then shows Frenchie how to fix it, interspersing his lecture with expletives. Whatever. That's fine. Let the little man scream - he's not the scariest thing aboard anymore.

Never was, really.

But then Blackbeard (Ed? The Kraken?) stomps out of his cabin, hair a black thundercloud, and snarls 'which one of you men is responsible for that fucking mop', pointing to some cleaning equipment Frenchie forgot to pack away.

And everything goes still, as if they're becalmed.

[CW: whipping, abuse, non-explicit mentions of Frenchie's past locked-box traumas]

No one says Frenchie's name - not even Izzy. He just ducks his chin and refuses to look his captain in the eye. But the eyes of every other crewmember jump guiltily to Frenchie, at least once - and Blackbeard is too smart to miss such a tell.

"A ship needs discipline," he says. "Isn't that what you always tell me, Iz?"

"I'll attend to it," says Izzy, voice scratchier than ever. Frenchie knows this is a bad fucking situation - memories battering against the inside of his locked box, trying to get out - but somehow he can't feel fear. Can't really feel anything.

"With the cat," says Blackbeard. "Give the culprit fifteen. Really make the lesson stick."

Ah. There's the fear.

Frenchie's breath stifles itself halfway up his throat, as screams sneak through the keyhole of his box, along with the crack of a whip -

No. No, no, no. He can't. Not again, he can't -

Izzy glances up. Frenchie expects him to grin, all vindictive sadism - but whatever he sees on Frenchie's face has his mouth pulling into a tight line.

"Yes, sir," he says, though Frenchie barely hears over the dull roar of his heart.

He casts his gaze about, looking for an escape. Over the side? They're too far from land, but fuck, if it isn't tempting -

Jim fondles their knives, glaring mutinously at Blackbeard's back as he returns to his cabin. They don't spring after him (though Frenchie selfishly wishes they would). They're well aware - as is everyone - that right now, with Blackbeard black-eyed and bloodthirsty, they'd lose.

Izzy swallows. Shuts his eyes. Then calls for Fang to fetch the cat.

Frenchie loses time then. Scarcely a blink passes before Fang reappears above the deck, the strings of the knotted whip scraping the floor like the tentacles of a shrunken sea-monster.

They're flaky with rusty residue. Old, dried blood.

Frenchie's fingers twitch in the chords of the first song his Ma taught him. No rituals or superstitions will save him. Nothing will. Because his old crew are marooned, almost certainly dead, and his new crew are - with the exception of Fang and Jim and Ivan - fucking monsters.

He's going to be whipped (again). He's going to shred open all those old scars. The box is going to open, and -

Oh, God. Oh God. Fifteen lashes is survivable (Frenchie knows, he knows) but he's still not sure if anything of himself will emerge from the other side.

He's still frozen, staring at the whip held in Fang's big hands, flat out like he's presenting it to Izzy. Only... Izzy doesn't take it.

No, Izzy moves to stand in front of the mast. Walking stiff, with a bit of a limp. While Frenchie's reeling, struggling to process what's happening, he yanks off his shirt. And - fuck, his back is almost as ugly a sight as Frenchie knows his own would be, if he could bear to study it in a mirror.

A few of the crew draw shocked inhales. Most don't look surprised.

Frenchie is one of the latter group. Sound travels, on a ship.

"Um," says Fang, cat dangling limp. "Boss?"

Izzy grabs the hawsers wrapped around the mainmast. Heaves a deep breath. Rests his forehead against the wood.

"You heard the captain," he croaks. "Fifteen lashes."

Fang's eyes are moist - though they are more often than not, nowadays. "Boss - "

"The captain wants the culprit disciplined," Izzy says. His muscles flex beneath their coating of scars. Bracing himself, Frenchie's mind supplies. For the oncoming pain. Not that any amount of tensing is ever enough. "First mate's responsible for maintaining a tidy deck."

This turn of events finally settles into Frenchie's bones. The whip's not for him, thank everything. His key slides gratefully into the lock of his box and turns, ensuring it's shut tight.

Still, sickness churns in his guts. Last week, sleep eluded him. He'd intended to skulk above decks and breathe the sea air to clear his head. He never made it - because who should stagger out of the captain's cabin, so dead-eyed he didn't even notice Frenchie lurking in the shadows of the galley door, but the Revenge's thrice-cursed angry gremlin of a first mate?

Izzy hadn't looked much like a gremlin then, though. Doesn't now, either. Just looks. Tired. And old. And bruised to shit beneath his shirt, and not all of those lash marks are old, weathered scars, and -

Frenchie's fingers twitch more rapidly, pressing through their imaginary chord sequence.

Shit. Shit, shit, shit, shit, shit -

"Fifteen lashes," Izzy reminds Fang. "If you can't do it, anyone else is free to step up. I'm sure there'll be fucking volunteers."

Frenchie eyes Jim. They and Izzy aren't exactly friends - not when Frenchie has heard them mumble a word that sounds horrifically close to 'Oluwande' in their sleep.

But Jim stays right where they are. Hand on the hilt of a knife. Ivan emulates, and, well, Frenchie's feet have damn near put down roots. He couldn't move from this spot if he was ordered to.

Fang's tears well over, and his hand shakes on the whip handle to the point where Frenchie thinks he might drop it.

A clash from the great cabin has them all jumping - all but Izzy, who rests his cheek on the mast like it's a particularly splintery pillow, eyes drifting shut. Blackbeard barges back out, sousing the air with body odour and smoke and self-hatred and whatever the fuck else he's been marinating in.

"What's the fucking wait?" he demands. "I expected way more screams by now." He halts, frowning at the sight of Izzy, stood where Frenchie ought to be (because fuck, he shouldn't have left that mop and bucket out; how many times has Izzy told him - ). For a moment, the harsh line of his brows crumples on itself in something that could be mistaken for regret. But then that dark sneer crawls onto his lips, the one with which the whole crew is becoming familiar. "Can't pick who gets the privilege, eh? Well, lucky for the lot of you, that's what a captain's for."

He stalks forwards, feline-graceful. Frenchie scuttles from his path. When Blackbeard snatches the whip from Fang (not seeming to notice his whimper, his flinch) Frenchie fully anticipates that he'll turn on Izzy, not him.

He certainly doesn't expect Blackbeard to smile, cold and white as a toenail moon, and thrust the whip towards him, hilt first.

"Oh, no." Frenchie raises both hands in surrender. "No, no, no. I couldn't. Awful with a whip, me. Wouldn't, um..." There's the noise of it again, slithering out through the keyhole of his box. The swish. The crack. The scream. "Wouldn't be able to strike hard enough," he stutters. "No upper body strength, yeah."

Blackbeard doesn't approach Frenchie. Just keeps the whip held out towards him, like the accusative finger of a god.

"You give him fifteen," he says, gently. "And make each one count. Or I give him fifty."

Against the mast, Izzy makes a sound - not quite a whimper. Worse; it's far too much like relief. His hands don't shake, but only because they grip the hawser tight as rigor mortis.

Fifty can kill. Has killed before. Frenchie's seen it.

But Blackbeard doesn't want Izzy dead, right? Who would he torture then?

Blackbeard's blank, lifeless eyes pour into Frenchie's.

Who indeed?

Fuck. Frenchie swallows dry. He tells himself it's for self-preservation that he unsticks his boots from the deck and shuffles forth to take the whip. Not for Izzy. Not like he likes the angry little prick. Man's vicious as a cat and thrice as cursed.

Maybe, if Frenchie tells himself that, it'll make this memory easier to lock away with all the rest.

"Ready?" he asks Izzy, softer than he intends. Izzy twists over his scarred shoulder. He looks at Frenchie - really looks at him - for what feels like the first time. Not even glancing to his left, where the Kraken lurks.

Frenchie can't decipher his expression. Pity, for whatever made him offer himself up in Frenchie's place? Frustration, that Frenchie prevented Blackbeard from whipping him into the grave? Misery and fear - no, that's far too sane for a guy like Izzy.

Izzy turns back to the mast.

"Give me your worst," he says.

Frenchie breathes in, breathes out, and obeys.

#ouizzy #ofmd frenchie #ofmd izzy #izzy hands #ed teach born on a beach #israel hands #ofmd ed #edward teach #blackbeard #my fic #bbb creates #our flag means death #ofmd fanfic #frenchie #ofmd jim #jim jimenez

[londonspirit]

Was there ever any doubt that Our Flag Means Death Season 2 wouldn't end in thrilling fashion after taking all of us on a rollercoaster of emotions? Probably not, but show creator David Jenkins and writer John Mahone, who teamed up on the script for the finale episode, seemed distinctly driven to squeeze as many tears out of us watching as possible. With the dynamic between Stede (Rhys Darby) and Ed (Taika Waititi) seemingly fractured as of the season's penultimate installment, it was unclear how — or if — the two men might eventually reconcile, but a new threat to the Republic of Pirates, alongside Ed's realization that maybe he isn't meant to be a fisherman after all, sends the two back into each other's arms, literally.

While some characters are afforded something resembling a happy ending, with Stede and Ed deciding to try their hand at being innkeepers as they watch the Revenge sail off into the sunset under Frenchie's (Joel Fry) command, not every single crew member emerges from the finale battle unscathed, chief among them Ed's first mate and formerly ruthless right-hand Izzy Hands (Con O'Neill), whose parting words to Ed may be the very thing that the former Blackbeard needs to hear in order to fully come to terms with accepting the man inside him all along.

Ahead of the Season 2 finale premiering on Max, Collider had the opportunity to reconnect with Jenkins to discuss some of the episode's biggest moments. Over the course of the interview, which you can read below, Jenkins explains why Izzy's speech is both a eulogy for the character and a statement about the show itself, how the Season 2 premiere and finale bookend each other with those beach scenes, and why he wanted to use that Nina Simone needle drop in particular. He also discusses why the season concludes with a wedding at sea, what the finale sets up for Season 3, and more.

COLLIDER: I feel like my first question, in a completely non-serious way, is: how dare you, and my immediate follow-up is: what gives you the right?

DAVID JENKINS: I'm sorry, I'm sorry. Also, I am God to these creatures! But it was hard. It was a hard decision.

The episode kicks off with a somewhat more lighthearted moment, which is Ed realizing he's not cut out for the fishing life after all. On the heels of Stede and Ed’s big fight in the episode prior, why did it feel important to have Ed humorously have the revelation of, “This isn't what I really want after all?”

JENKINS: Well, I like the idea that Season 1 is about Stede’s midlife crisis, and Season 2 is about Ed's midlife crisis. I like that he had a little prima donna moment where he thought he could go and be a simple man, and then it's revealed that he really isn't a simple man; he’s a complicated, fussy, moody guy. No, he's not gonna be able to catch fish for a living. For him to be told that, “At your heart, you're a pirate. You have to go back and do it,” he doesn't want that to be true, but it was true.

Speaking of characters that have a revelation about themselves, Izzy's speech about piracy, about belonging to something and finding family, feels like the thesis statement of this show. Was that the intention behind it?

JENKINS: When I wrote that, I wanted to give Izzy a proper eulogy for himself. He gives a eulogy for himself, but it felt true writing it. Yeah, this is how he sees piracy, and also that's not how he would have viewed piracy in the first season. He would have viewed it as, “I'm here to dominate you, so you work for the boss.” By the end of his journey in the second season, he sees that they built him a unicorn leg, he learned to whittle, and he mentored Stede. He's learned that, actually, a pirate crew works differently than what he thought and that they are all in it together, and they do this for each other. So it felt right for Izzy’s arc, and it is kind of an overall statement about the show.

It's interesting that you call it a eulogy, because, by the time we get to the scene where we know Izzy's not going to make it, it feels like he's using his last moments for Ed more than himself. He has those final words to Ed of, “They love you for who you are. Just be Ed.” Is that the kind of the thing that Ed needs to hear in the moment — even as he's losing, arguably, someone he's known even longer than Stede and is just as close to on an emotional level?

JENKINS: Well, I like that Izzy gives that to him, and then Izzy also apologizes to him because he says that he fed his darkness and that they were both Blackbeard together — that Blackbeard wasn't just Ed, that they did it together. In a way, it's very much for Ed, that speech. The “we were Blackbeard” is claiming that he is also Blackbeard, that Blackbeard is not just Ed’s creation, and I like that for him, too, because he's worked so hard for that — and then just to say, “You can give it up.” There can never be a Blackbeard again as far as Izzy’s concerned because he's dying, and they did that together.

I wanted to ask you about the Stede/Ed reunion. We get Ed finding Stede's love letter that was written all the way at the beginning, and then also the beach fight/reunion. It's definitely a callback to the dream, but was that always the way that you wanted to bookend the season? Here's the dream and the fantasy, and then this is the real moment that we get to have?

JENKINS: It was nice. I knew that I wanted to have the Republic of Pirates at the beginning and end up with the Republic of Pirates. I think the reunion of it was a nice surprise, but it felt right. And finding the letter in a bottle — if you have a letter in a bottle, it's thrown out somewhere, it has to pop up somewhere, you have to see one of them at some point. But yeah, there's a circular nature to it, and that's why I thought it would be good to use Nina Simone at the beginning and at the end as a callback. This dream in this way did come true, and they made it come true.

When I talked to you at the beginning of the season, you mentioned the Nina Simone needle drop, but couldn't say anything about the significance of it at the time. I talked to [music supervisor] Maggie [Phillips], as well, about the needle drops throughout Season 2, and she said you always had a very clear vision for what song you wanted there. A lot of people know the original, but why did you pick Nina's cover? It strikes a different tone; there's a hopefulness to it in a lot of ways.

JENKINS: Yeah, it's wistful. There's a lovely part that sounds like church bells, which is great for the wedding part of it, and then it's just moving. I love her interpretation of it. It’s wistful, positive, and it felt like the end of the show to me. There's a size to it that, up against these images, I just was like, "Yeah, this would be really good. I want this to be in the show."

I did want to ask you about the wedding because on the heels of Izzy's death, it's bittersweet, but also, it's a sign this crew has become a family, and they can still find happy moments and reasons to celebrate. We’ve seen Black Pete and Lucius reconnect, but also reconcile and navigate through Lucius's problems and have their own, almost parallel trajectory journey as a couple alongside Stede and Ed in a way. Was that something that you always wanted to close the season on, the two of them getting hitched?

JENKINS: Yeah. We knew we wanted a matelotage in the season, which is the real term they had for marrying crew members. And yeah, they've always been in relief to Stede and Ed, and they're a little bit ahead of Stede and Ed in how much they can talk about things. So to have a bunch of family things in the season, like a funeral and a wedding, and have the parents kind of watch the kids sail away, felt right, and all of those things seem to work well together and build on each other.

Speaking of Ed and Stede watching everybody sail off, that was an outcome that was somewhat surprising, I think because where they are, you think maybe they're going to end up sailing off with everybody else.” But no, instead, it's just this sweet, lovely note of them getting to play house for a little while. What inspired that turn for them?

JENKINS: I think that they've come to the point in the relationship where they say, “Yeah, we're gonna give this a try,” and that's where the story really gets interesting. That will-they-or-won't-they is interesting to a point, but the real meat of it is always like, “Can they make the relationship, and can they do better than Anne and Mary?” That's the question that we all ask ourselves when we end up in a serious relationship is: can we make this work, and can we get through the hard times? Then they're both very damaged, and it's gonna be a challenge for them, and that's where the story gets interesting.

I'm not sure you can really tease much for a Season 3, but we talked before about how you have your vision for where you want to take this, and based on what we see at the end of Season 2, the implication is that we're going to have Stede and Ed off together, but is the plan to also continue with the other characters as well in their own places?

JENKINS: Yeah. Frenchie’s in charge of the Revenge, and I think Frenchie's Revenge would be an interesting place to work and an interesting ship to be raided by. Then I think that the Revenge means a lot to Stede, and it would be very hard for him to give it up, and he hasn't had a great track record of that. So I think the odds of them all finding each other again are quite high.

All episodes of Our Flag Means Death Season 2 are available to stream on Max.

#our flag means death season 2 #ofmd s2 #ofmd s2 spoilers #spoiler #our flag means death #ofmd #david jenkins #interview #collider article

[amuseoffyre]

That Izzy line about Ed being "a complicated man" immediately put me in mind of the Wilson translation of The Odyssey

“Tell me about a complicated man, Muse, tell me how he wandered and was lost... ...And where he went, and who he met, the pain He suffered on the sea, and how he worked To bring his men back home."

There's so much going on this season that I hadn't immediately clicked all the little pieces and allusions to The Odyssey. I'd wondered about the pigs in the Gravy Basket, but now? Now my brain is afizz with thoughts.

In the Odyssey, Odysseus is trying to return home after the fall of Troy and has a whole mess of misadventures along the way depending on the Gods' favour/disfavour.

Elements that have been alluded to in the show include:

encountering Circe, who turns his crew into pigs on her island.

being ensnared by Calypso

go to a place at the edge of the world where he speaks to the dead, including a parental figure

goes into his old home dressed like a beggar and passes unrecognised

The dictionary definition of an odyssey is a long and eventful journey or experience. Ed is definitely on his own kind of odyssey this season, trying to find not a way home but a way out of the tangle of trauma, grief, loss and guilt that has built up over decades.

I need some more time to line up my thoughts about this, but good grief. Layering this on top of all the other analogies, metaphors and symbols they have already is hefty business.

#ofmd s2 #ofmd meta

[bowieandqueen11]

Moonlight Dalliance / Izzy Hands Imagine

Request: I wrote this a couple of weeks ago but I think I might have accidentally deleted it off Tumblr because I can’t find it now! Hope you enjoy and I’ll have another request out asap! 😘

Warning: spicy, implied sexual content, sword fighting, mentions of blood and some strong language!

(I do not own OFMD or it’s characters, all rights go to creators. Gif credit goes to @goodsirs.)

☆.。.:・°☆.。.:・°

Before you had even reached the deck, you could hear the clashing of steel reverberating through your bunk.

If it hadn't been for the pouring of sawdust through the cracks in the ceiling beams that rained down like ash over your nostrils: if it hadn't been for the graceful leaps of careful footsteps lightly stepping in box squares above your hammock, you might have chalked down the noise to Roach's snoring. In fact, as you swing your legs over to your side and try, as quietly as possible, to land on the floor of the recreation room without waking as many as your ship mates as possible, said cook was trying to do his best impression of what could only be called a foghorn mixed with an incredibly rusty blender.

'For God's sake-!' The sound of Lucius' voice disturbing you as you were trying to tip toe towards the door almost makes you jump out of your skin. Unravelling Black Pete's arm from around his waist, he gives a final groan into the side of his pillow before throwing it in a wide arch straight at Roach's head. 'If you don't stop snoring I'll stick my wooden thumb, splinters and all, straight up your ar-.'

Thankfully, the sound of you wincing as you grab onto the handle and inch the hinges slowly backwards is drowned out by a stout HMPH as Lucius' pillow lands on Button's stomach. You can't help but let out a snicker at the way the man shoots straight up from his slumber like a scarecrow being raised in a field. He arches one eyebrow and glanced around intently. 'Attack, we're under attack!' You take the opportunity of your fellow crewmates either lunging out of their hammocks, or being tipped out onto the floor during the frantic hustle and bustle that followed to escape out to the helm of the ship. In fact, Wee John seemed to take far too much pleasure out of twirling the Swede's hammock so that the man ended up a mess of tangled limbs, yelping like a fly caught up in a spider's web as Oluwande tried to grab his arm and pull him back out. You didn't mind the good natured jostle of your friends: you had spent so much of the evening tossing and turning, unable to get the thought of one arrogant prick in particular out of your mind, and so the excuse to leave your bunk and get some fresh air was more than welcome.

The sea air - god, the sea air felt so kind on your tired lungs.

The night seemed fragile, the moonlight tender as it spilt over the creaking boards of the ship and pooled in a warm puddle around your feet. It seemed to widen within your eyes, a fine mist spraying like a wicked phantasm from its shadows and coating the surrounding sea in thin tendrils of smoke. With a mind hazed with tiredness, you rubbed at the corners of your eyes and tried to chase away that dream-like glow only the late night could bring. The sails caught in the mild wind and groaned above you, masking out the sounds of Izzy's short pants as he wiped his forehead with the untucked end of his shirt. In fact, not realising yet that you were standing only a mere few metres away from him, he grabbed his shoulder and tugged his shirt off completely, discarding it with a frustrated throw at Stede's cabin doors.

Two hands grip tighter on the wood, willing its body to relax. The tang of salt could do nothing to burn away the fizzling want banging against your ribcage, nor could the cool pinch of the helm railings distract you from the fact that you had spent every second of that day restless; as if on repeat, every time you closed your eyes, or had your thoughts distracted away from repairing the helm, or talking to Lucius, or exploring the islands Stede had insisted you all stop at so he could take Edward off on some grand adventure, you were taken back to that afternoon. The feel of Izzy Hands, the soft ache in his eyes, so desolate, so hopeful: when he had been congratulating you on a job well done fighting off some remote Englishman who had tried to ambush your crew once you had docked, and behind the thrum of his beating heart he hadn't the wit to stop his arm from reaching out and brushing the back of his knuckles against the droplets of blood splattered on your cheek.

His smile had dropped almost immediately of course, and he had run like a gun was being unloaded against his heels back into his quarters and hid there for the night, but the look in his eyes when he had touched you... god, if it wasn't enough to make Davy Jones repent his sins, for even his adoration for Calypso would seem like hatred in comparison.

Yet only the smoky gleam of the moon melting over the champagne waves kept your aching head company. The moon, being a sneaky temptress, was in fact the one thing that drew you to the cause of your distraction; squinting down onto the deck, it took you a minute to remember the reason you had come up here in the first place.

Izzy Hands. In the flesh. And lots of it, if the sweaty gleam of his bare chest was anything to go by.

It takes a moment for your mind to shape the shifting umbra into a perceptible form: he looks angry, furious, even, as his sword slices the misty air like swiss cheese and gives lashes to the main mast. The cherry wood cracks easily under the weight of his blows, the poor shaved shards that land by his feet obviously taking the brunt of the walloping you can only assume is meant for your captain.

Swallowing your nerves, you call out to the fickle shape. 'What are you doing wandering about at a time like this?'

He startles as you wander across the ship towards him, perching back against the side of the mast he was currently tearing to shreds. Incredulously, he looks you up and down before bowing his sword. Your laughter sweetens the edge of his blade, and for a moment Izzy's step falters at the sound.

‘I could ask you the very same thing. Don't you know that all the horrifying creatures slink out from the depths after the full moon rises.' He tilts his head at you, pushing his tongue up against his teeth to stop a smile from breaking like welcome dawn across his face. 'Would hate to see you get dragged away by something... wanton.'

You scratch your cheek, trying your best to hide how you were growing flustered at his words. 'Well, at least if I get dragged away I'll be going with clothes on.’

He flushed at that, head tilting down as he crossed his arms gruffly over his abdomen and blinked languidly.

'What are you actually still doing awake?', you ask, crossing your arms and doing your best not to fantasize about leaping forward and ripping the rest of his trousers straight off with one tear.

'I couldn't sleep.' What he didn't tell you, was that he couldn't sleep because he was so in love with you his heart felt like it was going to bleed out of his fucking chest any time he tried to distract himself from thoughts of you.

'Yeah, neither could I.' What you didn't tell him, was that you couldn't sleep because you were dreaming of grabbing Izzy by that scruffy collar and kissing him silly.

A tense silence suffocated the two of you, sliced only by Izzy shooting his sword through the air with one last precise carve through the freshly hollowed mast. Izzy whips out his wrist, clenching his fingers into a tight fist to try and alleviate some of the burning tension running through his joints at the desperation to touch you.

‘You did well today. As much as I hate to admit it, you can fight better than any of those other morons.’

‘A compliment? From Izzy Hands? Pinch me, I must still be dream-‘

‘Your footwork is a little rusty, though. Could use some work, so you don’t trip over and fall on your own bloody sword.’

‘There we go. There’s always a but with you, isn’t there? You can’t just give the compliment and leave it hanging.’

'I'm just saying... it would be a real shame to pierce such a breast.' Your breath hitches as his eyes dip down to contemplate the sliver of skin still on show between the free flowing buttons of your dress shirt. He sniffles, fingers almost indiscernibly tightening around the metal of the hilt as he did his best to stifle the overflowing shiver that was running up and down his legs. He keeps a tight watch on you for a moment, before biting his bottom lip with his top teeth and darting his eyes out towards the ocean, both incredibly aroused and also incredibly sheepish from having shown such weakness.

'And to ruin such a fine blade.'

He runs his hand across his beard, motion tired yet calculated. Too jolted to speak, let alone run away back down to your bunk and hide your head underneath Oluwande's arm for the rest of time, you leave Izzy the perfect opportunity to pounce.

’Here… come here’, his knuckles fold as he beckons you forward with one hand, his other still resting on the hilt of his rapier as he jabbed it into the floor and let it drop after a moment. If he had let it go just then, as he watched the swish of your hips approach him, he had a pretty good feeling his knees would buckle underneath him. ‘I have far more experience than you do. You ought to learn from a real pirate. Not the hoity toity arsehole that runs around this ship like a headless chicken.’

‘If I remember correctly’, you say sharply with a growing smile, ‘you lost against that headless chicken.’

‘Don’t.’ Before you have time to realise what’s happening, Izzy has grabbed you by the waist and rugged you back. He prays you didn’t hear the hoarse groan that jilted from the back of his throat as your buttocks bounced back against the tensed muscles of his lower abdomen. His voice is gruff and warm against the shell of your ear, but his fingertips burn with the ferociousness of a thousand lantern fires as he snakes his free hand around your shoulders and grips onto the bottom of your chin.

'Don't tease me. It won't end well for you.' His thumb digs into your jaw as he tilts your head back, and you can feel his smirk branding it’s way into the bare strip of skin between the nape or your neck and the hollow of your earlobe. Your head is fully resting back against his forehead now, and his vice on you only lessens once he’s content that you’re too far gone to step away from him.

'Put your foot... here', he guides your right foot forward with the toe of his boot, almost sinfully slowly so he could feel every twitch and tense of your quadriceps against the inside of his thigh. 'There you go, lean your weight forward-'.

He tips you then, doubling you over so your back is pushed down against his groin. You swear you can feel the curls of his hair fall in loose curls down against the small of your back, gathering that his head must be hovering just above your tailbone. For your own sake, to stop your legs from turning into jelly and letting your full weight fall so easily into Izzy's grip, you pretend the haunting moaning sound you hear must be from the hinges of the sails as they turn through the night sky.

'Perfect form', he breathes out in a short gasp against the shell of your ear once he's collected himself, his arm tightening around your stomach as he places you. His right hand drags down your arm, teasingly burning a trail right down over the back of your hand and onto your fingers as he entraps them with his own. He turns your hand, his own clenching so they fold over your own. 'That's it, now jut forward and strike.'

His knee pushes against the side of your buttocks as he jumps the two of you forward; he shoves a little too harshly, though, and just before your feet nearly trip backwards over the rotund exterior of a rogue barrel, Izzy's hand has shot out like a viper to latch its teeth around your wrist. His fingers squeeze as he tilts you upright again, a sharp exhale whistling out of his nose at how close you come to falling into his chest.

'You're not a bad teacher', you manage to laugh out between gasps, 'but unless you're packing... who doesn't bring a weapon to a sword fight?' Straddling to the side, you manage to slide down and grab onto his discarded sword, sweeping the tip through the air until it landed just below his chin. Tilting the skin up, you gaze down at him through dropped eyelids, his fingers now nearly convulsing against your wrist.

You manage to break free of his hold, grabbing onto his bare arm and pulling him so now he was the one caught in your trap. Your bicep holds around his stomach, moving with each tremble of his breath as you graze the sharp edge of his rapier down across his face and jut it under his jaw.

The bastard only smiles as you hold the edge of his blade against his throat.

'Did you really think you could win this fight?', he asks between the tight lips of a knowing smile, and it takes you a second to realise that his free hand has wrapped round to hold onto yours on top of the handle. He shoves the blade away, kicking out with his foot so you trip backwards. He easily catches you before you hit the ground.

You dance your fingers up his chest as he holds you tight against him, dipped down like lovers do during the first dance. All the stars burn deep within the depths of his soul, pouring out like razing destruction from his eyes as he keeps darting a path between your nose, and back down to your lips.

'I don't think you won this either, Izzy Hands. In fact, I think we both lost something here.' You spread your fingers out over the bare skin across his pec, feeling the flittering thud of his heart pound out against your fingertips.

By god, if he had ever been so delighted to lose.

His lips ravish you like a man shrivelled under the island sun, desperate to drown; before your gasp can fully deflate from your lungs, your legs have been kicked out from underneath you by a swift and skilled kick from the side of his boot.

Oh, he had been planning this for a long time. Had been thinking of nothing but this since he had boarded this vessel. The tightness of his arm as it snakes around your back and stops your shoulders from taking the brunt of the bounce off the boards: the way he throws his rapier behind his back without a second care, instead replacing his clenched fingers with the reddened meat of your hip as he levers you down was far too precise and meticulous to be a mere spur of the moment, subconscious thought.

An uncomfortable heat shivers over your torso and settles as an anchor weight in the pit of your stomach as Izzy grazes his right hand over the top of your thigh. Plop. Plop. Plop. His leather gloves ball as he taps his finger one by one, teasingly, against your inner thigh, using them to shove your legs wider apart. His lips pull away with a sickeningly sweet pop from your neck only for a second, as he breathlessly glances his eyes in a jagged path across your face.

He looks wonderstruck.

You can't help but reach out to touch the tough muscle of his left peck, swirling your finger across the short strands of his chest hair. The soft scrape of your fingernail soon turns into your fingers fully spreading out like the tendrils of a swift current once you feel him bury his head into the curve of your neck; his chin juts into your pulse point and the bastard has the audacity to whimper at the feel of your palm brushing over the hardened tip of his nipple.

If he wasn't living out all of his deepest, darkest dreams, the man nearly collapsed on top of you may have felt embarrassed at the way his pelvis began to buck down and brush the tightening leather over the rising line of skin underneath your belly button. In your turn to be bashful, you can feel a flush crawl over your cheeks as Izzy grabs onto the bottom of your thigh and tugs you closer, fist clenching over your ankle as he throws your right leg up and over the side of his hip bone. His hands are surprisingly soft, surprisingly gentle as he claws and kneads and mewls into you, his lips dragging down and over to the side of your jaw now with quick, tempered nicks.

You're scared his skin is going to melt off at the bone with how it burns against your hip: it holds tightly to the side of your pelvis, his thumb toying with the tassels hanging from the band of your trousers as he impetuously grinds down against you again. You can feel his shit eating smirk as the flat edge of his tongue licks a hot streak up to the shell of your ear; he bites down, tugging at your earlobe and clenching his fingernails so tightly into the soft skin at the side of your buttocks that you were amazed he didn't draw blood.

‘What on earth was that noise?! What’s going on up here! Which hooligan is up making a ruckus on my ship? And so late! I know you wanted another bedtime story, but I told you, we all need our beauty sleep!’

The glim flicker of a handheld candle illuminated out from the stairway as the ruffled hair of your captain peered out past the door like a startled meerkat. With wide eyes, he mustered the courage to lift up the skirts of his nightshirt and take a step out onto the deck, away from the safety of Ed's gentle snores as they billowed out through the crack.

Before your captain can spot the two of you caught in such an awkward position: Izzy grinding against you like a needy dog, your hand bunched into a tight fist in his hair and your legs wrapped tightly around his taut waist, he shoves a gloved finger to your lips. Annoyed at being disturbed, you tilt the hand gripping his hair backwards and smirk to yourself as Izzy dips his head down to land between your breast bone to try and hide his groans.

Before you can tease him anymore, he's gripped onto your wrist and is tugging you up; he's near carrying you bridle style in his arms as he slips past the railings of the ship, mingling in with the shadows. His hand covers your mouth to stop your giggles, carrying you off down to the bunk of his room so the two of you can carry on your midnight dalliance where your poor, confused captain wouldn't be able to hear the pounding of the bed as its frame shudders against the wall and your screams echo out against the silent moonlight.

#Ofmd #our flag means death #izzy hands #izzy hands imagine #Izzy hands x reader #Con o’neill #ofmd imagine #israel hands #Israel hands imagine #Israel hands x reader #Our flag means death imagine