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#phrygian mode
neuro-chaos · 3 months
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Phrygian Harmonai
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An experiment with one of my favourite modes, using the modern diatonic form. https://on.soundcloud.com/s5JUD
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dorianbrightmusic · 3 months
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are you named after the dorian mode
apologies for not answering sooner. Yes, I am. Smartass little bastard 12-year-old me named himself after a goddamn music pun. And she wasn’t wrong, since the dorian mode sounds so fricken bright in a nice brain-scratching way
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eclecticopposition · 11 months
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someone's gotta make phrygian's triumphant musical theme that comes out in scenes like this and name it A Single Shot
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mycannibalromance · 2 years
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i wish music jargon wasn't so. Hard
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prettyhatmachine · 2 years
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I have a singing exam and I have to sing a bunch of the modes
I feel like the locrian mode is always actively antagonising me
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guitarguitarworld · 1 year
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Modal Chords:Modal Chordal Harmony
Modal Chords: Harmony
CLICK SUBSCRIBE! Modal Chords: “Chords” from Transposed Mode [C as Root] Lesson/How to/Examples Please watch video above for detailed information and examples: Hi Guys, Moving on from our last blog on the Modal backing track, I have included another video [above] explanation regarding the modal chords/harmony that I employed. PDF MODAL CHORDS: pdf-modal-chordsmodal chords Download IF THIS…
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pporapipam · 2 years
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eleven by ive really makes me wish i had paid more attention when we learned about modes in music theory class bc i’m really lost </3
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humanmorph · 11 months
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phrygian masquerade fit (this is my best shot.) + normal head mode + miscellanious stuff listen i cant explain it to you but its literally so fun to me to draw cable shapes even if it is also incredibly arduous
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04/05/2023 The Blue Haired Girlfriend spotted a couple morels while we were walking down to the mailbox. Delicious! We've never seen morels here before.
Every year, in spring and autumn, when the light comes through the rain in a particular way, we go through a process foragers sometimes call "getting your mushroom eyes." At first you look at pieces of the forest one after another: the shadow of a likely tree, a mossy hollow, a fallen log, a pile of rotting leaves. Mushrooms could be in this place, or that one, and you focus on each possibility one at a time, switch between them with a sort of internal click. But as the rains continue and the world greens, we start to read the forest as a whole story, instead of sounding out each individual shadow and clump of moss. There's a trick to it that has to be relearned each season, a porousness, a way of looking at the world and letting it flow through you and feeling the underlying currents and patterns.
Until one day you are walking in the woods and there are mushrooms everywhere and it doesn’t seem possible you didn’t see them before. Like you've gone through a hidden doorway into a different world, stranger and truer than the old one.
The thing that is most like getting your mushroom eyes is falling in love. You meet someone. A musician: you talk about synthesizers and phrygian mode. You look at the moon together when you are sleepless thousands of kilometers apart. You've never been good at conversation, but she listens to everyone - waiters and tow truck drivers and delivery people - and you learn that everyone has a story so beautiful that listening to them tell it feels like wings opening inside your ribcage. At first the glimpses of the other world are piecemeal, clicking into and out of focus - like maybe you hear a synthesizer in grocery store background music, and you tell your friends, "hey, you know, my girlfriend is a musician," and they smile tolerantly. (It is not the first time they have heard this.)
  Until one day you realize you can feel the phase of the moon without looking at it, the mode of a song is as clear as its lyrics, and that when you talk to a stranger you can see a soft light in them now, like a lantern through stained glass. It doesn’t seem possible that you didn’t see these things before, somehow. You have come through the door of her, to a better world, vaster and stranger and truer. We enjoy cooking, but I think more than the occasional leaf or mushroom for the kitchen, the thing we love about foraging is to love the world, together.
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bumblequinn · 9 months
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I've been finally getting myself to learn music theory as of late so I'm curious: do you have a favourite chord progression? Or maybe a small list of recurring ones you like to use fairly often?
i have quite a few, yes! in no particular order:
I maj 7 -> IV maj 7 -> I maj 7 -> bVII dominant 7
this one is an elaboration on the soothing Imaj7 - IVmaj7 vamp you hear in a lot of lo-fi hip hop and tranquil acoustic guitar pieces. the bVII dominant chord is the secret sauce here; it's functionally similar to a minor IV used at the end of a major progression (think "creep" by radiohead), which gives it a wonderfully wistful, bittersweet feeling. however i like using it more than the minor IV because it moves me even more, and i basically never hear it used so it feels unexpected!
where i learned it: messing around :) where i've used it: the world to me and patchwork
IV maj 7 -> V maj -> III min 7 -> VI min (-> II min 7 -> V dominant 7 -> I maj 7)
aka the royal road progression! you hear it everywhere for a reason; it's loaded with functional harmony and full of movement, making memorable melody writing a breeze. and it's also just... jam packed with feeling, you know? what that feeling is depends a lot on the rhythm, voicing, and arrangement; with an upbeat tempo and large ensemble it can be bombastic and filled with melodrama, yet stripped back to a lilting music box it can be dreamy and yearning. it's easy, it's versatile, it works. what more could you ask for? where i learned it: every anime opening theme ever where i've used it: chasing dreams, star power, and many more
I min -> bVI maj -> IV min -> bII maj 7
this one is kind of like if you built a progression out from each of the notes in the major seventh chord found in the second scale degree of the phrygian mode, starting with the seventh of the chord and descending by thirds to the root. at least, that's how it makes sense to me when i try to put it into theory jargon. i just think it sounds nice. really tense. it loops super elegantly, too.
where i learned it: doom ii - opening to hell by bobby prince where i've used it: t r a n s c e n d and twin moon dance
i think i'll leave it there for today. there are more, but the brain fog is winning right now :') might add to this in the future. thanks for asking, and best of luck with the learning! 💓
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wereshrew-admirer · 9 months
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fatt pinup week 7: challenge mode
The figure in bismuth finds some chuck tingle books on phrygian's bookshelves, this one's "pounded in the butt by a sentient musical chord"
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musictheoryaugmented · 8 months
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Got a new clock and was struck by this sentence in the instruction booklet.
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I reckon lydian is the “live, laugh, love” mode, and phrygian is for PhD ponderances.
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relicsongmel · 1 month
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Tell me the Pokémon music thoughts??? :000
TWO whole Pokemon music asks WOOHOO!!!!! These past few days I’ve been on a kick of listening to Scarlet and Violet’s OST and downloading my faves (since I wanted to wait until the DLC had been released and then play through it fully before doing so) and it might be one of my favorite soundtracks to date. That being said here are the tracks I’m currently the most feral about:
Battle! (Team Star Boss)
The loop for this one is almost SIX MINUTES LONG which is a smart choice for how long and difficult some of these fights tend to be—and it’s six minutes of pure unadulterated musical goodness. Obviously the killer synths and guitars are a highlight here, but what really makes this theme (and the rest of the Team Star themes) special is how the harsh instrumentation is contrasted with sections containing emotional melodies and harmonies that give a sense of determination and hope—which fits in with Team Star’s storyline as former victims of bullying and doing their best to persevere in spite of that. All their themes are also composed by one of their bosses in-universe which is a fun lore detail (shoutout to my boy Giacomo I love him <3)
South Province
This one basically functions as the theme of the Paldea Region—this leitmotif (composed by our beloved Toby Fox) appears a LOT in various places within the soundtrack, particularly in cutscenes. It’s a great theme for exploring out and about in the game’s open world, and the sunny A major is a great key choice which is always a win in my book. I’m also a big fan of the piano version that plays while you’re walking in the overworld (as opposed to using your mount Koraidon/Miraidon) as well as the beautiful arrangement used at the end of the main story (if I had a nickel for every time a piano theme at the end of a Pokemon game made me cry I’d have two nickels. Which isn’t a lot but it’s weird that it happened twice).
Showdown! (Champion Kieran)
I haven’t had a lot of time to get myself acquainted with much of the DLC soundtrack, but I wanted to include at least one in this list because there’s a lot of quality stuff worth shouting out. This is the last of Kieran’s three battle themes (technically there’s four but the final one isn’t a full battle and is mostly comprised of Terapagos’ motif as opposed to his own so I’m omitting it here) and there’s an interesting transformation that happens across each of them—it starts out mostly with traditional instrumentation and only mild chromaticism (which almost all battle themes have at least a little of) but transforms into something harsher by adding electric guitars/synths and more dissonant, darker harmonies (this one makes heavy use of Phrygian and Locrian elements—Phrygian is a mode that’s very similar to the minor scale but uses a flat 2nd scale degree, so for a piece in E minor like this one that would mean using an F natural as opposed to an F#. Locrian is the same as Phrygian but with a flat 5 added as well, meaning B♭ as opposed to B natural. These flat notes serve to darken the overall sound), which corresponds to Kieran’s arc of becoming bitter and resentful as he suffers repeated losses at the hands of the player. I’m also tickled by the fact that his battle themes are all in E minor which is the softest and gentlest minor to my ears—you can hide under those edgy guitars all you want Kieran but we all know you’re still baby :3
Area Zero
And we’ve saved the best for last because this is hands down my FAVORITE theme from this game; it’s not even a contest. I have such a vivid memory of playing through Scarlet for the first time a year ago and being incredibly intrigued about what was hiding in the massive crater at the region’s center (I tried flying/leaping in with Koraidon and lurking outside the Zero Gate yelling “LET ME INNNN” more times than I can count lmao)—and I was not at all disappointed when I got there because this is straight up one of the prettiest areas in the whole game. However. HOWEVER. NOTHING could have possibly prepared me for the breathtakingly beautiful music that accompanies this place—I remember stopping in my tracks as soon as I heard that low brass kick in, and then the chanting. Oh my lord the CHANTING. Honestly I was sold right then and there but WE’RE STILL NOT DONE MAKING THE MUSIC OF THE GODS BECAUSE SWEET MOTHER MARY THAT SYNTH????? TOOK ME THE FUCK OUT—I lose my everliving shit at anything even resembling an erhu in music because its voice-like timbre is so…raw and emotional in a way I really don’t know how to describe; all I know is it rocks me to my core to the point that I have to watch my breathing when I listen to a piece that has one lest I start hyperventilating (because it’s powerful enough to literally induce a physiological response out of me). Needless to say I was frozen in place for at LEAST ten minutes just to take it all in; that initial experience was utterly magical and I wish more than anything I could go back in time to live that feeling again.
But that very long preface aside, there are a couple other things about this piece worth noting—the first being that E♭ minor is an IMMACULATE key choice in my opinion. In my synesthesia it primarily represents what I call “the crushing black weight of despair,” but it also functions very nicely in any intense, high-stakes situation, which fits beautifully with the circumstances surrounding Area Zero in-game. It’s a walled garden filled with invasive wildlife from the distant past/future that poses an imminent threat to Paldea’s ecosystem should they find a means of escaping to the outside; in fact, we learn from the professor that some species have already managed to do so. I also quite like how the instrumentation is vastly different from every other piece of music you’ll hear in Paldea’s overworld, which has primarily been orchestral arrangements up to this point—but here, it’s a blend of primal and futuristic sounds that perfectly captures the collision of the present and the past/future. So yeah if you couldn’t tell I am so so so so unhinged about everything this theme represents and I fully expect to be just as mentally unwell about it YEARS down the line (because believe me, I’ve certainly got the track record for it).
Scarlet and Violet’s music is just so so good—and again, obligatory “this is just the tip of the iceberg that is everything I love about this soundtrack” but I hope you enjoyed my insights into what makes this music so special!
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dliessmgg · 6 months
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the modes of the major scale as magical girls
ionian: the leader. the straightforward one. connects everyone through the power of friendship. force/energy magic. aeolian: the serious, intellectual one. the one who has a friendly rivalry (romantic undertones) with the leader. water magic. phrygian: the physical one. often gets mistaken for a delinquent. fire magic and temper to match. lydian: the gentle, reserved one. light magic. mixolydian: the mischief-maker. avoids getting into trouble by being charming. electricity magic. dorian: the one who's older than the others. most aware of the responsibility they're all carrying, but isn't afraid of facing it. plant magic. locrian: the dark one. standoffish, but has a deep desire to connect. shadow magic.
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guitarguitarworld · 1 year
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Modes Backing track Modal Chords and Chord/scale suggestion:
Modal Chords in 12 Bar Structure and chord/scale.
CLICK SUBSCRIBE! Modes Backing Track Transposed in C Major with Chart and Scale Suggestions. Hi Guys, Just a quick chart and backing track for practice and improvising with modes transposed in C Major. [The chords and scales are only suggestions there are other variations] Here are the chords for the chart: Here is the Modal Chord/Scale outline in a 12 bar [Blues] Structure for…
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anonymousdandelion · 1 year
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