Othmar Motter (Vorarlberger Grafik), Motter Ombra, 1972, Distributed by Berthold Fototypes (as film type) and Letraset (as dry-transfer type) [Letterform Archive, San Francisco, CA. Fonts In Use]
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Colour and shape
For the agricultural expo, the poster took an abstract point of view for it. Using solely shape and colour. Motter has managed to illustrate a chicken without using any actual imagery. Furthermore, Motter has done so with the use of (bar two exceptions) only triangles.
Messe Dornbirn 1984
Othmar Motter
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Right place at the right time
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Leasing Dornbirn — Designer: Othmar Motter; Firm: n/a; Year: 1967 - Logo Design
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Othmar Motter / Urquell / Symbol / 1983 https://ift.tt/3lB9wIA -> Telegram Design Bot
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Othmar Motter - Meister der Extrabold by Elias Riedmann / Design by Elias Riedmann / Published by @triestverlag * * * * * #othmarmotter #austrian #austriandesign #design #graphicdesign #designer #graphicdesigner #graphicbooks #books #booksondesign #designbook #type #typography #typeface #publishing #publication #grid #layout #designstudio #designstudent https://www.instagram.com/p/By6K6IQhp_m/?igshid=1bsfe6ursh6lk
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verena gerlach
Berlin Graphic Designer, Verena Gerlach studied Visual Communication at Kunsthochschule Berlin Weissensee. After graduating in 1998, she founded her own studio for graphic design, type design and typography. Between 2006-2006 Verena art-directed several video clips and worked on the typographic production for international, contemporary artists.
Hijra Fantastik (an art research project by Claudia Reiche)
Hijra Fantastik is an inquiry into Femininity and explores this idea as a contribution to the Year of the Women. The Logotype Hijra Fantastic is made of a work-in-progress typeface, Gerlach designed being inspired by the stunning hand painted shop letterings she found in Bangalre. A hybrid to Letraset catalogues, featuring Tectura (Othmar Motter, 1971) and Stop (Aldo Novarese, 1971).
Bauhaus and America Experiments in Light and Movement
The logotype Bauhaus is an experimental, typographic creation by Gerlach. It plays with strong contrasts and different widths of letter to reflect a feeling of movement and changing perception. The word America is set Christian Schwart'z Giorgio. It aims to being some glamorous spirit of the US cities in the 1950ies.
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sterreichische Lnderbank Othmar Motter 1969
Source: Tumblr | Curated by logoCore
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👨🏿 Kiwanuka Album Art
Remember Michael Kiwanuka from issue #4? His new album is great (one of the greatest albums of the decade even) but have you seen his logo? It’s set in Motter Ombra, a font designed by Othmar Motter in 1973.
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Othmar Motter (Vorarlberger Grafik), Motter Ombra, 1972, Distributed by Berthold Fototypes (as film type) and Letraset (as dry-transfer type) [Cyrillic adaptation (lettering) by Grigory Filippovich Klikushin in 1987] [Letterform Archive, San Francisco, CA. Fonts In Use]
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Paris-based studio Violaine & Jérémy is a multidisciplinary creative studio that typically works across identities, poster design, illustration, typography and more. Made up of Jérémy Schneider and Violaine Orsoni, the studio believes in “beauty, refinement, delicacy and timelessness”. As a result, Violaine & Jérémy’s portfolio is bursting with projects that are not only beautiful but are executed with precision and finesse. The latest project from the studio is a typeface called Cako, originally designed by Schneider for a brand identity that was never presented to the client. “We design many custom fonts for our projects, but we only use 20% of what’s produced,” the studio says. “We began designing Cako with the G and the K. The shapes are inspired by Art Deco, but we transformed the shapes to make them more contemporary with a lot less decoration.” Another reference for the pair was a typeface from the 70s, designed by Austrian graphic designer Othmar Motter. Called Motter Ombra, the typeface is beautifully dramatic like Cako, and was distributed by Berthold Fototypes as film type and Letraset. Cako is Violaine & Jérémy’s first full family typeface, having previously only
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Österreichische Rechtsanwaltskammer — Designer: Othmar Motter; Firm: Vorarlberger Graphik, Austria; Year: --
https://www.xtvshow.com/rechtsanwalt/oesterreichische-rechtsanwaltskammer-designer-othmar-motter-firm-vorarlberger-graphik-austria-year/
Österreichische Rechtsanwaltskammer — Designer: Othmar Motter; Firm: Vorarlberger Graphik, Austria; Year: -- - https://www.xtvshow.com/rechtsanwalt/oesterreichische-rechtsanwaltskammer-designer-othmar-motter-firm-vorarlberger-graphik-austria-year/ - #Austria #designer #Firm #Graphik #Motter #Österreichische #Othmar #Rechtsanwaltskammer #Vorarlberger #Year
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Just Pinned to Logo Design: Leasing Dornbirn — Designer: Othmar Motter; Firm: n/a; Year: 1967 https://ift.tt/2IEmSQO
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Motter Ombra by Othmar Motter in 1976 | by daylight444 - Logo Design
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Motter Ombra — Othmar Motter (1972)
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logo-archive: Gas & Waterwork, Bregenz Othmar Motter 1980,... https://ift.tt/2UoZmQH Telegram Design Bot > https://t.me/gdesignbot
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