#roxy stenberg | Explore Tumblr Posts and Blogs

longlistshort · 5 years

Video

youtube

Mike Krol- What's The Rhythm

Things to do in Los Angeles this weekend (2/15- 2/17/19)-

Friday

Hauser & Wirth is hosting the world premiere of CSSC - It Begins - The Coach The Skull and the US premiere of DADDA - Poodle House Saloon, two new films by Los Angeles artist Paul McCarthy, at The Montalbán Theater in Hollywood (free)

LACMA will be running artist Martha Fiennes moving-image artwork Yugen free all day in the Bing Theater with a discussion at 6pm with the artist and actor Julian Sands

Art Buzz returns to ICA LA with a happy hour tour of Maryam Jafri's I Drank the Kool-Aid But I Didn't Inhale led by curator Jamillah James and Director of Learning and Engagement Asuka Hisa, followed by refreshments (free)

Miya Folick is playing at the Lodge Room with Barrie and Kingsbury opening

The 6th Annual Dre Day Los Angeles is taking place at the Echoplex with special guests Battlecat and DJ Melo-D of The Beat Junkies and an evening of Dre-related music

Marc Almond of Soft Cell will be performing a "best of” set at the Globe Theatre along with a DJ set by Hercules & Love Affair, a performance by The Voluptuous Horror of Karen Black and more for Sex Cells 2 year anniversary

Storefront Church, Orchin, Harrison Whitford, and Michael Vidal are playing at the Bootleg Theater

Saturday

Mike Krol is playing at the Bootleg Theater with Vertical Scratchers and Heflin opening

In conjunction with Frieze Art Fair and Art Los Angeles Contemporary, Bergamot Station is hosting Art + Brunch, 20+ gallery exhibitions and brunch bites throughout the complex (free)

Or get up early (7am!) and have breakfast at The Geffen Contemporary at MOCA as part of their collaboration with Frieze Los Angeles. It will be followed by conversations between MOCA Director Klaus Biesenbach, Hans Ulrich Obrist and artists Lauren Halsey, Korakrit Arunanondchai, and Luchita Hurtado plus free admission to their current exhibitions

At Hammer Museum, artists Kandis Williams and Devin Troy Strother join gallery director Ebony L. Haynes for a discussion about "the contemporary tensions of presenting the black body as it relates to sexuality, politics, and history" (free)

Writer Doreen St. Felix will be speaking with Amandla Stenberg at The Underground Museum and it's the last weekend to see Deana Lawson: Planes

Broncho are playing at the Lodge Room with Pinky Pinky opening

Facial and SLUGS are opening for JR Slayer at The Hi Hat

Sunday

The Geffen Contemporary at MOCA is hosting a free panel discussion on Zoe Leonard's fictional work The Fae Richard Photo Archive. The history, form and content of the work as well as its current relevance will be discussed by a panel that includes filmmaker Garrett Bradley, noted art historian Huey Copeland, and MOCA Associate Curator Lanka Tattersall with former MOCA Assistant Curator Rebecca Matalon moderating. The work is part of the current exhibition Zoe Leonard:Survey and can be seen at the museum as part of their free weekend admission.

LACMA is hosting a discussion of the legacy of artist Charles White in conjunction with the exhibition Charles White: A Retrospective, with Ilene Susan Fort, the museum's curator emeritus of American art and curator of the Los Angeles venue of the exhibition; Ian White, son of Charles White, an artist in his own right and archivist of his father's work; Judithe Hernández, renown contemporary artist and one of Charles White's students; Kellie Jones, Associate Professor of Art History and Archaeology in African American Studies at Columbia University; and Peter Clothier, noted writer and art critic. (free but tickets required)

At ICA LA, photographer Lucas Blalock and ICA Curator Jamillah James will be discussing his work in conjunction with his solo exhibition at the museum

Mikey Carnevale of The Frights is playing at The Roxy with The Grinns

Milk. are playing at the Bootleg Theater with Andy Fonda and Superbloom opening

Art Fairs running all weekend

Art Los Angeles Contemporary is at the Barkar Hangar ($29 + fees) and there will be a free shuttle to the stARTup Art Fair ($15 + fees online) at The Kinney Hotel if you want to do both in the same day

Frieze Los Angeles is taking place at Paramount Pictures Studios but there are currently only tickets available for the Curated Program which includes the outdoor Studios backlot, artist projects, film and talks but not the indoors gallery section ($20 and only available on Sunday as of this writing)

At The Stalls at Skylight ROW DTLA is the inaugural SPRING/BREAK Art Show ($20 + fees)

Superfine! Art Fair is taking place at DTLA's Magic Box at The Reef with 90% of the artwork ranging from $100- $5000 ($10 entrance fee if purchased online)

Felix LA is a new free contemporary art fair taking place at The Hollywood Roosevelt

0 notes

spicynbachili1 · 5 years

Text

The 300 Week 45: Almost There… Almost There…

It’ll occur, guys, it is really going to occur!

Hey there, howlers, and welcome again to The 300, my big-eyed, big-eared, sharp-toothed try and see 300 motion pictures in theaters in 2018. I’ll be watching new releases, classics, hidden gems, and pageant movies to expertise the large world of cinema in all its varieties. With a lot moviegoing selection, I hope there’s one thing on this picnic basket so that you can get pleasure from.

As all the time, there are three guidelines for The 300:

The film have to be a minimum of 40 minutes lengthy, assembly the Academy of Movement Image Arts and Sciences’ definition of a characteristic movie.

I need to watch the film at a movie show, screening room, or outside screening venue.

Whereas I can watch motion pictures I’ve seen earlier than 2018, I can’t depend repeated viewings of the identical movie in 2018 a number of occasions.

A busy week as I attempt to deliver The 300 on dwelling. I’ve solely acquired 5 motion pictures left, and I do know what they’re. Oddly, that is one other week with projection points, with a 35mm print (of Gleaming the Dice, for those who can consider it) requiring a couple of minutes to repair, and a 16mm print (of A Midsummer Evening’s Dream) getting warped and warbly within the remaining minutes of the film. Meaning extra projection and print issues within the final 5 weeks than I’ve skilled your complete remainder of the 12 months. It’s odd how that occurs. Possibly it is a signal from the film gods that this was a mistake. On that time, I want to stay agnostic.

It was an attention-grabbing week of moviegoing as I caught up with a couple of extra October releases I missed, and I acquired to fill some large holes in film nerd data. I’ve acquired 9 motion pictures to put in writing up this week, and since I’m a little bit low on time, my ideas could also be comparatively transient. Seeing 295 motion pictures takes up loads of hours. I gives you a minutes depend subsequent week.

Rely them down in your fingers, people. We’re nearly there.

And so, onward.

287 of 300: Can You Ever Forgive Me? (2018)

Director: Marielle Heller Starring: Melissa McCarthy, Richard E. Grant, Dolly Wells Nation: USA Seen at The Landmark at 57 West (New York, NY) Wednesday, November seventh

Can You Ever Forgive Me? is Melissa McCarthy’s finest film, and a terrific show of her potential as a considerate dramatic actress. Her skills often get squandered by subpar materials—as was the case with The Happytime Murders (The 300 Week 34)—relegated to a one-note bumbler/shouter. There are such a lot of layers in Can You Ever Forgive Me? efficiency, which is predicated on a memoir by Lee Israel. McCarthy performs a tragic sack author who resorts to forging literary letters to pay the payments. Like many writers, she finds that crime pays higher than a literary profession. Lee’s solely buddies within the metropolis are her cat and one other failed author (performed by a superb Richard E. Grant) who hustles and screws his manner by means of New York Metropolis.

One thing in regards to the film felt like a cross between Marvel Boys and Withnail & I; the previous as a result of it’s a narrative about writers performing badly, and the latter due to Grant’s presence and the sheer squalor of all of it. Whereas tidying up Lee’s dwelling, we uncover an enormous assortment of stray cat turds beneath her mattress. That’s Withnail as hell. However there’s such humanity to those lonely characters struggling by means of their lives. There are laughs in Can You Ever Forgive Me?, however they’re muted ones. The contours of Lee’s despair (which seemingly consists of social nervousness dysfunction and some extent of agoraphobia) are so well-rendered and sympathetic. I’m wanting ahead to extra sudden roles like this in McCarthy’s profession.

288 of 300: Wildlife (2018)

Director: Paul Dano Starring: Ed Oxenbould, Carey Mulligan, Jake Gyllenhaal Nation: USA Seen at AMC Empire 25 (New York, NY) Thursday, November eighth

Wildlife is such a handsomely made, well-observed literary adaptation. Primarily based on the Richard Ford novel of the identical identify, the movie follows the dissolution of a post-war marriage as seen by means of the eyes of an adolescent boy. The household lives in Nice Falls, Montana (the identify says all of it in regards to the American Dream), and a wildfire burns uncontrolled simply outdoors city. Its imagery is usually quietly stunning, and serves to showcase the performances. Carey Mulligan’s particularly good as a housewife who’s grown fed up together with her husband’s nonsense. She shifts fairly abruptly by the tip of the primary act: at first a modest homemaker content material to endure by means of domesticity, after which a lady in there thirties who longs for freedom, risk, simply extra. Jake Gyllenhaal, in contrast, appears to stay an archetype of outmoded American masculinity, who takes each slight as an indication of emasculation.

But this good-looking, proficient, well-considered craft is oddly a part of what retains me from absolutely loving Wildlife. The story is fairly acquainted for anybody who’s learn an American novel in regards to the decline of the post-war interval. I did, nonetheless, discover myself entranced by loads of the imagery given an opportunity to breathe on display, like the best way literary writers give area for sentences to unfold; a few of the photographs really feel concurrently watched and skim. If something, it is a stable directorial debut from Paul Dano, and it makes me marvel what he could deal with subsequent.

289 of 300: Gleaming the Dice (1989)

Director: Graeme Clifford Starring: Christian Slater, Steven Bauer, Richard Herd Nation: USA Seen at Roxy Cinema Tribeca (New York, NY) Thursday, November eighth

Gleaming the Dice is such wonderful 80s kitsch. Christian Slater performs a bodacious skater boy whose adopted brother is murdered by Vietnamese gun runners. The cops don’t take our hero critically, so he has to take issues into his personal arms. Skateboard-larity ensues, bro. I’ve seen three skateboarding motion pictures this 12 months, the opposite two being Jonah Hill’s okay Mid90s (The 300 Week 44) and Crystal Moselle’s a lot better Skate Kitchen (The 300 Week 32). Gleaming the Dice is the second better of the bunch, however I do know I’ll watch this schlock once more earlier than the others. What a goofy blast.

I’m reminded of how so many 80s motion pictures about teenagers inexplicably concerned organized crime and violent motion. This is able to in all probability pair effectively with the oddball James Spder/Robert Downey Jr. automobile Tuff Turf. (Look that one up for those who ever needed to listen to Spader sing a romantic ballad.) Take into account the next second from Gleaming the Dice: Tony Hawk triumphantly drives a Pizza Hut supply truck over the crest of a hill, harkening the arrival of a skate crew calvalry. Completely gnarly, proper?

290 of 300: Good Manners (2017) (aka As Boas Maneiras)

Administrators: Marco Dutra and Juliana Rojas Starring: Isabél Zuaa, Marjorie Estiano, Miguel Lobo Nation: Brazil/France/Germany Seen at BAM Rose Cinemas (Brooklyn, NY) Friday, November ninth

Good Manners is a such an engrossing mishmash of genres. It’s a werewolf film a couple of pregnant girl mysteriously stricken with some sort of lyncathropy. She hires a poor black girl from an outlying a part of town as a nanny, which makes the film additionally about class as race. And it will get stranger nonetheless, vacillating from horror to fable to darkish comedy, and even throwing in a couple of musical numbers for good measure. One way or the other administrators Marco Dutra and Juliana Rojas are capable of management the tonal shifts of the movie. Whereas they’re sudden, they really feel a part of a cohesive complete. The film appears like an odd story that might have been penned by Carmen Maria Machado, Karen Russell, or Kelly Hyperlink. Good Manners may even play effectively alongside Agnieszka Smoczynska’s mermaid musical horror movie The Lure.

Watching Good Manners, I by no means certain what was going to occur subsequent, and loved the surprises as they arose. That’s the wonderment of taking acquainted components and rearranging them in an unfamiliar manner. It’s a film that feels such as you’re being instructed a bedtime story however in a dream. Due to that, I used to be by no means bothered by Good Manners’ 135-minute runtime. I don’t wish to say something extra. As I discussed above, the surprises in Good Manners are a part of the enjoyment of this postmodern fairy story.

291 of 300: The Hate U Give (2018)

Director: George Tillman Jr. Starring: Amandla Stenberg, Regina Corridor, Russell Hornsby Nation: USA Seen at AMC Empire 25 (New York, NY) Saturday, November 10th

The Hate U Give is a well timed portrait of the Black Lives Matter motion that additionally presents a primer on privilege, code switching, and what constitutes good allyship. It’s such a well-distilled sequence of observations, and a part of the rationale the film is as shifting as it’s. The story considerations the demise of an unarmed black teen by the hands of a white police officer. Starr (Amandla Stenberg) is the one witness to the killing and a long-time pal of the sufferer, however fears talking out. It might influence her life at her elite non-public faculty, the place she’s the one individual of shade; it could influence her life at dwelling given her household’s place in the neighborhood and her pal’s ties to an area gang.

Stenberg’s extremely good within the movie. As an emotional anchor, she appears perpetually between totally different worlds and totally different features of herself. Like many coming-of-age tales, there’s a battle for self-discovery, and Starr has to seek out who she is each personally and politically. The supporting solid is equally sturdy, significantly Regina Corridor (who’s all the time good) as Starr’s grounded mom, and Russell Hornsby as Starr’s dad working the long-game at redemption/reformation. The Hate U Give is without doubt one of the most earnest movies of the 12 months, and a reminder of the potential in good YA writing. Given the state of police violence in opposition to unarmed black males, the e-book and the movie will hopefully provide some sense of hope and braveness shifting ahead.

292 of 300: A Midsummer Evening’s Dream (1959) (aka Sen noci svatojánské)

Director: Jirí Trnka Nation: Czechoslovakia Seen at The Movie Society of Lincoln Middle (New York, NY) Saturday, November 10th

Jirí Trnka’s A Midsummer Evening’s Dream is pure magic. Watching the film made me really feel like a toddler. This stop-motion animated adaptation of the Shakespeare is such a blinding, charming show of creativeness. The articulated dolls in Trnka’s animated movies really feel extra like puppets the have been lovingly assembled and dropped at life. Whereas there’s some narration, there’s no dialogue, which implies the puppets themselves mutely emote and convey the textual content accompanied by music. It helps for those who’re conversant in A Midsummer Evening’s Dream, however I believe simply admiring the film magic, the colour, the element, and the spectacle of this animated puppet present could also be sufficient to maintain enchantment.

I noticed the English-dubbed 16mm Academy ratio model of the film, although there are a minimum of two different variations that I want to hunt out. The movie was concurrently shot in ultra-wide CinemaScope, which makes the animated movie appear extra like a cinematic stage play. There’s additionally an English-language model of the movie with a full voice solid, together with Richard Burton because the narrator. I ponder what this full voice-cast model is like. Within the model I noticed, the narration turned the Shakespearean textual content into nursery rhyme floor beef, however the poetic imagery made it palatable.

293 of 300: Overlord (2018)

Director: Julius Avery Starring: Jovan Adepo, Wyatt Russell, Mathilde Ollivier Nation: USA Seen at AMC Village 7 (New York, NY) Monday, November 12th

Overlord is okay, however an hour or so after leaving the theater, I discovered myself wishing it was higher. Borrowing components from Wolfenstein, Frankenstein’s Military, and Shock Waves (The 300 Week 33), the film is a couple of small group of American troopers on a mission to take out a Nazi base however uncover a plot to create Nazi tremendous troopers. The scope of the story is saved small, which is to the movie’s benefit, and there’s some stable gore. And but I believe a part of my subject was how the script undermines the competence of our protagonist, Boyce (Jovan Adepo). All through the movie, he winds up doing loads of dumb and questionable issues in service of the plot. At occasions he appears much less like a soldier in WWII and extra like Scooby-Doo. I do know, individuals do dumb issues in horror motion pictures as a result of that could be a widespread trope, however I discover lazy protection of poor writing. Style per se is just not a adequate defend from shoddy character motivations.

I additionally marvel about Boyce’s shifting/inconsistent ethics in the course of the mission. So many film heroes balk on the tidiness of utilitarianism, hoping to avoid wasting the entire good guys with out shedding any buddies or allies. That’s nice, however at a sure level, Boyce needs to guard a Nazi captain from getting roughed up though he deserves it. Just some scenes earlier than, Boyce was able to kill the identical Nazi captain for tried rape; the movie even alludes to this Nazi scum being a serial rapist. Why the sudden mercy for an unrepentant Nazi? As a result of the Nazi must survive as a result of the plot dictates it as a result of horror film. Overlord is a fairly good rental, however the seams are apparent as a result of horror film.

294 of 300: Detour (1945)

Director: Edgar G. Ulmer Starring: Tom Neal, Ann Savage, Claudia Drake Nation: USA Seen at Movie Discussion board (New York, NY) Tuesday, November 13th

Detour is an unsung, movie noir basic that’s lastly acquired a 4K digital restoration. The little-seen movie is lean at only a good 69 minutes, and it was shot low-cost and fast. Detour is splendidly atmospheric, leaning into the shadows and fog of German Expressionism in addition to the snappy disillusionment of pulp writers of the time. (At one level cash is described as a bunch of folded paper coated in germs. Boss.) It’s quintessentially noir from starting to finish. Advised principally in flashback with hard-boiled narration, we learn the way Tom Neal’s hard-luck drifter wound up in his sorry state. Seems his cross nation hitchhike didn’t go as deliberate, with destiny dealing him a sequence of dangerous arms. Although it’s such a low-budget movie, Edgar G. Ulmer provides the film an ingenious visible panache, which heightens the narration and character standpoint. It’s a reminder that budgetary limitations can usually immediate wealthy visible inventiveness.

Along with Ulmer’s fashionable shoestring path, Detour is notable for an unimaginable efficiency by Ann Savage. She’s a demon queen femme fatale who is aware of find out how to grift her manner round. Her introduction into the image is exceptional. Discover her on the highway, then watching her in profile as she sits within the passenger seat, and the look on her eyes when she turns to the digital camera. She could also be driving shotgun, however we all know who’s actually within the driver’s seat.

The restored model of Detour is getting a restricted theatrical run due to Janus Movies, which implies a Criterion Assortment launch might be across the nook. Until it will get into hassle on the highway, in fact.

295 of 300: Hollywood Shuffle (1987)

Director: Robert Townsend Starring: Robert Townsend, Helen Martin, Keenen Ivory Wayans Nation: USA Seen at BAM Rose Cinemas (Brooklyn, NY) Tuesday, November 13th

When you have been to cross the “Bizarre Al” film UHF with In Dwelling Colour, the consequence could be Robert Townsend’s Hollywood Shuffle. Townsend performs Bobby Taylor, an aspiring actor searching for his large break, however the one roles out there for black males are pimps, gangsters, slaves, and butlers. Does he promote out or present some self-respect? With so few choices for actors of shade, Bobby escapes into his personal creativeness, the place popular culture parodies and comedy sketches unfold as satirical commentary. Whereas the film falls prey to the informal homophobia of the 1980s, it’s nonetheless a humorous and by the tip extraordinarily honest examination of the significance of illustration in media. The film is about imagining different roles for individuals of shade—new goals, new aspirations, a greater world—and dismantling the stereotypes perpetuated by the present media panorama.

Watching Hollywood Shuffle this 12 months appears significantly related. At one level of the film there’s dialogue of a black Superman as an aspirational mannequin. In contrast, in a surprisingly heartbreaking scene, we get to see how Bobby’s little brother reacts to the insulting manner black males are depicted within the media. In my head I sense some continuity between Hollywood Shuffle, the Solar Ra Afrofuturism movie House Is the Place (The 300 Week 5), and Ryan Coogler’s Black Panther (The 300 Week 7). These are all movies about black individuals creating a greater future by means of creativeness and artwork. Even Zoot Swimsuit (The 300 Week 11) and Loopy Wealthy Asians (The 300 Week 33) could be introduced into this bigger scope of illustration and why it issues. It’s the stuff goals, and the long run, are made from.

You’re logged out. Login | Join

Filed beneath…

from SpicyNBAChili.com http://spicymoviechili.spicynbachili.com/the-300-week-45-almost-there-almost-there/

0 notes