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#pls tell me someon knows this snl sketch
absolute-artlad · 4 months
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some just long to be understood
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hangovercurse · 3 years
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Live from New York
You’re hosting SNL and get close with one of the cast members
Request: “hi! can you do something about pete where the reader is hosting snl and throughout the week they’re flirting with each other but she’s unsure if they should date and he convinces her? maybe a combo of fluff/angst/smut? it can be whatever :,)”
Pete x Reader
Warnings: Cursing
A/N: I told myself I wasn’t going to take that long on this one and then I ended up watching an entire documentary on the making of an SNL episode because I wanted to be as accurate as possible… someone stop me pls
Word Count: 2834
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Monday
Despite being a swiftly rising actress, you hated being the enter of attention. You’d always gotten anxious as a kid when a teacher made you stand in front of the class for presentations or during first-day introductions. So being front and center in a room of 30 people who were all there to study and try to impress you was not something you found pleasant.
“Hi, I’m Y/N Y/L/N.” You spoke timidly to the crowded room, people clapping from their spots on the floor or various couches around the room, “it’s great to be here.”
Lorne cleared his throat, “alright, let’s start with you, Anna.”
You looked around the room as a young woman pitched the first sketch of the night, listening intently to her ideas while trying to match faces with the names Lorne had given you earlier. Then your eyes locked with a pair of deep brown ones, the man wearing a soft smile on his face. He radiated gentle energy despite the tattoos you could see running down his arms.
The pitches continued with an air of lightheartedness and fun. You found nearly everything funny, so you couldn’t even begin to imagine how you were going to cut any of the sketch pitches.
After a lull in ideas, Lorne announced that cast members could now pitch ideas for Weekend Update character appearances. The man you’d taken an interest in earlier, who you’d since learned was named Pete Davidson, pitched a new set of characters for you and him.
“You know those weird stoner kids in high school who were always hanging out in the parking lot and acted really weird and mysterious? Those characters who just give really vague answers to anything you ask and act like they’ve seen some shit when they have the most normal home lives.”
You giggled, knowing the exact kinds of kids he was talking about. Colin and Michael also chuckled, writing the idea down with some notes of their own. Soon after that, everyone went back to pitching regular sketches, Jost and Che pitching an unusual number of sketches featuring you and Pete.
After a few long hours, the session wrapped; everyone leaving the office space except for you and Lorne, “so, what did you think?”
You chuckled lightly, “you have some seriously talented people on this show, Mr. Michaels. I don’t understand how you guys write an entire show every week.”
“We all work very hard; I’ll tell you that. Now, talk to me. Anything you really liked or really hated?”
You shrugged, “you’re the comedy mastermind, I know nothing. But I thought that weird kids from high school bit was pretty funny.”
Lorne nodded, “So did Jost and Che it seems. Sometimes the kid has a good idea.” You giggled at his reference to Pete as “the kid.” He sighed, “anything else? I noticed you liked that proposal sketch.”
“Yeah, that one was super funny. I will say, I wasn’t too in love with the dad-teacher one, but I would have no problem with it being done with someone else as the daughter.”
Lorne and you spent the rest of the workday discussing the different sketch ideas that came up and gauging what type of comedy suited you best. Before you left, he introduced you to Donna, your dresser who would be helping you out throughout the week.
Tuesday
After a quick tour of the studio by Donna, you were given a list of cast members and writers who wanted to meet with you to get ideas about sketches. You first stepped into a small room with a desk and futon, Donna introducing you to Chloe Fineman and Celeste Yim.
Chloe smiled brightly at you, “okay, so we were thinking that we could do something where I bring you to a sleepover with some friends that you don’t know. But at some point, you try to go to sleep because you have a soccer tournament in the morning but everyone else is being loud and it turns into this big overdramatic argument.”
You giggled softly, “I love that!”
After writing with them for a while, you were whisked away to room after room, finally landing in Colin Jost and Michael Che’s office, where they were hunched over a computer with Pete.
Colin smiled at you, “hey Y/N, how’s your day been?”
“Busy, how are you guys?”
The men responded with variations of “good,” before Michael spoke, “I know it’s late, so don’t feel obligated to stay longer than you’re comfortable with.”
You shrugged, “what time is it? It doesn’t feel that late.”
Pete laughed, teasing Colin and Michael, “c’mon guys, don’t you know that the young people of New York don’t sleep?”
You giggled in agreement as Colin frowned, “I’m only 38, that’s not that old.”
“I’m only 26, Colin,” you said, laughing at the men.
Michael patted Colin on the shoulder, “Jost, we’re getting old.”
Colin frowned before clearing his throat, “anyways, we had a couple ideas for some sketches with you and Pete, if you’re up for it, and we wanted to hash out your weekend update appearance.”
You smiled and nodded, “yeah, that sounds great.”
The rest of the night (and into the early morning) was spent with the three men, eventually joined by Heidi Gardner and Kyle Mooney to work them into the scripts. A majority of the writing process was simply messing around with various sketch situations until someone found a joke that worked best.
Pete watched you carefully the entire night, doing everything in his power to make you laugh. You had no complaints, doing your best to not openly flirt with him in front of the rest of the cast (and failing quite miserably).
Wednesday
Wednesday was the designated day for the roundtable readthrough. You took a place between Pete and Lorne, who began the reading, “we’ve got 41 sketches so let’s get started.”
The table read was just like any other you’d been through; Lorne wasting no time between sketches to discuss or joke. You struggled with containing your laughter throughout the reading, trying to act professionally. It didn’t help that Pete was making jokes any chance he got, eliciting even more giggles from you.
The three hours seemed to take no time at all as sketch after sketch was read out loud. Every so often you would catch Lorne looking at you with an eyebrow raised, usually after you read one of the sketches with Pete.
After everyone was dismissed, you were led to Lorne’s office with the head writers and producers. There was a large wall covered in sticky notes with each sketch’s name written on one. Lorne turned to you, “what do you think?”
You scanned the wall, listing off some of the sketches that you really liked, though most of them were  great, so you had trouble narrowing them down.
Lorne let out a small laugh, “you guys noticed how she picked out the sketches with Pete in them, too, right?”
Your face went hot, immediately turning to face the ground. Colin and Michael chuckled, “we noticed,” the latter commented.
“There’s nothing wrong with it, Y/N, just wanted to point it out to you.” Lorne teased before turning back to the wall and thinking.
You giggled, “you guys suck.”
As embarrassed as you were, your anxiety was surprisingly low. You had been worried about hosting since you got the invite, but the cast and crew had been nothing but kind to you. Even just being able to make jokes like this with the writers made you feel oddly comforted.
You worked on narrowing down which sketches to keep for rehearsals and which ones were going to get cut immediately, a job that was very easy for Lorne but very difficult for you.
Eventually you got it down to enough sketches that Lorne was satisfied and he sent out the list to the cast. He led you out of his office, “you know, you have a real affinity for comedy,” he told you. “I don’t know if you’ve ever thought about sketch comedy, but from that read through you seem to know what you’re doing.”
You blushed slightly, thanking him, “we’ll see if you’re still saying that on Saturday.”
He chuckled, “have a good night.” You waved at him as you walked towards the exit, running into none other than Pete Davidson.
“Hey, you headed out?”
You smiled, “yeah, just got out of my meeting with Lorne. Did you get a chance to look at the revised sketch schedule?”
Pete nodded, walking with you to the door of the theater, “yeah, I noticed you kept a lot of our sketches in there,” he bumped your shoulder, a playful smirk on his face.
A giggle rolled from your lips, “what can I say? We’re funny together.”
He raised an eyebrow, watching as you flagged down your taxi, “whatever you say.”
“Are you complaining about having to work with me?” You asked, opening the door.
He chuckled, “oh yeah. I am just dreading tomorrow.” Sarcasm laced his words, making you laugh.
“Goodnight, Pete.”
“Goodnight, Y/N.”
Thursday
Donna ushered you around all day, making sure you were in the rehearsal space when you needed to be and supporting you from the side. This part of the process came naturally to you, as it was the most similar to rehearsing and filming on movie sets.
When you weren’t rehearsing a scene, you were hanging out with Pete. It was strange how easily you got along, your humors aligning almost perfectly. Not to mention he was a huge flirt and was making it more and more obvious with you. You flirted right back, earning looks of amusement from Lorne throughout the day.
The day was a whirlwind, and by the time you were able to go home, you were exhausted. Pete walked you out to the street again, talking about one of the sketches that went wrong earlier until your taxi pulled up. This time he opened the door for you and helped you inside, “see you tomorrow.”
You smiled up at him, “bright and early.”
Friday
After hours of rehearsing, you plopped onto the couch in Pete’s dressing room, where you had found yourself a home over the past few days, “I don’t know how you guys do this every week. I’ve been here for four days and I’m exhausted.”
Pete chuckled, “to be fair, you’re the host. The key is to try and only get one sketch into the show so that you don’t have to do anything during the week.”
You laughed, letting a comfortable silence fall over you. Pete studied you, taking in your tired appearance, “you’re doing great though, being a host. I’ve seen some people come in and try to take control of everything and then no one has fun. You’re really good at just letting the comedy speak for itself. Not many people do that.”
Shrugging, you responded, “I mean, I’m not a comedian, I’m just an actor. You guys come up with everything. I don’t know enough to try and control things around here, I just do what I can to make your visions come to life. I figured that’s what a host should do.”
Pete nodded, “yeah, but again, a lot of people want their SNL episode to look a certain way. You don’t seem to care.”
“I just want to have fun, honestly.”
He smirked, “are you?”
You looked up to him with a smile on your face, “definitely.”
Suddenly the speaker in the room rang out, “Y/N and Pete to main stage 1.”
Groaning, you lifted yourself from the couch, Pete watching you with amusement, “c’mon Ms. Host, we’ve got a show to rehearse.”
Saturday
The day was hectic; filled with rehearsal after rehearsal. Lorne and Donna made sure that you were comfortable all day, but you could feel the stress radiating from every inch of the studio.
Stronger than that, though, was the sense of excitement buzzing around everyone. You were fit into more costumes than you could count, all leading up to the final dress rehearsal of the night in front of the live studio audience.
Dress ran smoothly, but you could see Lorne cutting lines from sketches from stage out of the corner of your eye. Luckily, Pete distracted you from all the anxious energy. “I know Lorne looks like a psychopath, but that’s just what he does. Everything’s fine, don’t stress about it,” he said over dinner.
You chuckled, “thanks. I feel so out of my league this week.”
“I told you, you’re great. Everyone here loves you. I heard Lorne talking about wanting you back as soon as possible.”
Rolling your eyes, you responded, “yeah right, I’m never gonna do anything big enough to get me on this show again.”
Pete laughed, “you could always make guest appearances with me on the Weekend Update.”
“You aren’t sick of me already?” you joked.
After dinner you were paraded around by Donna, who got you into your style for opening monologue. She smiled at you through your dressing room mirror, “how are you feeling?”
You gave her a nervous smile, “terrified, but ready.”
The lady chuckled, “you’ll do great. I’ll be right offstage if you need anything.”
“Thank you, for everything this week.”
She squeezed your shoulders, “don’t mention it, though if you really want to thank me, go ask that Davidson boy out on a date.”
Your eyes went wide, “Donna!”
A chuckle rang out through the room, “what? I say it for your own good.”
She led you through a maze of hallways and tunnels until you were in place to walk onstage, the speaker announcing your name to the audience followed by cheers.
Exactly 90 minutes later you were gathered with the cast on stage, “thank you to Fletcher, Lorne Michaels, this amazing cast and crew, and thank you all for watching. Goodnight everybody!”
You turned to Pete, who was standing beside you and let him pull you in for a hug, “you did it!” he cheered.
You passed around the cast, giving hugs to as many people as you can before Lorne announced, “that’s a wrap on Y/N Y/L/N and Fletcher!”
Everyone cheered, clapping for you and your musical guest before heading to their dressing rooms to change into their night clothes. You went back to your own dressing room, taking a moment to bask in the feeling of accomplishment.
A knock on your door pulled you out of your haze, “come in!”
Pete entered the room, a wide smile on his face, “congrats!” You let him pull you in for another hug, “so I know that there’s supposed to be this big party after the show, but I was wondering if you’d let me take you to dinner instead?”
Your breath got caught in your throat, those words being the last thing you expected to hear from him. Of course, you wanted to say yes because you did, truthfully, really like him. But part of you was hesitant.
You’d dated your fair share of celebrities, and things always ended very publicly and typically poorly. On top of that, you couldn’t help but feel that this might be happening a bit too quick. You started to doubt that he would still have feelings for you in a week since he wouldn’t be around you nearly all the time.
And then there was the issue of your insane work schedules. Having just lived through his, you weren’t sure if you would be able to keep a relationship like that.
“Pete, I think you’re amazing and I really like you, I just-“
Pete nodded his head, cutting you off, “I know we only met like a couple of das ago, but people go on dates with literal strangers all the time.”
You sighed, “it’s not that, Pete, it’s just that…” you paused, searching for words, “things like this tend to be very public with me, and I really don’t want to have a relationship where there’s all this pressure by the media to be perfect.”
He shrugged, “I get that, but it’s just dinner. And we can go somewhere quiet and private, no one has to know. And if things go further then we’ll just keep it on the down low until you’re ready. Trust me, I know what a public relationship is like, I’m not a huge fan either.”
“Yeah, but what about your work schedule. I mean, I’ve only lived in your world for six days and I want to sleep for a month. How do you even hold a relationship on this schedule?”
Pete moved closer to you, fingers grazing your arm, “we can make it work. I promise. Just give me one date, and if it’s not the best first date of your life, you have no further obligations to me.”
You giggled lightly, leaning into his touch, “I’m only saying yes because you’re kinda cute.”
He smiled down at you, eyes twinkling, I’ll take it.”
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lestatslestits · 3 years
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Dear Evan Hansen info dump! Dear Evan Hansen info dump! Pls I saw it in London and fucking despised that show
OKAY sorry this took a while I got tied up at work.
For those unfamiliar, here’s a very basic rundown of the plot as I remember it because I refuse to revisit it.
Content warning for. So many things. Suicide, mental illness, lying, gaslighting, and like. Just a weird song about siblings. I dunno.
So basically there’s this kid named Evan Hansen who has social anxiety and probably depression, and he sees a therapist, who has told him to write letters to himself as an assignment. It’s the first day of school after summer break and his arm is in a cast because he broke it climbing a tree. This is our “hero.”
He’s got a crush on a girl named Zoe (Zoey?), who he desperately wants to notice him but he’s awkward and shy and has a song about it. Zoe’s older brother, Connor, is what happens when 45 year old theatre producers google what a depressed teenager looks like. I think he may actually be described in canon as looking like a school shooter? Even if I’m wrong about that, it’s clearly the intended vibe.
So Evan goes to school with his letter, meets Connor there (who he does not know at all, and that is extremely important), and Connor asks to sign his cast. He does it HUGE letters so it’s impossible to miss, but while this interaction goes down he finds Evan’s letter, which talks about how he has put all of his hope into his relationship with Connor’s sister, Zoe. It’s worded weirdly ambiguously because it’s a surprise tool that will help us later. Anyways, Connor freaks out at the idea of Evan writing about his sister, and he takes the letter.
Later Evan gets called into the office to speak to Connor’s parents, because Connor has committed suicide. And on his person is a letter that begins “Dear Evan Hansen.”
So now everyone is convinced he was Connor’s only friend, and that this was Connor’s suicide note. Connor’s family starts asking Evan questions about Connor and instead of explaining the mixup, Evan just ???? Goes with it???????????? He makes up a WHOLE ASS BACKSTORY about his deep friendship with Connor, writes additional Dear Evan Hansen letters, and develops a relationship with Connor’s grieving family.
A person at school (in the musical the character is a girl but in the movie I think the actor is non-binary and I dunno if the character will be or not) sets up a memorial for Connor and asks Evan to speak. He does, someone posts his speech on youtube, and he goes mega viral for talking about the impact Connor had on him. Suddenly a whole campaign starts, around the phrase “You will be found.”
Evan gets super famous, but his mom and his friend uhhh Jared I think is his name have gotten wise and shit is falling apart.
Okay I did have to google a bit for the ending because I blocked it out.
Ultimately Evan confessed what he did to Connor’s family, because the “suicide note” got leaked online and now people blame Connor’s parents. So he comes clean in a way that is like “I’m so sorry, but please consider that I was sad.”
And they’re mad but they don’t pursue it at all or tell anyone about all of his lies because ???? What are consequences???
Evan’s mom finds out that his fall that led to a broken arm was actually a suicide attempt, so she feels guilty and sad for??? Being a single mom and having to work?????
A year later Evan meets up with Zoe who says that actually everything Evan did was okay because it brought her family closer together, and actually thru needed this.
Evan has no consequences, other than feeling kind of guilty, and the show ends with him writing another letter to himself.
So like.
Where do I start? The weird infantilizing bullshit of a sad white boy receiving no consequences for his actions?
The fact that all of the work on “The Connor Project” is done by the show’s one (1) character who is regularly cast as a person of color, who receives no appreciation?
The fact that, oh yeah, it turns out that Connor was emotionally abusing his sister for years, to the point where she has a whole song about how she doesn’t know how to mourn for someone who has caused her so much pain. Evan, aware of this, uses his own ROMANTIC FEELINGS FOR ZOE to come up with a lot of stuff to “prove” that Connor actually cared about her, making her believe that her dead brother who tormented her actually gave a shit, because it helped Evan get a girlfriend. This plot point literally FLABBERGASTS me because I never see anyone talk about it. Also I’m pretty sure the tie-in book tried to retcon this and make it an unreliable narrator thing and in general to make Connor more sympathetic by making him queer???, but it’s never addressed in the musical, so it’s not really possible to consider that canon.
Also Evan sings a song, allegedly from Connor’s perspective, about all the things he (a character who is romantically interested in her) thinks about her....using her dead brother as a mouthpiece???
The fact that Broadway started a whole #youwillbefound movement. That’s right. They started a suicide awareness campaign based off of a COMPLETELY CANONICALLY FAKE CAMPAIGN and people took it seriously, like people who sing The Last Five Years at their weddingsxhhkkgukj
Uhh the fact that the fandom woobifies both Evan and Connor and SHIPS THEM together even though they do not know each other, which is literally the point of the story 🤪🤪🤪
I could go on but damn I’m pissing myself off.
WAIT I forgot to add that @wolfsbaneblooming said she thought the movie trailer was an SNL sketch and she’s RIGHT
Uhh tagging @theclichefortunecookie because I promised an infodump
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pls do my smiley girl Vanessa!
I am so so sorry this took me so long to get to!!!! I had a response all ready to post and then my internet went whack and deleted everything I wrote :/ and since then I’ve been crazy busy with school and volunteering and trying to get enough sleep. Anyway:
Hoo boy Vanessa Bayer is a smiley ray of sunshine and she lights up my life
I have to thank my friend Riley for making me a huge fan of Vanessa (and for getting me into SNL in general) because he once told me his favorite cast members are Kate and Vanessa and made me watch the og High School Theatre Show sketch where Vanessa plays the parent in the audience and the Baby Shower/THE CUT sketch where V is one of the moms. I found both of those sketches to be hilarious and we had a bonfire last summer that just became a “let’s quote these two sketches in particular.” She’s so funny in both her low-key satirical humor and her ridiculous over-the-top stuff. She seems like she’d be so fun to work with and also a great friend to get dinner with or drink wine and watch TV. Basically everything she does is wonderful so here are just a few of my favorite sketches she’s done/characters she’s played/Vanessa-isms:
1) Jacob the Bar Mitzvah Boy: definitely my favorite weekend update character that Vanessa plays. Vanessa said in an interview that Jacob is basically all of the awkward parts of her squished together into a 13-year-old Jewish boy. She embodies the awkward middle school boy SO well that I nearly forget it’s Vanessa, and all of my jewish friends are/were 100% this kid at some point in their youth. I’m not Jewish but I was raised catholic which I would say is kind of like being an orthodox jew in the how we (generally) take our customs very seriously and follow our readings more closely than protestants (no hate on protestants y’all just saying I draw more connections between jews and catholics than jews and any other christian denomination) so I kind of feel like I was Jacob whenever I explained the catholic stuff I had to do to my friends
2) all of her mom/wife characters: Vanessa has a real knack for playing white suburban moms/wives/women in all of their stereotypical glory. My absolute favorite one that she plays is Gene’s Wife (from the Gemma dinner date sketches with Kenan and Cecily and guests The Rock and Benedict Cumberbatch) because she is the epitome of white wives on TV sitcoms. Like have you ever seen a Disney Channel show? All of the mom characters are these cheesy women with weird inflections that make jokes and little jabs at their husbands, but are completely over their husbands’ flaws as soon as the husbands point out why their flaws are a good thing (does that make sense? it’s like the wives are endlessly forgiving and the jabs are just there for comic relief, or possibly to provide some “tension” within the couple). And I just think Vanessa really nails it. I love making fun of the stereotypical white woman because I am, in some ways, a stereotypical white woman and I agree that I do some dumb fake shit now and then and it’s super obvious to everyone around me
3) when she talks about her cancer: this may seem like a weird thing to include  but this is kind of a personal connection so I’m going to talk about it anyway. Vanessa has said in interviews that she got into comedy because she and her friends would make jokes about her cancer when she was a teenager and it helped her get through it. I don’t have cancer but I DO have anxiety and, while I realize these aren’t the same things at all, part of the reason I got into comedy and performing in general is because it has helped with my anxiety, especially when I get validation from people in the form of applause or laughter or even a smile. And even more so, joking about my anxiety with my friends has helped me a lot in that it kind of normalizes it and makes it less weird to talk about panic attacks and therapy and whatever else I’m dealing with. I realized when I was pretty young that my love for performing is related to my anxiety and I think for a long time I believed it was weird for publicizing and joking about my issues to be helpful, hearing vanessa talk about how cancer boosted her love of comedy made me feel better about having this dark part of me connect to one of my brightest parts
4) Office Christmas Party: I saw this with some friends from high school (including the aforementioned Riley) over winter break and I thought it was pretty good, like obviously it wasn’t a cinematic masterpiece because most party movies aren’t (unless we’re talking about Sisters bc that movie is my shit) but I thought it was good overall and funny and had some good subplots. I know a lot of the SNL fandom was really focused on how ridiculous and goofy Kate’s character was and my friends kept pointing at the screen and saying “leah that’s so you” whenever Mary, Head of HR made an appearance, but I was personally more interested in Vanessa’s character and storyline. This is jprobably because every time I go to a party (which is rare and really only in the summer) I always think to myself “tonight could be the night I fall in love!!!!” and I end up flirting hardcore with someone and then it never goes anywhere so I just felt very connected to Allison bc she is me in all large social settings
5) Vanessa’s parts in SNL music videos: to be fair, I love all parts of all snl music videos because I think they are just packed with so much genius, but I really really love Vanessa’s part in Back Home Ballers when she raps: “Once everyone’s in bed I go insane/heroine, marijuana crack cocaine/are not what I want, I want cheese on chips/and to put on some very old crest white strips” because again I just hear it and I’m like ME like I could go out with my friends and party or whatever because my parents would never expect me to do anything like that but of course I just stay home and watch netflix and see what kind of meal I can make myself with whatever is left in the house. Also in Crucible Cast Party and Do It on my Twin Bed when Vanessa tries to be sexy it just cracks me up because you can tell she is seriously trying but I’m just so used to seeing her be a goof or like super virginal that the sexiness doesn’t come through for me
6) her Rachel Green impression: this is probably most people’s favorite Vanessa thing and honestly I can see why. I’ve been watching Friends on and off for years since it’s usually on Nickelodeon from 11 pm to 1 am, so I would just watch it when I could and like a lot of people I was a huge fan of rachel (that has changed in some ways since I watched it more regularly but that’s not the point). Until I saw Vanessa do weekend update, it didn’t even occur to me that Rachel is freaking annoying. Like there are still a lot of things I love about her but her speech pattern is just phrases!!! Lots and lots of brief phrases that rarely form a whole sentence unless she is a doing a dramatic monologue!!!!!! And that is just annoying to listen to!!! However watching Vanessa do that impression along with her other impressions of Friends characters has helped me to pay more attention to speech patterns of characters and real people so that I can improve my own impressions so thank you Vanessa more making that so clear for me
7) the fact that she writes sketches where she can make out with the host: so I don’t actually know how much of this is Vanessa’s idea this is, but Aidy said in an interview that Vanessa would get a mock election award for writing sketches where she gets to kiss a hot host so I’d assume Vanessa does in fact write these. For those of you who don’t know, Vanessa has made out with Ryan Gosling, Chris Pratt, and Kristen Stewart in sketches (Santa Baby, Kissing Video Game Characters, and Totinos, respectively) and it’s always HILARIOUS. All of these sketches bring sexuality to an otherwise non-sexual situation, and it’s so awkward and uncomfortable but at the same time we’re all jealous of her getting to kiss such hot people. The kissing shtick, especially sloppy kissing, always gets me on snl as it’s usually weird and unexpected and as a performer I assume it’s super fun/terrifying for the cast members
I’m going to end this here because it ended up being super long but thank you for the message! I love talking about people I adore and everything that makes them so great :)
If you want me to do this for another SNL cast member, send me an ask here!!
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