Tumgik
#no bookshelf here
ymechi · 5 months
Text
Who is the real Creator?
Sorry this took so long I have so much to say but I have no idea where to start. I hope you guys are okay with how it ended and the decision I made. This is a yandere au but with Nahida it is platonic (and the rest of the underage characters).
-TW: cult au, yandere, impostor au, mentions of being hunted down, mentions of trauma, self harm (nothing major)
-Gn reader and darling (please tell me if I mess this up message me and I will fix it)
part 1, part 2, part 3, part 4, this is part 5, part 6
------------------------------------------------------------------------------
Reader began to unpack their stuff, it was mostly clothes and books, everything else like cooking utensils was unnecessary as there were attendants who would handle stuff like cooking and cleaning. Reader guessed that was the perks of being an Archon.
The room was a bit of a mess the large doors were open and the boxes littered the floor with various trinkets and Readers personal belongings. 
One should not look down on how much stuff one can gather, even in a foreign world. Soon they would be able to write poems with how well their vocabulary had gotten.
Reader took out a shirt and folded it neatly putting it inside the nicely carved wardrobe. They felt a little out of place in the spacious and very fancy room. Yet there was a certain charm towards it, Reader especially loved the tall glass windows that let the sunlight in.
"I see you are already settling in."
"Oh, Nahida! I did not see you there, yeah I thought it was best to do it while I could."
"You know there are attendants if you ever need help, please don't feel too bad it's their job after all."
"Well if you put it that way. . . I guess I could use a hand with the rest of the clothes." 
Reader had underestimated how many clothes they had, it was boring to fold them and sort them all. They had bought most of their clothes and personal items as both Nahida and Reader did not know the extent of the tension that Darling's reveal would cause.
They looked through the boxes and one object caught Readers eye. It shined as the sun reflected on it. Reader took it out and observed it. This was a gift Darling had given them, it was a Fanoos that was intricately carved and made out of polished gold. The lantern's glass was made out of various colors in geometrical shapes. Overall it was very beautiful something Reader would like.
Speaking of. . .
"Nahida what will happen to Darling after. . . you know?"
Nahida watched the lantern that was in their hand without saying anything and then looked at Reader with a smile.
"It was decided that they would go to an isolated temple in Inazuma for their own safety. Even if they are innocent we can't be too careful what others might do."
Well, at least Darling would be safe there was no need to worry after all they had the Raiden shogun. Inazuma would be far away though.
They looked at the Fanoos, it would be pretty to add it near the nightstand. . . There was already a lamp there, so they decided to put it on a bookshelf instead.
"It looks very nice on the shelf there," said Nahida.
"Yeah, I am glad you think so too," replied Reader.
Reader saw a familiar hat figure silhouette from the open door. It was Wanderer as they had expected, curiously he was carrying several moving boxes as well.
"That is right I forgot to tell you Wanderer decided for extra security to move in here as well, I saw no reason to turn him down."
"O-oh but is it fine for him to just move like that because of me?"
Wanderer must have heard the conversation as he turned to look directly at them. He nodded toward Reader who gave him a small wave. After the status of Readers creator-hood was revealed Wanderer had taken to being polite to Reader but after some more nagging on their part, he had mellowed down a bit. He did tease them from time to time as was normal between them.
Reader hoped with time they could go back to the usual scowling Wanderer who did not hesitate to say what was on his mind.
However, that did make Reader ponder why he turned polite while Nahida stayed the same.
Reader must have been staring at Nahida as the Archon looked at them with a tilted head.
"I see you two are talking behind my back, not very nice I must say."
"We were just talking about your new living arrangements," she looked at Wanderer with an innocent look, "you know, it made their grace feel really bad."
Reader snorted at Nahida's jab at getting into Wanderer.
Wanderer looked surprised but sighed looking at Reader with a sincere expression they did not expect to get today.
"There is no need to concern yourself with that I chose to move out of my own violation, no one forced me to."
Reader gave an awkward smile and wrung their hands together.
"Alright, but I still feel bad-," Wanderer sighed at Reader, "let me finish! I feel bad so if you need any help come to me okay?"
Wanderer looked like he was about to turn down the offer until Nahida interjected.
"Actually since you both are moving in how about we all take a shopping trip to buy decorations, you can then ask Reader for advice on what to buy, two birds in one stone."
"A shopping trip sounds nice," Reader said and looked at Wanderer with hopeful eyes.
Wanderer closed his eyes and sighed.
"It seems you won't let this go, fine then let me put these stuff down and we can go down to the market."
Nahida and Reader looked at each other with a smile. It was going to be a fun trip.
.
.
.
The sunset this day was a bright crimson and was fading into orange at the horizon. There was no cloud in sight. the people were gathered near the central temple in Sumeru. One of the Creator's temples. Reader grimaced.
They adjusted their hood once again feeling nervous not to get caught. Wanderer held their hand more tightly and they gave a squeeze back feeling thankful.
Soon one of the heads of the religion came out near the podium.
The people were confused and some were curious but it was clear soon everyone would find out what the gathering was for.
Nahida stepped up as well, and she began to speak. Then the priest took over and Reader watched everyone's face turn to shock and outrage.
Impostor.
Reader clenched their jaw and held Wanderer's hand tighter. He did not flinch or let go.
Nahida and the priest calmed the people down in the end but there was still much tension left.
By the end of it Reader and Wanderer left the place.
.
.
.
They met Nahida outside of a meeting room. She looked exhausted and Reader's heart ached. With clumsy hands, they took out a juice bottle they had.
"You look tired, please take some."
Nahida gave a small smile and nodded.
"Thank you."
Her voice was small and a bit hoarse no doubt from all the talking. Once again Reader felt awful not being able to do anything, especially since Nahida was a dear friend.
"Please don't worry about me I am fine, as an Archon this is one of the many duties I must attend to," her face turned more serious looking at Reader, "I am afraid we are not done yet this is your turn now."
Reader's shoulders squared and they nodded. Right, it was their turn now. No more running away and this time they were not alone either. Reader looked at their friends and gave a reassuring smile.
Nahida smiled and nodded at them before turning and opening the door.
It wasn't as intimidating as they had imagined when they entered the room. It was decided for Reader's sake they would ask the acolyte and Archons who would be able to attend to come and not tell anything of the importance of the meeting. Naturally since the recent announcement from the church most would be busy, only those who had time would come and it would not be a large group. It was better for Reader to start off small Nahida had recommended and they agreed.
The Archon’s that were able to attend were unsurprisingly Venti and Zhongli. Yet most people in the room would be unaware of the importance of such figures.
As they entered Nahida stepped in front of them while Wanderer walked behind them, they felt rather safe this way.
The others who had arrived were Diluc, Lisa, Cyno, Kujo Sara and Chlorinde. Quite the cast had come. Now all of their eyes were on the trio but mostly on Reader as they stood in front.
Nahida stepped up to speak but Reader beat them to it putting a hand in front of her, all while still looking at their audience.
The sky outside was just as red there was an odd silence in the wind. The shadows on the acolytes' faces deepened and their eyes became glaring embers of accusation evident on their eyes.
Impostor.
They had thought a lot about what to say, and there were many words and accusations they wanted to scream at the top of their lungs until Reader's voice became hoarse and dry. Yet what were words when actions could speak louder?
They took out the same kitchen knife from before on that day from their pocket. They did not bother to look at their reactions. Reader took out their palm and cut it and watched as it bled a brilliant gold. They were still unused to the sight themselves and took a moment to admire it.
They heard a sharp breath. Before anyone could speak they threw the knife onto the table.
Reader then left the room.
------------------------------------------------------------------------------
Taglist: @resident-cryptid @probablynoposts @esthelily @mitsukashi @charming-mage @chaoticfivesworld @irisxiel @dulcedelechenginamo @yu-ulda @samohxt2-0 @pinkpainc @vianitry
451 notes · View notes
mona-liar · 5 months
Text
One more argument for "writers should not be allowed to have social media"
Tumblr media Tumblr media Tumblr media
241 notes · View notes
notbecauseofvictories · 8 months
Text
truly, truly one of the best moments in podcasts, when carpenter finally reaches the goddamn (god blessed?) end of her rope and washes up in front of a bunch of ragged folks with guns, says "go ahead, kill me! kill me, you've been chasing me for so long, you might as well---"
only for it not to be the paramilitary force chasing her, but instead be the cop who used to chase her, who beams and says: "hi there! let's go talk to my girlfriend, that career-climbing young professional you kidnapped and incidentally turned into a counterrevolutionary. she's a prophet now."
[poetic_cinema.jpg]
235 notes · View notes
iminyourbookshelf · 21 days
Text
Random little art piece that I can do a background for 😭
Tumblr media
(Also this is a sorta happy birthday for Tommy) (it's two days late bc i didnt know until recent)
81 notes · View notes
gertstarlight · 7 months
Note
I'm sorry, but some'in bout the way that Jordan Li hand touches the wall to brace the impact so that Marie not just slammed against it when they kiss. It's lil' shit like that that be turning me into the person that just cannot!
oh u mean this ?? YEAH
Tumblr media
and the way they pin her hands against the wall as they're kissing her ohhh this is real television babes
203 notes · View notes
bookshelf-dust · 6 months
Text
stranger things 2 came out six years ago today. have i really been i love with motherfucking billy hargrove for that long??? anyway, happy six years to that ass, amirite??
Tumblr media
73 notes · View notes
natreads · 1 year
Photo
Tumblr media
I miss reading
331 notes · View notes
tolive1000lives · 1 year
Text
Tumblr media
Bookshelf reveal! My shelves are a constant work in progress but it makes me happy to look at all my little treasures 🥰
304 notes · View notes
historitor-bookshelf · 5 months
Text
On a less ranty note: Gav Thorpe's oaths (or whatever you call them) do deliver
This time, featuring the Lion and his... Crown jewels.
Tumblr media
Imagine the Lion hearing that from his sons.
35 notes · View notes
the---hermit · 1 year
Text
Bookshelf tour
Since I was asked for one and I just reorganized my shelves here is a photo tour of my shelves. There's three main chategories in my bookshelves: non-fiction (which is divided in two sections, because of space reasons), graphic novels, and fiction books. Believe it or not while reorganizing everything I managed to keep a bit of empty space at the bottom of the shelves. I am pretty happy with how the shelves turned out this time, there's a couple of sections that are totally random because I couldn't find a specific place for those books (yet), but I am pretty used to that as it happens almost everytime. Aside from this I like the way I managed to organize everything else.
Tumblr media Tumblr media Tumblr media
I hope this version of a bookshelf tour is clear enough, I didn't write stuff for every single thing you can see in the pictures, because there wasn't enough space to do so. So if you have questions or anything my inbox is open as always.
I should also mention that although this is the finished result I will take some books out of their place in order to put them on the tbr shelf in my bedroom, I might post a picture of that shelf one of these days!
225 notes · View notes
campgender · 2 months
Text
Tumblr media
One gin and tonic. The bartender raises her eyebrows. Her shoulders, broad like a gymnast. Her voice comes out deep and tough. You got it. I suck on the lime. The tang travels through my nose. First time at Ladies Night?
I had been going to gay clubs for the better part of my adolescence—that is, gay boy clubs, where I danced next to men who smelled like flowers and tequila. They had eyelashes that sparkled with glitter, smooth, bare chests, and pretty red mouths. They told me I looked like Doris Day, hugged me close, and whispered secrets in my ear—who was fucking whom, who got cast in what play, who was peaking on what drug. I knew that other girls my age were sneaking out of their bedroom windows to go to rock concerts and parties at Hollywood mansions, but I was convinced that my nightlife was cooler. I danced up and down Santa Monica Boulevard like it was paved just for me. The posturing and stoicism of the straight guys at my high school could not compete with my warm, new friends. I had the vague hunch that we shared something fundamental, but at sixteen and seventeen, I didn’t know exactly what.
from “Confessions of a Fag Hag Femme” by Sasha Elise Cohen
published in Visible: A Femmethology, Volume 2, ed. Jennifer Clare Burke (2009)
18 notes · View notes
pyrriax · 1 month
Note
your centurion anatomy sounds really cool :0! can you describe more in detail about them?
in your screenshot it stated they have a crystalline star in their hearts, does this have something to do with the seraphim? also by "tainted by gold" does that mean centurion blood or do seraphim also have gold blood? what are the different colors of centurion blood and are they all some matter of metallic? how do centurions connect to their seraphim?
you can also talk about seraphim anatomy if you want :3 (im also very curious about why they went extinct but im guessing thats spoilers)
also who are the other centurions and seraphim aside from clown and branzy? do they have some kind of hierarchal system? how do seraphim give their souls to creations since im assuming its literal? and what is the exact purpose of soul-sharing?
no need to answer all or any of these ofc just curious :3
Hello hello yes of course! I'm happy to elaborate more on them ^_^ I'll be pulling pieces from my notes, some screenshots of writing I've done relating to it, and just going into some Details.
(Fair warning this is going to be a LOT of words and a lot of this is subject to change, this project and world is a work in progress and I've been shifting things around as I start actually writing things!)
Preface (A quick rundown of the World itself)
Divided into two parts, the main one I'll be focusing on is The Vesper, Vesper is the name of the main Seraph city, and is also used to refer to the floating islands which are the main home of the Seraphs.
The other part of the world, The Fray, is the actual planet. This is the ground, and was once a lush place, but is currently... Not so much. Once upon a time, it had a handful of different names, but now it's nothing more than ruin.
So, Seraph anatomy (What the hell even is a Seraph?)
Seraphs are an organic bipedal species which are humanoid in nature but tend toward being less human in appearance; though one of the main differences is their many (varying number) of wings, along with having anywhere from two to four eyes. Though, all of these things variy from Seraph to Seraph! In general, they're a bit bird-ish, and though the main two that I'll be talking about look relatively similar, Seraphs have a wide variety of colors and patterns, along with the fact they're known to dye feathers the same as people dye their hair!
Tumblr media
(Note: this is an older sketch, before I'd really fleshed out the exact origin of Seraphs. The halo isn't a standard thing, but this does somewhat convey general anatomy! This is a Seraph which is basically showing off what it is, and taking a less strictly humanoid appearance, though it remains bipedal. As well, this is a four-winged example, although its ears are feathered, which can give the appearance of an additional set of wings, depending on the Seraph!)
Generally speaking, Seraphim anatomy isn't too out of the ordinary, although one thing to note is their speech is much more adapted toward chirping and trilling for vocalizations, and most of what I write for the dialogue is more... A transcript of the conversation, than the literal things being said (since I'm already in deep with a worldbuilding project and I don't need to add a conlang on top of that, lol). Well, that's all bar the star in the room, but we'll circle around to that in the next section!
Long before they were known as the Seraphim, Seraphs were a flying creature, and have retained a few key aspects of that, specifically the wings themselves, and a lighter skeleton. This does lead to the high potential of bones breaking, and general injuries, but there are things that circumvent that from being such an issue, which is tied to magic in the world itself.
also by "tainted by gold" does that mean centurion blood or do seraphim also have gold blood?
That line is referring to Seraphim blood! Seraphs have a varied blood color, but the most common one is gold/brass-like, which is usually vibrant but when dried it's much more weathered looking (taking on a greenish hue).
Seraphs are one of two sentient species in their world, and are revered as Gods both for their appearance, and for their abilities. Although, this doesn't mean that they are peaceful, and they often will partake in bloody fights, often to perceived death. Though, these are frowned upon, it isn't outright disallowed, for reasons I'll be getting into! (I swear I'm not dragging this out on purpose I just want to explain what the fuck a Centurion is before we get into magic)
Okay, so what is a Centurion, then? (Centurion Anatomy)
Centurions are primarily humanoid in appearance, but an important distinction to make is that Centurions are not organic. In place of faces, Centurions have masks, which are typically undecorated, left blank to ensure they aren't viewed as expressive or of having emotions. There are few exceptions to this. As well, they typically will have all of their body completely covered, for similar reasons. It's established already in the screenshot you mentioned that Centurions are constructs, and generally speaking, they are made for temporary usage, rather than anything long term. This comes with the nature of their primary purpose, but let's put a pin in that for now.
Despite their status as constructs, they are given pieces which function much like their organs, which primarily exist to be like a siphon for energy and the magic which fuels them. Over time, these pieces wear down, and they will cease to function properly after their designated time is up. This time can be extended, if these pieces are replaced or maintained, but this is something that they cannot do themselves. It was a limitation put into place by their creators to keep them from self-perpetuating and as well to keep them from outliving their usefulness.
These organs appear like they've been made of wood, metal, and wool. This isn't exactly the case, as much of what makes them up is organic material, specifically that of grown stars. (There's worldbuilding and flora explanation I'm not going to drag this out with, but if you're curious I can talk about it more ^_^)
Centurions are nothing more than machines. Or, at least, that's how they were supposed to be, but this isn't how it always remains.
what are the different colors of centurion blood and are they all some matter of metallic?
Centurions have blood much more like humans, though not always. Being variably red or gold, depending on their function. While they are constructs and don't have so much of a need for a circulatory system, this is a bit more... Cosmetic. Centurions with gold blood are more often than not the ones that are made for jobs within Seraphim cities, though this doesn't mean that they always remain there. Although, in rare cases, Centurions may be made without any blood, and instead their organs will be made to replace the few functions it does have.
But, focusing on if all of their blood is metallic, it isn't always the case. Centurions are much more varied, and even from one to another major pieces of anatomy can be wildly different. So, it isn't a far stretch to say there's quite possibly a handful of Centurions with non-metallic blood out there.
Centurion Origins & Purpose (With a little sprinkling of magic!)
So, if you hadn't already guessed it, Centurions were created by the Seraphim! At the beginning, Centurions were made to fill in odd jobs, taking care of things which were necessary and being generally a stand in for workers as the Seraphs progressed. They were modeled after the other sentient species, which are functionally humans but not quite. This was something which caused a fair bit of outrage from them, but the Seraphs didn't exactly care.
Eventually, though, the Centurions took on a much different, and much more... Important role. They took the place of Seraphs in slaughter, in petty squabbles or fights which would've otherwise been an inconvenience. This turned into Centurions no longer being made for small jobs, and instead they were being made as machines of war. They were mindless and soulless soldiers, following orders without a doubt or question.
Although, some Centurions are different from the others: they have a soul, one of the stars. These are the main leaders, and they are the ones which remain for the longest. (This is what Clown is, which is the reason he is the way he is!)
Centurions made for fighting are the only remaining residents of the Fray, and have been the reason for its destruction, after the fall of the Seraphs.
Stars, Magic, all those little things (An some creature details)
Magic in Seraphim is an innate thing, something that everything in the world possesses, but uses in different ways. Some creatures use it for shapeshifting to quickly adapt, others will use it to hunt, meanwhile a handful of species will consume it rather than hunting or scavenging. Although, creatures which consume magic are known to be short lived, and reproduce a lot like how puffball mushrooms do. It's a little horrifying when all of the sudden there are sharp spores flying everywhere, but it's the reason most avoid the main pools of the magic. Seraphs are a species which primarily consume magic, but, unlike the much more nudibranch-esque creatures which are prone to exploding due to the magic they consume, Seraphs have harnessed it for their own purposes.
The Vesper are floating islands which are suspended above vast lakes (which are almost oceanic) and have been held there by the Seraphim. As a means of storing the excess energy they've taken in, they developed a way to use it to continue to suspend the Vesper. These stores could last for several thousand years, assuming they're properly maintained.
But, onto the burning question of the night: what are those stars?
in your screenshot it stated they have a crystalline star in their hearts, does this have something to do with the seraphim?
The star is a key part of the Seraph's anatomy, and is the place where magic tends to remain within their bodies. This is a piece of their heart, the place where their soul resides, and is also their tie to this Godhood they have. Much of the reason they're revered as gods it due to the fact that if the star remains in place, and remains unbroken, it can make them... Somewhat immortal. It greatly heightens their ability to heal, a little like a regeneration potion, if you think about it.
Seraphs are notoriously hard to kill for this reason, given the fact that if given enough time, they're known to be able to sort of regenerate limbs. Not perfectly, and not without several years of time and a high risk of infection, but it's possible. And that's because of the stars. They're almost entities in and of themselves, keeping the Seraphs alive to not die themselves. Although, these stars can survive in other bodies, most notably being placed into Centurions.
So how do you kill the supposedly unkillable, then? What could cause such a mass-dying if they can regenerate?
The easiest and most straightforward way to kill a Seraph is to rip out their star. Although, that involves incapacitating them to some degree (usually via fatally wounding them, as that's generally the most accepted method. This is why it's so greatly frowned upon, as that leaves the Seraph who's been wounded to most likely be killed.) It's recognizable for its shape, which is the origin of its name (for a more visual reference, they're a little like konpeitō, but with a spikier appearance), and though they have varying tones, they're more often than not a pearlescent white. At least, that's when they've been cleaned of blood.
Without their star, the Seraph will die. Even if they we're fatally wounded prior, they will only survive a handful of months at most.
So, this mass dying. While I won't go into all of the details, since that definitely spoils some things, but magic is a finite resource, but even more, Seraphim stars became... Valuable as a weapon. Without the proper maintenance and constant in and out flow of magic, they'll accumulate energy, storing more and more until finally they just explode. Much like the nudibranchs, an excess of this magical energy leads to explosive properties.
This also means that Seraph corpses are dangerous if the stars haven't been removed, which is why in the carnage, there aren't many bodies left to lie and rot. The few Centurions remaining in places like the Vesper cleaned the place of these bodies, and some even took the stars for themselves.
So what do the stars have to do with souls?
In an earlier draft of a concept, I detailed a Seraph getting decapitated and surviving due to its star. The stars are a place where the Seraph's memory, personage, and in the most fantastical sense, their soul, is stored. This Seraph lives, and while it never quite has the same senses as it did before, it is still fundamentally the same person, as its star wasn't harmed in the process.
So; for a Seraph to give a Centurion its soul, that is an act like giving up itself to that Centurion. The Seraph will not exist in the same sense, and as shown with Clown and Branzy, even that will diminish over time.
Although, there is one thing I've avoided mentioning: the humans. Our outliers, as one of the least magically inclined species, they've tried to get ahold of this magic, as well as attempting to use the Seraph's stars for their own. This lead to a few people who've remained, but aren't quite human anymore.
how do seraphim give their souls to creations since im assuming its literal? and what is the exact purpose of soul-sharing?
Seraphim can take out their own star, an act which is painful but to be done for another is a little bit of a profession of love. To give their star to a Centurion, under regular circumstances, it is a way of prolonging the life of their soul. The star is "consumed", a thing which is looked down upon by Centurions, as it's viewed as becoming one with those who've condemned them to their hellish lives.
There are two things that can come of a Seraph's soul being placed into a Centurion, and they go as follows, with few exceptions:
The Centurion is Soulless / a Husk: The soul will continue to live on, but they will start again. It removes all but a few traces of the Seraph's memories, and they will learn to live as they now are. [Example: Ro, who we'll learn more about in the next section]
The Centurion has a Soul / Star (Even if it is one that was grown / artificial): The pre-existing soul will be slowly consumed by the Seraph's, a process which results in one or both of the stars shattering. This can only happen is the Centurion has agreed to it, and it is a thing which became more common as more Seraphs died. [Example: Clown, whose visions of shattering stars are that of his own, and not Branzy's]
Last but not least, an incomplete list of character I've given story to for this AU
Starting with our Seraphim:
Branzy is the most notable as he's the only Seraph who remains a Seraph for his entire existence, even after giving his soul to Clown. Although he's used his magic for shapeshifting purposes, appearing much more akin to the Centurions, as he's been enthralled by them since he was young. Roshambo, although I'll be elaborating more on him in the Centurion section for a few reasons. He was one of the first Seraphs to give his soul to a Centurion, and it had some... Interesting effects.
Onto the Centurions:
Clown is the obvious one, being one of the most perfect example of what makes a Centurion, and being one of the "leaders", his star (his soul) is artificial, one of the ones which was grown, and thus, he's a bit different from Seraph-souled (or, star-eating) Centurions. [Appears a lot like his typical canon appearance, as he was one of the few Centurions who were directly associated with a Seraph, and despite the fact of his origin, he doesn't have the blank mask which is typical of these Centurions. His mask is also carved into a shape which is much more like a horned owl, a little heart-ish; this doesn't affect him.] Zam, a lovely odd case who shows up long after the fall of the Seraphs, but before the Vesper as a whole collapses, who becomes one of the residents of the Vesper's grand library [At least at his introduction, Zam is much like the typical soldier Centurion, dressed in a way which is very impersonal. This changes as he spends time in the library, and by the time of the fall, he's adopted a palette of darker amber hues and white, along with the occasional gold or brass accent. While his mask remained generic for a long time, he eventually allowed Ro to help with adorning it, ending up with a smile and some filigree which matches Ro's own mask.] Roshambo is the last on this list as of currently; although he's fully convinced he isn't a Centurion at all, having been around the other residents of the library since his creation and not knowing himself to be any different from them [Previously being one of the few Centurions who was designated to a space where he would be viewed, Ro is dressed in a way which is almost painfully fancy for him. Unlike the typical blank white, the base color of Ro's mask is an iridescent black, adorned with lavender stripes and laurel patterns. His appearance is a little less decided, compared to the others.]
And last but not least, our... Humans?:
Mapicc is the closest to a normal human of those given one of the Seraph-souls in order to grant him the almost-immortality, this has lead to him having several inhuman traits, including the appearance of seasonally shed feathers, which he's more annoyed by than anything. Spoke is about the furthest from human someone can get while still being so, and this is because of the fact of the star he was given. He was given one of the artificial stars, as a part of a test. He's only become more... Bizarre as time goes on, body twisting and morphing as the magic doesn't know where to go, and he can't fully contain or control it.
The roster is pretty small, since I've been focusing on two different eras, and these two sets don't interact much. Clown and Branzy exist long before the extinction of Seraphs, but Branzy's giving up of his heart does mark the true beginning of the end. Roshambo, Mapicc, and Spoke (later as well including Zam) are the last living beings on the Vesper after the fall of the Seraphs, and are there until the day the sun doesn't set, and the Vesper itself falls from the sky.
... So that's the world of Seraphim, from relative start to end, with much of the fluff, character centric pieces and a bit of the more out-there magical elements cut out to save my damn hands because this is almost 3k words 👍 There are things I'm not sure will remain canon, more proper worldbuilding and flora / fauna exploration I need to work on, and some things I most definitely missed, but hopefully this answers some questions and raises others! there is a lot more to explore post-fall but i have to leave a couple of mysteries, as a treat.
16 notes · View notes
padawan-historian · 6 months
Text
Tumblr media
To better upRoot our miseducation about settler-colonialism, antisemitism, islamophobia, apartheid, and the growing military industrial complex, here are a few urgent and timely reading recommendations from your friendly neighborhood historian (books with ** are my padawan picks)
Books on Muslim Identities & Solidarities:  
Islamophobia and the Politics of Empire: Twenty Years After 9/11 | Deepa Kumar **
The New Crusades: Islamophobia and the Global War on Muslims | Khaled A. Beydoun 
Tolerance and Risk: How U.S. Liberalism Racializes Muslims | Mitra Rastegar **
The Muslims Are Coming: Islamophobia, Extremism, and the Domestic War on Terror | Arun Kundnani **
Things You May Find Hidden in My Ear: Poems from Gaza | Mosab Abu Toha  **
The Way to the Spring: Life and Death in Palestine | Ben Ehrenreich 
Erasing Palestine: Free Speech and Palestinian Freedom | Rebecca Gould **
Books on Jewish Identities & Religious Imperialism: 
Holocaust to Resistance, My Journey | Suzanne Berliner Weiss  **
A Land with a People: Palestinians and Jews Confront Zionism  
Ten Myths about Israel | Ilan Pappe **
Voices from the Warsaw Ghetto: Writing Our History 
Whatever Happened to Antisemitism?: Redefinition and the Myth of the 'Collective Jew' | Antony Lerman **
Books on the Histories & Afterlives of Palestine: 
The Palestinians | Rosemary Sayigh 
The Balfour Declaration: Empire, the Mandate and Resistance in Palestine | Bernard Regan **
The Hundred Years' War on Palestine: A History of Settler Colonialism and Resistance, 1917-2017 |  Rashid Khalidi **
The Great War and the Remaking of Palestine | Salim Tamari 
The Ethnic Cleansing of Palestine | Ilan Pappe **
Stone Men: The Palestinians Who Built Israel | Andrew Ross **
Gaza Under Hamas: From Islamic Democracy to Islamist Governance | Bjorn Brenner 
The Biggest Prison on Earth: A History of the Occupied Territories | Ilan Pappe
The Battle for Justice in Palestine | Ali Abunimah 
In Search of the River Jordan: A Story of Palestine, Israel and the Struggle for Water | James Fergusson **
Books on Queer Liberation & Apartheid: 
Queer Palestine and the Empire of Critique |  Sa'ed Atshan **
We Have Always Been Here: A Queer Muslim Memoir | Samra Habib **
Terrorist Assemblages: Homonationalism in Queer Times | Jasbir K. Puar 
Exile and Pride: Disability, Queerness, and Liberation | Eli Clare
Books for Young Readers & Growing Families on Palestine, Apartheid, and Racism: 
Young Palestinians Speak: Living Under Occupation **
You Are The Color **
The 1619 Project: Born on the Water **
A Little Piece of Ground 
Wishing Upon the Same Stars **
The Shepherd's Granddaughter **
They Called Me a Lioness: A Palestinian Girl's Fight for Freedom **
A Long Way Gone: Memoirs of a Boy Soldier **
We Are Displaced: My Journey and Stories from Refugee Girls Around the World **
Books for upRooting Political & Academic Imperialism 
Except for Palestine: The Limits of Progressive Politics | Marc Lamont Hill + Mitchell Plitnick **
Tolerance Is a Wasteland: Palestine and the Culture of Denial | Saree Makdisi
The Palestine Laboratory: How Israel Exports the Technology of Occupation Around the World | Antony Loewenstein **
We Are Not One: A History of America's Fight Over Israel | Eric Alterman **
Beyond Occupation: Apartheid, Colonialism and International Law in the Occupied Palestinian Territories | Virginia Tilley
Set the World on Fire: Black Nationalist Women and the Global Struggle for Freedom | Keisha Blain
Beyond Walls and Cages: Prisons, Borders, and Global Crisis | Matt Mitchelson
Books for Decolonized Scholarship & Community Building: 
The Wretched of the Earth | Franz Fanon **
Necropolitics | Achille Mbembe **
Freedom Is a Constant Struggle: Ferguson, Palestine, and the Foundations of a Movement | Angela Davis **
Captive Revolution: Palestinian Women's Anti-Colonial Struggle within the Israeli Prison System | Nahla Abdo **
Europe's Fault Lines: Racism and the Rise of the Right | Elizabeth Fekete 
The New Age of Empire: How Racism and Colonialism Still Rule the World | Kehinde Andrews **
The Republic Shall Be Kept Clean: How Settler Colonial Violence Shaped Antileft Repression | Tariq D. Khan 
Decolonial Marxism: Essays from the Pan-African Revolution | Walter Rodney
You can explore more decolonized book recs + history reads over on Neighborhood Historian or access deeper history lessons (and support these public resources + works) through my Patreon.
40 notes · View notes
Text
I checked out a copy of Julia Child’s The Way To Cook, since I’m trying to convince myself that cooking the basics well is a better goal than seeking out complex novel recipes.
What’s surprised me is: (1) the writing. Child contrasts the luxury of lobster with the “gutsy penury” of broccoli as a souffle roulade filling; an egg is a “perfect, pristine, primal object” and knowing how to whip them for a yellow cake vs. a genoise is “essential culinary baggage.” (The way she describes peas “just out of the garden, so sweet and young they hardly need warming through” made me suddenly desperate for peas. PEAS.) 
(2) There is a surprising amount about knowing what you’re eating, both in terms of handling food safely and the broader supply chain---egg quality and refrigeration, a couple paragraphs about ocean pollution and its effect on fish, how to adjust cooking methods when your vegetables are from the grocery store versus the garden. And I mean, this came out in 1989 so maybe I shouldn’t be surprised? but I am.
(3) It is apparent from the forward that this is someone who just...loves food. Loves it. Loves making it and eating it and luxuriating in the experience of both. As someone who also loves food in exactly that way, it's nice to know there are more of us out there.
2K notes · View notes
bookshelf-in-progress · 10 months
Text
The Golden Shoe: A Cinderella Retelling
Once there was a princess who was her father’s only heir. When she came of age, a series of balls were held, and the man she would choose to wed would become her country’s next king. Every man in the kingdom, from peasant to prince, was invited, but the princess was pleased with none of them.
Late in the evening, a stranger arrived--a handsome youth, fair to behold, in garments that seemed woven of the light of the stars. For the rest of the evening, the princess would dance with none but him. His manners, his kindness, and his grace impressed her deeply, but before she could ask his name, the great castle clock began to chime the midnight hour. Her partner made his excuses and fled from the ballroom, and though the princess pursued, he had disappeared down the palace stairs by the time the twelfth bell tolled.
The stranger returned to the next evening’s ball, wearing clothes that seemed to glow with the light of the moon, and once again the princess danced with no other. Whispers raced through the ballroom. Who was he? Where was he from? Some claimed him he was a foreign royal, others said he was a notorious outlaw, and still others said he could only be a prince from among fairy-kind. Though the princess stayed by his side all night, she could not pry from him a single answer.
Once again, when the clock struck twelve, her partner began to flee. The princess held his hands and begged him to stay, but he told her that she must allow him to leave before the toll of the midnight bell. When she asked him why, he gave no answer, but fled down the stairs and disappeared so thoroughly that none among the palace guard could find him.
The next morning, the princess spoke to her godmother about the mysterious stranger. Tonight would be the final ball, and there was no other man that she so wished to marry. But her godmother advised her this would not be wise. The stranger could be anyone--an enemy prince, a wicked enchanter, even a beast in human form. If the princess wished to find the truth, she could not let her partner flee at midnight. On her godmother’s advice, the princess ordered that the great palace staircase, down which her partner always fled, be spread with pitch, in the hopes that it would hold him fast and break whatever spell hid his secrets.
At the final ball, the stranger appeared just as before, in clothes so grand that they seemed to shine as bright and golden as the sun itself. The princess had never been so charmed, or so in love, and she could not even think of another partner. The hours slipped away, until at last the palace clock began to chime twelve.
As before, her partner fled, but this time, his shoes caught in the pitch on the stairs. One foot came free, and the shoe stuck to the stairs, but the other foot was held fast, and there, the princess saw, her partner still stood when the twelfth bell tolled.
The stranger's golden finery faded, leaving him clad in ragged clothes. “What have you done?” he cried. “Now I am lost without hope.”
He told her he was prince of a far-off land, and his stepfather was a wicked enchanter, who wished to take the prince’s country for his own two wicked sons. The enchanter had kept the prince in ragged servitude, but his power could have been broken if the prince had come to this ball and won the princess’ heart, so long as no one knew his name or nation and only if he did not stay past midnight. Now he would be taken back to his nation, hidden away among the people. No one would know his name or his face, and none would find him, until the stolen shoe was back upon his foot and the princess claimed him as her beloved.
With that, the prince disappeared, leaving the princess with nothing but a golden shoe stuck to the stair.
The princess journeyed across kingdoms trying the shoe upon every man she met, but finding none whose foot it fit. At long last, weary and ragged, she came upon a cottage in the wood, where lived a young man. His manners were charming, and the princess thought that at last she had found her beloved. She asked him to try the shoe, and when he put his foot within, it fit perfectly. She shouted for joy, and begged the man to return to her kingdom with her, where she could claim him as her husband and break the enchanter’s spell.
But as they traveled down the dusty road, a bird fluttered overhead, and bade the princess look again. There was blood in the young man’s shoe, and it fit only because he had cut off his toe. Then she knew him for the enchanter’s son, and fled from him down a dark and lonely road.
There she wandered for days, lost and afraid, until she came upon another cottage. Here she found another young man, kind and fair of face, and her heart rose with hope that she had found her beloved at last. His foot fit within the golden shoe, and she bade him come with her out of this dark wood. They had not gone far before another bird whispered warning, and the princess saw that blood filled this man’s shoe as well. He had cut off part of his heel to fit his foot within the shoe, because he was not her beloved at all, but the enchanter’s other son. The princess fled from him, and was soon lost in the darkness of the forest.
She wandered until she was nearly dead, until at last she came to a tiny hovel in the middle of the woods. There she met an old man, who nursed her back to health and asked to know her story. She told him of her quest to find her lost prince, and he told her that she would surely not find him in these dark woods. No doubt the enchanter held the prince close to the palace. The old man promised to show the princess a path that would take her there, far away from this dark and hopeless wilderness.
The princess thanked the old man for his help, but as she was about to take her leave, she saw footprints in the ashes of the hearth. “These are not yours,” she told the old man. “There is another who lives here.”
“It is only my servant,” the old man replied. “A ragged wretch who gathers food and cleans the hearth.”
“All the same,” the princess said, “I should like to try the shoe upon him.”
She followed the ashy footprints until she found a young man in a dirty corner of the kitchen. He was covered in cinders from head to foot and did not speak a word when she asked him his name. Yet she slid the shoe upon his foot and found it fit perfectly. Then her eyes were opened, and she recognized the young man who’d won her heart those months ago.
The princess took her beloved's hand and fled. The old man roared with rage--for he was the enchanter himself--but though he tried to pursue the pair in the forest, the birds came down from the trees and plucked his eyes from his head, and he could follow them no further.
The princess brought her prince back to her kingdom. She declared before her court that she would marry him and no other. Then his rags and cinders became golden finery once more, and all knew him for the mysterious prince who’d come to the ball. Soon, the two were wed and their countries were joined, and if they have not died, they may be living still.
59 notes · View notes
bones-n-bookles · 26 days
Text
Me, literally last night; i have too many books for my shelf space. I need to either let some go or get a new bookshelf.
Me, at work today; let's buy these three big ass books and these two normal sized books :)
11 notes · View notes