unhinged opinion coming, but the “before I leave this world I want to know love fully” bit is so entirely out of character that I halfway believe Belle manufactured a scenario where Jack would have sex with her so that he’d then be in a fragile enough state emotionally that she could convince him to operate on her
I mean, I think she loves him. but if she wanted to throw away her reputation and possibly get pregnant she could have just run away with him like he asked. instead she had sex with him, that precise moment, and then when they were lying there naked and vulnerable she started talking to him about the literature on heart surgery.
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On Kouyou and Mori's relationship
@2offayyo-kzt THANK YOU FOR ASKING because you prompted me to talk about Kouyou and I love talking about Kouyou. Original post the reply is referring to.
Okay most of it comes from the Kouyou / Mori / Chuuya scene at the closing of the guild arc. First off: in chapter 37 we are made aware that Kouyou decided to stay at the agency of her own accord. Besides from the reasons she had to stay, it's just pretty cool how it's confirmed that Kouyou doesn't feel like having Mori's orders or will she has to answer to and just... Pretty much is free to do whatever she wants. She doesn't care about what Mori requires from her - Mori who most definitely would have wanted her back at the pm as soon as possible - and just acts of her own accord, which is something that even Chuuya doesn't do.
Following up, Kouyou and Mori also reflect over how she's perfectly capable of freely leave the pm, yet she chooses not to (btw her little smirk following Mori acknowledgement of her abilities is SO cute). Again, it goes to show how independent she is from Mori (pretty much putting her on his same level I guess?), being able to leave the pm facing no consequences or retaliation, and just in general how master of her fate she is. It's nice, it's RARE for a franchise where female characters are usually just thrown from one side to the other by external factors and rarely get to choose for themselves.
Then - and so far I strayed a bit from the initial matter, but this is most relevant to the point I was making in the original post - she says “Shut up. I'll sew your mouth shout.” There's A LOT in those lines because it plainly shows how she just... Doesn't fear Mori, doesn't fear calling him out on his creepy behavior, doesn't fear (playfully? ← arguable) menacing him. She's just so unbound and free and self-governed, and totally unbothered by Mori unlike any other character (except for, well, Elise, who's part of Mori herself). It's a joy to see.
Next, the volume 10 extra. The “that's why I told you”, “I'll punch you”, it all goes to reinforce the concept that Kouyou is perfectly unafraid of Mori and doesn't shy away from calling him out and scolding him even sternly. But it's especially interesting to compare her behavior with Chuuya's. Where Chuuya tries to find accomodations for Mori, Kouyou scolds him, and later even accuses Chuuya of being “spoiling him”; their approach is completely different, and as a consequence their relationships with Mori are diametrically opposite. Again, back to my initial point: even Chuuya, who is one of the most self-reliant characters of them all, knows he has to answer to Mori, and accordingly treats him with respect; Kouyou is perfectly unbothered and unafraid.
And even more examples: chapter 42, Kouyou openly arguing with Mori's decision, lacking that mentality that is shared between pm operatives that Mori's plans are infallible and there's no point in questioning them (just think about how sure, confident and even smug Chuuya was about Mori's plan during the Guild arc, chapter 22). Chapter 43, Kouyou spending “half a year's worth of founds” to attack a government van, which I can guess goes against what Mori wants for the pm (lol) and once again just shows how Kouyou... Freely bosses around and does whatever she wants, answering to no one.
With this I'm not saying Kouyou doesn't care about Mori. She DOES care about Mori, she just doesn't in a “subordinate is loyal to their superior” kind of way. She cares about Mori, the thing is that she does because she chooses to and not for any other constraint, which arguably makes her the person that is closer and most loyal to him?? Because she has no second means for being loyal to him, and just does that because she wants to, which makes her loyalty the truest, most authentic one. And Mori knows that, and that's why she deserves to be the next pm boss, and I know they (authors) will never make her but she deserves it and she's the pm boss of my heart end of conversation.
Headcanon time while we're at it, I like to think for Kouyou to address to Mori so informally and familiarly is a way to make up / compensate for the trauma she underwent with the previous boss. When Mori killed the previous boss, she swore she would have never lived in fear again, and even though she ultimately decided to stay in the darkness, it's now her choice; a choice she personally and freely makes despite being aware of potentially, realistically being able to leave at any moment. Addressing Mori as he was her equal is a way for Kouyou to remind to herself about how free and unbound she is.
About Mori and Kouyou, I like to think they had this siblings-like relationship since before Mori became boss I mean, they canonly go cherry blossom sighting together. I like to think a very small, subconscious part of Mori killed the previous boss because Mori held resentment towards him for hurting Kouyou- but that's definitely straying too far alcbdklzbdkskxbks. I like to think Kouyou wanted Kyouka in the pm because she genuinely believed that under hers and Mori's lead Kyouka could be happy, that the pm was the place that most would have welcomed Kyouka, welcomed what Kouyou believed to be her nature.
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Same anon- wasnt trying to imply that with blossom either! Just wanted to say that it could've been read that way and could be triggering to some, and the fact that no one speaks up felt off, even if its against the code. I've never read the more recent books either, so by the way the posts were spaced it felt like the series goes Df battle > Tempest > Ashfur in the span of a few moons, meaning blossom went from one horrible event to another and was still feeling isolated and shameful. Sorry if anything came off as confrontational or mean!
As for the 'why dont they leave?' thing, I think we all default to how Ravenpaw actually DOES leave and we just apply the same logic. As humans we naturally draw connections, and if we see a situation where a whole clan turns on one cat, we ask why didn't they just do what Ravenpaw (or Dovewing iirc) did and decide they can't deal with this and it's better to move on. It's a pattern that we itch to see fulfilled: Tigerclaw turns everyone on Ravenpaw so he leaves, Dovewing gets her whole clan telling her to do better so she leaves, Blossomfall gets named as a traitor and repeatedly gets dishonor titles to remind her of all her faults- why do cat not leave???
But yeah, if Blossom got to heal, i retract my statement entirely. I just was going off the logic that she felt isolated/cut off and that being told she's better off invisible would just shove her further into that belief. I do wanna ask, do you know what the thing Blossom spoke up about that got her slapped with the title?
Ah, I see! Let me clear up the order of events so far;
ThunderClan's Tempest, shortly after the Great Battle, dealing with the Clan moving on. Contains some parts of the canonical Dovewing's Silence but mostly Bramblestar's Storm
AVOS, with Blossomfall joining the Kin and being rescued sometime towards the end. Still working out some kind of incident where her kits are either stolen, or have to be retrieved-- the sire is not known
Squirrelflight’s Horror, a book about how Bramblestar turns a tense political situation into an excuse to leverage his power to abuse his deputy after feeling slighted.
TBC, which is at least a year after AVOS, with all of Blossomfall's children now being young warriors and her life coming back into order
So Blossomfall is having a pretty long journey here! Her life has been rocky and she can be a really nasty person, but she was brought back into ThunderClan because she is still loved. There are people who really want to see her get better.
And as for when she gets Clearface'd, I'm torn on it either being the first sign and SUPER shocking because it was just the normal amount of Blossom-sass, OR it coming right after the death of Bristlefrost and she argued that
"Bristlefrost was a codebreaker but who cares! She was a warrior of ThunderClan! There's no way that StarClan--"
And then interrupted and quashed with the title.
So, first option, to demonstrate Bramblefake's new level of malice at the earliest possible point and use Bristlefrost's death as the "turning point" of the arc where cruelty becomes violence,
Or, as a direct response to Bristlefrost's death, and the moment where there begins to be suspicion, because Bramblestar is NOT this good at naming.
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So I have been playing Children of Morta and there are a lot of things I really enjoy about. I haven't quite finished the story mode
LET ME REPEAT THAT: I LIKE A LOT OF THINGS ABOUT CHILDREN OF MORTA! I LOVE A LOT OF THE GAME PLAY AND CONCEPTS GOING ON IN THIS GAME! ITS A BEAUTIFUL GAME AS WELL!
However... (do not pass this point if you are not up for dealing with criticism of the game, especially with a feminist lens)
The writing for the women and girls in the game is kind of awful. At least that I have seen so far
Mary is so chronically ill that she had to leave Lucy in the care of Margeret for years, and yet she is still having another kid. In fact, her whole character boils down to the sickly wife and the occasionally nay saying mother. Narratively, there isn't anything else to her, and in game mechanics, there is nothing to do with her. In a game about family, somehow, the mother is sidelined.
Sheila, the only woman mentioned so far at all to be a physical close combat fighter, never makes even an appearance and is, in fact, dead. Her death and the introduction of her son are used as a reason for character growth for Uncle Ben.
Margeret is supposed to be the matriarch to the family, and at least narratively and mechanically, there is a decent amount to actually back this up. Her upgrades from the book of Rhea are an important mechanic to progress. Her cutscenes consistently show her as knowledgeable and an authority in the family. She is still somewhat static, but she is shown to be consistently impacted by the revelations that have been made about the Corruption. However, she still has limited impact to the storyline for the family members compared to Ben, and her role as a magical herbalist and religious scholar are also overdone roles for older women characters.
All the playable girls (unless the final character I haven't unlocked yet goes against this trend. I am betting money that is not the case) are ranged fighters only. Lucy as a mage and Linda as an archer, which are some of the most common roles that women in media are put into. We rarely see, if ever, a woman in media that is allowed to be physically strong on par with her masculine counterparts, especially not in some way where she isn't damseled, killed, violated, or made palatable to male audiences. In fact, even Lucy and Linda both are made chickified by things such as their hobbies being music and art.
Lucy had to go through a whole trial to show she was ready to join the fight, while Kevin simply snuck out to prove himself with very little consequence for terrifying the family. Linda also sneaks out but only to join her father on his investigation at the start of the game and immediately return home.
All of these things separately, I could write off, but with these elements combined, it really comes off like the game has an issue devaluing the women in the Bergson family. It likely wasn't a conscious decision on the part of the writers. That is the insidious thing about patriarchal culture or any other cultural absorption of prejudice, you can unconsciously perpetuate it. However, it has been something grating at me while playing the game.
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4 headcannons for Ethel or Cammuravi? i luv them thank u!!!
I'm gonna do Ethel b/c I generally have more to say about her.
Headcanon A: realistic
Ethel would describe herself as a "merely decent" strategist and tactician. And while that is underselling it a little bit, she is overwhelmingly good at putting bodies in the ground, and had to learn to adjust her expectations of what even her most elite strike teams are capable of.
Headcanon B: while it may not be realistic it is hilarious
Ethel is very good at insulting people when she doesn't mean to. Part of it is the flat affect, part of it is that she's very duty-focused, part of it is just being The Elite(tm) so almost every compliment she gives sounds calculating and/or backhanded. Her reputation as an ice queen is mostly undeserved, she's genuinely very sincere, that's just the way she speaks.
Headcanon C: heart-crushing and awful, but fun to inflict on friends
Ethel was broadly disliked when she was still rank and file, because her performance would bring the average up so much that it made people around her look incompetent in comparison and her struggles to communicate her feelings to the people around her made it seem like she didn't care. A lot of people were looking forward to seeing her crash and burn as a commander when she was initially given Colony 4, including some people at Four.
As a result of always feeling some level of judgement aimed towards her, Ethel gravitated towards Cammuravi. There are other people in her life who would praise her openly and without reservation, but she doesn't know how to trust that praise, knowing it comes from a place of being put on a pedestal as the famed Silvercoat.
Headcanon D: unrealistic, but I will disregard canon about it because I reject canon reality and substitute my own.
Colony 4 was brand new when it was activated, built specifically for Ethel. Regardless of that, it had to undergo extensive modifications once she settled into her rivalry with Cammuravi, and has been rebuilt at least half a dozen times because the two of them came so close to slagging each other and then never quite managing it.
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