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market-news-24 · 5 days

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Winamp, the once iconic music player, will not be going open source as previously rumored. Instead, the company behind the software, Radionomy, has announced plans to continue supporting and updating the player for the foreseeable future. Find out more about Winamp's future direction and the reasons behind this decision. Click to Claim Latest Airdrop for FREE Claim in 15 seconds Scroll Down to End of This Post const downloadBtn = document.getElementById('download-btn'); const timerBtn = document.getElementById('timer-btn'); const downloadLinkBtn = document.getElementById('download-link-btn'); downloadBtn.addEventListener('click', () => downloadBtn.style.display = 'none'; timerBtn.style.display = 'block'; let timeLeft = 15; const timerInterval = setInterval(() => if (timeLeft === 0) clearInterval(timerInterval); timerBtn.style.display = 'none'; downloadLinkBtn.style.display = 'inline-block'; // Add your download functionality here console.log('Download started!'); else timerBtn.textContent = `Claim in $timeLeft seconds`; timeLeft--; , 1000); ); Win Up To 93% Of Your Trades With The World's #1 Most Profitable Trading Indicators [ad_1] If you were a teenager back in 2000, chances are you were using Winamp to listen to MP3 tracks from Napster or your CD collection. Fast forward to 2024, and Winamp is making a comeback as your go-to music player. The app's owner, Llama Group, is planning to open the source code to developers on September 24, 2024. Contrary to popular belief, Winamp is not going open-source. The software will remain under Winamp's ownership, with the slightly open-source version known as FreeLLama. This move aims to invite developers worldwide to contribute their expertise and ideas to enhance the iconic software. While the new code will be available for Windows versions, Mac, Android, and iOS editions will remain proprietary. The upcoming version, set for release on July 1, will introduce a platform for artists and labels to monetize their music and integrate streaming more seamlessly. Founded in 1997 by Justin Frankel and Dmitry Boldyrev, Winamp gained popularity in the late '90s and early 2000s, known for its lightweight design and customizable skins and plugins. Although it may no longer be as ubiquitous as before, Winamp still holds a special place among music enthusiasts. With its revamped software and business strategies, Winamp aims to reclaim its position on today's computers. Win Up To 93% Of Your Trades With The World's #1 Most Profitable Trading Indicators [ad_2] 1. What is Winamp and why is it not going open source? Winamp is a popular media player for listening to music and other audio files. It is not going open source because the company has decided to keep the source code private. 2. Will Winamp still be available for download? Yes, Winamp will still be available for download and use as a media player. The decision to not go open source does not affect its availability to users. 3. Can I still use Winamp on my computer or mobile device? Yes, you can still use Winamp on your computer or mobile device as you normally would. The choice to not make it open source does not impact its functionality for users. 4. Are there any new features or updates coming to Winamp? The company behind Winamp may still release new features or updates for the media player, even though it is not going open source. Users can expect improvements and changes in future releases. 5. Why did the company decide to not make Winamp open source? The decision to keep Winamp's source code private was likely made for various reasons, such as maintaining control over the product and its development. The company may have strategic or business reasons for not going open source. Win Up To 93% Of Your Trades With The World's #1 Most Profitable Trading Indicators [ad_1] Win Up To 93% Of Your Trades With The World's #1 Most Profitable Trading Indicators

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webradiobroadcast · 1 year

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How to Start Your Own Web Radio Station

With the rise of online streaming and the increasing popularity of podcasts, starting your own web radio station has become more accessible than ever before. Whether you're passionate about music, talk shows, or sharing your unique content, launching a web radio station allows you to reach a global audience and engage with listeners from all walks of life. In this article, we will guide you through the essential steps to start your own web radio station.

1. Define Your Station's Concept and Target Audience:

Before diving into technical aspects, it's crucial to define the concept and target audience of your web radio station. Consider the genre of music or topics you want to cover, the style and tone of your broadcasts, and the specific demographic or niche you aim to appeal to. This clarity will shape your content and help attract and retain listeners.

2. Acquire the Necessary Licenses and Permissions:

To legally operate a web radio station, you may need to acquire licenses and permissions. Research the copyright laws and broadcasting regulations in your country or region to understand the requirements. In some cases, you may need licenses from music licensing organizations to play copyrighted music. Consult with a legal professional to ensure compliance and obtain the necessary permissions for your broadcasts.

3. Choose Your Broadcasting Software:

Selecting the right broadcasting software is crucial for smooth operation and high-quality audio. Look for software that supports live streaming and scheduling, offers automation features, and provides options for audio processing and mixing. Popular options include SAM Broadcaster, Radio.co, and Mixxx. Evaluate their features, ease of use, and compatibility with your hardware and operating system before making a decision.

4. Set Up Your Studio Equipment:

Creating a professional-sounding web radio station requires investing in suitable studio equipment. At a minimum, you'll need a computer or laptop, a reliable internet connection, a microphone, and headphones. Consider additional equipment like a mixer, audio interface, and soundproofing materials to enhance the audio quality. Ensure your setup meets your specific broadcasting needs while maintaining a budget that suits your resources.

5. Create and Organize Your Content:

Develop a content strategy that aligns with your station's concept and target audience. Plan your shows, segments, and playlists in advance to maintain consistency and engagement. Depending on your format, consider incorporating interviews, listener interaction, and live broadcasts to keep your content fresh and exciting. Use tools like scheduling software or content management systems to organize your shows and ensure a seamless broadcasting experience.

6. Select a Reliable Web Radio Hosting Provider:

To broadcast your web radio station, you'll need a reliable web radio hosting provider. Look for a service that offers sufficient bandwidth, storage, and scalability options to accommodate your listenership. Check for features such as customizable players, listener statistics, and mobile streaming compatibility. Popular web radio hosting providers include Shoutcast, Icecast, and Radionomy. Compare their pricing plans, customer support, and features to find the best fit for your station.

7. Promote and Engage with Your Audience:

Building an audience for your web radio station requires effective promotion and engagement. Create a website or a landing page for your station where listeners can tune in, access show schedules, and learn more about your content. Utilize social media platforms, email marketing, and collaborations with other content creators to spread the word about your station. Encourage listener interaction through live chats, feedback forms, and social media engagement to build a community around your station.

8. Monitor and Analyze Your Performance:

Regularly monitor your station's performance and audience engagement using analytics tools provided by your hosting provider or third-party services. Track listener statistics, geographical reach, popular shows or segments, and listener feedback. Analyzing this data will help you make informed programming decisions, identify areas for improvement, and refine your content strategy to better serve your audience.

Conclusion:

Starting your own web radio station is an exciting endeavor that allows you to share your passion and connect with a global audience. By defining your concept, acquiring the necessary licenses, choosing the right broadcasting software and equipment, organizing your content, selecting a reliable hosting provider, promoting your station, and engaging with your audience, you can establish a successful and enjoyable web radio station. Embrace the power of online broadcasting, stay dedicated to quality content, and watch your web radio station thrive in the digital landscape.

Source: https://webradiobroadcast.blogspot.com/2023/05/how-to-start-your-own-web-radio-station.html

#radio #web radio #internet radio #online radio

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nerdforcrypto · 1 year

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Radionomy acquired by Azerion, enters audio advertising market

– The acquisition of Radionomy Group will enhance Azerion’s ability to support advertisers and publishers with a complete suite of advertising products. – The acquisition is expected to generate 29 million to 30 million in gross revenue in 2022. – The transaction involves the indirect disposal of all the subsidiaries of Radionomy Group B.V.

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#Adtech #Advertising Technology

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experiencebanana · 2 years

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Download directx 12 for windows 10 64 bit free

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A statement by you that you have a good-faith belief that the disputed use is not authorized by the copyright owner, its agent, or the law.

Download directx 12 for windows 10 64 bit free full#

Your full address, phone number, and email address.

An exact description of where the material about which you complain is located within the.

Identification of the copyrighted work that you claim has been infringed.

Please include the following information in your claim request: Please find the DMCA / Removal Request below. We are DMCA-compliant and gladly to work with you. If you think that app/game you own the copyrights is listed on our website and you want to remove it, please contact us. QP Download is strongly against the piracy, we do not support any manifestation of piracy. When visitor click 'Download now' button files will downloading directly from official sources(owners sites). All programs and games not hosted on our site. All trademarks, registered trademarks, product names and company names or logos mentioned herein are the property of their respective owners.Īll informations about programs or games on this website have been found in open sources on the Internet. This site is not directly affiliated with Radionomy. Winamp is a product developed by Radionomy. This site is not directly affiliated with Microsoft.

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Why Download DirectX using YepDownload? DirectX Simple & Fast Download! Works with All Windows (64/32 bit) versions! DirectX Latest Version! Fully compatible with Windows 10 Disclaimer DirectX is a product developed by Microsoft.

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Will this Winamp download work on Windows? The free Winamp download for PC works on most current Windows operating systems. This file will download from the developer's website. Nevertheless, this performance improvement isn't shown on some benchmarks because, depending on the graphics card installed on the PC, DirectX 11 may behave better than the most recent version.File size: 14.33 MB Operating system: Windows 7/8/8.1/10 Download 200 161 downloads. In other words, it's easier to identify an error and for the user to notify it and try to fix it. Improved debugging of both commands and information.Correction of flaws that prevented us from knowing the reason why the GPU failed interpreting instructions.CPU and GPU workloads processed separately to gain in performance.These are the main updates that come along in this version: With the latest version of Microsoft's operating system, DirectX 12 is already preinstalled.ĭX12 is fully compatible with graphics cards supported by DX11.

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In other words, if you need to get hold of them for Windows 8.1, Windows 7 o Windows Vista (let's hope you've already got rid of XP), you can download DirectX 9, DirectX 10 or DirectX 11. Until the arrival of Windows 10, all the versions of this pack of APIs could be downloaded as a standalone and weren't included in the operating system by default. Thanks to the latter, Windows has become a great gaming platform, being able to put a fight up against video consoles and even beat them in terms of performance and yield. Ever since Windows 95, Microsoft has developed subsequent versions of DirectX, its collection of APIs aimed at simplifying the most complex multimedia development tasks, especially those relative to video game coding.

#Download directx 12 for windows 10 64 bit free

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mainstrack · 2 years

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Shoutcast nicecast not authorized

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There is also a listing of URL's for streaming here Internet Radio Music Stream Urls.

Paste this "URL" into the "Media URL" field in the "About Land>Media Tab>Media URL" field.

Copy the "URL" that appears after "File1=" IE:.

Look for any entry in the file that starts with "File1=" IE: File1=.

Use a text editor program to open the file.

From Sky.FM, right click any of the blue boxes that say "96k" and choose "Save Target As" (Save Link As for FireFox).

Surf to an Online Radio Site like Sky.FM.

It is possible to stream music from an external source (Internet Radio) into SL. Streaming music into Second Life from an Online Radio Station Once you have created your station the Music URL port is available and the direct stream is /stationname You can create a 24/7 stream with unlimited listeners at no cost here Create Your Own Radio Stream You can also upload your own personal messages to play in stream, too. You can upload your own tracks or use the 150K tracks already on the Radionomy platform. You can also consider creating your own radio station using published music (licensing covered) by going to /create.

Shoutcast nicecast not authorized license#

Remember that streaming copyrighted music across the internet requires a license from your relevant national licensing authority. Try searching Google for a list of other available hosting solutions. Due to the amount of bandwidth required for multiple streams, the price of streaming can vary.

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You can either set up the server software on one of your own servers or pay someone to host it. The two most common streaming server systems at the moment are a Shoutcast and Icecast. The relay would then stream multiple copies of the music into SL. You would send a single stream of music (around 6-8k/s) to the streaming relay provider. Therefore to stream your own music you would require a streaming relay provider. With around 5 users connected you would using most of the bandwidth of a standard DSL line. Unless you have a large amount of bandwidth available, using your own machine as a streaming server is not really an option. It is possible to stream your own music from your computer into SL. Streaming your own music into Second Life 4.2 I can hear the stream in an MP3 player, but not in my parcel!.4.1 I can't get any sound input/output into the encoder/plugin/program.3.3 Alternative to using WinAmp - SimpleCast.3 Sending your live stream to a streaming relay server.2 Streaming music into Second Life from an Online Radio Station.1 Streaming your own music into Second Life.

#Shoutcast nicecast not authorized

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mclennonradio · 6 years

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Mclennon Week is Coming...

#mclennon #mclennon week #mclennon radio #john lennon #paul mccartney #radio #radionomy #streaming #rock #music #beatles

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djdiscovery1 · 5 years

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Abba-Eagle last track for tonight....this incredible track from Abba is mesmerizing...where will it feature on the ISS Atlantis Chart Top 40?...It's up to you....Like, Subscribe, Comment and hit the notification bell and never miss the opportunity to vote for your favourite track and look out for the Top 40 shows!

#Abba #Eagle #Radionomy #Top 40 Chart

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wmihradio · 6 years

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Follow us @wmihradio - Get paid not played!!! We pay artist find out how today!!! Were streaming on BDS Approved Platforms thas right more than one more bang for your buck get your promo spins with us and much more click the link in our bio to listen to our streaming station and get ad placement as well as spins. Email [email protected] Were back streaming non stop for all of our listener's click the link and press play comment what you want in rotation share on your pages and group. Keep Making It Happen!! Radionomy Streaming Link: https://www.radionomy.com/en/radio/wmihradio/index Follow us on iHeart Radio iTunes Spreaker & Ig @wmihradio - Thanks for helping us reach over 1 Million Downloads were officially over 1.5 and counting link in bio email [email protected] for interviews spins and more #iheartradio #spreaker #itunes #wmihradio #phillyradio #podcast #internetradio #mrmakeithappen215 #mrsmakeithappen215 #indie #collegeradio #philly #radiohost - #regrann - #regrann #radionomy #hdestudio - #regrann - #regrann #mihwedlive #makeithappenwed #mihwed - #regrann - #regrann #suckafreesunday (at PJ Clarke's Philly) https://www.instagram.com/p/BpfPRqfhDTr/?utm_source=ig_tumblr_share&igshid=pq0502c23w5x

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delomheem · 6 years

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@micventress b/w #Autumn a beautiful serenade & dedication to his daughter. #seeyousoon #indieartist on #indieradio support the station that supports you! #Atlanta #wekeepitrawradio Send in your music and be heard worldwide! #iTunes #radionomy #TuneIn #streaming 24/7 #listenup email link in bio.

#radionomy #tunein #seeyousoon #itunes #indieradio #indieartist #atlanta #listenup #streaming #wekeepitrawradio #autumn

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snvlife · 6 years

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Are you an artist and want a way to showcase you as a brand in the air waves? Well DM us we have a solution for you!! #music #dj #me #selfie #photo #urban #hiphop #radio #soundcloud #rap #album #instagood #producer #tuneinapp #photooftheday #spotify #love #igdaily #magazine #bestoftheday #snvlife #nowplaying #soundclick #beats #mixtape #radionomy #spotify #followforfollow (at New Jersey)

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mirnayonis · 4 years

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#WorldRadioDay #DiaMundialDeLaRadio Un #TBT para recordar caminos y experiencias. #RUTASDESABERESYBIENESTAR Pasos de #emprendimiento que se retoman con... ¿nuevos compañer@s? Quien sabe Los audios disponibles en #Ivoox 🤷‍♀️ #Locutora en la #Radiodufusion #RadioDigital #AquiVamos2020 Reposted from @mirnayonis (@get_regrann) - Ya son dos pasos. Esta tarde #8Feb 4pm hora #Venezuela nuestro segundo programa #RutasDeSaberesyBienestar un #senderoradial en @TacariguaRadio Sintoniza en la #web Https://goo.gl/HUKxnq #RadioOnLine 🤟🏼 Puedes acceder a través él Años #Radionomy y. Uscas la emisora #TacarigiaRadio #TurismoCultural #Patrimonio #Carnaval #Caribe #Rutas #Recorridos #AprendizajeDeVida #GraciasAlaVidaCadaDia #AquiyAhora #CreandoAbundancia Gracias a los que van sumando sus semillas en este sendero. #Namaste🙏 📅📡🎭🙏 - #regrann (en Caracas) https://www.instagram.com/p/B8hlFk9lHaL/?igshid=18eowrk5qqg11

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bushrodmusic · 5 years

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All day on Sundays. Windows with the smooth jazz and progressive sounds of BushrodMusic radio. Stream link in bio. #winddown #chillvibes #bushrodmusic #radio #app #deezer #nobex #radionomy https://www.instagram.com/p/BvrffRpAko3/?utm_source=ig_tumblr_share&igshid=1t6oz8c00jgls

#winddown #chillvibes #bushrodmusic #radio #app #deezer #nobex #radionomy

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dagr8fm · 7 years

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Tune in right now on @dagr8fm w/ @djyuckmouth @mrnahmeen_video_page on #FreelanceSaturday from 8-10pm WKMTB Digital Radio Miami, FL Dagr8fm #1 Global Hip-Hop Station "Connecting The World Through Music!" Official affiliates of Stream, Digital Radio Tracker & Nielsen. Dagr8fm broadcasting on digital radio platform such as #Streema, #Reciva, #Radionomy, #Xialive, #Tunein and iTunes Radio. Dagr8fm Radio Station on your iPhone, iPad Touch, Android, Blackberry and other app-enabled mobile phones. DaGr8fm.com #connectingtheworldthroughmusic🎤🎹🎧🎵🎶

#tunein #freelancesaturday #radionomy #xialive #reciva #connectingtheworldthroughmusic🎤🎹🎧🎵🎶#1 #streema

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sultrysounds · 5 years

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basslinesandbanter · 4 years

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Music Radar: The complete checklist for releasing your own music

Today it’s extremely easy to release a song and get it distributed worldwide. With the click of a mouse, you can upload your latest track and sell it on iTunes or stream it on Spotify and Apple Music. Within a few hours, the music can be in the ears of fans around the globe.

So, distribution is no longer a mystery, but musicians still often make the mistake of skipping the essential steps that music labels know they must take before they distribute music into the world, to protect artists’ rights and prepare to earn royalty income. There are seven simple registrations you need to take care of if you’re not working with a label.

But first, let’s review a basic understanding of copyright, as well as the steps to prepare your music business so you’re ready to register songs when you release them and can collect royalties starting on day one.

Copyrights

All seven registrations flow from the two copyrights you receive once you create a new original song. These copyrights give you ownership of the work. Some musicians make the mistake of only registering one of the two, but once you understand the two copyrights at stake—and the royalties you can make from them—you won’t miss the necessary registrations.

The first copyright is for the composition: the song itself. This is about the underlying work you created that can be recorded, performed, or covered by other bands. No matter how many different versions, arrangements, or recordings of the song are made, you only need to register the song once using the Performing Arts (PA) form. This is normally registered by the songwriter(s) of the song.

The second copyright is for the sound recording, sometimes called the master recording. Each sound recording you make of a song creates a separate copyright; for example, a live recording, a studio recording, and an alternate acoustic version are three different sound recordings and therefore three different registrations. To register each of these, you’d need to use the Sound Recording (SR) form.

Labels usually own the SR copyright and the songwriters usually own the PA copyright. But if you’re an independent artist and composer, you’re both the label and the songwriter, and you own both.

Registration with the U.S. Copyright Office is not required because copyright law automatically gives you a copyright in an original song as soon as you capture it in a fixed format (digital recording, sheet music, etc.). Most labels register the copyright, however, because it grants additional rights, including the ability to sue for damages and attorney’s fees. (And if you don’t register within three months of release, you lose some of those benefits, although you still own the song and can still register it in order to sue someone for infringement.)

Royalties

SoundExchange collects sound recording royalties, while SESAC (along with ASCAP and BMI) collects composition royalties.

The composition copyright can generate money for you each time the song is performed live, played on the radio, or performed as a cover by another artist. Royalties are set by statute: 9.1 cents per copy/play. Composition performance royalty organizations (PROs) collect money from radio stations, TV stations, restaurants, live music venues, and websites, and they distribute royalties to copyright owners. These royalties are based on surveys and other data, and each PRO does its research differently.

What some musicians miss is that the royalty system splits royalties between two roles: the songwriter and the publisher. If you’re independent and you haven’t contracted out your publishing rights, you must register twice—as a songwriter and publisher—to receive all the money the song generates.

The sound recording copyright generates royalties administered by the sound recording PRO, SoundExchange (soundexchange.com). SoundExchange collects money from streaming services such as Live365, Pandora, and Radionomy. The royalties are based on reports created by the streaming services (required by law), assisted by a digital fingerprint called an ISRC code, which the sound recording owner needs to generate and register. Similar to the composition PROs, royalties are split between multiple roles: the sound recording owner, and the featured performers and producer. Unless others own the recording or were featured performers, you are entitled to all the royalties that SoundExchange collects for these roles. Again, similar to the composition PROs, you need to register yourself as both the sound recording owner and the performer so you can get all the money you’re owed.

Preparation steps

Perhaps one of the biggest barriers to musicians successfully securing all seven registrations is the preparation steps that need to be done ahead of time. If you haven’t joined a PRO, it can take a few hours to apply to become a member, plus around two weeks to process your application and accept you as a member. Because of this, we advise you set aside an evening or two to perform the steps below as soon as you can. These are revenue-generating activities, so although they do take you away from creating the music, they’re worth spending a night or two doing, so you can enjoy a lifetime of royalty checks.

1. Create an account at eCO—the Electronic Copyright Office

Registering at the U.S. Copyright Office’s eCO system (eco.copyright.gov) is free and simply requires your email address and some basic information, such as name, address, and phone number. It takes just a few minutes.

2. Choose a composition PRO

You’ll want to evaluate which PRO to join based on your needs. The main ones in the U.S. include ASCAP (ascap.com), BMI (bmi.com), and SESAC (sesac.com). (Although to become a member of SESAC, you must be invited by a current member to join.) Each PRO has different methods for surveying music and for determining royalties for radio or TV play. Some accept live setlists so you can get paid when you perform your own music.

Perhaps the most important factor in determining which PRO to choose is that each song can only be registered with a single PRO, and that means all of the songwriters on a song must belong to the same PRO to get royalties. And if you work with other songwriters who belong to different PROs, you can join their PRO, but only if you create a legal entity such as an LLC or corporation to register with them. Note that the single-song-per-PRO limitation still exists, so you’ll need to carefully track the registrations.

3. Register as a publisher with the composition PRO

A music publisher’s job is to create licensing opportunities for your music—getting it placed in TV, film, or advertising. Publishers get a cut of licensing fees and the publisher royalty generated by the composition PROs. If you’re not working with a publisher, you need to fill this role yourself. You’ll have to generate the opportunities but will collect all the licensing fees and the publisher’s royalty share—but only if you register as a publisher with the PRO.

Don’t leave this money on the table; follow the PRO’s steps to register as a publisher. This process usually requires a contract with the PRO and may take a few weeks to process. That’s why you should do this ahead of time—weeks before you release any music into the world. Once you finish, however, you’ll have a publisher’s account that you can use to register each song you release. You also have the option of acting as a publisher for other songwriters under this account.

4. Register as a songwriter with the composition PRO

Songwriters get the other half of the composition performance royalty. You’ll need to register with the same PRO as you did in step 3 above. Similar to setting up the publisher account, this requires a contract and may take a few weeks to process. Once this is completed, you’ll be able to register each song under your name.

5. Register as a “both” account with the sound recording PRO (SoundExchange)

SoundExchange will allow you to register an account as a performer, sound recording owner, or both. As an independent musician, you’ll want to choose the “both” option so you can register your recordings under both roles and collect both sets of royalties that your recordings will generate.

6. Choose a method to create ISRC codes

ISRC codes are digital fingerprints that allow SoundExchange to track your sound recording when it’s streamed. You’ll need to choose a method to generate them for each sound recording you have. If you make a lot of mixes and sound recordings, it may make sense for you to pay the fee to register your own ISRC codes by going to US ISRC (usisrc.org) and creating an account. You can also pay organizations like mastering houses or CD-duplication services to create these for you at a small cost per song or album.

7. Set up a tracking system for your music

If you release a lot of music, you’ll want to create a spreadsheet or tracking system to make sure you’re performing all seven registrations on all your music. This becomes especially important if you use multiple PROs to ensure the same song isn’t registered at more than one.

Performing the seven registrations

Once the preparation steps are completed, you’re ready to perform the seven registrations for all the music you release. This should take less than an hour per album of music.

1. Register each song at copyright.gov using the PA form.

Registering the composition copyright requires you use the PA form. Before starting this process, make sure that you know the names and contact details for all the songwriters of each song. Note that it may be possible to bundle the sound recording (step 2 below) under the same registration if the exact same people are both songwriter and owner of the sound recording. If so, choose Sound Recording as the registration type and choose the “register both” option so you save money. Otherwise, register using the PA form. To get full statutory benefit, register the song before it’s released to the public—and yes, making it available to people via SoundCloud or other internet sites does count as a publication under the law.

2. Register each sound recording at copyright.gov using the SR form.

Each sound recording you make, including all alternate mixes, is a separate sound recording. All can be registered using the SR form. Similar to the above, make sure that you know the names and contact details for all the sound recording owners of each song. Just like with the PA form, in order to get full statutory benefit, you need to register the sound recording before it’s released to the public. Note that even demos can result in YouTube hits and might end up generating royalties, so they are worth registering in your collection as well.

3. Register the song as a publisher at the composition PRO.

Log in to your publisher account at your composition PRO and register your song(s). Doing this will generate the other half of performance royalties generated by the composition. You can register a song that’s already been released, but it will only generate royalties going forward.

4. Register the song as a songwriter at the composition PRO.

Log in to your songwriter account at your composition PRO and register your song(s). Doing this will generate half of the performance royalties generated by the song. Similar to the above, you can register a song that’s already been released, but it will only generate royalties going forward.

5. Register the sound recording as a sound recording owner at SoundExchange.

To collect one-half of the royalties the sound recording produces, log in to your SoundExchange account and register your sound recording(s). Note that you can register sound recordings even after they’ve been released. Simply search SoundExchange’s database to find out if they’ve already been collecting royalties for your sound recording.

6. Register the sound recording as a performer at SoundExchange.

To collect the other half of the royalties that the sound recording produces, you need to make sure you’re listed as the performer under each recording. Just as with the sound recording owner royalties, you can register this even after it’s been released by searching SoundExchange’s database, where you’ll be able to see if they’ve already been collecting royalties.

7. Generate an ISRC code and register it.

Generate an ISRC for each sound recording and register it according to the ISRC instructions. This will increase the likelihood that the recording gets tracked by Sound- Exchange and generates streaming royalties.

Once you’ve completed the seven registrations, log everything into in your spreadsheet and save all documentation that the services generated for you (for example, the registration information from the Copyright Office and PROs).

Optional registrations

In addition to the seven essential registrations described above, there are a handful of optional registrations you may want to consider.

1. Register the copyright for the cover art.

The cover art for your album or song can be used to make merchandise or might be useful for TV and video purposes. It’s not necessary to register the art, but if you sell a lot of merchandise and are concerned about infringement, it may be worth the basic fee to protect it.

2. Register the copyright for the lyrics.

If you’ve ever wondered why lyrics are rarely printed for cover songs in liner notes, it’s because the lyrics are copyrighted too, and the artist covering a song usually needs to pay for the rights to print lyrics. You can register the lyrics the same way you’d register poetry or a literary work so they have the same statutory protections as your music.

3. Register the release at AllMusic.com.

AllMusic collects all the credits of music releases in its database, which is used by the Grammy Association and other external agencies to track the musicians, engineers, producers, and others who worked on the album. All- Music’s database can sometimes be used to prove that a person is entitled to royalties. Fans also use AllMusic to find out more about their favorite music, so it’s worth the time to register.

Conclusion

Once you’ve registered your music, the next step is to promote it. After all, only music that’s performed will generate royalties. Talk to music supervisors to get your songs used on TV or film, or act as a publisher by running a radio, podcast, or streaming campaign. Then, track key performances of each song. For example, if you know that your song was played on TV, get the cue sheets; if you play your music live, submit your set lists to the PRO. Some PROs have programs like ASCAP Plus that may still pay you some royalties even if the music didn’t generate any survey-tracked plays within their database.

But, these programs will only be successful for you if you submit back up documentation that proves your music was played. Stay on top of when and where your music is performed, and all your hard work can protect your music while helping you generate income from it.

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