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zae-heeyyy · 8 days
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Recalcitrance
Summary: You and Ms. Grimshaw just can't get along. Pairing: Arthur Morgan x Female!Reader Word Count: 1,763 Tags: fluff, kissing, high honor Arthur Warnings: camp violence, angry Arthur, suggestive themes
a/n: I have mixed feelings about Grimshaw. I think she's a very enigmatic character. Still, based on interactions I've seen with her, I feel this isn't too far off. These always end up super long for some reason. Idk how that keeps happening. Anyway, I hope you enjoy; thanks for reading!
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recalcitrance: resistance to authority or guidance, often characterized by defiance or disobedience. It implies a refusal to comply with rules or expectations, despite attempts to persuade or control.
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You and Abigail Roberts went way, way back. Working girls stuck to a code; part of that code was looking out for each other and ensuring you returned after one of your "shifts." Abigail ran away for a while, leaving you to assume she'd met a rich man and settled down.
When you met her again, she introduced you to Dutch Van Der Linde and company; you fell in with them shortly after. Since then, you constantly scrubbed blood from clothes, slept on the ground, and ate whatever game Pearson could find for the stew. Many girls you knew would never trade that life for this one, but you had a family to return to, even if they weren't the most conventional. And amidst it all, you'd found something you didn't think possible for you. 
You were drawn to Arthur Morgan instantly. The little things spoke volumes for you—how he checked on you in passing, the moments spent playing dominos together, and his overall politeness towards you. The bar was in hell, but he treated you so differently than any man ever had. Arthur's dumb cowboy act didn't fool you for a second, and you were captivated by him.
After one too many inadvertent shoulder grazes and incidental hand touches, the chemistry between you had become undeniable. Following a game of dominos he let you win, the stocky man asked you to take a walk with him. You weren't too far away from camp before you found yourself pressed against a tree by him in a heated kiss. So many thoughts swirled around your head. You were in the middle of nowhere; it was pitch black, and you were being hunted by the law, yet there against that tree was the safest you'd felt in a long time. 
Then, on another fateful night, you were alone with him at the campfire while everybody else had settled down. A sly smirk crossed his face, and he scooted closer to you, grabbing and kissing your hand. You giggled, maintaining eye contact as he kissed up your arm, gradually, a low groan escaping him. One thing led to another, and he guided you into his tent. You let him have you, and you, him. 
It was then, when you were on the brink of your climax, half-lidded eyes staring upward into his, that you finally understood what people meant by lovemaking. When it was all over, you got up to leave out of habit, but he drew you back into his arms and asked you to stay.
Since then, you've been his girl, and he made sure everybody knew, always kissing you before he left for a job, settling you into his lap at the poker table, or sneaking you away from your chores to spend time with him. You saw each other for what you were, not the labels that had been applied to you. And you loved him so much.
For the first time in a long time, your life was good. Well, mostly, except you hadn't quite mastered the life of navigating Ms. Grimshaw. Over the almost year you'd known her, she was rarely nice to you. She seemed more tame when Arthur was around, but he wasn't today.
By noon, you had gotten sick of hearing her voice, and she seemed more ornery than usual. The nagging was constant: do this, don't do that, do this faster, do this slower. You wished she'd shut the hell up and leave you alone. Just when you thought it couldn't get any worse, you saw her speed-walking towards you.
You were sitting, about to light a cigarette, when she approached, red-faced, huffing, and talking fast, "There you are," she started, putting a finger in your face. "Sitting around like always. I have had it with you!" You stood quickly out of instinct and opened your mouth to speak, but she cut you off. "You're useless around here, so why don't you go into town and start selling yourself again. At least then you'd finally be carrying your weight!" 
Her words stung like branding, making your heart race and your eyes sting. The few people left at camp had gone quiet. Mary-Beth looked on nervously while Karen was glaring at the older woman. Your heart pounded in your ears, and you spoke faster than your brain could process.
"All you're good for is being an ugly, hateful bitch." As soon as the words left your mouth, she swung on you. It was a backhanded slap that stung and broke the barrier that was holding back your tears. You recoiled, holding your stinging face.
"Know your place, girl, before you end up somewhere worse than on your back. Now get!" She pointed towards the edge of camp.
"Screw you," you said, quickly wiping away a falling tear, "I'd rather fuck every man in town before I keep letting myself be treated like this." You stepped up to her, " Want me to leave? Well, I'm goin."
And you did. You collected what little belongings you had into a bag and charged out of camp, eyes forward and your head held high. Tilly and Mary-Beth tried to stop you, but you marched down the dirt path until they couldn't see you anymore.
"Look what you gone and did you old hag," Karen spat, "Oh, just wait til Mr. Morgan gets back. Bet you won't be so high and mighty then." 
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Arthur didn't ride in until sunset; he searched for you before even getting off his horse. His face fell confused by your absence, and just as he was about to inquire, Mary-Beth and Tilly approached. He knew instantly that something was wrong.
"What, what is it?" His eyes searched theirs. They looked at each other, silently debating who'd break the news to him. It was Tilly who stepped forward, putting a calming hand on Arthur's arm. She talked low and cautious, "Arthur, she—her and Ms. Grimshaw—they—" She was cut off by Karen and Ms. Grimshaw beelining towards them.
Karen's voice boomed, speech slurred. "Go ahead, tell 'em." She waved her beer-clutching hand between Arthur and Ms. Grimshaw, defiantly meeting Susan's gaze before tearing her eyes away to meet Arthur's. "That wench Grimshaw smacked her across the face and ran her out!"
Clenching his fist involuntarily, he leaned into Karen, talking low and steady. "The hell are you talking 'bout?" His chest was rising and falling quickly now.
Ms. Grimshaw stood resolute and waved him off. "This doesn't concern you, Mr. Morgan. This is my camp, and these are my girls and my rules," she finished, arms crossed, staring at Arthur.
Stepping close, he imposed his broad figure on Ms. Grimshaw, flashing a smile that was anything but inviting. He took on a tone he rarely used with the women.
"Oh, Susan, that's where me and you disagree. This may very well be your camp, and you can make up all the rules you want, but she's my girl." His face had straightened into a scowl by the time he finished.
"Well, I'll—" she began incredulously, hands still on her hips, but Arthur threw up a halting finger.
"Look, Ms. Grimshaw, I respect how you run this camp, but that girl, she's off limits. Now, I'm gonna find her and bring her back, and you can raise all the hell you want, but if you lay a finger on her again—" 
"Arthur..." Tilly cut in warningly. He squeezed his eyes shut and turned away, ending his conversation with Susan. "Where'd she go?" he asked no one and everyone at the same time, speed walking to his horse.
"She took off down the road," Mary-Beth called out, but his horse was already kicking up dirt. Riding as fast as he could, he reached the nearest town at record speed. He hitched the horse outside the train station, forcing the doors open with his shoulder. The place went quiet, everybody focusing on the sudden disturbance. Arthur ignored the looks he was getting, scanning faces for yours. Spotting you took no time, and you stood as soon as you recognized him. He rushed to you, taking your hands in his; concern riddled his face— a rare sight. Guilt washed over you as you looked up into his eyes; you opened your mouth to speak, but he started before you.
"You alright?" he asked, looking you up and down. Dirt had stained the hem of your skirt, and your eyes were tired; his frown grew as he looked you over. You wrapped your arms around him, pressing your head to his chest and nodding.
"Wasn't gonna go, just needed to get away for a while," you murmured into his chest. Rubbing your back soothingly, he exhaled with soft, relieved laughter. One arm still around you, he gently tilted your head to meet his gaze with his free one.
"Don't you go walking out on us. Least without tellin' me first."
You agreed with a quick bob of your head, and he pulled your chin in towards his, kissing you on the mouth. He withdrew and gestured to the bench you'd risen from earlier; you both sat. Arthur wrapped a big arm around you, and you buried your face into his shoulder.
"That woman hates me," you grumbled with a pout. Arthur squeezed you closer, and a faint grin formed on his lips.
"Nah, she never liked any girl I brought around. Give her more time." He scratched his chin thoughtfully. "It's all outta love, I think," he concluded. You huffed at that, disbelieving.
"She got a funny way of showing it."
"Sure," he chuckled again. He sat for another minute before gently nudging you off his shoulder. Grabbing your bag and standing, he asked, "So you gonna come back with me?"
You tried to sulk but couldn't when he was standing there waiting patiently with his hand out. You finally relented. 
"Fine, but I ain't just gonna take it next time," you declared, taking his hand. A big smile stretched across his face. 
"You ain't gotta do nothing you don't wanna. If any of those fools have a problem with it, send 'em to me." You made your way out of the train station, hand in hand. You paused, gazing at him with a quirked eyebrow.
"I can handle myself just fine, Arthur Morgan." Another chuckle built up in him as he threw your bag on the horse. He turned to kiss the top of your head before grabbing you by the waist and lifting you up on the horse.
"I know, darlin'."
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roamingtigress · 8 months
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Babygirl loves you all. Even you. Even those who bully him and think he's the devil incarnate.
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dutchieliciousplans · 5 months
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Dutchie is waiting for me so he can read me some Evelyn Miller bedtime stories. 😌🔥
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misthiosss · 1 year
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Van der Linde gang
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dreadfullyrottenn · 5 months
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so remember when he chopped someone's balls off
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krankittoeleven · 1 year
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Arthur Morgan & Vest // Read Dead Redemption 2
What can I say? I like a good vest.
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red-dead-simp · 1 year
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synthcatbot · 8 months
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pricescigar · 2 months
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My Rdr OC!
Rachel Williams
I haven't given an update about Rachel Williams in a while but I'm so happy with how she looks now !
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locrianking · 1 year
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perlino andalusian for rdr2 most photogenic horse
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slothulous · 11 months
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zae-heeyyy · 15 days
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Pastiche
Summary: You and Arthur escape through writing. Pairing: Arthur Morgan x gn!Reader Word Count: 2,345 Trigger Warning: Tuberculosis, death Tags: angst, sadness, high honor Arthur
a/n: Thanks for you kind words on Chiaroscuro. I've enjoyed writing again so much! I'm in my tragedy era. My hs english teacher's voice haunts me when I'm writing, so I spent a lot of time scrutinizing this. Didn't mean for it to be so long, but I hope you enjoy! Thanks for reading!
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pastiche: a work of art or literature that imitates the style or character of another, often as an homage or tribute.
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You knew there was something special about Arthur Morgan the day you met him. Despite his best efforts to believe otherwise, he was easy on the eyes, and his dry humor combined with his strong sense of honor sealed your crush on the cowboy. Everybody else could see that he was sweet on you, too, noticing when he pulled you to sit at the fire with him or how he watched you around camp. As more time passed, you'd become mostly inseparable, taking every moment you had to sneak away together. One of your favorite places to escape to was the fields of Little Creek River in Big Valley. You'd be reading a book and glance over to find Arthur staring intently at an animal until it was out of sight. Then he'd open up his journal and sketch it.  He wasn't doing that today, though. He was staring across the field, but you could tell he was elsewhere in his mind.
"Got somethin' to say," his eyes met yours earnestly. When he told you he loved you, a laugh erupted deep from your belly. Dumbfounded, he asked, "The hell is so funny?" his own laugh betraying his attempt to be solemn. It was hilarious to you that he didn't think you already knew that and that he didn't know you absolutely felt the same.
Another day, you were lying in Arthur's lap in the grass. Just the day before, he had returned to camp with bruised knuckles and some poor fool's blood on his face—one of Strauss's clients. You longed for a life where bruised knuckles and loan sharking were distant memories.
"Where would you be if you weren't here," you'd asked, holding his hand in yours. He stroked your thumb with his and gazed over the valley like always.
"Hard to imagine." He mumbled, sounding far away.
You nodded in agreement and replied, "You're always writing or drawing in your notebook. Maybe you could've been an artist or a writer." The thought brought a soft smile to your face, and you imagined, just for a second, a life where Arthur's biggest worry was perfecting his latest masterpiece.
He huffed in dry amusement, "Probably wouldn't have known how to read if it weren't for Dutch and Hosea."
You assented again and sighed, the smile on your face growing wider.
 "Arthur Morgan: author and illustrator." You held your hands up in dramatic fashion as if envisioning the words in front of you. Then you untangled yourself from him and sat up, "You could, you know? It's not too late. Maybe a biography?"
"A story about my life, huh?" He looked at you with a dumb smile, "I think a book about dirt would be more interestin'." He bobbed his head up and down as if nodding made his thought more true. You shoved him playfully, and he raised his eyebrow at you and held out his hands questionly. "What? There's all different kinds of dirt," he started counting on his fingers." Brown dirt, red dirt, hard dirt—"
You cut him off, "I'm serious, Arthur! This life…it ain't one normal folks live." A shit-eating grin crept up his face as he fought not to make another joke at his own expense. He shoved it down and kept listening. "Sure, it's just your life to you, but other people might find it interesting, exciting, even."
He thought for a second, then put his hands in the air, mimicking you, "The Confessions of Arthur Morgan: The Detailed Life of a Gunslinger by Arthur Morgan. Sounds like a Pinkerton's wet dream."
 "I see what you mean," you trail off, fingers playing in the grass. "Could change the name. People publish under a different name all the time. There's a word for that, I think."
"Pseudonym," he responded, his accent thick. "Think it's got one of those silent letters in front." He said it so matter of factly, and it confirmed what you already knew about him: he was far more intelligent than anybody ever gave him credit for. Still, you left the idea alone and thought Arthur had, too.
Then, on another afternoon in the fields near Little Creek River, he spoke out of nowhere. "Arthur Callahan or Tacitus Kilgore?" 
"Hmm?" you asked, barely glancing up from your book.
"For the pen name," he confirmed, scratching his chin thoughtfully. 
From that day on, your trips to Little Creek River became writing sessions. He bought a notebook that you two would trade off, coming up with ideas for the dramatized life of the gunslinger. You'd taken some creative liberties, and the story wasn't exactly a biography anymore. It had shaped into a Western love story. Arthur Callahan, after living a bad life, met someone who made him want to be better, an angel sent to rescue the devil himself. Arthur Callahan would get the perfect ending; a normal life. It was all Arthur's idea. 
"It's not my story; it's ours," he'd told you. 
You had been daydreaming about the possibilities for your novel for some time, but the chaos of life with the gang left little room to focus on it. The sudden move from Horseshoe Overlook to Clemens Point made things worse. Somewhere in the move, the manuscript was lost or destroyed—either way, it was gone. You couldn't hold back your tears during your next trip to Big Valley. Arthur's big hands swallowed your face as his thumbs wiped your tears away.  
"Shhh, we'll rewrite it, sweetheart," he promised.
Despite Arthur's gentle nudges, you couldn't find it in you to rewrite the story. Another day, he'd invited you to ride with him, heading off to your usual spot. He'd asked once more if you were feeling up to writing again. When you rejected the idea, he shook his head, seemingly surrendering. 
"Fine! You're so damn stubborn." There was no malice in his voice, though, and his eyes twinkled a little. "Looks like I gotta take matters into my own hands." Instead of stopping the horse in the fields as usual, Arthur stopped short, cutting into nearby woods. Eventually, he halted outside of the small cabin that was Vetter's Echo and hitched the horse outside. 
"Come on," he said, helping you down. "I've got a surprise for you." You walked up the cabin's steps, and he swung the door open to a small living quarters. "It don't got a back door, and I'm pretty sure the feller living here got mauled by a bear, but it's got one of these things." He gestured to the desk in the corner of the small cabin, a typewriter sitting atop it, "I don't have the first clue about using it." So he left it for you to figure out. He'd sit on a stool beside you, reading from a notebook, and you'd type slowly at first, but as time went on, the keys felt as familiar to you as a gun trigger did to him. 
Then things started falling apart. You'd moved from Horseshoe Overlook to Clemens Point, then to Shady Bell in a matter of weeks. The men went on a job to rob the bank in St. Denis, and most didn't return. You'd forgotten about the manuscript while trying to survive and spent weeks worried about Arthur and everybody else.
Then he came home to you, waterlogged but alive. You'd never felt more relieved. He was skinny and had a persistent cough, blaming it all on his rough journey. But it didn't stop him from finishing the book as promised. He'd write whenever he had a chance, and you'd go back to the little cabin in the woods, you typing and him reading.
Then he couldn't get through a page without coughing. You listened, concern etched on your face as he told you about his coughing spell and subsequent visit to the doctor in the city. Tuberculosis: practically a death sentence. After that, he'd step back when you tried to be close to him and wouldn't let you kiss him or be intimate with him. You spent a lot of time crying while he dipped his head in profound shame. 
Weeks later, he woke you up at night, gently shaking you and whispering to not alert anyone else. "C'mon, get dressed and ride with me." He was serious, his jaw set, his voice low but demanding. You didn't know what was wrong, but dread ran through your veins. You rode far away from camp, mostly in silence, your anxiety not letting you say anything. 
"You're gonna live a good life. "he finally said, breaking the silence. Your eyes stung, and you felt a lump in your throat.
"I don't want to hear this right now, Arthur."
He shook his head, frustrated, and spoke through clenched teeth. "Listen to me." His tone made you flinch. He'd never taken on that tone with you, ever. "This whole thing with Dutch, it's over. You gotta run. Gotta get out and make a good life for yourself." 
You wanted to protest; you weren't going to leave him, not now. But then you saw the waiting stagecoach up ahead. Your heart dropped and shattered into a million pieces. You reached around him to pull the horse's reins, coming to a skidding stop. You hopped down and started shaking your head, frantic in your movements and words. 
"No, Arthur. No."
You wiped away the quickly falling tears as you turned, fast walking, almost running back to that godforsaken camp that was Beaver Hollow. Even in his sickness, it only took Arthur a few big steps to reach you, grabbing you by the waist and turning you to face him. And then you cursed at him, pounded your fists against his chest, and wailed into the night. He just pulled you close to him, squeezing you until you didn't fight anymore. He gave you a stack of cash, made you promise to run, and said he'd come find you after it was all over. But both of you knew, deep down, that you were setting eyes on each other for the last time. He kissed your head. You sobbed into his chest, only letting go when the impatient stagecoach driver beckoned you.
"Never could've imagined I'd know somebody as perfect for me as you." All you could choke out was, "I love you," over and over and over again. He slipped a folded letter into your hand and helped you into the coach filled with your things. He stood silently with his hat in his hands while you rode off into the night. You sobbed for as long as your body let you while the coach took you down to Copperhead Landing.
First, Tilly showed up with Jack, and then Sadie came with Abagail. But then John arrived bearing Arthur's hat and satchel with a look in his eyes so terrible that it brought you to a screaming sob. That night, when everybody had finally settled down to sleep, you slipped away, leaving a note of thanks and well wishes. You were alone then, the way you wanted it to be without Arthur.  
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Eight years; it had been eight years since everything went to shit. In eight years, you worked your ass off with any odd jobs you could find. Keeping busy was how you cured your broken heart. You'd tried as hard as you could to forget about the life you'd once lived until you read a headline in the newspaper: MICAH BELL KILLED. The memories flooded back to you, and you returned to a place you hadn't visited in a while. You only kept 2 things from that time: a letter from Arthur and the manuscript you'd written with him. Forged in Fire, you called it. After all this time, you couldn't remember who came up with the name, but you remembered why. You two were like tempered metal; the more you walked through hellfire, the stronger you became.  
Then there was Arthur's letter. You'd read it only once before today.
"Things I wanted to say but did not have the courage to say aloud." was scrawled across the top of the page, followed by a list.
"Keep visiting Big Valley.
Keep writing.
Publish the book.
Watch every sunset.
Trust your gut.
Please, be happy."
You heard his voice through every word. He'd underlined the third point: publish the book. In that moment, you decided to take a leap. You wrote to a publisher and sent a copy of the manuscript. And that's all it took. Things went into a tailspin after that, and before you knew it, you were holding a hard copy of the manuscript you and Arthur had worked on together all that time ago.
You'd made an effort, then, to find Abigail and John and Jack. They were held up at a ranch, Beecher's Hope, and were married now. You caught up with the Marstons and apologized for hastily disappearing all those years ago. They were happy for you, and you for them. 
On your departure, John took your hand, "I don't talk about him much these days, but I don't think he loved anybody like he loved you." He paused for a moment and forced his eyes to meet yours. "He's buried out in Ambarino, near Donner Falls. Top of the mountain. I can take you." You declined John's offer but set out east toward Donner Falls the next day. 
You found him around noon and watched wistfully as an eagle flew from its spot on a rock behind the flowery grave. You fell to your knees, no longer able to control the tears flowing down your face. "I did it, my love," you choked through tears. It'd been a long, long time since you let yourself feel this pain—a longing to reach something impossible. You dabbed the tears away from your eyes and sat in the grass, hugging Forged in Fire to your chest. "Thought I'd read it to you," you spoke into the air. You opened the book, cracked the spine, and read "Chapter One: Heaven's Fall, Hell's Rise."
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roamingtigress · 3 months
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Desire
Hosea and Dutch, who have been inseparable for over thirty years, are now old men. Though their love has remained the same, their bodies have changed over the years, changes that have left them feeling a bit self-conscious and vulnerable.
One Valentine's Day though changes their perspective, and they both learn to embrace the beauty of aging. (It's safe for work just a bit lengthy! Any feedback would be greatly appreciated! Even if you just want to call me a nerd.)
It's Valentine's Day, a day we forego going on trade runs and bounty hunts, to make it a day just for ourselves and, well, what one often does on Valentine's Day.
Our Valentine's Days are also never without the theme of trying to outdo each other. If Dutch gets me orchids and chocolates that are just the right size to hand-feed to me, I'll set up a bathtub littered with rose petals with classic music being played in the background. You can call us sappy if you'd like; we've been called worse.
"This will be the year I will outdo you, Hosea!"
I roll my eyes inwardly, scoffing. Truth be told, there is, of course, no real winner in this competition; we both benefit when we try to out-spoil each other. Eventually, we both end up being naked at some point in the day, sometimes throughout the whole day. If you can guess it was Dutch who started it all, you'd be right. He wanted to make our Valentine's Day more romantic than anyone else's and wanted to see how far we'd take it. It's one of the plans he has put together that hasn't turned into a disaster, for the most part. There was that one disastrous breakfast in bed which he burned, but he meant well.
I roll aside and sit up in bed, playfully tapping him on his nose. "Game on, Dutch, game on."
Dutch just giggles, the winter sun reflecting beautifully on his features. They also expose the scars he's gained over the years from misadventures, some of which he exaggerates; the one on his chin was from when he dared to shave himself in the dark. Mistake. I've seen his hair in better shape; the messiness of it adds to his decidedly playful demeanor this morning. He pokes my nose back.
"It'll be hard to beat last year."
Yes, last year. We stowed away on a classy passenger ship, that lovely Grand Korrigan. I had intentions to buy tickets but they were sold out, so we did what we did, with the added thrill of the idea of being caught being a stowaway. We managed to stay off the radar, up until . . .
"We emptied everyone's wallets in poker, and we ran out on the deck . . ."
As Dutch chuckles, there is as much laughter in his eyes as there is in his voice. "We had that mob of stuffed shirts chase us back inside, down the hall towards our room --"
"And I was so turned on by the way you handled the table, that you had to relieve me. I couldn't make it to the room and well, it was getting awkward trying to run with an erection." I let my finger drag along the side of his cheek as I lay back down beside him.
"Stroking me off in the hallway, while we kissed . . ."
Dutch's eyes take on a mischievous glint. "And we got caught."
"We did!"
The fellows we played with weren't so disgusted at us for doing what we were doing (I suspected a few were queer; one just gets a vibe from another) but rather that we parted with their money and they finally caught the miscreants who robbed them. There was that one comment about 'I knew you two were's queer before you two even sat at the table together.' I threw them an empty wallet that I had often carried around with me to throw off someone's game (fancy wording for scamming) and dragged Dutch down the hallway and into our room.
I lean over, kiss him softly on his lips, and slowly pull away just to make soft eye contact. Perhaps it wasn't a traditionally, conventionally romantic moment; there was the thrill of being caught and sure enough, it happened. For us, it was thrillingly romantic; our hearts pounded when we heard those footsteps rushing towards us and before we could pull away (not that we wanted to), they caught it.
"Oh, it was so much fun."
Dutch's hand softly cups the side of my face, as he looks into my eyes. "Unbelievably so."
Dutch later got a fancy bath prepared for us, complete with champagne and rose petals. Securing that arrangement was interesting. I stole a man's identity when we were playing poker, and the fellow who was smooth-talked into arranging the bath assumed the fancy lady who accompanied the stolen man's identity was going to join Dutch; ironically some raven-haired dutchess from Europe. It would come as no surprise if I told you we made love in that tub; not merely sex, but making love. When Dutch puts his weird little mind to it, he is something. We both deserved a little reward for that collaboration.
"Got any plans, Dutch?" I had to ask.
Dutch looks like he's in thought as if he hadn't planned for weeks. I know better and he knows that I know better. "I might have a few . . ." He muses. "But they're for me to know and for you to find out!"
"You little shit!"
My husband, finding amusement at my expense once more, I have a way of bringing it out in him. He pulls me up on top of him as if I were a blanket, in such a position that I would be facing him; I can't complain. His body is so warm that it felt like I was pulled up over a hot water bottle.
"I thought I'd surprise you, 'sea."
I couldn't help but notice that when he pulled me up on top of him, his pyjamas (surprisingly with mangos and books and cigars printed on them) had shifted in such a way that revealed a nipple; it stared up at me. What a tease.
"With a nipple reveal, Dutch? What a slut."
I lean in and kiss it, I just had to. He squeaks.
"T-they might make an appearance."
I smile a mischievous smile. "Well, I would hope so. It's Valentine's Day! So what if Hosea Fucks Friday was the other day. If we don't take our clothes off at some point of the day, then it's just another day."
I close my eyes as I feel a big hand slip underneath my pyjama shirt, finding its way to my back. He rubs in a smooth massage, his fingers gracefully working their magic. "Patience, Mr. Matthews. I have a plan!"
Of course he does.
If that plan involves him massaging me all day, I'll take it. I arch my back, encouraging him. Sure enough, he gets the hint and works in a firmer caress and I let out a long sigh; the combination of the warm body against mine, his touch, his heart and my heart beating against each other.
"You're off to a good start . . . " I murmur, my eyes closing.
Dutch of course, almost; in that childish sort of way he does over every little thing he does that goes without a hitch. "Had to start somewhere." There's a spark to his eyes. "You know how it goes with us, once one touches another . . ."
"Of course . . . " I murmur, framing his jaw in my hands. "Both of us are just so . . . Easy."
I study his face for a long time, taking in the contours of his cheekbones and how the light played on them. There are scars scattered across his cheek and chin; the one you might see most noticeably is from a shaving challenge if you will. He thought he could shave just as well in the dark as in the daytime, I dared him to do it, and well, he did, and removed a little piece of chin. He tells everyone it was from a grazed bullet. I then feel his face studying mine. He had a sort of dreamy look to his face, almost . . . Almost like when we first met. We 'looked into each other's eyes and saw something', and it would seem he's seeing something. He's eyeing me like a beautiful painting, a statue, a prize-winning stallion.
We've been together for over thirty years. Things have changed over those decades. We both have wrinkles and curves in places that didn't have them before. Certain things are sagging a bit. We both have a bit of a paunch, one of us more than the other and by 'other' I'm not referring to myself.
"My days of looking good are long over, Dutch."
"Nonsense!" Dutch scoffed, giving my nose a gentle tweak. "And as part of my plan, I'll show you!"
Now I've heard him say 'I have a plan many a time and for the most part, nothing of note comes of it (minus those plans that go awry and end up in absolute chaos) . . . But, I was curious, given what day it is.
Dutch carefully rolls me off of him and heads to our bookcase which is a glorified small library. I watch curiously as he meanders over to the bookcase. His once rolling strut now takes on a bit of a shuffle, the limp that he's had since his forties has gotten more obvious. The life that we led had caught up to us both. I shake my head as I note his pyjama pants have hiked down a bit, I see the crack of his ass; that ass isn't as supple as you can say these days but still something to grab. I have to reassure him that he looks as handsome as ever, as he doesn't think so. Words aren't always enough; I have to show him, touch him in those special spots he feels vulnerable about, and make him feel beautiful. Likewise, Dutch still thinks I'm as handsome as ever. I'm a weathered old man of seventy-five, but . .. He has his way of bringing me around. He's a man who can master words, and know how to say the right things even if if I'm not feeling the words he's describing. Some say that's mere manipulation, but speaking of someone who has such an intimately deep connection, I can tell you it's the intimacy of the soulmate.
I watch curiously as he picks up a long green-covered book, of medium thickness and then a stick of graphite from a box on the bookshelf and slides on his thick black-framed glasses; I raise an eyebrow. It then occurs to me . . .
Did this man creep into my head, and rob me of my plan? Now I taught him a few things but I don't think I've taught him *that* well. I want to tell him that I have the same idea where I'd be drawing, but . . . No. I'll surprise him.
"Oh, I'm sure there are prettier things that you can draw. Like what's outside the window, that Heartlands landscape—"
Dutch lets out a deep belly laugh as he sits down, clapping my knee as he perches on the edge of the bed, facing me. "Am I married to the landscape?"
I retort; he opened the door for it. "Sometimes I think life would be easier If I was married to the Heartland Overflow! With all the frogs and the muskrats . . . "
"Destined to live with pests then, huh?"
That idiot just laughs again knowing it was my turn to walk into it, hugging that book to him as I give him a halfhearted kick. He then studies me for a long moment, his eyes twinkling as he just looks over at me. I can't deny he's being adorable; I can't get seriously annoyed. Yes, he's still frustratingly charming and uses it at every opportunity to get his way. Very frustrating.
"How do you want me posed?" I ask, remembering the last time we've drawn each other . . . Oh, it's been years.
We were both young and took up (illegal) residence in a shoreside house on Iron Lake. It belonged to an artist who was at the time, away in Paris and as something to do to pass the time when it was raining, we took time drawing one another. We were fitter then, with fewer wrinkles in some places, fresher faced. The drawings are still framed over our bed. That house went from being owned by an artist to a fisherman and now it's abandoned when he packed up his fishing gear and took up residence that was owned by some fellow named Hamish. Maybe one day, we'll get our boys to fix it up for a little family retreat.
I watch Dutch's face take on a pondering expression, his eyes softly scanning my form, mentally taking note of every detail. I find myself doing the same with him; there's love in those eyes, a certain twinkle to go with it that tells me this is a fun little activity borne out of love. I could tell him that there are more attractive, younger models out there he could use. I'm sure some art school out Saint Denis could provide them, but he'd argue that there'd be no one else that he'd want to draw.
"Natural, with that faraway look I often catch you in. Y'know, the look I catch you when you're reading and tryin' to ignore me."
I laugh but sit up in bed, keeping one knee up and bracing myself with my left arm, while the other casually drapes down.
"A little overdressed there, Mr. Matthews?" Dutch warmly teases; that twinkle in his eyes, that playful but loving tone in his voice... I suppose he loves me. "I... I want to show how handsome you are still."
I sigh. There's no fighting with him over this; he'll think I'm gorgeous if I'm wearing a paper bag. With some feigned reluctance, I shed off my pyjamas, putting on a little show for him because I do like that stupid smile and making him a little thirsty somehow, before placing them on the bedside dresser.
As Dutch makes himself comfortable on the edge of the bed, I reposition and take on that look he so desires. He's got that mustache twisted up into a smile as he starts. He's posing rather artistically himself; he's got his ass sinking into the corner of the mattress, one ankle and foot tucked up behind his knee which belongs to a leg he lets lazily dangle off the mattress. His head is tilted in that way when he's about to cause a stir with me, complete with that damn spark in his eye. He's got that damn pyjama top unbuttoned to his navel and has a nipple staring out at me. I'm not sure if this 'wardrobe malfunction' (as you kids call it) is intentional or accidental, but knowing him so intimately I'm going with the latter. It drives me nuts when he dresses like that, I can't keep my eyes off him, I can't keep my hands off of him, and he knows it; what an old tart.
As Dutch makes himself comfortable on the edge of the bed, I reposition and adopt the look he desires. He's got that mustache twisted up into a smile as he starts posing rather artistically; his ass sinking into the corner of the mattress, one ankle and foot tucked up behind his knee, lazily dangling off the mattress. His head is tilted in that way when he's about to cause a stir with me, complete with that damn spark in his eye. He's got that damn pyjama top unbuttoned to his navel, and a nipple is staring out at me. I'm not sure if this 'wardrobe malfunction' (as you kids call it) is intentional or accidental, but knowing him so intimately, I'm going with the latter. It drives me nuts when he dresses like that; I can't keep my eyes off him, I can't keep my hands off of him, and he knows it; what an old tart.
I decide to poke him in his belly with a toe, making him squeak; he's still stupidly ticklish. "Dutch, you're distracting me."
Dutch's silly smile turns into a grin. He felt my eyes on him; I was egging him on. "Pretend I'm being an annoying shit when you're reading, and you're trying to engross yourself in your fictional fantasy."
I scoff, somehow managing to retain my expression and pose. I scoldingly point and shake my finger at him, and that grin just widens, with a chuckle. "When aren't you being an annoying shit? And when I do engross myself in my fictional fantasies, you decide it's time to get needy and crawl into my lap for your hair to be played with and your belly to be rubbed." Admittedly, I inadvertently encourage that because I can't resist; once he brings out the puppy eyes act, I can't resist.
"Point taken!" Dutch's voice is boisterous at my rebuttal; he rolls with my punches and brings out another zinger at me as he points the graphite stick at me.
"Now who's distracting who? With you thinkin' about touching me and all."
I roll my eyes and shake my head at that sass, which he accentuates with a squirm of his ass. "Dutch . . ." I could go on with this back-and-forth banter all day; I enjoy it more than I let on. A big part of me wants to keep poking the bear, to see what he comes up with next, and to surprise him with what I'm capable of. But . . . I am curious to see this masterpiece he's working on, and I'd like to see it before I head off to the afterlife.
Dutch starts at his work slowly, his hand moving at a slow, fluid pace for the most part, intermittently peppered with rapid flicks of his wrist.
"This isn't one of those caricature pieces, is it?" I ask curiously, maybe with some caution; we have such a piece above our dresser; some silly Frenchman did it for us when we made a trip to, ugh, Saint Denis when I visited family and Dutch insisted on tagging along. It's a cute style, a cute piece, but I'd rather some of my features not be exaggerated if he's drawing me in the nude.
"Real-life study, Old Girl!" Dutch beamed, creases forming in the corners of his eyes; he's frustratingly adorable when he's enthusiastic about something to the point where the crow's feet arrive to roost.
I feel like disappearing into the bedsheets as I sense a wave of vulnerability washing over me. It's not often I feel vulnerable. He means well; the love is evident in his eyes, though; I can't bring myself to say no to this thing.
"You . . . You don't have to draw every detail."
Dutch frowns, tipping his head in that way when he's puzzled by something, not dissimilar to a dog puzzled by some strange sound that it doesn't know what it is. Occasionally, he'll do that in an argument, as if not understanding why I'm upset with him.
"I find every detail of you to be beautiful, 'sea."
"Every bit?" I ask, tilting my head as well.
As a spouse with over twenty years of experience, it's natural to find at least one part of your partner's body to be, well, not beautiful. For Dutch, it's that damn ugly right toe of his, crooked and bigger than the other, and yet it's the one that he likes to poke me with.
Dutch gently insisted, his face taking on a sort of dreamy expression. "Every bit. And I love to kiss every bit of your body --"
I gently but firmly interrupt; if I don't, there goes his plan, and it'd be another on the pile of failed plans. How do I know this? Because that silly man has a hard time keeping his hands off of me (and I admit the feeling is mutual for as much of a pain in the ass he is and how much it just encourages him), or his lips off my body, and this drawing will never get done! Maybe if he doesn't interrupt me again, he can get what he wants. It is lovely having him kiss over my body, and they can be the softest, sweetest little kisses. He's a bit slower at them these days, as if memorizing every inch of my body.
"Dutch, you're distracting me."
Dutch snickers, outright snickers, and returns to work once I roll my eyes and regain my composure, repositioning myself.
"Cheekbones . . . " Dutch whispers, half to himself; it was one of those cases where he thinks his thoughts are still inside his head but he lets them spill out. "Still beautiful, defined cheekbones . . . "
I have a tiny smile threatening to grow. My cheekbones are one feature of me that I'm still rather fond of. My face has sunken with age, as Dutch's has; his cheekbones are more prominent than when I first met him. I often catch him running a thumb over mine as he looks into my eyes. Sometimes before a kiss, sometimes as he's telling me how much he loves me or something equally sappy. He likes to kiss them in the morning, trying to butter me up after he stirs me awake because, with certainty, I can say that he's the thing that stirs me awake, and I'm not a morning person.
"Eyes that look into my soul . . . "
Now he's getting a bit sappy. I've heard him describe my eyes as having a lot of soul and, at times, a certain weariness to them (I can't imagine why). I manage that faraway look, though my focus isn't entirely so far away, but at the man drawing me and beyond.
"I'm so attractive you can't keep your eyes on me." Dutch teases, snickering again when I scoff. He is indeed a lovely specimen to look at but at this moment, he's more silly than sexy, but I'll let an old manchild dream that he's still a Roman sculpture of a man.
"I'm looking behind you." I'm trying to focus on the painting of our dearly departed Labrador, Matilda -- who was buried between Silver Charm and The Count -- emphasis on trying, as he's 'caught' me.
My dear husband is onto me, scoffing away. "Sure, sure . . . "
Dutch studies me for a long time, just smiling, looking at me the way a schoolboy looks at his crush, and I let out an exasperated sigh when he itches at his chest. It looked a little planned, to tease me, to show a little skin, which isn't as taut as it used to be; I might have caught a bit of a jiggle on that tit. But he's still gorgeous to me, jiggly bits and all. "Hey, when you got an itch, you scratch it!" Dutch tsk tsks as he catches me glancing at him for half a second.
"Slut!" I retort.
The idiot just grins like the Cheshire Cat; he knows that I know that was an attempt to flirt. Love. He's in love. I've had fleeting moments where I think life without him would be easier but they're fleeting when I think how much life would be. . . Well, duller, without him. He does provide unexpected moments of amusement like this, he's a warm body to snuggle up to at night and a damn good kisser. In my prime, I could have found someone better in bed (he's a bottom through and through and a bratty sub at that), but, well, I suppose I'm in love, too. I take on that faraway look, just 'thinking.'
"You know, I've always loved your nose. Perfectly kissable!" Dutch will be narrating this whole thing, just wait; he doesn't have to give progress reports but he feels it's his duty.
"You think every part of my body is kissable."
I'm convinced that the smile on Dutch's face will freeze on his face permanently. "Oh, I do . . . " He plans on kissing every inch of my body when we're done with this thing, I just know it. And I plan on doing the same for him.
All banter aside, as I put on my 'faraway stare', I feel exposed, but at the same time . . . Desired. Now and then we put each other in such a position where we will feel vulnerable; some may say it's 'toxic' but it's one of our ways of showing the trust we have in each other, a sort of gentle surrender in our dynamics; normally I'm the head of the household here but once in a while I'll let him take the reins and see what he does with them before taking hold of them, where I'll remind him. I would never shed my clothes in the name of art for anyone other than this man. In his younger years, Dutch would have jumped at the chance to be drawn in the nude, but with the contours he's gained over the years and knowing how self-conscious he can be of them, it's likely he too would only do this for me.
I can't help but be drawn by the elegance of his hand movements, even the movements he's making for what I'm assuming is shading; those are more deliberate. "Right after your hands, my favourite part of you is your chest. It's a safe for your heart and there's no force on earth or beyond that can bust it open."
The damn fool thinks I'm invincible. I know it's a lie he tells himself that he believes and tells me and tells others, as I know losing me is one of his greatest fears. It's a lie he uses to comfort himself and I won't take it away from him. Deep down, with my decade age gap, I fear I may go first, and one of my fears is leaving him behind. Dutch is much more fragile than he lets on. He won't do well without me. Not one bit.
But enough of the depressing talk.
Going from the circular motions of his hand, I can tell he's drawing my nipples, a part of my body that I don't think much of. That is until my mustached companion here decides to play with them and then I'm convinced they're hooked up with electricity with all its nerves. We both alike used to be firmer on that region on the map, like everything else but, we'll live with what we have.
"Do you know why men have nipples for, 'sea?"
Ahah! I knew it.
I think for a moment, though. I could think of some smartass response, but then I decided to show I know as much as he does. "They're leftover from when us fellows are developing in the womb if my memory serves me." I vaguely remember those details; it's been a bit since I've looked up the medical books. The last time I read one was when Dutch got a boil on the inside of one of his ass cheeks a few years ago and I wanted to get it properly drained; pardon me, that was too much information. I'm sure nobody wanted to know about an old man's bottom.
Dutch decides to be the smartass.
"Well, that's the boring answer."
"I was going for the scientific explanation."
"You can call it what you want," Dutch insisted with a smirk. "Medical professionals say they serve no purpose as we develop, but I disagree. These medical 'professionals' as they call themselves, must have less of a sex life than us old wrinklies."
I scoff. No doubt some of those experts are 'old wrinklies themselves, not much younger than us, but . . . "You can call yourself an old wrinkly. I prefer to use the term 'senior citizen.'"
Dutch can't help himself. "With citizenship, comes governance!"
Yes, he's still a rebel. He has trouble now and then getting up on his horse, an Irish Cob gelding named Blagdon, but he still thinks he's a revolutionary. I'll let him dream on.
Dutch is putting details into the collarbone; I can just tell from the expression alone; a soft, reflective expression as his eyes fall on my chest. Though the connection was there right at the beginning -- we looked into each other's eyes and saw something -- Dutch was, possibly to your surprise, socially charming at the start of our dating -- he could charm the socks off of you -- but awkward when it came to the art of seduction; maybe he was shy. I was his first experience with another man and I thought at the time he was a bit intimidated; my age gap didn't help, I thought. I was gentle, I was patient, and we took that part slowly. He loved to linger on my chest; he still does. He peppers a series of kisses along my collarbone before working his way downwards. It feels wonderful, and I can even remember the first time he did it; I ran my hands through his hair, giving the softest of kisses, and the lightest of nibbles as if he was eating corn on the cob.
"Such an underrated part of the body . . . " I think out loud, amazed at myself for remembering those little memories. "And yet you give it so much love . . ."
There's a warm twinkle in Dutch's eyes. "First place I kissed south of your lips. Every part of the body needs a bit of attention; everything is connected."
He works on my arms and shoulders next; those admittedly are still decently toned, as are his. We often don't think about how often we use them in our day-to-day lives. Even at my age of seventy-five and him at sixty-five, we still dance with our arms around each other, we enwrap each other around with them at nighttime. We often get nightmares; I suppose with the lifestyle we led before retiring, it comes naturally, so those embraces at night can get tight. Often, we wake up with crescent marks on our skin from our nails, and our ribs feeling bruised, and we don't even realize that we've been clinging to each other so hard. We use them to embrace each other during our lovemaking; we don't leave dents in the wall much anymore, but us 'old wrinklies' as Dutch refers to us as, do have sex. It's a little slower now, but still so good, even better as we've become so at one with each other's bodies.
Pardon me.
Attached to arms, of course, are hands, which his focus floats on next. I've mentioned before in another story that they're Dutch's favourite part of me, tied with my heart. Well, as an update, Dutch still loves the way I touch him. I love how they glide over the contours of his body, how they'll move about like a spider when I scritch and tickle, which he acts like he hates but I know he loves it, and eventually surrenders to. I love the way our fingers interlace; despite the difference in size and shape of our fingers. I love how they fit in with each other.
"I should do a study on your hands, Old Girl," Dutch purred, taking his time; I know he won't skimp on their details; every line on my knuckles will be drawn. "I still remember the first time you touched me, just a quick touch on the top of my hand when you brought that pan of bacon and eggs over to me, but I felt 'something' even there. And did I ever do things where you could 'accidentally' touch me."
I laugh, having a memory of him 'accidentally' brushing his hand against mine as we walked through some town. I don't know where it was, but I damn well knew he was flirting with me and I had to take him back behind somewhere to give him my first kiss. I wish I could remember where it was; I'd be happy to recreate it with him.
After a moment, he puts the graphite stick down for a moment and swallows hard. There's something he was trying to forget; I know the look he gets when he does that.
"Dutch . . . ?" I asked softly, concerned; I want to hold him and will.
"I'm just scared . . . " A word he doesn't use often; now it was his turn to feel vulnerable. "Of losing our memories."
I want to reach out and hold him, and I will. Sometimes I find myself forgetting about mundane things, locking the door and such, and it scares me. Dutch will forget things and will put on a stoic act; except today. Today was the first day where I caught him afraid of losing his most precious memories. The fear of getting dementia for people of our age is very real; we've built a life together, raised a family, lived out some dreams and let others slip through our fingers. To help us preserve those memories, we've created journals, and photographs taken of us, and now . . . Drawing each other again, this time as old men.
"I'll help you with that, my love," I speak softly. "It's why I agreed to do this."
I get a smile out of him again, and I'm glad of it. I don't like letting him stray into dark thoughts for long; it can be hard to bring him out of it. "I thought it was because you knew I was going to bring out the puppy eyes." Yes, ladies and gentlemen, he still uses them to try and get his way and yes, it's still very effective; damn manipulative old fart.
"That was part of it," I scoff. "I've never been good at resisting those."
Dutch gave me that look as he continued to draw, presumably my torso next. I know he won't spare any details. "There were maybe a handful of times when they didn't work. You put up one of those big personal space bubbles. I didn't care to cross those. You'd chase me off, and I knew how good you were with the gun." He laughed, still that husky laugh from all those years ago.
I smirk. I admit I got a bit of a power trip out of that. The others . . . Oh, they couldn't help but stop and watch. Maybe I earned more respect from them, and I might have carried a little swagger with them as well. Everyone needs a little ego boost.
"But . . . You'd always charmed and wormed your way back into my heart," I laugh, fondly remembering; putting up those invisible barriers was for the best when I felt my blood boiling after he said or did something particularly stupid, but it was so hard on both of us. "You did your damned 'I'll lie in your lap while you read so you pay complete attention to me' thing, to buying expensive things for me from chocolate to wine and silly imported cologne and gold watches and other expensive trinkets." Truthfully, one could think he was trying to buy off my anger, and maybe it was an attempt to do that, but . . . I found it amusing to see how far he'd go with it.
"You still have that gold watch from when that happened the first time," Dutch said, a certain twinkle in his eye; it still works after all these years. "Bought it with the money I got from that bank job."
There were so many opportunities that he had where he could just steal something for me but just didn't. "You never did like stealing my gifts directly."
"I find it more rewarding," Dutch murmured, a wide smile appearing across his face; from the motions of his hand, he's working on some shading. "Besides, we got the money, might as well put it to some use."
I find that charming. And one of his best assets is that he's charming, and he can be an absolute menace with it. It's why, of course, I've gone softer on him than I should have over the years. I could have rejected those little gifts when I dropped my invisible barrier, could have shoved him off my lap when he crawled into it, but . . . Sigh. He's impossible.
Then, Dutch charms me yet again.
He turns the sketchbook around to show me the progress of his work.
I'm speechless.
"You like it, Hosea?"
I swallow hard. I feel vulnerable once again, but . . . Something else.
Desired.
Laid out in front of me in that drawing is a portrait of an aged man. He has skin that has sagged in places, wrinkles, and contours that weren't there before. He has a slight paunch, very slight, that was once flat. Details of the legs haven't been completed, but there's already the start of some muscle definition there. And yet he carries himself with an air of dignity and wisdom. The shoulders and arms that he's bracing himself on are still nicely toned; maybe not as toned as they were in his youth, but no judgment. He's looking off to some faraway destination, that if I didn't know better, was miles away versus the other handsome elder man a few feet away.
"Yes . . . Yes, I do."
I seem transfixed for a long moment; we just give each other soft eye contact, saying so much with that alone. How we love each other, how we trust each other. He slowly moves back to drawing but peeks out at me from the top of the book as he does.
"What would you say about getting this framed?"
I break my expression to smile. "I'll steal the damn frame for you."
I get another hearty laugh out of him. He works on my legs next, and then my. . . assets. He's a study in concentration, not letting one bit of detail escape him. He knows his way around my body better than I do. Even at our age, we still explore each other as if it is the first time again; truthfully, with that familiarity he has of my body, he probably could have done this drawing blindfolded.
When he's completed, Dutch slips up next to me with the sketchbook clutched to his chest. He has a smile that wouldn't have just lit up our house with electricity, but also the next residence a few miles away that belongs to Lenny. He wraps an arm around my shoulder as he shows me the completed drawing, and I feel a hint of that strength that he still has as he gives me even a gentle squeeze.
I swallow hard, snuggling into his embrace. He senses that I'm getting emotional and kisses me on the top of my head, then my shoulder, and that spot between my head and shoulder. I feel myself nearly speechless, and the words that tumble out of my mouth don't seem enough to convey how I feel. Every detail was etched in; he even drew in scars I've collected over the years. I still feel an edge of vulnerability, but . . .
"It's wonderful, Dutch, thank you . . . " I turn in his hold and hug him tight, lightly rubbing his back as I do; although it still feels strong, the skin shifts there more easily these days and ripples underneath my fingers.
"You make me feel . . . Handsome."
Dutch gives my shoulder a squeeze. "Because you are, Old Girl."
"It's been a while since I've done some drawing, mostly landscapes and rabbits and things as you know, but I promise that I'll try to do you justice."
He nuzzles a kiss on my cheek. I still love the feeling of his bristly stubble on my cheek.
"Don't worry, Old Girl, I'll love it."
There is both unpredictability and predictability to Dutch, even now; he's frustrating in that regard. At the same time, he's a boy who's insecure and needy, craving every scrap of attention and affection that can come his way. He gets plenty of both, but Dutch is Dutch, and I don't see that changing anytime soon.
I take the graphite stick and sketchbook from him as he hands them over, kissing him on the cheek reluctantly as I break away from the hug and shift over to sit at the corner of the bed. "Now, pyjamas off. If I had to, you have to too." I sneak a playful wink.
Dutch chuckles and strips off the pyjamas, deciding to make a little show of it just as I did for him because Dutch is Dutch. He's already front and centre of attention as he's about to restart his modelling career, who thought he'd get back into it at sixty-five? I scoff and roll my eyes; this man amuses me as much as he can frustrate me.
I think for a moment about what pose he should get himself into. He does look rather sexy when he's brooding and smoking a cigar, is still rather delicious when he takes on a pinup girl pose, a silly thing he sometimes does to help get me in the mood. I could have him pose on his hands and knees, but I fear that would be too distracting for me. Then I had another idea, one pose of his that I find so underratedly sexy and beautiful.
"Now something... Vulnerable," I warmly suggest, my eyes gently meeting Dutch's eager gaze as he waits for further instruction. "Maybe that pose you often take after we've had sex, after the aftercare, where you look so... Delectably submissive." As much as the sex is still good and as much as we enjoy, I relish that period afterwards; I often lie in the crook of his arm as we lazily trace patterns on each other's skin, sometimes blowing raspberries on each other if we're feeling silly, and if this isn't unfolding at night, it causes us to happily put off whatever else needs to be done in the day.
Dutch smiles shyly at me and slowly lies on his back. He tucks one hand behind his head, as if playing with his hair (something he does when caught in a lie or playing coy with me for one reason or another), while the other is tucked up on his chest, not unlike a dog who wants his belly rubbed. His legs sprawl out, openly exposing his genitals. His expression is soft, trusting, and loving, his body language submissive and vulnerable, echoing the trust in his expression. At once, he looks incredibly sexy and slutty, yet adorable; a wonderful contradiction before my eyes that I could just about gobble up. Cute aggression, as they call it, is very real.
"You look comfortable," I murmur, letting my eyes roam over him before I start; my voice is soft and soothing, as if calming a restless horse instead of the man who looks anything but restless. "And absolutely... Precious."
Dutch almost whispers; many of you know him as someone who can be, well, loud. "The only way I could be more comfortable would be if you'd be snuggled up against me."
"That'll come when I'm done, Dutch," I smile, deciding to start with his face; I know how hard it is to maintain expression, so I thought it'd be humane to start with that first. "You still have such a gorgeous face."
Truthfully, I feel his face looks wiser than he is, but I love framing it in my hands as I look into those eyes. That big nose is a feature that some (wrongly, in my eyes) view as 'ugly,' but I find it to be wonderful, so unique, and I kiss it at every opportunity. Likewise, I find something special about that cleft chin, which he loves getting scratched. I love tracing a finger along his jawline, along those cheekbones, and of course, kissing those lips. I admit, I enjoy scratching that stupid soul patch, and I can't resist tracing a finger along that mustache as those early morning rays peek through the curtains. I draw each of these features in order of my narration in this paragraph and pour my heart into putting as much detail into them as possible.
Just as he had done with me, I want Dutch to feel as handsome as I see him.
"We should do this more often," Dutch spoke with a slight catch in his voice in his suggestion. "I think... I think it'd be a good way to remind us of the beauty of growing old."
I was touched by that and swallowed hard. He's right; there should be no shame in growing old. Old age shouldn't be something to be ashamed of; it's an accomplishment. I waste no time in making my decision.
"Absolutely," I answer softly, thinking of how beautiful the flowers are in spring in our surrounding area; we reside at what was once called Hanging Dog Ranch. Dutch decided to call it Casa Van der Linde. Are you surprised?
"During nice weather, we could even do it outside. I think that'd be lovely out by the flowers, by the creek."
There was no argument from Dutch. It's one of his favorite spots to read, go for a ride. I've once worried he had gone missing, but I've found him napping against a boulder among the lupins with that damn Evelyn Miller in his lap.
One of his novels, you perverts.
Once I was done with his other facial features, after I etched in my last detail for his ears, I shift my focus to his hair. It's still beautiful, and even more so now that it's silvered, and long! It hangs down his shoulders like a lion; magnificent. And it shines so nicely in those warm sunsets and sunrises and in the candlelight. His hairline has been receding, but he still has those lovely ringlets which I love to twirl between my fingers, and Dutch gets just as much enjoyment out of it. He still pushes his head back against my fingers, his eyes closed in contentment; it's not unheard of that my scalp massages, my playing with his hair goes on for hours. At times, I use his hair as something to grip onto for more risqué purposes. I know what you're thinking, but no, that's not the reason behind his receding hairline.
When I reluctantly pulled my attention away from his hair as I drew one more curl in, I worked on his neck next. The skin there had lost some elasticity, as mine had done as well, but still strong enough to carry that big head of his; it's weighed down with mangoes and plans. Then, his shoulders are my next target. They still have some nice muscle tone to them, and attached, long, lean strong arms (whose skin is thinner these days) that still hold me close and strong at night, as if protecting me from the boogeyman at night.
"I always liked your arms, you know," I muse, taking my time and shading them. "Lean and long and strong, and how I just... fit so well in them."
Dutch looks lost in thought for a moment, though I knew he was listening. There's a warm look in his eyes as if he was reliving a memory. "I remember holding you for the first time. It was that cold night . . . Someplace in West Elizabeth, before there was more development out in Strawberry. The fire wasn't doing a good enough job at keeping you warm and I thought, you'd be warmer up against me."
I chuckle, remembering. We tried to get back there for our latest anniversary; alas, the location was turned into a hunter's lodge for the rich, some big gaudy thing. It made our hearts sink. "It was when we were getting to know each other a little more. Truthfully, I thought you were coming onto me, holding me that close, and so tight. Not that I minded if you were, of course. I kept warm."
There's a spark in Dutch's eyes as he remembered. When you're married to someone as I have been, you notice little things that they tell you with their eyes. "I opened up my coat and pulled you into it, couldn't get all the way closed but I think the combination of our body temperatures compensated."
I can almost feel that warmth again. He had a massive Grizzly Bearskin coat that was an import from Canada, before getting that Black Bear one you might have seen him in; he unfortunately lost it during a train robbery.
Once I finished the shading on his shoulders and his arms, I start sketching out those big hands. I love them. His long, lean fingers are a bit stiffer these days, particularly in the colder months, but still do what they need to do; Special Tonic helps our old man hands tremendously. I massage his hands when they get particularly ouchy, as he does with me; Dutch always gets a bit grumpy when I start, but eventually, he gives in and enjoys it. If you guessed it, yes, he's still a bit of a baby at times over things. He still touches me in the right way, in the right places; they work well for that.
Just to tease me, Dutch plays with that hair a titch, giving me the puppy eyes look for no reason other than he can. I shake my head, scoffing. "You are really trying to prolong this, aren't you, Dutch?" I tease.
"Just got some locks caught up in my fingers, is all," Dutch teases, knowing that I know better. "I want my hair to look presentable for the drawing."
I scoff again, turning the book around to show the progress. "I've already drawn it."
"Oh, he's handsome!" Dutch grinned, giving his hips a bit of a squirm. "If you're not careful, I might flirt with him."
Flirting at an illustration of himself! It's just so... him. I just had to laugh, even if I encouraged him.
"You are impossible, Dutch."
Dutch just chuckles, giving that waist a bit of a squirm because he can. I pause the drawing for a moment because he is simply being too distracting.
"And now you're flirting with me!"
"When don't I?"
That old imp got me then. He always flirts with me; I could be reading the paper while sipping my coffee when he decides to pull my attention away by kissing me on the neck. It comes off as a bit silly these days rather than sexy. I haven't been able to fully read a newspaper in the morning in over thirty years, I'm secretly amused, and I think he knows it.
I eventually do get back to the drawing, moving my attention onto his chest. As mentioned earlier, the skin is, well, less taut there these days. He's never been the most barrel-chested fellow but looks even less so these days; all the same, I still love laying my head on it, feeling, and loving the warmth from it. I still love blowing kisses right over that heart, as he does with me. I etch in the details as I see them presented before me, details that took him a long time to come around to accepting, with some convincing from me. He's been gaining positive associations, learning to like parts of his body better through my kissing them more. Over time, Dutch has been feeling more handsome these days, something I regret from time to time!
"You ain't drawing me with saggy tits, are you?" Dutch teased; he's growing more comfortable with his aging body, so much so that he'll crack a joke about it.
"You drew me with a potbelly," I playfully retort, though I won't live in denial; I do have a tiny bit of one these days that has been resistant towards me working it off, but alas, it remains. "It's only fair."
The graphite stick does its job as I gradually work my way down towards his lower torso, along that ribcage that carries a bit more flesh on it these days. Like the rest of his torso, he's still very ticklish there; I just have to dig in a little deeper when I poke him there, still often in public when I need to keep him in line. Most recently, Dutch got a good jab when he flirted with the new bartender in Valentine; a rather handsome, big Irish fellow of around our age who took a liking to us. I got a little jealous!
It was during that flirty moment that I cut short that we get older it's not uncommon for us seniors to... Get a little daring, and explore different things with each other. Maybe next time we're in town, we'll ask that Irish gentleman if he has any plans for the afternoon outside of pouring beer and cleaning glasses.
But! There's a drawing that needs to be done.
I etch in some more details on that mid-torso; one being a bit of a roll of his waist; a lovely love handle. I love them. They're something extra for me to grab that wasn't there all those years ago, and it's a secret kissing spot. That spot on his right hip is as sensitive as it ever was, though like his ribs I have to dig in just a little more to get a reaction out of him. Just because those hips, that waist, are a little thicker these days, doesn't mean they're any less slutty. Oh, they are. I'd be lying if I said he didn't use them to get his way from time to time. Imagine being manipulated by a sixty-five-year-old man's waist, complete with love handles! It's not something I'll openly brag about.
Dutch's ass is largely absent in this drawing; it's buried itself comfortably into the bedspread but a teasing hint of it is seen.
The next stop on the drawing Dutch tour, his belly. It was once so flat you could drive a train on it, and well, now, that train would fall off the rails. To put it bluntly, Dutch has developed a paunch (which I love), that I could just bury my face in — and I do. It sits like a well-used cushion as he lays in the manner in which he is posing, the lower roll slightly curtaining his groin. The married life has been suiting him well; there are some consequences to hand-feeding each other expensive imported chocolate from Europe every evening, but we've earned it for living as long as we have with the lifestyle we've led. If I want to hear his laugh, I'll blow a kiss on that irresistible belly button that doesn't know it wants in or out.
It makes me sad to think that he had once been so self-conscious about the changes to his body. To me, with more flesh on him, more of him to love, he looks even more handsome as he's aged.
Dutch's genitals, which he openly has exposed in a show of voluntary vulnerability and submission, weren't spared of aging, but they still do their job. They're dipped down between his legs that lay sprawled before him, his pubic hair as grey as the hair on his head and chest. A lot of men of our age have trouble getting it up; we are not foolproof in this regard. As mentioned earlier, sex is still good, but when we can't get it up, we've found other ways to deliver pleasure to each other, and in many ways, sex is even more enjoyable as a result.
His legs are part of the final journey in this session. Dutch's are long and lean, and thanks to daily horseback riding, their musculature is still damn fine. Their appearance hides the stiffness that's in them these days; for us both, our walks take us a little more time. Now, before you take, would you be shocked to learn though that I suspect he milks it now and then through so that he gets leg massages?
Dutch's feet are my last target. Those too get massaged, sigh. I again leave no detail undrawn; yes, I even drew that gross big toe of his. He says it happened many years ago during a heist when he accidentally dropped a safe on his foot, but I know damn well it's because The Count stomped one night at camp. He had a few drinks and forgot his boots and well, bare feet around horse hooves aren't among the best combinations out there. Dutchi is a little dramatic; he likes to exaggerate from time to time.
I finish the drawing with some extra shading around those soft curves of his body and etch in a few details here and there that I have accidentally left out. I finish the drawing off with those rings of his, and I set the graphite stick on the bedside table. Just as he had done with me, I slip up into bed next to him, kiss him on the forehead, and open up the book to him with my arms around him as he cuddles up close into my lap.
Dutch gets emotional. We all know he's emotional, that's nothing to be alarmed at, but there are times when I think he's just going to crumble. I thought one of those moments was unfolding before my eyes as he rapidly blinks back tears. He's come so far in regaining self-esteem over the changes to his body; had I undone all of that?
Dutch shifts half of his torso into my lap to get a better look at my work, his eyes taking in the details. There's a noticeable waver to his voice as he speaks, but there's a smile on his face, and it can be heard in his voice.
"I don't think the finest artists out of Europe could draw a better likeness of me."
I was touched, honestly touched, but I laugh. Someone who hadn't drawn much lately aside from the odd rabbit and deer, and maybe the odd folks in town (clothed in case you get any ideas), better than those highly fluent artists who have their artwork displayed in major art galleries around the world? Dutch is still a charmer.
"Oh, you flatter me," I laugh, hugging as much of Dutch as I can. "But I think we both know you'd be thrown out of their studios. You talk and fidget too damn much for a model! You'd be a pain in the ass and go off on some philosophical rant about art and man."
Dutch belts out a laugh, turning over onto his back with a big, silly smile. We know each other a bit too well. "Oh, I thought I was being a bit on the quiet side."
I grab a lock of that hair, twirl a long silver strand between my fingers, and give it a playful tug. "Only because I didn't actively engage in conversation!"
"And you flirt! You'd be kicked out for that. Something about needing to maintain professional conduct between artist and model." As if to emphasize, I poke him on his chest and then his belly, because I had to make him squeak. He deserves it.
There's a playful twinkle in Dutch's eyes as he positions himself to be poked again; he secretly loves it. I can also almost see the wheels, rusted as they might be, turning in his head. He's planning something and plays it coy.
Oh, but I think we don't have to maintain any of that pompous professional conduct here. We're small gallery-type artists. Flirting just grows familiarity with the model and artist. We have the perfect formulation."
I sigh, shaking my head, but decide to play along and see how far he goes. I smirk a knowing smirk, knowing it'll just egg him on. "What if the artist and model have already grown very familiar with each other?"
"Then, flirting becomes flirting with creativity," Dutch speaks a bit lower, dragging a finger along my jawline, to my neck, to the base of my ear. My breath hitches sharply; he knows damn well how that touch affects me.
"It can change perspective, explore new art concepts."
The moment I saw that glint in his eyes, that smirk, I knew Dutch was going to make good on my promise to 'kiss every inch of my body.'
"It's important for artists to study their subject before they even pick up their medium of choice," Dutch perfects the voice of an artist giving a speech at one of those big art galleries as he sets the book on the bedside table.
"You want to take in what you see in front of you and decide, what style should I use? Should this be realism, or should it be abstract? What medium should I use? And what will the meaning be behind the result?"
Dutch gently, smoothly, lays me down and starts to kiss my neck. I close my eyes, taking in the warmth from his lips, his warm breath tickling the fine hairs on my neck. He slowly trails more kisses down towards my collarbone, spending some time there before making his way down further on my chest. My back involuntarily arches up off the mattress as I feel his tongue just lightly tease a nipple, urging more out of him.
In between those kisses though, and the further he shifts his way down my body, Dutch starts to offer a string of names and dates of some famous paintings throughout history. He's trying to impress me with his artisan knowledge. Sometimes, I think there's a library in that thick skull of his, but a library where the books have all fallen off the shelves following a tornado. It all becomes a mess of dates and names that I cannot possibly save for later reference.
I roll my eyes, trying to tune out Dutch's voice as I focus on the sensation of his lips and tongue exploring me as if it were the first time. I encourage him when he's quiet, my hands roaming through those long locks of hair, savoring how nice it feels after all these years and just how thick it still is. While my hair hasn't turned to shit, I might be envying his.
And then, Dutch brings up the subject of man and art and how it will change humanity.
Oh God. He's going philosophical.
I'll have to stop this or he'll be talking at all hours of the night.
I know that to interrupt his ramble, I'll have to put the kisses—wonderful as they are—on pause. I firmly guide him up so that we're facing each other and roll my eyes as he gives a look that resembles a love-struck teenager, wanting to kiss again after stopping to catch a breath after a lengthy makeout session. Only this is a sixty-five-year-old man who thinks he could kiss every inch of my body while rambling about the history of art and its philosophy without me falling asleep.
I smirk and, after wrapping my legs around him, I turn him over so that I'm on top of him; there's very little resistance from him. Before he can get another word in about 18th-century philosophy in paintings, I entangle my fingers through that gorgeous silver hair and ease him in for a long, lingering kiss on his lips, which he returns in earnest. It does a damn good job of shutting him up, and well, I rarely turn down an opportunity to kiss that man. His lips are still so soft, and that mustache creates a ticklish sort of feeling on my skin that might turn others off, but I rather enjoy it.
Despite our age, something primal sometimes stirs within us when our lips are locked and tongues slip into each other's mouths, and I love it. This was one of those times.
There's a subtle battle of dominance taking shape. Dutch rolls me back over as he pushes his tongue against mine, a low, animalistic growl erupting from his chest. Being that I'm still very much top dog in this relationship (something that certain someone needs to be reminded about), I simply can't allow that. I push him right back with all my might, which isn't much these days, but he doesn't fight back too strongly, knowing. As evident from how easily it was to turn him over, I would say some of that strength reserve of his isn't quite at full tilt either. He tries once more to gain control of the situation -- complete with a playful grab of my ass. Naughty boy! I give his hand a light smack as I turn him back over, and finally hold him down with my legs possessively wrapped around him.
When we break from the kiss, Dutch looks at me that way again, as if I were some magnificent sculpture in Italy instead of this old man lying on top of him. I smack him on his ass with a snort; there's a satisfying sound that sounds not unlike what you'd get from smacking the rear of a pig, if you're into that sort of thing. I'm not one of those people, so you'll have to use your imagination. He loves it, evident from his boyish giggle.
"Happy Valentine's Day, you old rogue."
Dutch just looks at me with that lovestruck puppy expression. I can't resist, and I kiss him again.
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millylouedward · 4 months
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☽ arthur morgan x the moon ☾
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a-touchofvanilla · 7 months
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Some a my favorite shots of my recent adventures. :)
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trbotunnel · 7 months
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pics from todays session
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