#popeye the sailor meets sindbad the sailor

[atomic-chronoscaph]

Popeye the Sailor Meets Sindbad the Sailor (1936)

#popeye gif #popeye the sailor meets sindbad the sailor #30s cartoons #fleischer studios #animation #spinach #dave fleischer #1930s #1936 #gif #chronoscaph gif

[twoheadedfilmfan]

#popeye meets sindbad the sailor #popeye the sailor meets sindbad the sailor #fleischer studios #dave fleischer #max fleischer #animated short #animation cels #cel animation #animation backgrounds #background art #backgrounds #character design #pencil animation #popeye #bluto

[lamia111]

#Popeye The Sailor Meet Sindbad The Sailor #popeye the sailor #cartoon #disney

[dateddisneydishes]

Rustic Rye Bread

From The Country Cousin in An Academy Award Review of Walt Disney Cartoons

History

So there's a bit of controversy around this short. It won the 1936 Oscar for best animated short, supposedly because of the character work where the main character acts drunk.

However that was also the same year that Fleischer Studios released Popeye the Sailor Meets Sindbad the Sailor.

The short was deemed notable for being a two reel cartoon. It was double the length of most shorts at the time and historians argue that it was a major step forward towards full length animated films.

The short, along with its two sequels, are in the public domain and can be viewed from the National Archives if you want to watch them.

Food

Okay, back to the recipe. The country cousin slips on some slices of bread after getting drunk on champagne. This bread looks more rustic than pre-sliced bread, and darker too, so I've chosen an old rye bread recipe from 1934.

Ingredients

420 g of cold water from the tap

275 g boiling water

300 g of rye starter

340 g of rye flour

260 g of wheat flour

11 g of salt. You can add more to your taste.

Cookware

Stand or hand mixer

Mixing bowl

Baking pan

Directions

Mix your starter with flour and water and let it ferment for about 5-6 hours at room temperature.

Reserve about 10% of required flour amount, then mix all dry ingredients apart from reserved flour.

Add required boiling water to dry ingredients in three stages mixing everything very fast to get rid of lumps and without letting your mixture to cool down excessively. Once mixed with all the water, wait for your scald to cool down a little.

Mix in 10% of flour you have reserved previously. Cover tightly, and let sit for a few hours till cool completely.

Mix your sourdough and scald, let the mixture ferment for 4 hours.

Add remaining ingredients to you scald and mix well until no dry spots left. If you’re making a single loaf, then shape straight away and let the dough proof for 50 minutes.

Kneed the dough in a stand mixer on low for 15 to 20 mins (or hand kneed if so desired) and then let proof a second time for another 50 mins.

Place dough into a greased loaf pan and bake at 210 degrees for about 45 to 60 mins.

Then take the loaf out of the pan and let it cool completely before serving.

Next up, more crackers.

#disney dishes #historical recipes #food history #disney history #disney #the country cousin #an academy award review of walt disney cartoons #rye bread

[dirjoh-blog]

Popeye the Sailor Meets Sindbad the Sailor

Popeye the Sailor Meets Sindbad the Sailor

On November 27 1936, the movie ‘Popeye the Sailor Meets Sindbad the Sailor’ was released. The movie has brought me quite a bit of childhood trauma. It was used to facilitate a lie. I was told that if I would follow the diet of Popeye I too would get his superhuman powers. But I never did . Ok, joking aside who wasn’t told that if you would eat spinach you’d become as strong as Popeye? Popeye…

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#Academy Awards #History #Hollywood #Pop culture #Popeye

[stilllifesposts]

POPEYE THE SAILOR MEETS SINDBAD THE SAILOR 1936

Director: Dave Fleischer

USA | English | 16 mins

[filmes-online-facil]

Assistir Filme Popeye the Sailor Meets Sindbad the Sailor Online fácil

Assistir Filme Popeye the Sailor Meets Sindbad the Sailor Online Fácil é só aqui: https://filmesonlinefacil.com/filme/popeye-the-sailor-meets-sindbad-the-sailor/

Popeye the Sailor Meets Sindbad the Sailor - Filmes Online Fácil

O marujo Sinbad se proclama o maior marinheiro do mundo, uma alegação que é desafiada pela chegada de Popeye à sua ilha com Olívia Palito e Dudu. Com a ajuda do seu pássaro Roca, Sinbad lança uma série de desafios a Popeye para que este possa provar sua grandeza.

[now-watching]

#new to me 2023 #letterboxd

[newspdm]

Cartoon: Popeye the Sailor Meets Sindbad the Sailor, 1936

Cartoon: Popeye the Sailor Meets Sindbad the Sailor, 1936

Popeye the Sailor Meets Sindbad the Sailor is a 1936 two-reel animated cartoon short subject film in the Popeye Color Feature series, produced in Technicolor and released to theatres on November 27, 1936 by Paramount Pictures. It was produced by Max Fleischer for Fleischer Studios, Inc. and directed by Dave Fleischer, with the title song by Sammy Timberg. The voice cast includes Jack Mercer as…

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#1936 #Fleischer Studios #Max Fleischer #Popeye

[mohg-lover]

Popeye the Sailor Meets Sindbad the Sailor(1936)

Popeye the Sailor Meets Sindbad the Sailor(1936) directed by Dave Fleischer was a short film based on the American Popeye comic strip and the Arabic stories of Sinbad the Sailor. This 16 minute feature was one of three Popeye films created by Fleischer Studios and Paramount Pictures to showcase the classic character in technicolor. In the short Sinbad kidnaps Popeye’s girlfriend, Olive Oyl, with a giant bird. Sinbad and Popeye have an all out brawl until Popeye eats a can of spinach and defeats him, ending the cartoon. The film was shot in technicolor which was becoming widely used with animation and film of the mid 20s to 30s and would become standard for the majority of Hollywood film after the Great Depression. It was a two-reel film, since one reel of film was equivalent to about 11 minutes, longer films had to be stored on multiple reels of film in this time period. Several scenes in the feature showcased the technique of animating on sets or model backgrounds. This technique was useful for larger scale backdrops and helped to provide proper perspective and extra depth for the environments that the characters would then be animated onto after the models were shot. The film makes decent use of looping animations as well to keep its actors feeling lively, the voice acting also helps to give these characters plenty of personality. This feature was highly acclaimed at the time and nearly won an academy award in 1936 for Best Short Subject: Cartoon, only losing out to Walt Disney’s Silly Symphony The Country Cousin. In 1994, the feature was voted #17 in The 50 Greatest Cartoons: As Selected by 1,000 Animation Professionals and in 2004 it was placed in the Nation Film Registry for being culturally significant by the United States Library of Congress. References: https://www.youtube.com/watch?v=93sdrfBbceY&t=399s https://en.wikipedia.org/wiki/Popeye_the_Sailor_Meets_Sindbad_the_Sailor#Release_and_reception https://en.wikipedia.org/wiki/Popeye#Characters_originating_in_comic_strips_by_E._C._Segar https://en.wikipedia.org/wiki/Sinbad_the_Sailor https://en.wikipedia.org/wiki/Technicolor

[onarangel]

An image from Popeye the Sailor Meets Sinbad the Sailor (1936), directed by Dave Fleischer 

After sending his giant bird, Rokh, to wreck Popeye's boat and kidnap Olive Oyl, Sindbad forces Olive to dance for him by firing buckshot at her feet with a pea-shooter. Popeye attempts to rescue her while J. Wellington Wimpy follows a duck around with a meat-grinder. After Popeye disposes of Rokh and Sindbad's two-headed, Yiddish-accented giant, Boola, it's a battle to the "finich" between the two legendary sailors.

#Popeye the Sailor Meets Sindbad the Sailor #animation #short #adventure #popeye #sinbad #1936 #Dave Fleischer #traditional animation

[twoheadedfilmfan]

Popeye the Sailor meets Sindbad the Sailor (1936) dir. Dave Fleischer

#popeye #popeye the sailor #popeye the sailor meets sindbad the sailor #fleischer studios #dave fleischer #max fleischer #1936 #animated short #30s animation #30s #old cartoons #1930’s #cartoons

[pacingmusings]

Seen in 2020:

Popeye the Sailor Meets Sindbad the Sailor (David Fleischer), 1936

#films #movies #shorts #stills #animated #cartoons #David Fleischer #Popeye the Sailor Meets Sindbad the Sailor #Popeye the Sailor Man #J Wellington Wimpy #seen in 2020 #1930s #Mubi

[burakurnaz]

#popeye the sailor meets sindbad the sailor #dave fleischer #corona

[aliveandfullofjoy]

idea stolen from my beloved @if-only-angels-could-prevail. it's officially been two weeks since my covid vaccine, i'm putting a cap on my quarantine viewing log. of the 528(!!!) movies i've watched since march 2020, these are my 75 favorite first-time feature-length viewings and my 15 favorite first-time short viewings, in alphabetical order!

feature-length:

Ace in the Hole (dir. Billy Wilder, 1951)

American Utopia (dir. Spike Lee, 2020)

The Band's Visit (dir. Eran Kolirin, 2007)

Beau Travail (dir. Claire Denis, 1999)

Blood Simple (dir. Joel Coen, 1984)

But I'm a Cheerleader (dir. Jamie Babbit, 1999)

Cameraperson (dir. Kirsten Johnson, 2016)

Closely Watched Trains (dir. Jiří Menzel, 1966)

A Cottage on Dartmoor (dir. Anthony Asquith, 1929)

Crip Camp: A Disability Revolution (dir. Nicole Newnham and James Lebrecht, 2020)

Crossing Delancey (dir. Amy Micklin Silver, 1988)

Daisies (dir. Věra Chytilová, 1966)

Design for Living (dir. Ernst Lubitsch, 1933)

Dick Johnson is Dead (dir. Kirsten Johnson, 2020)

Distant Voices, Still Lives (dir. Terence Davies, 1988)

Divorce Italian Style (dir. Pietro Germi, 1961)

Driveways (dir. Andrew Ahn, 2019)

Eat Drink Man Woman (dir. Ang Lee, 1994)

Education (dir. Steve McQueen, 2020)

The Father (dir. Florian Zeller, 2020)

First Cow (dir. Kelly Reichardt, 2019)

The Freshman (dir. Fred C. Newmeyer and Sam Taylor, 1925)

The Hero (dir. Satyajit Ray, 1966)

The Hitch-Hiker (dir. Ida Lupino, 1953)

Kuroneko (dir. Kaneto Shindo, 1968)

L'Atalante (dir. Jean Vigo, 1934)

Le Bonheur (dir. Agnès Varda, 1965)

Le Notti Bianche (dir. Luchino Visconti, 1957)

Like Father, Like Son (dir. Hirokazu Kore-eda, 2013)

Local Hero (dir. Bill Forsyth, 1983)

Love & Basketball (dir. Gina Prince-Bythewood, 2000)

Lovers Rock (dir. Steve McQueen, 2020)

Mad Max 2: The Road Warrior (dir. George Miller, 1981)

Malcolm X (dir. Spike Lee, 1992)

Meek's Cutoff (dir. Kelly Reichardt, 2010)

Metropolis (dir. Fritz Lang, 1927)

Mikey and Nicky (dir. Elaine May, 1976)

Monsoon Wedding (dir. Mira Nair, 2001)

My Neighbors the Yamadas (dir. Isao Takahata, 1999)

Never Rarely Sometimes Always (dir. Eliza Hittman, 2020)

Nights of Cabiria (dir. Federico Fellini, 1957)

Nomadland (dir. Chloé Zhao, 2020)

One Sings, the Other Doesn't (dir. Agnès Varda, 1977)

Only Angels Have Wings (dir. Howard Hawks, 1939)

Pandora's Box (dir. G. W. Pabst, 1929)

Pennies from Heaven (dir. Herbert Ross, 1981)

Pickup on South Street (dir. Samuel Fuller, 1953)

Quo Vadis, Aida? (dir. Jasmila Žbanić, 2020)

Red, White and Blue (dir. Steve McQueen, 2020)

Rocco and His Brothers (dir. Luchino Visconti, 1960)

Romeo + Juliet (dir. Baz Luhrmann, 1996)

Rushmore (dir. Wes Anderson, 1998)

Scattered Clouds (dir. Mikio Naruse, 1967)

The Sea Wolf (dir. Michael Curtiz, 1941)

Seven Samurai (dir. Akira Kurosawa, 1954)

Sleepless in Seattle (dir. Nora Ephron, 1993)

Sound of Metal (dir. Darius Marder, 2019)

Stop Making Sense (dir. Jonathan Demme, 1984)

Sweet Smell of Success (dir. Alexander Mackendrick, 1957)

Symbiopsychotaxiplasm: Take One (dir. William Greaves, 1968)

The Taking of Pelham One Two Three (dir. Joseph Sargent, 1974)

Tea and Sympathy (dir. Vincente Minnelli, 1956)

They Shoot Horses, Don't They? (dir. Sydney Pollack, 1969)

Three Colors: Red (dir. Krzysztof Kieślowski, 1994)

To Wong Foo, Thanks for Everything! Julie Newmar (dir. Beeban Kidron, 1995)

Two for the Road (dir. Stanley Donen, 1967)

Uptight (dir. Jules Dassin, 1968)

The Watermelon Woman (dir. Cheryl Dunye, 1996)

Wendy and Lucy (dir. Kelly Reichardt, 2008)

What the Constitution Means to Me (dir. Marielle Heller, 2020)

Whisper of the Heart (dir. Yoshifumi Kondo, 1995)

Who Framed Roger Rabbit (dir. Robert Zemeckis and Richard Williams, 1988)

Within Our Gates (dir. Oscar Micheaux, 1920)

Wolfwalkers (dir. Tomm Moore and Ross Stewart, 2020)

A Woman Under the Influence (dir. John Cassavetes, 1974)

shorts:

Asparagus (dir. Suzan Pitt, 1979)

Bambi Meets Godzilla (dir. Marv Newland, 1969)

Black Panthers (dir. Agnès Varda, 1968)

Coming Out (dir. Cressa Maeve Beer, 2020)

Fireworks (dir. Kenneth Anger, 1947)

The House is Black (dir. Forough Farrokhzad, 1963)

The Human Voice (dir. Pedro Almodóvar, 2020)

Kapaemahu (dir. Joe Wilson, Dean Hamer, and Hinaleimoana Wong-Kalu, 2020)

The Meaning of Life (dir. Don Hertzfeldt, 2005)

The Music Box (dir. James Parrott, 1932)

An Occurrence at Owl Creek Bridge (dir. Robert Enrico, 1961)

Popeye the Sailor Meets Sindbad the Sailor (dir. Dave Flesicher, 1936)

Uncle Yanco (dir. Agnès Varda, 1967)

World of Tomorrow, Episode Three: The Absent Destinations of David Prime (dir. Don Hertzfeldt, 2020)

Zero for Conduct (dir. Jean Vigo, 1933)

:')

#sometimes elliott watches movies

[doctorbluesmanreturns]

Since the Popeye animated movie with Genndy Tartakovsky at the helm is apparently in development again as of May 2020, I hope that they lean into the fantastical, fairy tale and magic elements of both the strip and some of the Fleischer cartoons, particularly ones like Popeye The Sailor Meets Sindbad The Sailor where the then-modern-day sailor man found himself tangling with a slew of mythological creatures and their master, a version of Bluto from ancient times. There’s so much potential with a project like this and I really hope they absolutely run with all the possibilities.