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Armário Para Vestiário Macam Brasil
Os armários para vestiário da Macam Brasil são feitos em plástico de engenharia, sendo perfeitos para uso em locais de troca de uniformes de funcionários de frigoríficos, açougues, hospitais, lavanderias, laboratórios, indústrias, construtoras, canteiros de obras, salinas e comércio em geral. Eles possuem alta resistência e durabilidade, com uma garantia de 10 anos contra qualquer defeito de fábrica.
Os armários da Macam Brasil possuem várias vantagens em relação aos armários de aço. Eles não enferrujam, não amassam, não quebram, não apodrecem e não desbotam. Além disso, são fáceis de limpar, colaborando para a neutralização e eliminação do coronavírus (COVID-19). Eles também atendem à norma regulamentadora NR24.
Os armários da Macam Brasil são altamente resistentes, anti-bacterianos, atendem às normas regulamentadoras, possuem manutenção e garantia, são totalmente laváveis e oferecem segurança. Eles são ideais para locais úmidos, que precisam ser lavados constantemente, salinos ou com maresia, pois não sofrem corrosão ao serem expostos a essas condições.
Alguns dos modelos disponíveis são o Armário Roupeiro guarda volumes 12 portas – MC25120 e o Armário Civil Roupeiro 9 Usuários – MC11090, ambos ideais para armazenamento, proteção e segurança de objetos e pertences de funcionários e seus EPI’s, sendo muito utilizados em frigoríficos, hospitais, lavanderias e indústrias de alimentos.
#armário#armarioparavestiario#macambrasil#plastico#Plásticodeengenharia#locker#açougue#frigoríficos#lavanderia#laboratório#salinas#hospital#funcionarios#uniforme#nr24#engenharia
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NR24// Grande fase di line-up, inclusa la star di Hollywood
ECCO LA NOSTRA GRANDE FASE DI LINE-UP
Finalmente è giunto il momento. Oggi vi mostreremo le performance più importanti del Nova Rock 2024 ! E sono davvero impressionanti. Abbiamo già una line-up ampia e ricca di sorprese.
QUESTI SONO I NOSTRI HEADLINER
Insieme celebriamo i 30 anni dell’album di successo “Dookie” e i 20 anni della hit “American Idiot”. Preparatevi per i GREEN DAY e il loro…
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The Fascinating Lens of Online Video
John Jordan, author of The Rise of the Algorithms, discusses short-form content, AI and privacy, and more.
If you look closely, online video is at or near the heart of several current, complex issues: the emergence of new dopamine-driven forms of engagement, the role of Internet technologies in geopolitics, AI, and privacy. TikTok, Twitch, YouTube, and their kin are shaping large segments of contemporary life.
If we consider the history of music, technology has driven music to get shorter and shorter. Symphonies could run well over an hour, LP records had two twenty-minute sides, radio drove the rise of the three-minute single, and now TikToks are measured in seconds. The benefit of these brief “works” is that they give the viewer a series of chemical rewards, shortening attention spans for both entertainment and education. Just ask any teacher. (The music and cultural critic Ted Gioia has an excellent series of Substack posts on the topic.)
If we look back to the 1990s, considering Microsoft as an actor in geopolitics would have overstated the company’s role: its revenue and market capitalization were a fraction of, say, Ford’s, not to mention Exxon’s. But now Facebook measures its global user base in the billions, TikTok’s parent company ByteDance is the subject of both presidential and congressional threats, and YouTube wrestles with how to treat what might be satire in France but is considered heresy in the Arab world. Tech, including misinformation purveyed through it, sways elections, spurs boycotts, and challenges national norms.
Speaking of misinformation, AI is leading to creative uses of online video. Identifying and potentially removing fakes, whether in porn—ask Taylor Swift—or politics, grows more difficult every month as tools of synthetic creation outrun tools of detection. There might also be an emerging category of deep fakes used for good. Recently, a group of parents of children killed by gun violence created deep fakes of their children to create a message urging legislators to address the issue. Machine learning also powers the algorithms that feed us an endless stream of clickworthy content, so in many ways the history of AI is entwined with the development of online video.
Given the scale and ubiquity of online video, there are inevitably related privacy issues. YouTube was originally used to post videos intended for family and close friends, typically fewer than a hundred viewers. Now we have a system where viewers and followers are counted in the tens of millions. The kind of fame that Dwayne “The Rock” Johnson or a Kardashian brings to online video is markedly different from how people view Charli d’Amelio or Mr. Beast, who feel more relatable and inspire a false sense of familiarity. Creators in the latter vein frequently burn out from trying to satisfy the needs of their viewers for bigger stunts, better dances, edgier humor. Users also sacrifice privacy in return for ever more precisely targeted algorithmic clickbait.
All told, understanding online video gives one multiple insights into the state of politics, emotional health, and culture in the 2020s. It’s a fascinating lens, at once dynamic and enduring, personalized and massive, trivial and consequential.
The Rise of the Algorithms: How YouTube and TikTok Conquered the World is now available from PSU Press. Learn more and pre-order the book here: https://www.psupress.org/books/titles/978-0-271-09692-6.html. Save 30% w/ discount code NR24.
#YouTube#TikTok#Content#Twitch#Internet#AI#Privacy#Media#Communications#Taylor Swift#Politics#Mr. Beast#Charli d'Amelio#Microsoft#The Rock#Kardashian#ByteDance#Algorithm#PSU Press#Penn State University Press
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Unified Concept for Air Power in the Nordic Region During Exercise Nordic Response
For the first time, the Denmark, Finland, Norway and Sweden – together with other Allies – cooperated on a combined concept for Air Power command and control in the region during exercise Nordic Response 2024 (NR24). For exercise NR24, the combined Nordic Air Operations Centre has been established at Camp Bodin at Bodø Air Base. It normally controls Nordic air operations in peacetime from a mountain facility at Reitan, Norway. The air operations centre serves as the air component headquarters for participating air forces during the exercise. From here, approximately 300 officers and specialists are planning, controlling and assessing air operations across the assigned operations area. The Royal Norwegian Air Force point out that this is a test of concept for this year's winter exercise, and not a preemption of either the location or command element within the NATO command structure.
For the first time, the Denmark, Finland, Norway and Sweden – together with other Allies – cooperated on a combined concept for Air Power command and control in the region during exercise Nordic Response 2024 (NR24). For exercise NR24, the combined Nordic Air Operations Centre has been established at Camp Bodin at Bodø Air Base. It normally controls Nordic air operations in peacetime from a…
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Company recalls pickled products because of danger of botulism poisoning
For photos of additional recalled products go to https://www.cdph.ca.gov/Programs/OPA/Pages/NR24-003.aspx or use the link in the story below.
The California Department of Public Health is warning consumers not to eat multiple varieties of Shamshad Food’s jarred food items because they were produced outside of the department’s Cannery Program oversight, making them susceptible to contamination…
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On this day 10 years ago, 3 February 2013: NR24 trails three classmates headed light engine through Middle Footscray bound for Spotswood. With work underway in the foreground to make room for a third pair of tracks as part of the Regional Rail Link project https://railgallery.wongm.com/page/on-this-day?date=2023-02-03
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Hanhart Pioneer MKII Lucilinburhuc limited edition nr24/36 mine. Meine. La mienne. Mia. Méng
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Today I buried one of my best friends and one of my most trusted rock climbing partners. Rest in peace Elise, you’re in my heart forever.
(Ian Fisher/Atmosphere nr24/oil on canvas/2014)
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NR24 - "Dreams From The Basement, Vol.1" (Álbum)
NR24 – "Dreams From The Basement, Vol.1" (Álbum)
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Publicado por: Armando Urena Jr
25 de mayo de 2020
Productor de hip hop underground con sede en San Francisco, California NR24 lanza su nuevo álbum "Dreams From The Basement, Vol.1" con Mistah F.A.B., Semiautocec, Syfarii Babii ¡y más! Síguelo en Instagram @noah24x.
loslos
NR24 2020-05-25
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Os armários para vestiário da Macam Brasil são uma solução inovadora e eficaz para a organização e segurança de pertences pessoais em diversos ambientes de trabalho. Eles são fabricados com plástico de engenharia, um material de alta resistência e durabilidade, que oferece diversas vantagens em relação aos tradicionais armários de aço.
Uma das principais características dos armários da Macam Brasil é a sua resistência à corrosão. Diferentemente dos armários de aço, que podem enferrujar com o tempo, especialmente em ambientes úmidos, os armários de plástico da Macam Brasil não sofrem com esse problema. Isso os torna ideais para uso em frigoríficos, açougues, hospitais, lavanderias, laboratórios, indústrias, construtoras, canteiros de obras, salinas e comércio em geral.
Além disso, os armários da Macam Brasil são fáceis de limpar, uma característica essencial para manter a higiene no local de trabalho. Eles também colaboram para a neutralização e eliminação do coronavírus (COVID-19), contribuindo para a segurança dos funcionários.
Os armários da Macam Brasil atendem à norma regulamentadora NR24, que estabelece as condições de higiene e conforto nos locais de trabalho. Isso demonstra o compromisso da empresa em oferecer produtos que não apenas atendem às necessidades dos clientes, mas também cumprem com as regulamentações do setor.
A empresa oferece uma garantia de 10 anos contra qualquer defeito de fábrica, uma prova da confiança que tem na qualidade de seus produtos. Além disso, a Macam Brasil possui uma equipe de assistência técnica pronta para atender aos clientes caso ocorra algum problema com os armários.
Os modelos de armários disponíveis, como o Armário Roupeiro guarda volumes 12 portas – MC25120 e o Armário Civil Roupeiro 9 Usuários – MC11090, são projetados para oferecer a máxima funcionalidade. Eles possuem um design que permite o armazenamento seguro de objetos e pertences de funcionários, incluindo EPI’s, que são essenciais para a segurança no trabalho.
Os armários da Macam Brasil são projetados pensando na praticidade e na facilidade de uso. Eles possuem um design intuitivo que facilita a organização dos pertences dos funcionários. Além disso, são modulares, o que permite uma grande flexibilidade na configuração do vestiário, podendo ser adaptados de acordo com as necessidades específicas de cada ambiente de trabalho.
Outra vantagem dos armários da Macam Brasil é a sua resistência a impactos. Diferentemente dos armários de aço, que podem amassar com facilidade, os armários de plástico da Macam Brasil são capazes de suportar impactos sem sofrer deformações. Isso os torna uma opção mais durável e de longo prazo para os ambientes de trabalho.
A facilidade de limpeza dos armários da Macam Brasil é outro ponto forte. Eles são totalmente laváveis e resistem a todos os produtos de limpeza não abrasivos. Isso facilita a manutenção da higiene no local de trabalho, contribuindo para a prevenção de doenças e a promoção da saúde dos funcionários.
Os armários da Macam Brasil também são antibacterianos, o que é especialmente importante em ambientes como hospitais e laboratórios, onde a prevenção de contaminações é fundamental. Além disso, eles não proliferam fungos, o que contribui para a manutenção de um ambiente de trabalho saudável.
A Macam Brasil se preocupa em oferecer produtos que atendam às necessidades específicas de seus clientes. Por isso, a empresa oferece uma variedade de modelos de armários, permitindo que cada cliente escolha o que melhor se adapta às suas necessidades. Além disso, a empresa está sempre pronta para prestar assistência aos seus clientes, garantindo que eles obtenham o máximo de seus produtos.
Os armários para vestiário da Macam Brasil são uma solução completa para a organização e armazenamento de pertences em ambientes de trabalho. Eles combinam qualidade, durabilidade, segurança e praticidade, tornando-os uma escolha ideal para qualquer empresa que valorize a eficiência e a segurança no local de trabalho.
Armário para vestiário
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NR24// Red Bull Stage Line-Up ora disponibile!
QUESTI SONO GLI ATTI SUL PALCO DEL RED BULL!
L’attesa è finalmente finita! Oggi possiamo presentarvi la line-up del RED BULL STAGE .
Un grande momento clou ti aspetta con LIFE OF AGONY . Sin dalla loro fondazione negli anni ’90, sono stati parte integrante della scena metal. Ci hanno impressionato l’ultima volta nel 2023 durante il tour di successo dell’anniversario per celebrare il 30°…
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Q&A with Kerry Wallach
The author of Traces of a Jewish Artist discusses Rahel Szalit, Szalit's relationship to other Jewish artists of her time, and more.
What made you want to write a book about Rahel Szalit?
I first discovered Rahel Szalit while doing research in Berlin archives. I kept finding her artwork in newspapers from the 1920s, but there wasn’t much information available about the artist herself. Her images enchanted and haunted me, and I couldn’t stop wondering about the person who created them. Like so many who were murdered in the Holocaust, Szalit’s story had never been told at length. I realized that if I didn’t tell her story, no one would.
How did Szalit differ from other women artists of her time?
Rahel Szalit (née Markus; also Szalit-Marcus; 1888–1942) came to Germany as an outsider from Eastern Europe with a working-class background. Many German women artists in the early twentieth century had middle-class backgrounds and were supported financially by their families or husbands. Szalit couldn’t afford enrollment fees for art academies, though she eventually learned painting and lithography. Yet no matter how successful she became, Szalit’s situation always remained precarious. She made ends meet by giving lessons in drawing, painting, and fencing.
Probably the biggest difference between Szalit and most of her female contemporaries is that Szalit was relatively successful in Jewish circles, perhaps even more so than in mainstream artists’ circles. Szalit is known for lithographic prints, and it makes sense to compare her with Käthe Kollwitz, who likewise depicted impoverished members of the working class. Around 1927, Szalit became active in the Association of Women Artists in Berlin. Through this group, she exhibited alongside artists including Käthe Kollwitz, Lotte Laserstein, Renée Sintenis, and Milly Steger. Many depicted women as subjects, though only a few (such as Julie Wolfthorn) were known for portraying Jewish subjects.
What did Szalit have in common with other Jewish artists?
Because of her personal connections to Eastern Europe (Lithuania, Poland), Szalit’s work conveyed a sense of authenticity that was in demand. She contributed to the Jewish Renaissance in Germany alongside Jakob Steinhardt and Ludwig Meidner, who—like Szalit—depicted Jewish subjects in an Expressionist style that emphasized distorted, angular shapes and powerful colors. In fact, Szalit was one of only a handful of women mentioned in studies of Jewish art of this period.
What was Szalit's relationship to modern art movements?
Both Expressionism and New Objectivity were important for Szalit’s career in Germany. Whereas many of Szalit’s lithographic illustrations from the early 1920s experiment with an Expressionist style, many of her later paintings and drawings offered realistic portraits of social types more in line with New Objectivity. Additionally, we know Szalit was friends with painter Karl Hofer and other artists in his networks.
In 1933, Szalit fled Germany for France, where she became affiliated with the School of Paris. Here she exhibited with Marc Chagall, Eugen Spiro, Emmanuel Mané-Katz, Chana Orloff, and other Jewish artists, including many who hailed from Eastern Europe. Szalit was later included in Hersh Fenster’s Yiddish memorial volume, which commemorated over eighty Jewish artists of France who died in the Holocaust. In the epilogue to my book, I discuss how Szalit—whose life and work spanned several countries and movements—could be claimed and remembered.
Traces of a Jewish Artist: The Lost Life and Work of Rahel Szalit is now available from Penn State University Press. Find more information and order the book here: https://www.psupress.org/books/titles/978-0-271-09559-2.html. Save 30% with discount code NR24.
#Rahel Szalit#Szalit#Art#Art History#Jewish Art#Judaism#Gender Studies#LGBTQ#LGBTQ Studies#PSU Press#Penn State University Press
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NR24 - "Dreams From The Basement, Vol.1" (Album)
NR24 – “Dreams From The Basement, Vol.1” (Album)
Rising San Francisco, CA based independent Hip Hop producer NR24 releases his new album titled “Dreams From The Basement, Vol.1” featuring a solid collection of artists such as Mistah F.A.B., Semiautocec, Syfarii Babii and more! Follow him on Instagram @noah.24x.
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Company recalls pickled products because of danger of botulism poisoning
For photos of additional recalled products go to https://www.cdph.ca.gov/Programs/OPA/Pages/NR24-003.aspx or use the link in the story below.
The California Department of Public Health is warning consumers not to eat multiple varieties of Shamshad Food’s jarred food items because they were produced outside of the department’s Cannery Program oversight, making them susceptible to contamination…
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#gerecht nr24 #steakstroganoff met #salade en #kroketten met in het glas #chiroubles 2019 #lascandaleuse van #domainemetratetfils #scheurkalender van #dagelijksekost gekookt door #madameskitchen #bartbikt als #fenomenale #fourniceur #fenomenalefourniceurbartbikt #jeroenmeus #hotelhungaria @hotelhungaria @jerremeus https://www.instagram.com/p/CcN0PmSs0tP/?igshid=NGJjMDIxMWI=
#gerecht#steakstroganoff#salade#kroketten#chiroubles#lascandaleuse#domainemetratetfils#scheurkalender#dagelijksekost#madameskitchen#bartbikt#fenomenale#fourniceur#fenomenalefourniceurbartbikt#jeroenmeus#hotelhungaria
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SPARE PARTS FOR TURBOCHARGER
If you are interested in buying please let us know.
E: [email protected] | W: www.cssc-mtu.com
ABB(TPS/TPL series and VTR/VTC/RR series )
Suitable parts for below model
TPS48,TPS50,TPS52,TPS57,TPS61
TPL61,TPL65,TPL67,TPL69,TPL73,TPL77,TPL80,TPL85
VTR160, VTR161, VTR184,VTR200, VTR201, VTR214,VTR250, VTR251, VTR254, VTR304,
VTR320,VTR321,VTR354, VTR400, VTR401, VTR454,VTR500, VTR501, VTR564,VTR630,
VTR631,VTR714,VTR750,VTR751
RR131,RR133,RR150,RR151, RR153, RR180,RR181,RR183,RR212,RR221
MAN(TCR/TCA series and NR/NA series )
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TCR12,TCR14,TCR16,TCR18,TCR20,TCR22
TCA33,TCA44,TCA55,TCA66,TCA77,TCA88,TCA88-25
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