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#peldis
dinonetwork · 2 years
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220829 - WEVERSE
[NOTICE] 2022 CARAT MONTHLY EVENT 💎 - Aug. #SVT_농구왕 안내 (ENG/JPN/CHN)
Hello. This is SEVENTEEN Weverse.
A special event [2022 CARAT MONTHLY EVENT 💎] will take place for SEVENTEEN Membership holders.
This event will take place on the last day of each month. Please check out the details below regarding participation.
Click here to view the full announcement!
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bb-latvija · 10 months
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Sievietes, salīdzinot ar vīriešiem, divreiz biežāk neprot peldēt, liecina "Mēness aptiekas" un pētījumu aģentūras "Norstat" veiktās aptaujas dati. Pirms peldes lēnām ieiet ūdenī 72% aptaujāto, vismazāk šādi rīkojas vecākā gadu gājuma cilvēki - 65%, bet pārējās vecuma grupās 72-75%. Šāds paradums ir 77% peldētājiem Zemgalē, 74% Pierīgas un 73% Vidzemes iedzīvotājiem, nedaudz mazāk - 70% Rīgas un Latgales iedzīvotājiem, bet Kurzemē peldi lēnām uzsāk vismazāk - 68% aptaujāto. 6% respondentu aptaujā norādījuši, ka ūdenī ieskrien ātri - izplatītākais šāds peldes uzsākšanas veids ir jaunākās - 18-29 gadu vecuma grupas respondentu vidū - 15%. Pārējās vecuma grupās tā dara trīs reizes mazāk aptaujāto. 2% norādījuši, ka ūdenī ielec ar galvu pa priekšu, turklāt vienāds skaits šādu peldētāju ir gan jaunākajā - 18-29 gadu veco un vecākajā - 60-74 gadu veco vidū. 40-49 gadu vecumā no aptaujātajiem tikai 1% apstiprinājis, ka lec ūdenī ar galvu pa priekšu. Populārāk šādi peldi uzsākt ir arī Rīgā un Pierīgā. Arī ar taisnām kājām ūdenī lec 2% iedzīvotāju, tomēr gados jaunāko vidū tādu ir 4% - senioru vidū nav nemaz. Vēl 12% respondentu, jautāti, kā uzsāk peldi, norādījuši, ka rīkojas, atkarībā no situācijas. Aptaujas dati liecina, ka 11% iedzīvotāju neprot peldēt un augstākais rādītājs ir Latgalē - 17%, savukārt Vidzemē un Zemgalē - 12%, Kurzemē - 11%, Rīgā - 10% un Pierīgā tikai 8% norādījuši, ka neprot peldēt. Aptauja veikta 2023.gada jūlijā, visā Latvijā aptaujājot 1001 iedzīvotāju vecumā no 18 līdz 74 gadiem.
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lordkimhodu · 7 years
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(Pledis going to take legal action against the the people who posted/commented about the rumour) Good thing pledis is fast to respond
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starshipscoups · 5 years
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my cat when I'm not playing SSP: *minding my own business*
my cat when I'm playing SSP: ATTENTION ME PLZ! ExCusE Me!? Your hands are NEEDED elsewhere!
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lovdino · 6 years
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dino’s playing cards jacket in the boomboom mv
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“I’m never going to start a business. It’s insane.” - Peldi Guilizzoni of Balsamiq ($6MM/year)
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pledis17 · 7 years
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© Mint Breeze || do not edit/crop photo. [☆]
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fyeahthe8 · 7 years
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dinodata · 7 years
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© 마이찬
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outerspace_simona
Šis rīts iesākās ar pirmo auksto peldi. Jau likās tik auksti kā ziemā! Bet ko vajag, to vajag - atgādinu sev par iemesliem, kāpēc to daru, un braši brienu ezerā!
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kidnamedfinger · 2 years
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In regards to NOT giving people credit-I wouldn't be surprised if it falls the other way quite often too! It happens everywhere-a more dramatic example is you writing a song and then selling it-but then having to sign a contract saying that you publicly give up all rights/or ect-and just get paid for the buying of the song. Not even royalties. There's whole people who have made their careers off that model. I wouldn't be surprised at all if there were people who contributed to the songs and got no credit-no matter how big and small because it ultimately is so arbitrary. You can put down whoever you want for those things. The peldis ceo put down his wife or something for 17s music right? Like, he did that with no initial pushback because there's no regulations-its just whatever everyone decides/agrees on/is forced to agree on. A good example is the Beatles! They always put everything down Lenon/McCartney even if one song was obviously written by only one-and they in public were like oh we wrote this song together, I wrote this one myself,he did that one alone-all of the Beatles credits have them split evenly because that's how they agreed to it. With some bands it's the same way, and others it's more specific, and others it's EVERYONE ever like the drummer getting lyric credit even if he never did anything ect. It's totally arbitrary and whatever the artists want, and in kpop that's up to the company and most likely whatever they agree on with the producers!
(Also bless Taemin!!!)
omg yes that makes sense too!! and one of the reasons i was so late to kpop was cause i was so married to this myth about the indie rock ethos where music should be self composed and its not authentic unless ppl had a hand in it themselves or even the idea that music becomes LESS good if outsiders work on it. but at the end of the day the producer and the mixer and the masterer are usually separate people and theres no way a 4 person conventional rock band had everyone just writing their own parts in equal measure. i always wondered this in like 2015 i listened to the vaccines a lot and i was like why do they have a bassist whose job it is to be the bassist when all he does is play the root note of each chord for the first like 2 albums the band put out?? and nowadays im like Why do Red Velvet songs EVER have a rap part when they NEVER need a rap part? Why has seulgi written like one song in her entire life (and it was so goddamn good)? I guess I have always been a crusader for these issues n I always will be 😎
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lesbiancarat · 3 years
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Haha its fine! Im book anon for a reason so take all the time you need! Before I start, I wanna apologize for the possible asks you got about the merch and hybe in general. I didn't intend to cause stress and need to be careful bdjahdsj so slap me with a fish!
Onto the ask! But agreed, I mean before the big kpop boom we saw, this was very common. Build a decent fanbase and then move to Japan or China. (Of course sometimes you see INSTANT movement in other countries but that depends on the company and such but you know what I mean) but since we do have the more global kpop era, we may see more companies do America which isn't a bad thing. It makes sense buisness wise so they will jump on it after debut or something. Thus I don't see it a bad thing for kpop groups to promote in America because hey, if in Korea they do sell western artist music who also tour there, kpop groups can also do the same ya know?
Now onto the hybe comment, I will try not to speak too much on it so I will try to summarize. I think my theory is due with merch from their main artist, they think maybe it could work with svt which maybe could but svt has a different fanbase so throwing on random merch won't make fans really want to buy (not saying some won't which kudos to you! As a fan you are allowed to consume what you please except not be a bad apple about it) so thus like the infamous water bottles which was done for bts, they thought why not do it for svt because bts fans sold it out apparently for a 2nd wave of it being sold again. (Which to this day idk why someone in the hybe team thought this was smart. Like...this is just in bad taste imo) I do wanna agree that it appears that hybe doesn't seem to have a proper art team for svt because while sometimes wild, I do know for their main artist they do have thoughtful merch based around say an album concept I recall. Kf course they will make mistakes i.e. the water bottles. I do wish it can improve because even though it is capitalism, I think fans do want decent merch. We have seen interesting ideas like svt making their own magazine and selling it lol. Of course it is hard to please because some fans want subtle merch ideas while others don't mind the vibrant pastel colors we got or some want wild ideas like svt figurines or something. Overall I hope I didn't drag this too much as I just wanted to respond back to you, I agree with many points you said so yeah cx I say let's also wait as this is barely what, a year or even less of svt being under hybe properly. Especially when hybe had its rebranding and expanding so things are being changed, I know fans are worried about this which is valid but let's not panic just yet. Let's come back in a year to this and see what has improved and what hasn't. (OK but peldis sold the boys rings!? :o since when!? I haven't heard of this actually, when did this happen if I may ask?)
Oof yeah sadly with streaming, many view "oh you don't stream it means you aren't a fan" when isn't the case (which is why I personally don't like when certain companies also do "listening parties" which seems a bit ???) I do remember this popped up big in 2017 but many fans called it out so it quiet down a bit. Like we didn't see it so often where fans were causing problems over it so idk why this returned nor what the cause of it was.
But thank you!! It really was a nice closing chapter, I think when I have personal stuff settled I will try maybe get a new bunny? And oohh congrats on the album! (Note to hybe or pledis. Please make the us store a more common thing, it makes things so much easier! Am happy it was at your place quick so kudos to the us store. Oohh wonderful choices! I think for many fans anyone or heaven's cloud seems to be the popular picks? For me, I may have to say game boi or heaven's cloud as well! Those songs make me just so happy? Like game boy is just so creative with the way it was made. As a video game nerd, it is perfection. I could make an essay about this song lol and heaven's cloud is just...wow. I feel so at ease with the song, comfortable and soothed. Like you are on a cloud lol. Also that is totally fine! Rtl was a grower for me (I blame the mv, it didn't do the song jusitice) but it is a bop and can't stop humming the chorus at random moments. Overall a great summer album. Just imagine any of these songs performed live ndjansns
lol don't feel too bad about it! honestly they weren't that bad + i can always delete asks if i really don't want to answer them, i just always get a bit paranoid that things will get out of hand so i may end up getting more serious in those situations OTL
and yeah i agree! i don't think it's a bad thing for groups to promote in the US, as you said, it's similar to groups expanding their fanbase by promoting in china or Japan or other asian counties, it makes sense from a business standpoint and there's nothing wrong with promoting in different countries. i just wish that some kpop stans understood that western and/or global popularity is a bonus and not a requirement for success. while they do have a global appeal, at the end of the day kpop's main audience is korea, and groups that achieve popularity in Korea have already achieved what they set out to do. but there's unfortunately a decent chunk of international fans that prioritize western popularity over anything and can't fathom that a group can be successful without being popular in the US. or they just talk as if their groups western achievements are more valuable than their Korean ones and to me that starts to look like xenophobia... (sorry if I'm repeating anything i said before in regards to this, i feel like i am but I'm too lazy to go back and check OTL)
since you sent this ask hybe released the caratland merch which was actually really nice, and today they also announced that there will be birthday merch for cheol (and presumably all members from here on out). we don't know what the bday merch is yet but some carats are already a bit miffed that hybe is even thinking to capitalize off the boys' birthdays... i bring both of these up bc i feel like the caratland merch proves your point that hybe is capable of designing good and thoughtful merch, and honestly this does reassure me a bit. but on the other hand them trying to capitalize off the boys' birthdays also proves that they still don't fully understand carats wants and priorities as a fanbase. which, if the future of seventeens merch is gonna be quality merch with some shitty cash grabs in between, i can live with that. I'm not gonna like the shitty cash grabs and i think it would be in our best interest as a fandom to not go crazy buying those shitty cash grabs, because if we don't then hybe will hopefully stop wasting their time and put more effort into /quality/. but if we get quality merch for important events like concerts and fanmeetings, i can live with it. as you said too, it can take time for these things to change, and we should all recognize that. but at the same time merch specifically is market driven, so i don't think it's a bad thing if people like @ hybe on twt about any bad merch that comes out in order to drive that change dhfkfj
but also on a maybe more fun note in regards to the merch... with some carats being upset about the bday merch i was thinking about what hybe could do for merch instead that would fill the niche of being at intervals throughout the year that could still be limited time drops but that carats wouldn't be mad at them capitalizing on and then i was like duh! they could literally just make merch off of going seventeen! honestly I'm surprised they haven't yet. maybe not merch for every episode, but they could have a line of permanent gose merch w a basic logo or something and then release limited time merch themed around some of the more popular episodes at various points during the year. I'm actually kind of obsessed with this idea now and for once I'm like hybe/pledis please capitalize off of this!! dhfkgjg
they never actually sold them, but for seventeens 3rd anniversary, pledis planned to sell replicas of seventeens rings. after it was announced carats were understandably upset since the boys worked so hard for those. luckily pledis heard carats concerns and put out an apology and didn't manufacture them in the end. I'm glad that at least they listened to carats even though it would have been better if they had never considered the idea in the first place :(
oh yeah listening parties are definitely just another marketing technique to boost streams. i think like with a lot of marketing techniques, it just depends on the execution. imo if they're done well it can be a good way for fans to connect while listening to an artists music, which is mutually beneficial for the company, but i can totally see a situation where companies get greedy and push it too hard. i don't know anything about what happened with them back in the day, but if you're curious why SVT had listening parties leading up to your choice, they were set up by UMG, the American distributor that SVT worked with for this cb. in this case the listening parties weren't just for boosting streams, but also likely for UMG to gauge interest. SVT isn't officially signed to a US label yet, but UMG's data from the listening parties could be used to show US labels whether or not there's enough interest for them to be signed. which if that happens we'd almost definitely see a more permanent US shop!
ahh yes, once you're ready I'm sure it would be great to have another bunny companion 🥺
yes! heavens cloud and gam3 bo1 are both such feel good songs! my sister actually added heavens cloud to their Spotify after i made them listen to the album in the car dhfkf it's now one of 6 kpop songs they have saved (4 of which are SVT... my influence 💅 DHFJFH) I'm certain we'll see some of the songs from your choice at caratland this year, hopefully it's all of them but I'd especially like to see heavens cloud and wave 👀 I'm also still crossing my fingers for an i wish live performance bc i can't believe my favorite SVT b-side is one of the TWO tracks they haven't performed live not including the new album (the other one being network love, which i would also like to see live!)
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lordkimhodu · 7 years
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My life is perfect because you’re silly and I need that silliness in my life
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starshipscoups · 5 years
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I know we are all worried about our boys
But we need to remember that they are workaholics (some definitely more than others). I don't think all of the pressure to perform while sick is on Pledis. I think a good portion of it comes from themselves. I can 100% see all of them (except maybe Minghao, ever the one to stan reason) trying to perform even if they aren't 100% (i.e. woozi @ Oty south korea day2).
They want to perform and go to fan signs. Especially if the events are abroad because they don't want to disappoint international carats because we don't get to see them as often if ever.
Don't get me wrong, I do think Pledis needs to put their foot down on things like this. But our boys are grown ass men who love us and I think WE (especially international carats) should be more aware of OUR demands on the boys.
Sending 13 people plus a support team all around the world is EXPENSIVE. Other groups can do it because they don't have to pay that much.
I know as a US Carat, I'm super disappointed that we get a bang and bounce schedule, but at the same time, I get that this whole venture costs lots of money.
Financially, they have to work 10x harder than smaller groups to perform outside of South Korea. That's why I think they are spend so much time in Japan because that's where the money is.
I know there was a post going around about how Kcarats were mad about all the attention Japan was getting but like...if they do really well in Japan, they can give other international carats attention.
It sucks. They are really trying to satisfy us, Peldis, AND themselves by doing this world tour.
TL;DR
I think SVT and Carats are particularly to blame for the bouts of sickness in the group and we shouldn't ignore this.
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senjaya · 5 years
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Setiap orang punya kebanggaan. Salah satu kebanggaan seorang founder startup/pebisnis adalah sukses dan besar bisnisnya. . Kadang secara permukaan hal itu disematkan melalui variable jumlah tim, besar funding didapat, atau seberapa mewah kantor. . Hingga itu semua sering berubah jadi ego yang mengaburkan parameter substansial berbisnis. Yaitu apakah bisnis kita bisa merealisasikan tujuan awal kita berbisnis dengan bisnis yang sehat. . Baru2 ini saya belajar dari cerita perjalanan perusahaan bernama Balsamiq. Tentang kemampuan memilih apa yang berarti dan memilih cara mencapainya dalam perjalanan. . Mereka ciptakan software yang bantu kita membuat rancangan mockup web atau aplikasi kita. Saya pertama dengar dan mencoba software ini tahun 2011. Langsung jatuh hati menggunakannya. Di tengah gencar orang labelkan sukses membangun startup pada parameter permukaan seperti jumlah karyawan, funding, dan menterengnya kantor, Balsamiq memilih jalan berbeda. . Peldi Guilizzoni, sang founder, memilih perusahaannya agar tetap ramping, tidak pernah punya investor, namun bisa profitable dan terus mampu bersaing dalam kompetisi global. . Timnya cuma 25 orang, tiap tahunpun rata-rata bertambah hanya 3 orang. Tapi mereka bisa melayani puluhan ribu konsumen di 193 negara. Bisnisnya sehat. . Kini Balsamiq berusia 10 tahun lebih. Pendapatan setahunnya lebih dari USD 5,5 juta. Menurut Paul Jarvis dalam buku Company of One, Peldi mencukupkan diri hanya mengambil USD 1 juta untuk kebutuhan pribadi dari profit bersih dan masih dapat mengalokasikan uang yang cukup untuk jalannya perusahaan lebih dari 18 bulan ke depan. . Mereka memang bukan memilih fokus pada menjadi yang terbesar dan terkaya. Mereka memilih untuk fokus meningkatkan kualitas dari produknya dari waktu ke waktu. . Sehingga satu2nya yang perlu dikejar dan dikalahkan adalah diri sendiri. Bukan melulu berusaha dahului orang lain. Tidak semua orang harus jadi nomer 1, namun semua orang bisa terus menjadi lebih baik dari versi dirinya setiap hari. . Tidak semua orang perlu menuruti kemauan egonya, karena ia tetap bisa memilih menjalani apa yang memang benar2 berarti dalam hidupnya. https://www.instagram.com/p/B5ToUgbBUNF/?igshid=qcf15dwphctb
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naamarutulla · 5 years
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Ihan vähän larppijutut
Larppi meni hyvin, ja suureksi yllätykseksi pelidarra “peldis” (ainakin oletan, että lyhenne tulee sanasta pelidarra) oli semiolematon. Sen sijaan ruumiini kyllä päätti, että parin päivän jatkuva itkeskely tarkottaa sitä, että JEE! Menkkojen aika! silleen melkeen kymmenen päivää etuajassa -_-
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