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#one piece manga 1082
laurasoretta · 6 months
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Buggy, darling, never give up on your dreams because of a red-haired guy!
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zorobae · 1 year
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stretchydyke · 6 months
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besides being not normal about the truth of the shanks/buggy 'betrayal' and not normal about their break up scene in the rain etc etc. i am also Not Normal about the fact that buggy has kept this to himself for years (decades) but he now trusts the cross guild enough to trust them with this secret, this burden that he's carried all this time. like. stop i'm not normal about buggy telling his two scary boyfriends about his biggest trauma and insecurity i will cry
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jester-d-ace · 5 months
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GUYS
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GUYS?!!!
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Chapter 331 vs Chapter 1082 Brother against brother, who is the real coward when it's you who's the one giving up?
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cipher-zoo · 1 year
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Thinking about Buggy again.
Thinking about the boy who wanted to be just like his captain, who dreamed of being the King of Pirates.
Thinking about the boy who grew up knowing that he was never the favored son.
Thinking about the boy who stood his Shanks' shadow, because no matter how much his crewmates or his captain may have believed in him, they always believed in Shanks more.
Thinking about the boy who gave up on his dream, but decided that he could at least help Shanks achieve it.
Thinking about the boy who lost his captain, his best friend and the last remnant of a dream he had long since forced himself to give up on the same day.
You know, just... thinking about Buggy.
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the-obnoxious-sibling · 6 months
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you got me curious about the original japanese dialogue for 1082 so naturally i had to look up the raw and buggy does say something to the effect of "like hell i'll ever be one of your subordinates, you idiot!!" so there u go 😔
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oh wow, thank you!! (i mentioned wanting to see the raws in the tags of this post)
yeah, it looks like the translation i read was very much in line with the original—shanks saying ore-to issho-ni koi-yo is very straightforwardly "come with me," and buggy's the one who takes that to mean omee-no buka nanza (mappira da), "(i refuse to) be your subordinate"
so while idk if i buy co-captains as what shanks was aiming for canonically, as things stand it's a valid interpretation.
but oh man, shanks! you gotta choose your words more carefully with this guy! he mishears random shit as commentary on his nose all the time, of course he takes this request in the most insulting way possible ;~;
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mangaflames · 6 months
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Trafalgar Law ep 1082 ✨🐟
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shanksxbuggy · 1 year
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pov: you told your life partner you aren’t going to laughtale
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beanghostprincess · 3 months
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Why is shanks/buggy so underrated in this side of fandom? It’s much more loved in Japanese one, one of the most popular for shanks. I feel like this one prefers other mlm options for him and I don’t get it. It got better after OPLA I think but still. Sorry for my English!
Oh! This is actually such an interesting question. I was talking about this the other day and I came to a conclusion with my friend about this. Basically, there are a lot of things to take into consideration here. The screentime, the age of the characters, the chemistry, how they're perceived by the fandom and canonically, etc etc etc.
The first thing I thought about was the screentime, honestly. Shanks and Buggy grew up together and they have a deep bond, however, we've only seen that through flashbacks (one in quite literally episode 8 of the anime, another one in Wano that isn't even about them and they're just side characters in this flashback, and in chapter 1082 of the manga. But it's not even a proper flashback because we already saw that when Shanks talks to Whitebeard about Buggy, it's just Buggy's interpretation of it) and we only have like one scene of them together that isn't even two minutes long. So, quite obviously you'd think "well, the ship isn't as popular as other ships because they barely have any screentime" and I think it's correct but also not quite. And also, this would also have to apply to the Japanese fandom at the end of the day. Fandoms don't give a single fuck about screen time if the chemistry is right, really, but there's always this factor, y'know. Lawlu has less screentime than Zolu and yet it's more popular somehow because people absolutely love their dynamic. Then, if you stop to think about it, both Satosugu (Jjk) and Soukoku (Bsd) have the same dynamic and concept as Shuggy, but they're by far the most popular ships in their fandoms. They're basically the same ships but Jjk and Bsd give them proper development and story because they're shorter series. One Piece is a long show and we still have many things to see, even if we know it's gonna end soon, so I guess that we'll still have to wait to see more of Shuggy. Once we do, I'm sure it'll become more popular. Also, Shanks' personality is very diverse because he's all mysterious and all, so I kind of understand why people don't want to make content because they still don't have him figured out.
But then again, screen time isn't really the problem. It's just one of the factors. If they had more screen time, they'd be more popular for sure, yes, but it's not exactly what makes them less popular in this side of the fandom. Otherwise, it'd be equally as popular on the other sides too. The Japanese side of fandoms is different from this one and tbh they often don't take into consideration things like cancel culture and proship discourse or the standard beauty regarding age because they just post whatever they want and scroll past what they don't like (god I fucking wish we were like that because I am so done with these things). Besides, isn't Buggy like a very beloved character over there, aside from Oda's favorite? At least from what I've seen, they take his character way more seriously than this side of the fandom does, honestly. And it bothers me because he's such a complex and great character, and people never see it because they use him either for memes or to keep saying "omggg turns out the clown is hot!! Can you believe I want to fuck a clow-" yes, Samantha, we know you want to fuck the clown. It's not weird. It's not new. Do you even like the character, at least, or you're just using him to say how kinky and quirky you are? (And I don't even care about the sexualization of characters because, again, fictional characters are fictional characters and you don't have to take everything so seriously. I have tons of characters I don't like that much but only stan because I find them hot and that's alright. But damn, it bothers me sometimes).
Anyway, with this, I wanna say that there are other things to have in mind when talking about this.
Recently (I know it's not exactly new but in fandom years? Recently) there has been a huge thing surrounding the term "old men yaoi". People are so down bad for middle-aged men and they see two of them together and they instantly go "omg they're soo married" but that's- That's it? That's just it. They don't even ship them, they just find the concept of older men hot because "omg he's such a dilf" and they want to fuck both of them. But they never end up doing anything with it. They try to be so groundbreaking like "ohh I am SO woke by shipping these two old men! See? Breaking stereotypes!" because both irl and online, age has always been a very stigmatized thing. Apparently you can't be in a fandom if you're older than 25 because then you're weird, and if there's an actress older than 50 she's instantly useless for the industry.
What I want to say with this is that most people in the fandom are young. They're young and they like attractive, young, hot people and they don't want old, unconventionally attractive men. They don't want them unless it's to give a "hot take" and to be super progressive and woke. Do you know what they like? They like Dilfs. They like Shanks because he's conventionally attractive and good with kids and he's the standard for a Dilf. Because he's hot and mysterious but also silly and quirky and "he's almost forty that is so hot something something daddy kink". And they don't want to see him fucking someone his age because God forbid this man has a personality outside being a Dilf. Younger people in the fandom constantly read y/n fics regarding Shanks because they want him to fuck them and not Buggy. And they can't project in these old men, so they publicly say "oh, Shanks and Buggy are so married" because it's just a fact the fandom made clear, but they don't really like the content. Because liking Buggy sexually, apparently, is just so weird. Or as a character. Nobody wants to say their favorite character is the failguy clown. It's a hot take when you say that Buggy is hot because people keep being all weird about it when... Uh... He's- He's just a clown. Guys. It's not weird. Or bad. Who raised you to think that? God, I find Monet extremely hot and she's half-bird. Could we please normalize these things? They're fictional characters. And also, stop reducing Buggy to his jokes or the fact that he's a clown because his character is GREAT and complex and it just bothers me so much.
This makes me think about this whole "background couple" thing. Which are basically couples that are canon or that are so popular and obvious that people, instead of making content for them (because why would you make content for a canon couple?) just place them in the background instead. There are so many fanfics in which Shuggy is a background couple. Or studies in which, instead of analyzing them, they're used only for parallelisms. This happens with, idk, Saboala? Frobin? Yamace? People don't like couples that everybody agrees on. They don't like m/f ships because they can't be woke!!!!! And queer!!!! (when they easily could but whatever). They don't like ships that everybody likes because!!!!!! They're canon already and why would you write about them???? And so, Shuggy stays a bit more as a side couple instead. For being old and unconventionally unattractive and not having much screentime, but being extremely popular. Not in a "content" way, but in a "knowledge" way. Even the general audience thinks their bond is crucial to the story, c'mon.
One of the differences that this side of the fandom has with the Japanese one, as I mentioned before, is the cancel culture and proship discourse thing. They just don't have that concept. And that's perfect, honestly, I wish we could just scroll past what we don't like too and live peacefully because the discourse is getting tiring. And also you have to admit that, because of the anti propaganda going around, now fandoms have turned into the most puritan thing in the world. Beware! Sex! Age difference between fictional characters that have a consensual and healthy and mature relationship! Oh! God forbid teenagers have sex with people their age! Ohmygodjustshutup. And so, Shuggy isn't a problematic ship. Not even close. But inside the OP world, people do say they are brothers. They keep talking about each other like that, too. And I don't even think it's the typical "we say they're like brothers so you don't think they're gay because they're both guys and guys can't kiss" (I am having flashbacks from the IT fandom). They do have the same parents. Like- We all agree Shanks and Buggy were both raised by Roger and Rayleigh and they consider them, if not their dads, parental figures at least. Right? And you're aware that doesn't make it incest, right? Both things can coexist. Foster families are a thing. Lots of people who grew up together and consider the same people their parental figures end up dating because they don't see each other as siblings. Well, most people don't see it this way and hear the word "brother" and run from it like it's a fucking virus. The Japanese side of the fandom doesn't give a fuck because they're fictional and because they're y'know, not brothers? And even if they were, cancel culture and proship discourse is so fucking stupid to them because they follow the "don't like don't look" thing. But on this side of the fandom, a lot of people see them as brothers and the other half sees them as a divorced couple and apparently nobody knows how to fucking read this manga and have a proper fandom experience without jumping to each other's throats at the minimum disagreement.
So, to summarize: People on this side of the fandom don't like Shuggy THAT much and it isn't such a popular ship in comparison to the Japanese side, because young people don't like older men together, they don't focus on unconventionally attractive characters, are afraid of any little possibility of cancelation, and also, well, Shuggy doesn't have much screentime anyway so there's not much we can do with that.
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mugiwara-lucy · 1 year
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Buggy may be a literal clown BUT you gotta give it to the man; he has Luffy-levels of charisma!
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roydeezed · 1 year
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One Piece-Chapter Round-Up(Chapter 1082)
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Haven’t written anything in a while on here manga-wise but there’s no way I miss talking about such a banger One Piece chapter. To start off with we get an adorable cover of Chopper mistaking Zeus for cotton candy. It’s good to know our collective son is being fed. It takes a fandom to raise a human animal hybrid after all. Jokes aside, I’m going to be diving into spoilers for this chapter below the “Keep reading” so check it out if you’re curious. Also, ya’ll should probably hold onto your butts cause this one’s gonna go a lot of places.
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R.I.P T-Bone. As a lover of weird and offbeat characters in One Piece, I am genuinely crushed by T-Bone’s death. If you don’t remember, as he was mainly a minor antagonist in Water Seven, here are some reminders. 
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He is one of the most lionhearted and kind character’s of One Piece, looking after both his subordinates and innocents. To me, the most logical way for T-Bone to have been killed is to have seen the citizens' plight and laid down on his sword so that he could get the reward money for his family. That’s the kind of man T-Bone was. He transcended the Marines as an institution and stood up to the strawhats as he believed them to be villains on the way to enact evil. After having his car disconnected and facing Rocketman bearing down on him, he faced Zoro in a one move duel, losing but having Zoro acknowledge him in the process. In a certain way he was also used to foreshadow Ryuma in Thriller Bark as he was skeletal looking and a swordsman. But most of all, he was an unquestionably good person in a world where muddled alliances and the forces of the world can waylay and mislead someone from their dreams and ideals. In my heart you will be missed T-Bone.
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Moving on, with a heavy heart, I do want to take a second to talk about old One Piece, specifically Water Seven. As I went back to get screenshots I couldn’t help but marvel at the art of Water Seven. While Oda’s art has probably gotten better, his paneling in those days was in my opinion, at the height of Shounen paneling, matching up with the original Dragon Ball in terms of fluidity of action but bringing such a heavy emotional weight to the characters and line work that it really felt like the peak of his art style. His art has gotten a lot more refined but I really missed the adventurous romantic feel of his pre-timeskip art. As a whole, as things get more dense and locked in, the lack of romanticism and sense of adventure is really felt at times. Despite that, it has been replaced, for the most part, with other equally amazing things. Though I can’t help but miss it at times. 
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Talking about the actual chapter again, I’ve looked favourably on the Marines in the past, like Garp and Koby, but if I spend an extended period of time thinking about them, that pleasant taste turns to ash in my mouth. Because the Marines as an institution, are broken and corrupt, more intent on perpetuating themselves than they are with forward momentum and progress. As is the territory with institutions. It’s a portion of why policing doesn’t work in real life. Living in Japan, with their harsh views on crime, Oda would know better than most. Despite what this chapter seems to be about, this chapter is actually exploring what I believe to be one of the main themes of One Piece, the inevitability of institutions. There are probably punchier and more accurate ways of conveying this theme, such as systemic oppression and such, but this really resonates and covers the full gamut of ideas that I believe Oda covers. I will expand on this as we move along but I wanted to put it out there so it would be on the back of yalls mind.
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I absolutely despise Sengoku. Like as a person. As characters I don’t think there’s any that I actively dislike because the way Oda characterizes just works on me. I need to make that distinction because I think my dislike for Sengoku is something Oda has purposefully generated within me and others. Talking earlier about Koby and Garp and Hibari and T-Bone and other marines, there is a very important distinction to be drawn in that regard as well. And some very important points to be made. Marines that are on the younger side, like Koby and Hibari and Tashigi, are people that have joined the Marines to do good without having yet become fully complicit in its evils. But they have done so because it is, despite its flaws, the best way they can make a difference and not be stopped. It’s the inevitability of the institution, where despite it’s evils it must provide some sort of benefit, and where those with dreams must filter through it and make it greater just to have a shot at their dreams. People like T-Bone and Smoker are clearly different from similarly old people like Garp and Sengoku and Aokiji in that while the former may be in the Marines, they do their best outside of its systems, being forces of good in spite of their association. The latter on the other hand, as a result of their complicity, whether or not they have good hearts, have become tools of the Marines oppression. Garp’s name is repeatedly used to strike fear into the hearts of pirates and as a symbol for common people to look up to, despite his best attempts at changing them from the inside. And the argument for changing the Marines from the inside itself is such a flawed argument as can be seen with Garp himself. Trying his whole life to change things ended up with him being ground into the dirt while watching his grandson be murdered by a coworker. Dragon must have realized this as well and so created an organization to oppose it. The revolutionary army are an institution itself but one built on the premise of opposition rather than self perpetuation. They are meant to end when the World Government and Marines do. Though I do believe Oda also doesn’t think that to be the answer as our hero is a Pirate. Arriving at the end of this paragraph I just realized I didn’t address the moment that made me go on this tangent. As pictured above, Sengoku hears of T-Bone’s death and rather than mourn the man who many looked up to, he worries what it will do to morale. He wonders how the institution of the Marine’s will keep going. If he was ever a good man, the ways of the marines have corrupted him to think this way. In a way Cross Guild, another institution, also occupies a similar area as the Revolutionary Army, but Oda makes it even clearer that it’s not the way as our first big introduction to it is through the death of such a great character. 
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Now let’s move on to the meat of this chapter. Buggy and Cross Guild. As we see above, this really down on his luck man was the one who killed T-Bone. Though knowing how strong T-Bone was, being called the ship slasher and being acknowledged by Zoro, as well as how kind he was, it’s easy to believe he let himself be killed to save this man's family. But it’s also through this interaction that we get a repeat of the theme that I mentioned earlier, The Inevitability of Institutions, as well as a great bonus where we see the inherent romanticism of Buggy. Buggy and his lackeys, Mihawk and Crocodile, have propped up Cross Guild to be an institution for Pirates, a much more successful version and iteration of both the Utopia Crocodile wanted and the Pirate Kingdom Blackbeard wants. They have made themselves the doors one must walk through. But this need also sets up the way that Buggy will later reject this monolithic thinking. 
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As we see here, these institutions make it so that now, even to live, you must subscribe to one of them. As much as Cross Guild claims to be pirates, they are an entity in and of themselves. Because the whole dream of piracy is the freedom of not having to cater to anyone else's whims or conform. Cross Guild aren’t pirates, they’re Cross Guild. Another thing I want to comment on is the In the Flesh chants. Obviously the dramatic irony makes it funny since most of it is just cloth, but it’s also such a great representation of the makeup of Cross Guild itself. By propping up Buggy as the leader of Cross Guild, he comes to represent something that is mostly not him, just like how his giant persona isn’t him. 
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In the panel above incorporates One Piece’s trademark humour, and later levies it into an emotionally resonant and stirring declaration. I know most people are freaking out about Sabo returning but I can’t get over how much I love Buggy. And his crew pulling a similar stunt to Barto Club, and having him be the figurehead of the ship actually also highlights how close Buggy is to Luffy as well. Also I love Buggy’s crying face, it’s so pathetic. 
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I know this panel is mainly played for laughs but I can’t help but feel sorry for Buggy. He really hasn’t done that much wrong to deserve this. And seeing the meeting room, it seems Mihawk, the edgelord that he is, really enjoys his torture. Remember, Mihawk’s full name is Dracule Mihawk, the first part being based on the famous Vampire who’s namesake in turn was known to impale and torture people. It’s really interesting how, other than the mentor and goth side of Mihawk, we also get to see his sadistic side here. But Buggy’s declaration that his life wasn’t supposed to be like this really calls my attention. While Mihawk and Crocodile argue about how to make sure Cross Guild and Crocodile’s Utopia can stay afloat and perpetuate its own system, Buggy dreams. 
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Buggy is one of Luffy’s best foils in the story, their interactions being so explosive that they can’t help but reveal things about each other. Luffy has a lot of parallels in the story from Blackbeard being a cowardly mirror to him to Koby being a weaker version whose cowardice was driven by his lack of strength. Buggy doesn’t have courage or strength and his circumstances had forced him down quite a dark path by the time the two crossed paths. Buggy was someone, who, seeing the potential of his peers, was forced to give up on his dreams and take the route that life gave him. As he stated, he never wanted to be what he became, he genuinely believed in Shanks and probably would have followed him had he set out for the One Piece as Shanks was the reason he gave up on the dream in the first place. Buggy, in an elevated sense, also represents those swayed by the circumstances of their life into having their path chosen for them and filtering into an institution, this time in the form of Cross Guild but earlier in the form of Impel Down. Buggy is someone who was forced to give up on his dreams and Oda shows what dark paths that can lead to but he also loves Buggy a lot because he doesn’t let Buggy fully give up on his dreams. 
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And there it is. With just those words, driven purely by dreams, Buggy injects such a heart-stirring sense of romanticism back into the series. Because here's the thing. We already know Luffy’s unwavering goal has been the One Piece. And he is the most romantic character in the series in terms of love for adventure and exploration. But it’s been a constant and now he has the strength and clout to do all of it without barriers. Buggy is chasing that dream while impeded by some of the strongest people in the verse. In the face of such strong adversaries, Buggy dares to blindly dream and it reminds me so much of Luffy at the beginning of the series, looking down a Sea King as it stood in his path. Crocodile and Mihawk are monstrous but Buggy actively defies them. I love One Piece ya’ll.
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So is Buggy a bad guy? Or just a fool who couldn’t hold onto his dreams as the waves of reality slammed into him? Here, he rekindles those dreams by verbalizing the feelings that drove him and every other pirate out to sea. A dream of freedom and treasure. The dream that you could aim for something other than what life had laid out for you. 
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This is by far, one of my favourite speeches in One Piece. It reminds me of Rogers speech and delivered by such a pathetic character, hits so much harder. By doing this, Buggy defies Crocodile and Mihawks desires for a self perpetuating kingdom as there is now an end goal and really stands for the ideals of the series itself, a blind dreaming hope, the desire to chase after impossible dreams, and the love of the journey itself. What matters to these people isn’t that they’ll get to the treasure, it’s that they tried to. And were free while doing so. 
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Not me crying at Buggy D Clown. One Piece gets me so emotional sometimes. It’s so beautiful. But asides aside, let’s wrap up some other thoughts in this final Buggy panel before getting to Sabo and the Revos (good name for a band?). First of all before we get to what this symbolizes for the series itself, I want to say a few more things about Buggy. His situation of failing upwards has always been shown in a comedic light but I believe it shows the insidiousness of the world. Because while the lower rank people, like the man who killed T-Bone, have to get filtered through these organizations to live, so does someone like Buggy, who doesn’t have the strength to resist such a fate. If you don’t have the strength to resist these institutions, they will use you as tinder, as fuel. Luffy isn’t in an institution because he’s strong. Almost every other character in the series doesn’t have a choice against it. Wheen you think about it, Buggy’s story really is a tragedy. Somewhere along the way, through necessity of survival his values got twisted. He’s always been a dreamer through and through so I think that’s why it’s sent him on an upward trajectory. But it all began with Luffy, who not only set him on the right path, but also gave him hope when he broke him out of Impel Down. 
And now the other purpose of this panel. With Buggy declaring his hunt for the One Piece, all 4 Yonkous are now on the hunt. Do ya’ll realize what this means? What the structure of the next arc is going to be? So this part is going to be mixed with some speculation and some evidence, but I strongly believe the next arc is going to be a showdown at Elbaf for the last poneglyph with every major Yonkou involved, with the final arc possibly after getting the One Piece or at the location itself being a showdown between Luffy, the Revos and the Marines. Or it very well could be a final showdown with all the involved parties at Elbaf. That all depends on how fast Oda wants to end things. I believe one of two people could be the man with the burn scars. The obvious choice is Jaguar D Saul. And that would be the way to go if Oda wanted to end the series faster, as him having the writings of Ohara as well as the last poneglyph would also set the Revos and the Marines scrambling after him. The other could be Scopper Gaban, the third prominent crew member of the Roger Pirates. That would be the final Roger Pirate marking Luffy’s journey and a great source of info. The last possible bead we had on him, if it wasn’t Shiki the lion, was him drinking with Crocus. But effectively, having one person hold the last key to the One Piece makes it so that the four Yonkou’s are on a collision course with them. I would love to see a Mad Max style race where the Yonkou’s are forced to clash purely for the love of adventure and their dreams, instead of ideological differences setting them against each other. It would be a really romantic and fun way to cap off some character’s journey’s. 
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Moving on once again, we see some new Revo’s and I particularly love Ushiano and Ahiru. While the other two are also very cool, I love Ushiano’s way of speaking and his character design, he reminds of Barney but if he was soft and lovable. And Ahiru’s character design is just so great. I don’t know if anyone remembers Nami’s early character sketches but she was supposed to have a bionic arm so I’m really glad to see that return in another character. 
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And here we get to see them interact with Sabo and find out that Ahiru was going to blast him. Ugh, Oda’s just so great with characterization! In about three panels we find out that she has a stoic demeanor, is a shoot first type of character, and worries about and misses Sabo, letting her guard down and being quite cheery around people she just met. And Ushiano is just adorable. I want to hug him. 
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Oh yeah, Sabo’s back by the way. So it appears that Sabo did indeed survive the bombing of Lulusia and he’s seen something. His interaction with Koala is adorable and mirrors Koby and Hobari to a tee. 
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And here we get the theme of this chapter rearing it’s head back one last time. Another set of down on their luck, weak citizens forced to filter through an Institution. This time the Lulusians through the Revolutionary Army. Oda has, in every instance possible in this chapter, where we look out into the world, highlighted the absolute despair involved in the inevitability of institutions and the forced choices that come with such a world. And is it a coincidence that this only happened when we took a look out into the world, away from our beloved strawhats? No, as we saw even earlier, through Aokiji being forced into the Blackbeard Pirates and the 100 damned souls onto beehive, in a world of inevitable institutions and forced choices, such decisions are forced on the weak. It’s why our protagonist is Luffy, and why he desires freedom. It’s exactly what he fights against, and it’s reflected in his crew as well as he took them away from the lives they thought they would be forced to lead. 
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And finally we arrive at the final panel of this chapter. The truth about Mary Geoise. And a promise of a reveal. Oda usually likes to cut away at moments like this to maintain the breakneck pace of weekly releases but I really hope we get to learn what happened. Because it could very well contextualize for us what the next part will look like and whether or not the final confrontation will include everyone. It’s also very sweet that Sabo thinks about now involving his subordinates as it might get them killed. This information could also line up with the potential release of information that could happen from Egghead coming up so it could be saved for that. I’m really excited to see what it brings. Another thing that this chapter, being so good, makes me think about is how I’ll feel about it later when I binge the series. Because it’s always a balancing act between week to week storytelling and making an engaging continuous story. Back in Dressrosa, the week to week was a bit of a slog but on a reread and binge it was frankly amazing. I wonder if the breakneck speed and absolute amazing experience week to week right now will affect it negatively as a whole later on. Well, the only thing we can do right now is wonder and wait for next week.
If ya'll got this far, thanks for reading. I'm super late on this one but I'm glad I took my time because I could let my thoughts develop. And once again, if anyone wants to talk One Piece or any other manga with me in-depth, don't be afraid to hop into my dm's. See ya'll next time.
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marcus-vice · 1 year
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One piece chapter 1082 spoilers!
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mugiwaraluv · 10 months
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He may still bug me at times though got to admit though his motive is touching
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stretchydyke · 6 months
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unwell abt all the emotions contained in this panel + how buggy would have wanted to be there by his side when shanks becomes king of the pirates but shanks didn't invite him to that journey and now the only way for buggy to be with him is to concurrence him and also run for the title of pirate king
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frobin · 1 year
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Franky and Robin's daughter in chapter 1082!? Wut!
There she is!
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I can‘t wait to learn more about Ahiru. She really looks like a mix of Franky and Robin. It's incredible. (Though the Anime gave her dark-blond or light-brown hair and brown eyes...)
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Trigger Happy just like her Dad. And making cute mechanical sounds... seems also like something Franky would do. xD
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cipher-zoo · 4 months
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Have you considered what Buggys’s reaction would be if during a fight between cross guild and the red haired pirates, shanks offered for them to team up and head to LaughTale together?
Okay, I finally get around to answering this!
TBH. I have tried to answer before and that ended with me going on a 500 word tangent about a different subject because I got distracted ... and I really didn't want to subject you to that, so now I am trying to stay on the topic!
Firstly, thank you so much for the message! 💙 I am always happy to talk about Shanks and Buggy and especially this specific part of their dynamic.
I was surprised, when I realized that this is actually a hard question for me - on one hand, because I keep going off on tangents, while trying to answer and on the other hand, because I think Buggy's answer and reaction would be very dependent on where they, what exactly is going on and how Buggy is doing in general.
I can already tell this answer is going to end up being far longer than it needs to be, I am so sorry, please bear with me!
Before I say anything else, please note that this is simply my opinion and my interpretation of the character and if anyone sees this differently, you are very welcome to do so. Let me know how you would answer this question!
Now, let's talk about Buggy.
Buggy, in my eyes, is characterized by two very important - and at times seemingly contradictory - traits. His sense of survival and his pride. And I know what some people (those who are not nose (haha) deep in Buggy Characterization Hell) are thinking:
"Cipher, in what world does snivelling, growling "I'll lick your boots" Buggy have any pride? Don't you mean Shamelessness?"
And to that I say, no I mean pride, because Buggy is a lot of things but definitely not "shamless" in fact Buggy is riddled by shame - but I won't go into that right now.
What I want to talk about is his pride. It's not the same pride Sanji has in his cooking or Zoro in his swordsmanship. No, Buggy's Pride, like so many things in his life, is often a mask.
One he puts on, when he gets hurt.
For example: He is deeply ashamed of his nose, so as compensation he turns himself into a clown, a "genius Jester", puts on a whole show and takes (or fakes) pride in being not only a pirate but also an entertainer of sorts. Because nobody can hurt you, if you are proud of your flaws (now, this of course doesn't work out in the end, because his shame and his body dysmorphia is stronger than his pride, but - in my eyes - it is still an attempt.)
The same goes for the whole Shanks situation. I, personally, don't think that Buggy hates Shanks. He can say so, and he does, but his actions speak louder. Because when they met again, what did Buggy do? A favor for Shanks [And yes, of course Shanks offered him a treasure map in exchange, but come on. If you hate someone to the level Buggy claims to hate Shanks, would you agree to a deal like that? I personally wouldn't.] No, Buggy is deeply hurt by Shanks and that is something he doesn't want to be. Because being hurt by someone is out of your control, you take a passive position in that case. But hating someone, being angry at them, that is something you can "chose".
When Shanks told Buggy that he wouldn't be looking for the one piece straight away, but still offered to sail together, Buggy claimed his pride as reason why he wouldn't.
"I'm not going to work under you!" that is what Buggy tells Shanks. The reason why I won't keep sailing with him. And we know that is simply not true. Because barely a panel above Buggy is fine sailing under Shanks as long as they are looking for the One Piece. In fact, he tells Shanks, "You said it yourself, didn't you, Shanks. You said your crew would to reach Laugh Tale one day too"
There is no indication at that point that Buggy has a problem with being a part of that crew. In fact, I get the sense, that he needs to be a part. Because his dream rests on Shanks' shoulders. But then Shanks makes the (rightful) decision not to look for Rogers Treasure, Buggy sees his dream die and immediately switches from "hurt in his feelings" to "hurt in his pride."
But his pride isn't always a character flaw. No, I think the whole scene, where he tells Crocodile and Mihawk about his dream - or, to put it differently, the scene where he finally reclaims the dream he gave up as a kid - is a show of true pride. A moment of being on the floor, as low, as he could possibly sink, and still not giving up. And that is the first time Buggy's pride is stronger than the other character trait I mentioned before.
His sense of survival. Or better said: His deep longing to survive. Buggy is a character who desperately wants to be alive. He is prideful, in his own way, but that won't stop him from grovelling at Crocodiles feet, because what does his pride do him good, if he dies?
We have seen this throughout all of One Piece. In Impel Down and now at Cross Guild, especially so. Buggy wants to live, and he is smart enough to know what lengths he has to go to, to do so.
But in that moment, when his sense of survival takes a backseat, we finally saw a glimpse of his true pride. Not the one he puts on as a show.
NOW! Did I say all of that just to talk about Buggy? Yes, but it is also important for my answer, because I think, the question we would have to answer is: "What is Buggy dictated by at that moment." His fake pride? His sense of survival? Or his true pride?
Let's say it's his fake pride. Let's say the fight between Cross Guild and the Red Hair Pirates is not tipping in one direction and Buggy feels like he could actually win: I don't think he would accept the offer: There is a Star Trek quote that Jean-Luc Picard says to Miles O'Brian. It goes: "I think, when one has been angry for a very long time, one gets used to it. And it becomes comfortable, like old leather. And finally, it becomes so familiar, that we can't remember feeling any other way." [man, i love me some star trek quotes]
And I think Buggy is teetering dangerously close to that feeling. To not remember any other emotion he every felt towards Shanks, other than hurt and anger. And in that case, Buggy would say no to teaming up.
Now, let's say it's his sense of survival: If the Red Hair Pirates are clearly winning. If the threat of Crocodile and Mihawk is minimized? Yeah. I have no doubt that Buggy would say yes to a team up. We would complain about it and have his conditions and boast to his men that he managed to convince Shanks to a ceasefire (he is still Buggy after all) but yes, if Shanks actually met him on eye level [at this point I am keeping myself from going off on how, during their meeting at Marine Ford, Shanks kinda looks down on Buggy - even if he maybe (doing a kind reading here) doesn't do it consciously], then I think a team up could happen.
Last but not least, what if it is not that fake pride that makes Buggy angry or his sense of survival that makes him stick to the strongest player? What if it is his "true Pride" that we saw so little so far? Well, the boring answer is: I don't know.
I have spent a lot of time thinking about Buggy in different situations and context, but this Buggy is so new that I still need a little more time to decide how he would act.
I hope you aren't too disappointed by this answer, because I do feel like I am taking the easy way out, giving you an "Anything could happen" but yeah, the truth is what it is. I don't know.
But I would love to read everyone's opinions!
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