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#my thoughts got away from me
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mags flanagan was the victor of the 11th hunger games. she is probably one of the last people we know of canonically in the games who directly, vividly, remembers lucy gray baird.
she remembers the girl from district 12, who dropped a snake down someone's dress, who sang a song the day of her reaping as a fuck you to the capitol. the girl who charmed an entire country and won the games using sheer ingenuity.
she probably remembers reports of the capitol boy who served as her mentor, remembers the blond boy who broke the rules and stayed in that zoo enclosure with her. probably remembers the reports of him doing everything he can to save this girl. coriolanus snow. she remembers that name, tucks it away, connecting it with decency and integrity.
she probably, as a young girl, thought that maybe there was some good left in this world. if a capitol boy would put his neck and life on the line for a lowly girl from district 12, who would defy every social rule for her, then maybe there was some hope.
she probably remembers the rumours that floated around after those games, remembers how they said that blond boy ran away to be with her. remembers how no one heard from or about lucy gray baird ever again, and then next year she goes on to compete and win the games.
and then when the victors are made to be mentors, she looks for that girl, lucy gray baird, wonders if she could ask her questions about her games, about her life now, about coriolanus snow, the blond boy who changed the games themselves for her. but she is nowhere to be found. lucy gray baird is now a legend, passed down in hushed tones amongst the ones who still remember her. the girl who charmed an entire arena of snakes, the girl with the guitar, the girl who said nothing they could take from her was worth keeping.
and then she returns year after year, and a decade or so passes until she hears a familiar name. a name she expected died away in district 12 in obscurity, because there is no way the capitol would let his impunity pass unpunished, would they?
but here he is, president coriolanus snow.
she wonders how he's still here, and how he betrayed her memory, betrayed what lucy gray baird stood for, what he once stood for. but there he stands, impassive, cursorily shaking her hand before she stops herself from asking about the girl with the rainbow skirt.
then comes another victor from district 12, and she turns the games on their head, much like her predecessor. mags watches her, wonders if president coriolanus snow is thinking the same thing she is. when the quarter quell rolls around and finnick tells her about the burgeoning spark of a rebellion and how the girl on fire might be the one who fully set it ablaze, she agrees wholeheartedly to return to that arena.
she thinks about telling him about lucy gray baird and her story, but doesn't think he would believe her if she did. when she sees snow again, knowing certain death lies ahead, she finally asks him the question that's rested on her lips for half a century.
she asks him about the girl in the rainbow skirt.
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femalefemur · 2 months
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how will i celebrate the ides of march this year i wonder. perhaps a toast to his memory with wine watered down as it would have been all those years ago. something that connects us through the ages as i sit and wonder what it would have been like to have those nearest to me orchestrate my death. how hilarious and awful to have been such a nuisance that those around me decided it was time for me to rest in eternal darkness. to have these men plot to kill me, there's something almost caring about it, to have people plan my own demise even if it was done with hate for who i had become. to have their hands take my life and to be remembered even now all those years later on the date of my death, how amazing to have lasted the ages. well whatever way i spend the ides of march, i hope caesar looks to me and sees me toast to the conspirators with a smile on my face and know that we still celebrate his death.
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x-i-l-verify · 3 months
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Something that I've noticed ever since the Smiling Critters were introduced is that they can so easily be paired off into complementary duos, ones that are specifically designed to teach children fundamental lessons about life and self-care from two different angles. It's really interesting to me.
Like obviously you have Dogday and Catnap, with their sun/moon, dog/cat dichotomy, that stress how important it is to have fun and get things done during the day, but also that it's important to wind down, relax, and get a good night's sleep.
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Bubba Bubbaphant and Craftycorn were introduced as a duo in the Smiling Critter show's intro, and their dichotomy is quite obvious. They are basically the right and left sides of the brain personified. Bubba is the left side of the brain, logical, analytical, focused on math and science. Craftycorn is the right side of the brain, creative and imaginative, focused on the arts and self-expression. They represent learning and academia in all its forms, the different ways people engage with and understand the world.
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Hoppy Hopscotch and Kickin' Chicken form the sportsmanship duo. They are both portrayed as enjoying sports and the outdoors, but in different ways that highlight the different ways sports can be played and enjoyed and also what it entails to be successful at them. Hoppy Hopscotch may be loud and impatient, but she is also a team player, shown in her willingness to slow down her fast pace to make sure none of her friends are left behind. Kickin' Chicken, on the other hand, is laid-back, relaxed, and chill, the described "cool kid" of the group, but he's also described as having a ton of perseverance, more of a "slow and steady wins the race" type of person.
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This leaves Bobby Bearhug and Picky Piggy as the last pair. Fittingly, these two are all about how to meet the fundamental needs of yourself and others. Bobby teaches children how to nourish themselves emotionally through showing and receiving care from others, while Picky teaches them how good food is important to nourish the body and soul. Depriving oneself of either of these things only makes oneself and therefore everyone around one miserable, because those fundamental needs are no longer being met.
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Like fr, this is some pretty genius marketing right here. You have enough characters that every kid will have their favorite, but not so many that any would get lost in the shuffle, because the lessons each one of them would teach would be integral to the group as a whole. It really makes me that much sadder we saw basically nothing of the Smiling Critters during the game itself, because Mob Games struck gold with this concept, only to ultimately do nothing with it. :/
But I guess that's what fandom is for, eh?
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purpleminte · 2 months
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Sparkly AND Soft™
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Does
Does Barnaby
Does Barnaby tell the others to get off his lawn when he's angry
psh, who do you think he is, an old man? he'd Bark, like any lively young dog
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marshmallowgoop · 23 days
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no thoughts just Heiji Hattori (HD)
#detective conan#case closed#amv#my amvs#eye strain#heiji hattori#harley hartwell#conan edogawa#shinichi kudo#funimation english dub script#video#happy two-year anniversary to 'no thoughts just heiji hattori'!#while it's not my first amv (it's maybe my... fifth?)#it was the first one i made with davinci resolve and the amv that really got me into editing amvs for real#it's the amv that made me believe i could make amvs 🥺#and in remastering it i deeply understood how ambitious it was! i thought i did a lot of audio mixing for 'messed up'#but that's not even close to all the audio mixing i did here--cannot believe that i did all this for my first big amv project#it took about 20 hours *just* to remaster!#which is something i've been meaning to do for a while now so i'm very happy to finally share the results!#to make this a 'remaster' and not a 'redo' the only changes i tried to make were to the source footage and audio#video now uses almost entirely hd remastered footage from my blu-rays or netflix rather than my dvds#but oh gosh was it *hard* not to touch anything else! i'd do so many things differently now#but this video will always be really special to me (and i can't believe i did it at all tbh!)#i hope seeing it in hd is fun too! i'm so blown away by all the love this vid's gotten#and that it helped increase interest in funi's old english dub is amazing and 100% what i was trying to do with it!#thank you everyone for all the support <333 i wouldn't be the video editor i am today without this vid or your encouragement for it <3333#like the original the sources used are mostly from what funi dubbed (but mixed in hd by me!): eps 48-49 57-58 77-78 117 and 118 and movie 3#but i also used episodes 141-142 174 189 239 263 277 291 293 345 479 491 517 and 522#and ova 3 and tv special 6 (episode one) and movies 10 and 13 and ops 27 31 and 33 and the funi 5.2 dvd blooper for the one line lol#i'm sorry i've been so absent lately! i hope to be more active now... and there are 2 completely done amvs that i'm just waiting to post...
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mumblesplash · 1 year
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pov you’re the wither and you have about 30 seconds to live
(the marks under his eye just say ‘RIP’ in sga/enchantment table language if anyone was curious)
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0xeyedaisy · 27 days
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Random stuff
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redrobin-detective · 7 months
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Something I wonder about Simon and Betty's relationship is how long they were together before the whole crown ordeal. But they were engaged, you say. My aunt (in)famously met my uncle and had a ring on her finger in 8 weeks. We've seen that both Betty and Simon were both weird outcasts, crazy determined and a pinch insane. I would not be surprised if they decided they'd met their one true love and got engaged super quick.
My point being, Betty's shifting to revolve around Simon and Simon's rose colored glasses of their relationship feels very much like New Love. They're people who love each other and love being a couple but still haven't quite figured out how to coexist together, as two people in a partnership. I feel like if they'd known each other longer, lived together longer, some of the issues we're seeing would have probably self resolved.
I don't think their relationship is toxic nor is it totally perfect. It's two lonely, most likely neurodivergent people in a relatively early relationship still figuring out how it works. Everything that happened afterwards: the crown, the seperation, the time travel, the magic/madness/sadness just exemplified issues they had both as individuals and as a couple.
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damianbugs · 5 months
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i spoke about this briefly before, and i think i have my thoughts more collected now to develop on it; i feel like comics which show bruce comforting his child self in flashbacks of the wayne murder in crime alley understand the purpose of batman a lot more than the ones that have him talking to his parents.
if you've been keeping up with recent batman comics, then you'll notice a theme of bruce getting the chance to talk to his younger self. the important part though, is that it is not because of time travel or some detached third party force — it's the young bruce in batman's head.
it's the him hidden behind the black door in his mind when he's fighting his nightmares —
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Batman Knight Terrors #2, 2023. written by Joshua Williamson.
— and it's the him tucked away in corner of his mind after being drugged and tortured with his greatest fears.
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Detective Comics #1075, 2023. written by Ram V.
after experiencing something traumatic, the one bruce sees suffering from it isn't himself, but the young bruce wayne in the alley. because at the end of the day, every hurt circles back to that night, to that boy, that he can't save no matter how hard he tries — because that boy never left the pool of blood he was sitting in.
i think people often attribute the existence of batman as something created for his parents. to avenge them, or to be the symbol that could have saved their life had he existed before, to stop anyone else from being killed in the same way. there's some truth to that, however, to me, the answer is a little more selfish.
i think it has always been for himself, but not the him now, but the him that is still stuck in that alleyway, waiting over his parents dead bodies. batman is a symbol of hope and reformation and justice, but at its core, batman is what saved bruce wayne.
as a result, the panels above have a very different feel to say, this moment when bruce sees an illusion of his parents in Superman/Batman #56, 2009. written by Michael Green and Mike Johnson.
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it's an emotional moment for sure, but it didn't quite speak to me the same way this absolutely phenomenal moment did in Batman: Blind Justice, 1989. written by Sam Hamm.
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of course this moment is a lot more cynical in how bruce uses batman to cope with his guilt, while the other moments focus on batman providing young bruce with the hope to continue that he isn't alone — the sentiment of batman being the one to pick him up from the floor and lead him away from the scene in a shared motif.
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it reminds me of that one discussion that batman is a victims power fantasy. his own fantasy! because bruce has — in order to have a semblance of control over himself — separated himself from this event that it is a completely different child at the scene of the crime. it's this fact that let's him reach down, hold the boy's hand and tell him everything will be okay.
this bruce wayne is a child, his child, gotham's child, thomas and martha wayne's child, an orphan to protect.
batman was made for children like bruce wayne, to stop them from becoming like him and for them to hold onto when it does — because batman is still trying to fix a problem that has an endless hole. he can never reconcile this trauma and let the boy in the alley leave, because that's not what batman was made for.
batman was made to protect the little boy, and in order to do that, he must remain in that alley.
there's still a bruce wayne who had to grow up, who learned to fight and love and lose again and again, a bruce wayne who becomes batman. a batman who then, tries effortlessly to fix problems and save people, who goes out everynight because if he doesn't, then that boy in the alley is left there for nothing.
then there comes a moment where he falls through the cracks and he's face to face with the child who can't leave and can't grow up and knows nothing but loneliness and grief — and batman gets to tell this child that life becomes more than just this alley.
the child is happy, if even for a moment, that batman is there. that's what batman is for.
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reds-skull · 4 months
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Me: damn I feel like painting Soap rn
Me an hour later: but what if I completely fuck him up tho
(inspired by this painting by Zack Zdrale)
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caught-a-dragonfly · 2 years
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What you've made... it's beautiful. It took me a long time to see that.
Made for the #AmaraDays event created by @roublardise
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solargeist · 1 month
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I'll also take some credit for the religious trauma. Mine is more of the cult flavor I think tho
-Lunar
we’re rly in this together
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zhuhongs · 1 year
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I have a feeling I’m going to get ratio’d on my own poll given that tumblr consists of like. mostly white people but anyways! 
ALSO PLEASE ADD YOUR ETHNICITY IF U RB
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roseofcards90 · 5 months
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The fact that people were so willing to completely dismiss what happened in After Pain and Harrow after they saw It's Not My Fault and Deep Cover paint Mu and Kotoko in a worse light really shows that some people don't have literary comprehension 😭
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azurechicken · 11 months
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I find it curious that people who end up disliking Anders usually list their reasoning as him being snappy. Well, yeah? He is snappy, he is loud, he is fiery, and he doesn't know how to stand down most of the time. If he was not the way he is, he would be another Circle Mage. But that is not really the point, is it? He does not start out as this fiery mage who cannot shut up about anything injustice. He starts out as this jokester even the fans always look back and say "I liked this Anders better". Between the jokester!Anders and fiery!Anders, is there really that big of a difference though? Don't get me wrong, I do see the way years changed him, as well as the merging of course. But who he was and who he is are just a reflection of how he reacts to the same problem he always faced; being unheard. This man spent his entire life trying to make points that never really reached their destination. At first he joked about them, and everybody waved him off. Then he got serious, and he was shut down or ignored. From the point that we meet him, between dead templers, he already looked like he lost the argument about having anyone just listen long ago. So he jokes about it. Now, Awakening!Anders is young, not yet faced the unending taint and darkspawns, he is just starting. He didn't yet see the mess Kirkwall is, didn't help anyone who needs it in a sewer selflessly until drained. Didn't have an ethereal being of justice push him towards righting the wrongs done to his kind. He still had Ser Pounce too, if that helps. And in a way, Karl, of course. But the Anders we see in Kirkwall has seen and done all that. He is now all that he suffered. He changed, he didn't have a choice against it. But one thing did not change; he continued to make his points, and he continued being unheard. And at this point, I think it is already a bit late to hear him out. Because he has been unheard for so long, he feels unheard. And feelings are louder than facts, always. And, yes, he is snappy. He snaps because who would hear if he didn't? He is fiery because he has people to stand up for. It is not just his voice anymore, it is of many more like him. So yes, he is loud, with many voices hidden behind his own. Yet, even then, 'he is just an abomination.'
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