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#my first thought was 13
marshmallowgoop · 2 months
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no thoughts just Heiji Hattori (HD)
#detective conan#case closed#amv#my amvs#eye strain#heiji hattori#harley hartwell#conan edogawa#shinichi kudo#funimation english dub script#video#happy two-year anniversary to 'no thoughts just heiji hattori'!#while it's not my first amv (it's maybe my... fifth?)#it was the first one i made with davinci resolve and the amv that really got me into editing amvs for real#it's the amv that made me believe i could make amvs 🥺#and in remastering it i deeply understood how ambitious it was! i thought i did a lot of audio mixing for 'messed up'#but that's not even close to all the audio mixing i did here--cannot believe that i did all this for my first big amv project#it took about 20 hours *just* to remaster!#which is something i've been meaning to do for a while now so i'm very happy to finally share the results!#to make this a 'remaster' and not a 'redo' the only changes i tried to make were to the source footage and audio#video now uses almost entirely hd remastered footage from my blu-rays or netflix rather than my dvds#but oh gosh was it *hard* not to touch anything else! i'd do so many things differently now#but this video will always be really special to me (and i can't believe i did it at all tbh!)#i hope seeing it in hd is fun too! i'm so blown away by all the love this vid's gotten#and that it helped increase interest in funi's old english dub is amazing and 100% what i was trying to do with it!#thank you everyone for all the support <333 i wouldn't be the video editor i am today without this vid or your encouragement for it <3333#like the original the sources used are mostly from what funi dubbed (but mixed in hd by me!): eps 48-49 57-58 77-78 117 and 118 and movie 3#but i also used episodes 141-142 174 189 239 263 277 291 293 345 479 491 517 and 522#and ova 3 and tv special 6 (episode one) and movies 10 and 13 and ops 27 31 and 33 and the funi 5.2 dvd blooper for the one line lol#the song is 'you're stupid aren't you' by toshio masuda (from jubei-chan 2)
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wisteriagoesvroom · 2 months
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unhealthily obsessed with the tone that Oscar piastri has when he climbs into the Singapore GP ‘23 ice bath and goes “Kim told me it was 23 [degrees], that dog”
not just me right. (it might be just me.)
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automatic-midnight · 9 months
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Ritsuko Akagi in Evangelion 3.0 + 1.0
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oranglesswrld · 10 months
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guy who's only listened to wolf 359 listening to classical music: getting a lot of wolf 359 vibes from this . . .
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Hot take but I think what we saw in chapter 13 was necessary.
I don't think a lot of people realize how important it is for Araki to portray what he did, even if it extremely difficult to take in. Let me explain.
Araki has discussed about topics like racial and class disparity through both Steel Ball Run and Jojolion, but JOJOLands is different because the discussions are now very direct. We had Chapter 1 open up with police brutality and Chapter 13 open with intense bullying; both acts were committed by people of higher social standing/power and seemingly White (or white passing) and both are harming a dark-skinned queer individual. Not only that, remember that Hawai'i is an island stolen and colonized by the US and many indigenous individuals who were supposed to live and maintain kapu are being forced to endure housing problems, loss of culture, etc. due to gentrification and exploitation of its lands. 2020 was when we saw global protest towards the deaths of George Floyd and Breonna Taylor due to police brutality, which has spread as far as Japan in terms of demonstrations and rallies. Araki has made it clear that he tries to take real world experience into his writing, and this is no different. He is also no stranger to portraying law enforcement throughout his parts without glorifying or downplaying their behavior.
As a mutual of mine (who themselves identify as a black GNC individual based in US) has put it, those who identify or even appear as Black while identifying as trans-femme or women are subjected to some of the worse kinds of oppression possible in America. Queer women of Color are one of the most susceptible to sexual violence-- especially when they are young, and the darkness of their skin really plays into it. This is transmisogynoir; it is a hard pill to swallow and acknowledge, even if it feels excessive, and its a multilayer of oppression that connects a person's racial identity, gender, and sexuality as targets of discrimination. It's the fact that one is POC, a woman, AND queer that makes one a target--- not just one or the other. You can’t turn a blind eye to this because it happen constantly throughout America's history and American society even today, but you can't simply water it down or downplay it. In fact, many victims of transmisogynoir have no choice but to downplay their experiences because of their Black identities or because they appear too dark to be taken seriously; when they, especially if they are Black, try to hold people in power accountable, these individuals are suddenly labeled aggressive, indignant, etc. and they are further discriminated for attempting to speak up. Dragona downplaying the bullying isn't them just trying to avoid further conflict but a reflection of how many who were in similar situations like Dragona are forced to simply forgive and forget the trauma they have to endure. To downplay it ourselves is reinforcing the narrative that individuals like Dragona in real life should remain silent and endure their harassment rather than rightfully protect themselves and others from it.
Another thing to add is that the way Japan portrays and treats the LGBTQ community, particularly the trans community. In Japan, the process to legally change your gender is complicated and requires a lot of steps that include, but not limited to, being diagnosed with gender identity disorder, proving you have no kids/guardianships, and sterilization. This causes a lot of individuals to be forced to quickly transition as a means of getting their gender recognized, which takes away the time to let them explore at their own pace, and this is due to how the process can lead to hindering career and life opportunities that wouldn't be hindered had they already transitioned or stayed closeted. Many Japanese trans individuals unable to go through the process quickly either remain closeted or move away from Japan to transition at their own pace. So, as a result, the trans community and its struggles is not as noticed compared to outside of Japan. Another thing to add is that the trans community in Japanese media is often portrayed as comedic relief or a gag. Oftentimes, the trans character or character who diverts from gender conformity (i.e cross-dressing, acting more flamboyant) is the butt of the jokes. Some thing to note is that, when Dragona was first introduced, a lot of people thought that Araki put Dragona in simply for comedic purposes. I had people joke about how Dragona is just there because they believed Araki is trolling. Not only that, the racial issues that Japan has often results in jokes towards non-Japanese individuals in media, especially if they are of darker skin color.
So, Araki putting Dragona in these difficult situations is also meant to subvert expectations that his Japanese, and possibly Western, audience may be expecting. The expectation was to laugh and toss Dragona aside as a single-dimensional character, but Araki instead forced us to face the trauma through Dragona's experience head-on. We are made aware of Dragona's situation, how real and difficult the struggle is, and we end up emphasizing with it rather than laughing at it. Through this, we get a glimpse into real life experiences of trans POCs without it being downplayed and have it show how Dragona is a fleshed-out character with importance to the series. As some have put it, this chapter proved that Dragona isn't just a side character but arguably a complex individual on the same level of importance as Jodio. I don't think it would have been easy to have the same impact if another approach was taken.
While talking to others who identify as trans and/or GNC about their thoughts on the chapter, I was told by many of them that, while Dragona's experience hits close to home and was hard to digest, they appreciate seeing it being expressed and hope it will help other people understand their struggles. One noted how the introduction of Smooth Operators with the backstory as empowering, seeing the Stand as a symbol of surviving the trauma that comes with trans discrimination. I do find this a bit telling with how many people online who are against Araki's portrayal barely mention what trans/GNC people have said about it.
My main concern, as well as what I see people have rightfully critiqued, is the excessive trauma reinforcing the fetishization and violent voyeurism towards trans individuals; it also reinforces the problematic narrative that dysmorphia can only happen as a result of trauma and the trans experience can only be full of pain. There's also the issue that Dragona's experience also happened while they were under age and their harassment is similar to that of Lucy. It's a common trope in Western media to put marginalized people into these situations while upping the ante simply for clicks and pleasure, and even worse when the character portrayed is a minor. As I reiterate, it is a very uncomfortable chapter to read and I don't find it enjoyable at the slightest. Just because I understand why it is necessary doesn't mean I condone the approach done. I also understand Araki as a Japanese man can only relate and portray a queer American's experience to an extent. But, at the same time, the exposure was necessary because it gives us the awareness and a voice to trans people that is lacking within media even today. We need to be aware and acknowledge what our BIPOC trans community goes through as a means of being better humans--- and especially our younger community members. We need to make our society safer for them so they can thrive and have the respect they deserve. Oftentimes, that starts with how they are portrayed and how their experiences are portrayed. While it is still a journey and not every representation will be perfect, we can't simply toss it aside and bash those who try to show something realistic just because it is uncomfortable.
I only hope that Araki wrote Dragona and these scenes as a result of doing extensive research and reaching out to actual POC queer individuals, particularly transfemmes/women, to understand their experiences and have their blessings to use their words to shape Dragona. I feel like that would show that Araki was serious about discussing these issues through his characters rather than simply using Dragona's traumatic experience it for entertainment. I have higher expectations for Araki now, knowing that it may not be the last time he shows a character experience harassment and possibly have Dragona be harassed again, so I will keep my eyes open for this.
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sharks3ye · 2 months
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It wont leave my head
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raisedbythetv89 · 1 month
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Two of the worst proposals in the history of modern media followed by the most pathetic cringe fail loser puppy dog eyes when their absolutely abysmal attempts at saying “I love and want only you” fail miserably and unfortunately for me I desire both of them carnally
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bonus: they even both hit this pose after being knocked on their ass during said failed proposal attempt
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sillyfudgemonkeys · 1 month
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I need the 12 year old Rangi with her mother lore dropped like yesterday FC Yee. Don't leave me hanging. TT0TT
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lordgolden · 4 months
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just thought I made a horrible mistake at work after I called a clerk about one of my cases bc it wasn’t moving forward and I went through the whole scenario in my head like this case I’ve been working on for months is going to be dismissed, my client is going to be so upset and she will never see any money from this, my job is going to fire me, then I’ll get disbarred and censured for malpractice, and then I’ll have to start a new career and for some reason that new career was working at a hardware store for minimum wage in the plant department. all this to say I AM ABOUT TO SEND THE CUNTIEST LETTER TO THIS COURT BC THEY WERE WRONG NOT ME!!!!
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marshmallowgoop · 25 days
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No matter how special it is, a kid's lunch is still just a kid's lunch.
I dunno, I liked "The Genius Restaurant" (Episode 1,089).
Happy (belated) birthday, Jimjam.
[Song link] [YouTube link]
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peanuttoffee · 10 months
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Jake #1
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lunarharp · 1 year
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LITERALLY stuff i’ve posted before <<< i just wanted to assemble some modern au scribbles in one place :)
BUT they’re in different brushbug universes tho. in the second one brushbug is a relatively unpopular character with merch & only this family truly cares about it
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spocks-kaathyra · 3 months
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going from my cool transgender college dorm to the Weird Old White Men Convention is soooo freaky like why am I experiencing misogyny for the first time
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volivolition · 11 days
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^^^ HJGKHG... so im trying to compile a bunch of unfinished little scribbles into doodle pages and like. this is so funny. "echem page", "voli page", "other skills" HKJFHF???? and the fact that i might have to split voli's into ANOTHER 4000x3000 CANVAS because theres not enough room?? wow can you tell who my current muse is!!
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^^^ TOO MANY OF HIM!!!! THIS IS JUST ONE SECTION!!!!! i just copy-pasted all of them into one canvas, so i have to rearrange everything so you can actually see them all lmao <3
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airenyah · 6 months
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no but when mhok told day to think of his plate as a clock and told him where on the clock the food was that really reminded me of one of my favorite movies from when i was in middle school which is also about blind people and where the title of the movie itself is a reference to thinking of the plate as a clock: it's called "erbsen auf halb 6" which literally translates to "peas at half past 5" (yes, "halb 6" means "half past 5", yes the numbers are different, don't worry about it)
the plot of the movie is a theater director losing his eyesight in a car accident and him being a director who kinda needs to see what's going on on stage he really doesn't take his sudden loss of vision very well. he gets assigned a helper/mentor, a lady who is blind herself and who's been blind since birth and is supposed to help him adapt to a life with disability. he ultimately runs away from her when he learns that his mother is sick to go find his mother in russia and say goodbye before she dies. his helper/mentor chases after him and they end up on a travel adventure together
it's been over a decade since i last saw the movie but i think at some point they eat and they talk about how the peas sit on the plate where it would be half past 5 on a clock?? anyway, that moment with mhok and day at the restaurant where mhok tells him the position of day's food with the help of an analog clock really reminded me of that movie
edit: i went to look for the trailer of that movie and i found the scene in question!! turns out they're at a restaurant and the helper/mentor character goes "if you imagine the plate as a clock... what numbers is the food lying on?" and the waitress is all confused going "i'm sorry?"
there are no eng subs for the trailer buuut the moment is at the very end at 2:11:
youtube
see it's a real movie i didn't just make it up kjdfkjdfk
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egbertdyke · 1 year
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reaaaally quick one but happy bday to them!
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