I've been collecting reference images of lots of the cast and characters for my own art, so I thought I'd just share them collected here as well so others don't have to slog through the Instagram and crop images and screenshot videos etc. These are all from the Watermill Theatre Instagram/website/reviews, with most photos credited to Pamela Raith.
Here are the ensemble hobbits, Lobelia Sackville-Baggins/Bridget Lappin, Otho Sackville-Baggins/Reece Causton, Mrs. Bracegirdle/Kelly Coughlin, and other hobbits I didn't catch the names of, Zara Naeem and Elliot Mackenzie
Celebrated choreographer Matthew Bourne adapts the legendary Powell-Pressburger film of 1948 for his own purposes, crafting the narrative into a spectacular evening of dance and emotion.
This is the story of Victoria Page, aspiring dancer, who gets her big break when the prima ballerina breaks her foot – it’s all a bit 42nd Street
Heyo Richard Rankin!! Also colloquially known as Rik -- which suits him as he’s something of a funnyman and jokester on set. Now that I know how much comedy he has under his belt, IT MAKES SENSE!! It’s his wheelhouse. I knew Rik had done Crimson Field preOutlander and I’d spotted him in The Last Kingdom as I was watching it, but the rest were new to me! Enjoy the list!
National Theater of Scotland: Black Watch (2011): Granty: Tour Trailer / Training / Rehearsals / Tour Diary / SGTtv / Final Curtain Call // The Longest Summer (Short Film, 2020): Himself: Full Film, Audio Described
Glasgow Clyde
Dead Ringer (Short Film, 2011): Richie: Full Film
The House of Him (Film, 2014): Him: Full Film / Trailer
The Job (Short Film, 2015): Hackett: Full Film
Burnt (Film, 2015): Reece Waiter: Trailer (no Rik)
The Wyrd (Short Film, 2017): Vance: BTS
VideoGaiden (TV Series, 2006): Various, 2eps: 2x02 (I couldn’t spot him, but he’s listed in credits) / 2x06 (Not listed in credits, but attributed on IMDb) / Series 4 -The TV Special
Legit (TV Series, 2007): Nelson, 1ep: / 1x05 - Danny, Champion of the World
The Crimson Field (TV Series, 2014): Capt. Thomas Gillan, 6eps: 1x02 Preview / 1x03 Preview, Two, Full Ep (w.Portuguese Subs) / 1x04 Preview, Two / 1x05 Preview, Full Ep (w.Portuguese Subs) / 1x06 Preview / S1 Trailer, Two (w/Rik) / Opening Creds / Clip, Two / FanVid
Silent Witness (TV Series, 2015): DI Luke Nelson, 2eps: 18x03 Trailer (w/Rik)
The Syndicate (TV Series, 2015): Sean McGary, 6eps: 3x01, Preview / 3x02 / 3x03 / 3x04 / 3x05 / 3x06 / S3 Trailer, All or Nothing (w/Rik) / FanVid, Two
Cordelia Braithwaite and Katrina Lyndon will play Clara with Ashley Shaw and Monique Jonas as Princess Sugar. Harrison Dowzell will play the title role, along with Ben Brown and Reece Causton and Fritz will be played by Dominic North, James Lovell and Stephen Murray. Playing the formidable Dr Dross we have Neil Westmoreland, Reece Causton and Danny Reubens with his wife, Mrs Dross performed by Madelaine Brennan, Daisy May Kemp and Steph Billers.
The citizens of Sweetieland are performed by New Adventures’ dancers Jonathon Luke Baker, Benjamin Barlow Bazeley, Alistair Beattie, Isaac Peter Bowry, Kayla Collymore, Keenan Fletcher, Cameron Flynn, Rose Goddard, Shoko Ito, Harry Ondrak-Wright, Catrin Thomas, and Bryony Wood. Making their debuts with New Adventures are Jade Copas, Jessica Crompton, Gabrielle de Souza, Kurumi Kamayachi and Rory Macleod. New Adventures are thrilled to announce and welcome their first Emerging Artist Apprentice, Enrique Ngbokota who joins the company having been supported and mentored by New Adventures throughout their third year of training. This apprenticeship is supported by The Archie Lloyd Charitable Foundation.
Casting has this week been announced for the West End return of Matthew Bourne’s Cinderella which is set to run at Sadler’s Wells from December.
The leading role of Cinderella will be played by Cordelia Braithwaite and Ashley Shaw. Both girls have just finished playing the role of Victoria Page in Bourne’s touring production of The Red Shoes.
The girls will be joined by Will Bozier, Andrew Monaghan and Dominic North in the role of Harry, Cinderella’s heroic Pilot.
The Angel (Fairy Godfather) will be played by Paris Fitzpatrick and Liam Mower whist the Stepmother, Sybil will be played by Madelaine Brennan, Michela Mezza (exclusively in London), and Anjali Mehra. The role of Cinderella’s father, Robert will be played by Alan Vincent and Dan Wright.
The cast of Cinderella’s Step Brothers and Sisters and the people of 1940′s London will be played by: Steph Billers, Joao Carolino, Reece Causton, Jackson Fisch, Glenn Graham, Sophia Hurdley, Jack Jones, Nicole Kaber, Kate Lyons, Jamie McDonald, Stephen Murray, Danny Reubens, Katie Webb and Seren Williams.
This new production re-imagines the classic fairy-tale against the harrowing backdrop of World War II. Instead of Prince Charming Cinders falls in love with a dashing young RAF pilot. Just as the couple fall madly in love they are parted by the horrors of the Blitz and war.
2017 marks the 20th year since Cinderella first premiered in the West End and New Adventure’s 16th consecutive Christmas Season at Sadler’s Wells.
Cinderella will run at Sadler’s Wells from the 9th of December where it will play till the 27th of January. For more information or to book tickets head to the official New Adventure’s website.
Review: In Matthew Bourne’s ‘Romeo and Juliet,’ a Story of Even More Woe
LONDON — A bright red curtain flutters down. Prokofiev’s ominous chords thunder. The blood-drenched lovers lie entwined on a tombstone. Matthew Bourne shows us the end of the story at the beginning of his powerful, dark “Romeo and Juliet,” which opened at Sadler’s Wells here on Friday. And it’s not a pretty sight.
This “Romeo and Juliet” — the latest in Mr. Bourne’s genre-bridging adaptations of classics like “Swan Lake,” “Sleeping Beauty,” “Car Man” and “The Red Shoes” — doesn’t offer the consolations of sumptuous Renaissance period costuming and décor, the ribald whores and riotous crowds so familiar to dance audiences from ballet versions of the Shakespeare tragedy. Instead, he sets the story in the white-tiled, stark environs of the Verona Institute, populated by teenagers who are strictly policed by guards and medics.
Mr. Bourne brilliantly evokes a world in which the young inmates are patrolled and controlled through medication and punishment, their rigidly synchronized movement underlining their lack of freedom. Lez Brotherston’s simple set emphasizes their incarceration further: a white semicircle with three doors, framed by staircases and a balcony, all enclosed by white fencing.
Juliet (Cordelia Braithwaite) is red-haired and intense, preyed upon and eventually raped by the brutal guard Tybalt (Dan Wright, scarily large and tattooed). Romeo (Paris Fitzpatrick, touchingly fragile) is the twitchy, troubled son of Senator and Mrs. Montague, who are extremely keen to wash their hands of their embarrassing child.
Romeo is hustled into his regulation white sweats by Mercutio and his boyfriend Balthasar, and Benvolio, who form a cavorting trio. (On Friday, Reece Causton, in the role of Mercutio, was injured early on in the show, which had to be halted while his alternate, Ben Brown, rushed to the theater and continued the performance with aplomb; bravo.) This bond among the boys, and its homoeroticism, is one of several instances in which Mr. Bourne nods to ballet versions of “Romeo and Juliet,” particularly the one by Kenneth MacMillan.
As in that ballet, Romeo and Juliet meet at a dance governed by strictly regulated social behaviors and power structures, organized here by the kindly Rev. Bernadette Laurence (Daisy May Kemp), a jolly hockey-sticks version of Shakespeare’s Friar Laurence. And their first rapturous, floor-rolling, limb-entwining, passion-dazed duet — which contains what may be the longest, most acrobatic kiss ever sustained while dancing — finds an intensity equal to the great balcony scene pas de deux.
But in Mr. Bourne’s “Romeo and Juliet,” there are no warring families or feuds to propel the action and the eventual tragedy. Instead there are other forces, particularly resonant ones: mental health and sexual harassment.
Tybalt’s rape of Juliet triggers the chain of disasters. When he later stumbles drunkenly upon the lovers, and betrays his feelings for Juliet, he is mocked by the adolescents. Enraged and humiliated, he pulls out a gun. Mercutio is killed in the fracas, then Tybalt is strangled by the group, with Romeo left to take the blame. The narrative suspense and urgency of these scenes, and the drama of the two men’s deaths to Prokofiev’s thundering drum beats, is astounding theater from Mr. Bourne, offering blazing energy from his terrific cast. (Joining his company, New Adventures, are six pre-professional dancers.)
“Romeo and Juliet” should be a hit for Mr. Bourne. His scenic and choreographic economy of means, wit and detail of movement, skillful deployment of the Prokofiev score (the order of its numbers rearranged) — all are astonishingly good.
But without exterior agents to propel the plot, and with the variables of mental trauma as motivation, the greater resonances of Shakespeare’s tragedy are sacrificed. There is no real causality between the deaths of Mercutio and Tybalt and the deaths of Romeo and Juliet, no sense of the everlasting inability to let go of hatred and fear. Then, in the final scenes, Mr. Bourne takes a disconcerting departure from Shakespeare that changes our sense of the story from tragedy to accident, and of the protagonists from courageous rebels to tormented victims.
Romeo and Juliet
Through Aug. 31 at Sadler’s Wells, London; sadlerswells.com.
Matthew Bourne’s CINDERELLA. Photo by Hugo Glendinning
New Adventures are delighted to announce casting for the much-anticipated return of Matthew Bourne’s “CINDERELLA”. The tour opens on Saturday 9th December 2017 at Sadler’s Wells where it plays a seven-week season until Saturday 27th January 2018.
Matthew Bourne said today: “Cinderella is one of my most heartfelt works and a personal favourite amongst my re-imagined classic stories. I’m delighted to have brought together this cast of current star performers, experienced New Adventures veterans and exciting young talent. I’m thrilled to see another generation of Company dancers take on this beloved production”
Fresh from their triumph playing Victoria Page in “The Red Shoes”, the role of ‘Cinderella’ will be performed by Cordelia Braithwaite and Ashley Shaw.
Cinderella’s heroic Pilot, ‘Harry’, will be performed by Will Bozier, Andrew Monaghan and Dominic North.
‘The Angel’ (Cinderella’s ‘Fairy GodFather’) will be danced by Paris Fitzpatrick and Liam Mower.
‘Sybil’, Cinderella’s Step-Mother, is performed by Madelaine Brennan, Michela Meazza (London only) and Anjali Mehra.
‘Robert’, Cinderella’s Father is performed by Alan Vincent and Dan Wright.
Cinderella’s Step Brothers and Sisters and the people of 1940’s London complete the cast: Steph Billers; João Carolino; Reece Causton; Jackson Fisch; Glenn Graham; Sophia Hurdley; Jack Jones; Nicole Kabera; Kate Lyons; Jamie McDonald; Stephen Murray (Former Central School of Ballet/New Adventures Student Associate), Danny Reubens; Katie Webb and Seren Williams.
One of New Adventures’ most loved productions Matthew Bourne’s “CINDERELLA” is a thrilling and evocative love story, set in London during the Second World War.
Matthew Bourne’s interpretation of the classic fairy tale has, at its heart, a true war-time romance. A chance meeting results in a magical night for Cinderella and her dashing young RAF pilot, together just long enough to fall in love before being parted by the horrors of the Blitz.
With Lez Brotherston’s sumptuous costumes and sets, which won an Olivier Award for his original designs, and lighting by Olivier Award-winning Neil Austin, “CINDERELLA” will be performed in Surround Sound, designed by Paul Groothuis and featuring a specially commissioned recording played by a 60-piece orchestra. Matthew Bourne’s vivid story telling has never been more heart-stopping and touching, and will take the audience into the heart of Prokofiev’s magnificent score, and the sights and sounds of war-torn London.
2017 marks 20 years since “CINDERELLA” first premiered in the West End and New Adventures’ 16th consecutive Christmas season at Sadler’s Wells. “CINDERELLA” concludes a year-long celebration of work to commemorate the 30th Anniversary of New Adventures.
New Adventures & Re:Bourne is a national portfolio organisation supported using public funds by Arts Council England.
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Matthew Bourne’s “CINDERELLA” Tour Dates 2017-2018
SATURDAY 9 DECEMBER 2017 – SATURDAY 27 JANUARY 2018
SADLER’S WELLS, LONDON – www.sadlerswells.com
ON SALE NOW – Book Tickets Here
TUESDAY 30 JANUARY – SATURDAY 3 FEBRUARY 2018
THEATRE ROYAL PLYMOUTH
www.theatreroyal.com
TUESDAY 6 FEBRUARY – SATURDAY 10 FEBRUARY 2018
BIRMINGHAM HIPPODROME
http://ift.tt/14iJTzX
TUESDAY 13 FEBRUARY – SATURDAY 17 FEBRUARY 2018
MILTON KEYNES THEATRE
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TUESDAY 27 FEBRUARY – SATURDAY 3 MARCH 2018
THEATRE ROYAL NORWICH
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TUESDAY 6 MARCH – SATURDAY 10 MARCH 2018
THEATRE ROYAL NOTTINGHAM
www.trch.co.uk
TUESDAY 13 MARCH – SATURDAY 17 MARCH 2018
THE LOWRY, SALFORD
www.thelowry.com
TUESDAY 20 MARCH – SATURDAY 24 MARCH 2018
BRISTOL HIPPODROME
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TUESDAY 27 MARCH – SATURDAY 31 MARCH 2018
MAYFLOWER THEATRE, SOUTHAMPTON
www.mayflower.org.uk
TUESDAY 3 APRIL – SATURDAY 7 APRIL 2018
WALES MILLENNIUM CENTRE, CARDIFF
www.wmc.org.uk
TUESDAY 10 APRIL – SATURDAY 14 APRIL 2018
LIVERPOOL EMPIRE
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TUESDAY 17 APRIL – SATURDAY 28 APRIL 2018
THEATRE ROYAL NEWCASTLE
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TUESDAY 1 MAY – SATURDAY 5 MAY 2018
NEW WIMBLEDON THEATRE
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TUESDAY 8 MAY – SATURDAY 12 MAY 2018
THE ALHAMBRA, BRADFORD
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TUESDAY 15 MAY – SATURDAY 20 MAY 2018
LYCEUM THEATRE, SHEFFIELD
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TUESDAY 22 MAY – SATURDAY 26 MAY 2018
MARLOWE THEATRE, CANTERBURY
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TUESDAY 5 JUNE – SATURDAY 9 JUNE 2018
FESTIVAL THEATRE EDINBURGH
www.edtheatres.com
TUESDAY 12 JUNE – SATURDAY 16 JUNE 2018
KING’S THEATRE GLASGOW
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TUESDAY 19 JUNE – SATURDAY 22 JUNE 2018
NEW VICTORIA THEATRE, WOKING
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The cast of The Lord of the Rings in rehearsals, pictures shared by Anjali Mehra.
Left to right, top to bottom: Elliot Mackenzie (Ensemble), Kelly Coughlin (Ensemble), Charlotte Grayson (Rosie), Tom Giles (Elrond/Saruman), Matthew Bugg (Gollum), Reece Causton (Ensemble)
Four show weekend, and there’s already been one injury - poor Reece Causton (Mercutio) got an ankle injury, they stopped the show, rang Ben Brown who was fortunately only around the corner and it ended up being only a 12 minute stop. Blimey.