So I finally started listening to season 2 of TSV which inspired me to finally finish the cover art for this fansong I made after the season 1 finale and FINALLY post the damn thing (yay!)
Lyrics are the season 1 episode titles from The Silt Verses by Jon Ware which I’ve set to my own very amateur instrumentation and vocals
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I finished TMA and was itching for something to listen to next and found myself relistening to first episode of The Black Tapes Podcast knowing damn well I hate the way the entire show ended.
The second I started tho I was completely immersed once again. 😔
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art is Hard and the yearly taz hyperfixation is Particularly Potent this time around so uh. enjoy the intersection of those two things, i guess
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literally where can the zelda franchise go after totk. this is it. we've reached it. the pinnacle of video game entertainment. the whole dev team should just pack their stuff and enjoy a long and comfortable retirement. whoever decides their team has to follow-up on that with the next zelda game should answer for their crimes at the hague. what the fuck. I haven't even beat the game yet but what the fuck.
and how are AAA video game devs everywhere not losing their minds. how the hell did nintendo do any of that? and on that console?? you mean to tell me I can stack 15 differently shaped objects on top of each other and they don't vibrate violently into the skybox?? you mean to tell me the physics engine gladly accepts whatever I throw at it and holds it all together without dropping a frame while running on a machine that was outclassed two generations ago??? this is not witchcraft it's a grandiose demonstration of mastery over every aspect of game development that casts an immense shadow over every other AAA studio. fuck. fuck!!!!
everything about this game is crazy to me. the visuals are crazy. the soudtrack is crazy. the complexity of all systems and how they interact is crazy. the sheer amount of non-repeating content, NPCs, quests, dialogue, puzzles, environment variety - all crazy to me. every time I boot up this game I am humbled by the monumental effort and obvious love that went into every facet of the resulting experience. no cut corners anywhere. mirror-perfect chrome polish.
it's so rare we get something like that, in any field. I'd understand if nintendo never made a zelda game ever again because how do you follow that. god I hope everyone who worked on this game got the fattest check and the sloppiest head. I'm so happy I get to live in shigeru miyamoto's world
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catherine tate spending a lot of time not knowing donna was as popular as she was bc a journalist said to her before she went in to film series 4 "what do you think of the fanbase hating the fact you're coming back". is a) so fucking heartbreaking and b) the most on-brand donna noble thing i could ever think of
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I’m really out here. In 2023. Giggling and swinging my feet at Alex Reagan and Richard Strand’s constant flirting with each other.
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arthur and john's relationship is built on codependence and working together because there's no other choice, but it's also a lot about arthur projecting onto john. arthur considers himself a failure as a person, but now he has a chance to prove that someone evil can actively choose to be better. he believes that if john can be saved, so can he. if john can be redeemed, so can he. that's why he tries, at every possible turn, to push john to be better. that's also why, whenever john takes a few steps back in progress, it has such an intense effect on arthur. because he wants to save john.
because if he can save john, he'll finally have proven to himself that he can be saved too.
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bro what fandom is cecil from sounds fire as fuck
i think he's from the magnus archives im not really sure
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