BAND & MUSICIAN NR, NEWS RELEASES
FEBRUARY 21, 2019
BY ADMINISTRATOR
Happy Birthday Kurt Cobain!
In honor of what would have been Kurt Cobain's 50th birthday, Morrison Hotel Gallery is announcing its next exhibition: Grunge - The Rise of a Generation, a photography exhibit celebrating grunge music, the fashion, the attitude and its impact on anyone who has listened to Nirvana, Soundgarden, Pearl Jam or worn a flannel shirt.
Nirvana's Bleach was released 30 years ago this year. Soundgarden's Superunknown will celebrate its 25th anniversary on March 8th. Grunge is making a comeback and it's happening now.
Opening March 8th in New York City, Los Angeles and Maui, Grunge - The Rise of a Generation is a collection of images taken by legendary photographers who were in the middle of all things grunge.
All images are available for purchase at the gallery locations and via the website www.morrisonhotelgallery.com
From Sonic Youth to Soundgarden:
Morrison Hotel Gallery Kicks Off Grunge Month with Grunge: Rise of a Generation
Characterized by frayed fashion, a brooding sense of apathy and slow, riff-heavy sounds, the grunge era not only soundtracks an angst-ridden coming of age but moreover defines the general sentiments of an entire generation. A musical genre unlike any other, grunge took the aggression of punk and the intensity of heavy metal and added elements that gave the music its signature grinding, sludgy distortion. Hitting its commercial stride by the early 90s, "the Seattle sound" gives rise of a pantheon of grunge gods including but not limited to Nirvana, Alice in Chains, Stone Temple Pilots and the evergreen Kurt Cobain once dubbed by Time as "the John Lennon of the swinging Northwest."
As Nirvana's debut Bleach celebrates its 30th anniversary this year and Soundgarden's Superunknown turns 25 on March 8th, Morrison Hotel Gallery kicks off Grunge Month in celebratory recognition of the genre that would provoke an entire pop cultural movement with the unveiling of Grunge: Rise of a Generation, a photographic exhibition highlighting the work of Lance Mercer, Jesse Frohman and many other exceptional photographers who helped define a cultural phenomenon which continues to resonate with audiences throughout the world.
Kurt Cobain 'The Last Session', 1993 © Jesse Frohman
Among the photographs highlighted in the exhibit are images that encapsulate the unvarnished vibe that ran throughout the grunge scene. There from the beginning was Seattle-born photographer Lance Mercer who began documenting what was to be a seismic shift in American music and culture from its very onset. From 1991 to 1995, Mercer went on tour with Pearl Jam as their official photographer. During that time, he photographed the band's elevation to legendary status - Eddie Vedder's raw energy onstage juxtaposed with him relaxing backstage next to a bottle of booze, as well as the band posing in a pile on a Seattle hillside. From Alice in Chains onward, Mercer's stunning work takes viewers back to a time when dirty and unpolished became the new paradigm in sound and style.
A number of other extraordinary photographers were also poised to capture the grunge movement's visual culture dating back to 1986 when Ebet Roberts photographed Sonic Youth performing onstage at NYC's CBGB in a series of shots that would ultimately capture the infancy of the entire grunge era. Additionally, early images of Soundgarden by Karen Mason-Blair and Jay Blakesberg resonate with the many reasons the band would come to define the distinct Seattle sound, whether they show a long-haired Cornell and crew sweating and whipping the audience into a frenzy or crowd-surfing across a wave of fans. Furthermore, in one of the last official photo shoots with Nirvana before the untimely death of Kurt Cobain, Jesse Frohman captured a series of shots of the front man swathed in a leopard skin cardigan, hunting cap and oversized enamel sunglasses covering his head and face. Aloof yet strangely vulnerable and connected, these portraits draft the legacy of an unlikely icon.
"With Grunge: Rise of a Generation, we are not only celebrating the 30th anniversary of Nirvana's Bleach, the 25th anniversary of Soundgarden's Superunknown, or those artists whose contributions exist within the time capsule of a genre; we're also celebrating the durational implications of a cultural phenomenon," said Marcelle Murdock, Gallery Director. "Featuring the pioneering contributions of grunge predecessors like Sonic Youth in dialogue with the usual suspects like Nirvana, Soundgarden, Pearl Jam, Hole, and L7 among others, Grunge: Rise of a Generation provides the framework for a more holistic yet all-encompassing conversation between the super famous and the fringes of a definitive movement's coming-of-age."
In addition to the exhibition, Jesse Frohman will give a talk on March 14th, at the NYC gallery, where he will discuss his photo shoots with Cobain and Cornell. His book, Kurt Cobain: The Last Session, will also be available for sale.
"As someone who came into adulthood within the era, I never imagined the possibility-much less, the importance-of revisiting the period through fresh eyes in collaboration with some of my favorite photographers and artists of all time. With that, I am eager to present this special exhibition of such social and personal significance this spring at Morrison Hotel Gallery." adds Murdock.
Grunge: The Rise of a Generation will open to the public on March 8th and will run through March 31st.
Photographers featured in the show:
Richard Bellia
Jay Blakesberg
Justin Borucki
Danny Clinch
Henry Diltz
Jesse Frohman
Lynn Goldsmith
JJ Gonson
Bob Gruen
Karen-Mason Blair
Clay Patrick McBride
Catherine McGann
Lance Mercer
Dustin Rabin
Amy Rachlin
Ebet Roberts
Bands featured in the show:
Alice in Chains
Hole
L7
Mudhoney
Nirvana
Pearl Jam
Sonic Youth
Soundgarden
Stone Temple Pilots
About Lance Mercer
Lance Mercer, born and raised in Seattle, started photographing at 13. Through his involvement with the local music scene in Seattle, Washington specifically portraits of the late Andrew Wood, Malfunkshun and Mother Love Bone, he was invited to tour with Pearl Jam (1991-95) as their official photographer. This endeavor quickly established him as a sought-after photographer for a host of other well-known bands including Alice In Chains, Beck, and The Presidents of the United States to name a few. Other music clients then followed including projects for: Epic, Columbia, Capitol, Warner Brothers, Geffen, A&M, Sony, Microsoft, Redbull, VH1, MTV. Lance's work quickly appeared in publications like: Rolling Stone, Spin, Time, Vanity Fair, and Alternative Press among others.
In 1997, he collaborated on a retrospective book of Pearl Jam photographs called Place/Date, with Seattle photographer Charles Peterson. In 2007, 5X1 Pearl Jam Through the Eye of Lance Mercer was published, further chronicling Lance's experiences with the early 90's grunge rock era.
Presently, Lance continues to create striking photographic work with special focus on documentary, editorial, commercial and music photography.
About Morrison Hotel® Gallery
Morrison Hotel® Gallery (MHG) was founded in 2001 by former record company executive Peter Blachley, music retail industry professional Richard Horowitz, and legendary music photographer Henry Diltz. In 2012, author, director and photographer Timothy White joined the team, launching an additional West Coast gallery at The Sunset Marquis Hotel in West Hollywood. In 2016, the gallery launched its third location at Mick Fleetwood's General Store in Maui, Hawaii.
MHG is the world's leading brand in fine art music photography representing over 125 of the world's finest music photographers and their archives. Their vast catalog of photography encompasses jazz, blues, and rock imagery spanning several generations through to today's contemporary music artists and now includes iconic photographs in the world of celebrity and sports as well. MHG has a robust online presence, featuring over 100,000 images searchable by photographer, music artist, band or concert. www.morrisonhotelgallery.com
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The Beatles/The Vincent Vigil Collection/Morrison Hotel Gallery🌻🌹🌻
Taking a break from filming 'A Hard Day's Night', John Lennon and his wife Cynthia arrive the Foyles literary luncheon, celebrating Lennon's first book, 'In His Own Write', Dorchester Hotel, London, April 23, 1964. Vincent s Notes🌻🌺🌻
📸1 Vintage "In His On Write"
📸2. Vintage 120 film, taken at the event, 1964
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CSNY rehearsing for Woodstock at Peter Tork’s house (photo © Tom Gundelfinger O’Neal/Reelin In The Years Photo Archive, 1969 - information and image via Morrison Hotel Gallery); Peter Tork and Stephen Stills, photographed by Nurit Wilde.
“I liked Peter right away. I thought he was a really nice guy. He was very warm and very open and willing to talk and communicate and so forth. I knew him before I ever saw him perform. But Pete has had a great effect on the way I perform. The way he used to move, the way he used his accent, his whole attitude toward the theater, the entire theater, gave him a great basis from which to work. [...]
For quite a time we hung out together and did a lot of things together. My roommate, John Hopkins, Peter and I decided we were each bored with singing by ourselves and decided to sing together. So we formed a trio—Peter played banjo and John and I played guitar and it was really neat. [...] We all got bored after a while with the trio, so John went to Long Island to teach guitar. Peter went back to Connecticut a couple of times and then to Venezuela with his family. I tried to get a rock and roll band together and if Peter had been around then, who knows, he might have been in it! [...]
The quality I respect, more than anything else in Peter, is his honesty. More than any person I know, Peter gives of himself. If you have a problem you can always depend on him for some kind of answer or some kind of suggestion, no matter what it is. He doesn’t worry about offending you, because he just wants to be honest. To me, that’s being a true friend.“ - Stephen Stills, Tiger Beat, June & July 1967
“[David] Crosby kidnapped me from a hotel we were staying at on Wilshire Boulevard and took me to a party at Peter Tork’s house in the Hollywood Hills.
Peter was winding down his service with the Monkees and was very much a part of the scene. His parties were legendary, days-on-end affairs with great Sunset Strip and Laurel Canyon characters, plenty of music, sex, dope, the whole enchilada. I was looking forward to checking it out. Plus there was someone there Croz wanted me to meet.
The house was at the top of the Hills overlooking the city. We banged on the front door, the usual cloud of smoke drifted out, and suddenly we were in a living room filled with all sorts of people jamming. My eye went right to a kid pounding the shit out of the piano, playing a fabulous boogie with Brazilian overtones.
‘Wow! Who’s that?’ I asked, half listening, not wanting to miss a note.
David smiled. ‘That’s the guy I want you to meet — that’s Stills.’” - Graham Nash, Wild Tales: A Rock & Roll Life (2013)
“The Mayan was a two-masted Alden schooner built in 1947 that Croz had bought in 1967 with $22,500 borrowed from Peter Tork.” - Graham Nash, Wild Tales: A Rock & Roll Life (2013)
“[J]ust everybody tried to take advantage of the Monkees and then turned their backs when they began to slip: I saw Peter do a real lot of things for Steve Stills but there was a time when Peter wasn’t allowed on Stills’ property when the Rolling Stones were visiting. Poor Peter, he bought David Crosby a boat and stuff but they all bled him dry with peace signs and bullshit.” - Lynne Randell, quoted in Monkeemania: The True Story of The Monkees (1997)
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“I think Stevie has a particular appeal with women that is different than her appeal with men. I think men, when their first album came out, we just said about Stevie, “Wow, what a gorgeous woman.” I think women took it deeper. I think there was some connection that Stevie made with women. I don’t really know what that connection was, but I think a lot of women became really fanatical about her, but in a good way. Usually our gallery appeals to men. Most rock n roll photographs of men are heroic, and men are drawn to that. So many times they’ll come in our gallery and their girlfriends or their wives will come over to me and go, “I want to get that for his birthday, how much is it?” So I was up in the gallery the other day and a man came in and said, “I came here because I want to get a Stevie Nicks photo for my wife. It’s our anniversary and she loves Stevie.” - like we were talking about - “She’s fanatical about her. She speaks to her.” You know, all these things. Like, “She’s gotta have one of these.” And I said, “Sir, we will make that happen for her”, and I’m gonna tell you, as a guy I’ve never seen this before.” - Peter Blachley, owner of the Morrison Hotel Gallery.
‘24 Karat Gold’ photo exhibition debut, Morrison Hotel Gallery, New York City, October 9th, 2014.
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