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#more of my interpretations of mikes thoughts
flaringgoosebumps · 2 years
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The past few months I've been so lost without you. I'm just so different from other people and when you're different, sometimes you feel like a mistake..
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but you make me feel like I'm not a mistake at all
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like I'm better for being different
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and that gives me the courage to fight on
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If I was mean to you
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Or if it seemed like I was pushing you away
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it's because I'm scared of losing you
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Just like you're scared of losing me
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And if I was going to lose you, I think I would just rather get it over with quick, like ripping off a bandaid
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so yeah, I need you and I always Will
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i think i finally understand the exact reasoning behind how both will and mike's sexualities are presented, and how those presentations flatter each other.
will is barely queercoded from a subtextual perspective because there's no need to queercode him. the writers verbally establish in season one episode one that people percieve this kid as gay, so you're immediately guided to see him through the same lens, at least subconsciously. people continue to refer to him as gay and he continues to "act" gay, and most of the audience is able to see this for what it is very easily without the need for heavy symbolism. will being gay is simply treated as a fact from the start by both the characters around him and the writers themselves, for better or for worse.
MIKE, on the other hand, is so heavily queercoded it's barely even funny. he's the one with the queer imagery, the blocking, the set design, the lighting. he's never explicitly referred to as queer, it isn't so much as suggested verbally, but the sheer amount of incredibly blatant subtextual material that surrounds him is insane. none of the characters within the show have the slightest clue that mike is gay. there's a good chance that mike himself doesn't know, or has only begun to realize very recently. even the writers do their damn best to make it appear like they themselves don't know. still, the fact remains that he is, it just isn't expressed in a way that the homophobic masses both within and outside the show are capable of picking up on. when he comes out it will be a shock to the characters and the majority heterosexual audience, but not to the queer people who pick up instinctually on the signalling. basically, you only know mike is gay if you have a genuinely functioning gaydar.
in this way they're so strongly representative of two very different gay experiences, both of which are important and both of which are treated respectfully by the writers, despite the setting.
will is the kid who never really gets the luxury of choosing whether to come out to people, because everybody has had him pegged from the start. even his own family: jonathan tells will he accepts him before will can even hint toward the topic himself. however as much as we're told that he "seems" gay to other people, all we are shown subtextually is a totally normal child who happens to have feelings for another boy. this is important because it subverts the trope of making "being gay" the "obviously gay" character's sole or core trait.
mike is the kid who people would never in a million years guess was queer. it's not just that he gets the luxury of choosing when to come out of the closet; he's so deep in it that he's drowning in winter coats. he's the "twist queer character," except he's not. his subtextual queercoding has been there beneath the surface for just as long as will has been textually referred to as queer on a surface level. this makes it clear that him being gay isn't some kind of last minute decision and the subtlety of his presentation wasn't an accident. if you don't knkw mike is gay now before it's revealed then you aren't supposed to.
they're foils like that. they're the archetypal queers, and i think it's kind of beautiful.
(and if anybody tries to argue that one expression of Queer Experience is more important than another then i'm coming for their kneecaps. having both experiences not only represented but thoroughly explored is so rare, although there are people all over the world who resonate with each.)
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mikesbasementbeets · 9 months
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hi :D i found ur bi max masterpost a while ago (this one: https://www.tumblr.com/mikesbasementbeets/696412509960323072/ive-been-thinking-a-lot-about-elmax-recently-and)
and in the beginning u said that there u were focusing on max, but el has a lot of queer coding too (which i fully agree on btw). i wanted to know if u have made a post about her queer coding or if u are working on one? bc i really enjoy ur posts in general :]
hi! that's very sweet, thank you. no, unfortunately i've not done any analysis on el's queer coding (but i saw that you found someone else's post about it which i think is a good read). i think i wrote that bi max analysis in like september? (yes) so it's been a while since i've revisited those thoughts, but eImax is still so dear to me and i would love to have the brain space i had back then to analyze both of them again... but maybe i will think some more on it actually if there's interest....
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wheelercurse · 11 months
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never doubting byler, but some of my latest interpretations 🤔🤔
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murdrdocs · 6 months
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getting a small drawing of abby’s tattooed when mike proposes <3 the ring is your commitment to love mike and the tattoo is your commitment to love abby <333
this is sick in the bestest of ways :(
there's a ring on your finger, simple and minimalistic, nothing too extravagant. but you don't need extravagant. you don't want extravagant, either. you like the pure life you have now with mike and abby, and the ring on your finger is a reminder of your commitment.
but only to him. not to the little girl who hangs onto your every word. not to your new partner in crime who desperately wants to replicate your unset aesthetic. not to the person you smile with the most.
you're thinking on the subject one day whenever abby shows you a new drawing, smile big especially with the final teeth she's grown in. you smile down at it, too, like you always do, but your sights zone in on the three sets of hands clasped together.
it's your suggestion and abby is delighted to tag along with you. she watches with wonder as the artist presses the machine needle to your skin. she holds your hand when you wince and sweetly asks you if you're okay, actual concern in her voice when you shut your eyes tight.
you reward yourself with ice cream after, another expense added to the day but you couldn't care less. through licks and words full of chocolate, you and abby ogle at the permanent drawing on your skin, abby touching it over the second skin every few moments as she continuously breathes out sounds of wonder.
"i wonder how long it'll take mike to notice." abby poses the question as a hypothetical, nothing but the thought pattern of a child spoken aloud. but you like the sound of it, and you suggest keeping it a secret, abby delightedly pantomiming zipping her lips and tucking the key into your pocket in response.
you put her question to the test when you arrive home, bellies full from ice cream and a subsiding ache in your arm.
mike kisses you like usual, ruffling abby's hair when the two of you enter. abby giggles, shooting looks at you from around mike. you press a finger to your lips behind his back, satisfied that mike chalks abby's behavior up to her playful nature.
it's not until a few hours later whenever the three of you are watching HGTV (you and abby's new favorite channel) in the living room after dinner that mike notices. he's playing with your hand like always, twirling your ring around your finger, lifting and pressing his rough hands into your knuckles periodically. he traces his hand along the top of your hand, leading to your wrist, and that's when he stops.
his hands still, you think his breathing does, too, and you send him a glance. you don't say anything, he doesn't say anything, abby comments on the chosen wall color of the tv couples house.
then mike lifts your wrist, turns it around, and when his eyes meet yours they appear a little more glassy. "what's this?"
you lick your lips. "a tattoo."
you see abby's bob tousling in the wind she creates when she whirs her head around in your peripheral vision. you assume she's smiling and eager now that you've unlocked her zipped lips.
"of what?" mike's eyes bounce between his two beaming girls.
abby handles this one for you, bouncing to her feet. "it's my drawing!" she runs to the kitchen table, grabbing the drawing from a couple of weeks ago, and showing it to mike. "see!"
mike stares at the drawing, then at your wrist, taking in the three pairs of stick figure hands that are linked together, bordering your left hand.
when he stares back at you, you interpret his look as bewilderment. panic sets in and you start to consider that maybe mike didn't want you to commit to his sister like this. maybe this is too much. maybe you should've asked his opinion. maybe he–
and then mike kisses you. soft, yet passionate, and slow. you distantly hear abby's expression of distaste from beside you both, but the only thing you can really focus on is mike running his thumb back and forth over the second skin covering your tattoo.
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flanaganfilm · 3 months
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hi Mike, please solve for me a very heated argument between me and my partner.
in The Fall of the House of Usher, Verna tells Prospero that he is consequential, and that he has a "chance to stop it, to stop everything". Now, my partner very strongly believes she's offering him a less painful death, like she alludes to with Camille. But I think, if Prospero had shut down the party, the house of Usher wouldn't have fallen.
In The Masque of the Red Death, the inhabitants of an impenetrable abbey all die, and the only reason they do is because of a party. No party, no stranger. No stranger, no death. The party is what lets death in the door.
Also, I'm not sure what exactly Verna is supposed to represent, but I was a deeply autistic child obsessed with fairies once, and I like to think she's one of the Fae. Regardless of what she is, deals with devils or genies or fairies or anything else usually have an 'out', even if it's small, even if it's near impossible to see.
Maybe Verna would have offered Prospero a bar tab of his own, offered to take all of his descendants instead. Less likely, she would have let them all off. I don't think she thought he would shut the party down, obviously. But I think the option was there. And if Rodrick's children had been raised better, Prospero wouldn't have been hubris on legs.
Anyways, yes yes I know literature can and should be interpreted a million different ways, that open-ended is better so that the audience can relate to the work in their own way, make it their own, live through it, but please. I need the opinion of authority.
Well, shoot. I'm very sorry to make you lose an argument. :( She just means that he can stop the acid from falling, spare the rest of the party-goers, and have a more peaceful, private death. As for Perry himself, and the rest of the Ushers... the deal is done, the ink is dry, and the tab is due, no matter what.
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agavekitten · 6 months
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Summary - You're Abby's Favorite Daycare Attendent!
Pairing - Mike Schmidt x Fem! Reader
Warnings- All fluff!
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Every day felt the same, gray, uncomfortable and cold. Nothing seemed to bring the warmth like it used to. Even getting out of bed feels like a chore. I rubbed my eyes, staring into the darkness of the room around me. The soft blankets coddled around me were the only things keeping me from feeling the light cold air around me. I could only let out a sigh as I thought about the day ahead of me. The same old same old, wake up, work, clean then sleep. Over and over again until I could feel nothing. 
Today was one of those days, where I felt nothing. I didn't even notice that I got out of bed and had already gotten dressed. It was like a blur, like everything around me is simply a picture and none of it is real. It’s almost nice to think of it like that - a picture. It makes the things around you more interesting, a painting can be anything you interpret it as. It can be beautiful with every stroke of the paint having meaning and purpose. Or, there is the other interpretation, the one that makes the world look sad and unappealing with bland colors and concepts. But, I didn't like to think of it that way. If I'm going to live in my own fantasy world and believe that the world is a painting, it's going to be a happy colorful one damn it. 
I stepped out of the room and made my way to the bathroom, god I looked terrible. My hair looked like a bird just laid eggs in it and my face was swollen from the night's rest. I’ve always been hypocritical about how I looked, but today it was just a joke. Did my look matter that much? Not really in the grand scheme of things but to me it was important. I work at a daycare and the thought of a parent thinking I looked like a bum on the street and questioning if I had good hygiene made me want to throw up. I spent the first hour and a half trying to make myself look better. I finally felt like a person again as I put my hair up. I gave myself a small smile in the mirror and it immediately fell.
*buzz buzz* 
I looked down at my phone and saw the time, shit. I was late to work, again. I never woke up early to get ready and make myself feel like a person again. Now that I think about it, that's a bit of a problem. I went to the front door and grabbed my bag then rushed out the door. My job was the one thing that I really truly loved. Seeing the kids' faces light up when I enter the room and rush over to me to ask to play with them was always a highlight. It made me feel like my life did have purpose. All these kids relied on me while their parents worked or had a day to themselves, I’ve even become quite attached to a few of them. There was one kid that I look forward to seeing everyday, her name was Abby. She always had a smile on her face when she saw me grabbing my shirt practically begging if we could draw together. I would always spend most of my time drawing and playing games with her while the other daycare attendants played with the other kids. Abby didn't have a lot of friends and besides with you, she was often really quiet. I smiled at the thought of seeing Abby today. She should already be there by the time I walk through the daycare door. 
And just as I suspected, when I came through the door, there she was. A big smile on her face, her hair curled slightly and she had on a pair of cute overalls. “Hey Abbs!” I gave her a soft smile and opened my arms. She came running over and gave me a huge squeeze. “I thought you weren't going to be here today, I got sad.” Abby said, looking up at me with her large doe eyes. I moved my hand to her head, messing up her hair a bit. “You know I don't miss a day kiddo.” She giggled in response, “come draw with me Y/N! I've been waiting all morning! I have an amazing idea of what kind of cats we can draw today” Abby dragged you over to the table with all the art supplies spewed about. That was Abby and I’s thing, drawing cats in different scenarios. You know pirate cats, president cats, the whole works. “What were you thinking?” I sat next to her and smiled. She made a small drumroll on the table with her fingers. “....zombie cats.” We both went silent as we looked at eachother then let out a small giggle. “Zombie cats it is then.” We spent that afternoon drawing zombie cats in different scenarios, zombie cats in the grocery store, getting hair cuts, driving cars and my personal favorite two zombie cats that were dressed like Abby and I. 
“Y/N?” Abby put her green crayon down. 
“Yes Abby?”
“You should meet my brother, he would like you.” Abby had the most serious look on her face and I giggled. “Really? Now why's that?” 
“Well I like you and you're my friend so why wouldn't he like you.” She picked her crayon back up and continued to draw, “he likes all my friends.”
 “He seems like a very nice Abby, I would love to meet him.” I gave her a soft smile.
“Abby?”
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This is my first fanfic so please be gentle….
yes there will be a part 2!!!
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willbyersabyss · 10 months
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Mike is gay
Disclaimer: This is my personal interpretation and is not meant to start discourse. Anyone who calls it discourse will be blocked, thanks!
The biggest reason why people believe Mike is attracted to girls is because of his relationship with El, especially in season one. I don’t think he was genuinely interested in her at all. I think Mike was and has been experiencing a lot of compulsory heterosexuality. That’s not to say that Mike has been intentionally deceiving El all this time, a lot of his behavior was subconscious! That’s how socialization works! We aren’t always aware of the expectations being forced on us and this is especially true for heterosexual socialization. Now let’s see how the show hints at Mike’s relationship with El being a case of comphet:
We are supposed to believe that Mike fell in love with El when they met, but when we watch the first week they spent together, it’s pretty obvious that that’s not the case. Mike showed simple kindness to El when they first met because she was clearly scared and traumatized. Mike is a very protective person, as we learn throughout the show. He wasn’t being kind to her because he’s romantically interested, he’s just a protective person. 
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El is the only girl in the show that Mike shows “interest” in. It’s established before Mike’s crush develops that El looks like a boy to outsiders! We are also reminded of this after there are romantic hints between mlvn (when Troy is talking to the police). She doesn’t even look like a girl! So the only girl we see Mike with in a romantic context looks like a boy. Yeah that supposed attraction to girls isn’t looking great right now.
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Mike and Dustin are discussing how El got her powers when Lucas starts accusing Mike of having a crush on El. Mike didn’t say anything remotely romantic about her, he was just correcting Lucas that it’s okay to be weird! Also it’s interesting how they only compare El to male superheroes. Not only that, they compare her to the X-Men! Lucas believes Mike is interested in El right after they compare her to men? Okay.
Edit: Despite the deceiving name, the X-Men are actually not all men! There is a woman superhero with telekinetic powers that they were likely comparing El to. The choice to use the name X-Men rather than the actual character is an interesting choice, though!
Side note: I feel like Mike had similar views to Jonathan on normalcy in the beginning of season one, but that changes as people lead Mike to be with El. He thought it was okay to be different, maybe even cool, until his friends and family told him otherwise. Anyways!
Mike seems genuinely confused during this scene. This isn’t the typical “What? No way!” reaction that an embarrassed 12 year old would have when discussing a crush, Mike genuinely doesn’t understand why Lucas made this assumption. If you watch the scene, Mike’s tone isn’t defensive or embarrassed. If Mike had a crush on El at this point, why was he confused by Lucas’ assumption? This is definitely where Mike starts to mix up admiration for love. Lucas has a huge influence on how Mike views relationships. Since Lucas thought Mike had a crush on El, Mike must like her right? Mike starts viewing El in a different light after this interaction, beginning his comphet journey. 
Mike only starts to show signs of a “crush” on El after Lucas implies that he should. A boy being nice to a girl? Must be love! This is a huge sign of heteronormativity. Mike starts acting on these heteronormative expectations. He gives El a makeover to make her look like the ideal girl, he calls her pretty while acting out the “guy sees girl all dressed up and is shocked!” trope, and gives her special attention. Honestly I’m trying to find more romantic mlvn moments in s1 to help my point and there just… aren’t any. That’s it. He calls her pretty a few times and then they kiss at the end. 
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This line sticks out to me. El is the first girl that isn’t “grossed out” by Mike and this is why Mike likes her. He doesn’t like El, he likes the concept of El. Mike is a very insecure person who has been called ugly by bullies his entire life. When El, a cool superhero, shows interest in him, he feels like he must be cool by association. He’s been told that girls being attracted to him is a marker for importance and he finally has that. Mike doesn’t want girls to be interested in him because he wants a girlfriend, he just wants his insecurities to be relieved. Mike admires El’s super powers because she’s similar to the (male) superheroes he admires. His relationship with El is based on admiration and the desire to be desired rather than actual attraction. This is a common symptom of comphet (from personal experience). 
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Later on, El asks if she’s still pretty without the wig. Mike reassures her that she’s pretty and then he makes a face. What is this facial expression? Why does he look grossed out after calling El pretty? El starts to lean in towards him and he just stands stiff. He does this in later seasons as well, but I’ll get into that later. El is trying to kiss him (?) and he’s frozen. Why isn’t he leaning in too? It seems like he doesn’t want to kiss her. Interesting. 
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Mike and Nancy have a conversation about their new love interests. Nancy assumes Mike was acting weird because of Will and Mike thinks she’s been weird because of Steve. The thing is, they were right. Nancy was acting weird because of Steve! She was performing a big act of conformity at the beginning of the season. What was this conformity? Ditching her nerdy interests and trying to grow up by getting a boyfriend. Sound familiar? That’s a surprise tool that will help us later. Mike was being weird because he was grieving and looking for Will. Everything he was doing was to find Will, even hanging out with El all the time. They’re both right in their assumptions here while implying that they were wrong! 
Nancy, like Lucas, has a big influence on how Mike views relationships. When she assumes he likes El, he acts grossed out because Nancy denied his accusation that she likes Jonathan seconds earlier. He’s mirroring her because he admires her, whether he wants to admit it or not. We see him find her cool for breaking the lock just before this! He wants to be like his big sister. So now two people Mike looks up to have tried to get Mike to see El romantically. Mike is definitely internalizing these assumptions. Everyone thinks he likes her, so must like her, right? 
It’s interesting how Nancy implies Mike’s behavior around El is weird. It feels similar to…
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Another person who finds it weird that Mike is hanging out with a girl. Is this just Mike’s family teasing him about being nerdy, or is he lacking an interest in girls in their eyes? The people closest to Mike (Lucas, Nancy, Ted, and Karen) all find his behavior around El to be weird. I don’t necessarily think they suspect that Mike is queer, but from the audience’s perspective, this may be hinting at him being gay.
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This conversation is extremely queer coded as well. Karen talks about being more open while Mike is literally hiding someone in his closet! Mike is hiding a girl (who looks like a boy) in his closet. Is he hiding his lack of attraction to girls in the closet?
“All this that’s been going on with Will, I can’t imagine what it’s been like for you.” Is the beginning of this conversation. So what was going on with Will? Obviously that he was missing, but what exactly did the town think happened to Will? They thought he was killed either by a homophobe or another queer person. Karen seems to be fairly popular in Hawkins so she probably heard these rumors. On the surface, this just seems like a conversation about grief, but when you look closer, is Karen trying to spark a deeper conversation with Mike about these rumors and how they make him feel? If so, what does Karen believe Mike is hiding here? She obviously knows how special Will is to Mike and she might suspect that he is queer too. Maybe in the same way Will is...
Anyways, back to what Nancy said. So after Lucas teased Mike for crushing on El, Mike started to see El differently than before. He feels like he has to develop feelings for her because his friends are expecting it, so he starts to force his behavior to change around her. Instead of just showing basic kindness, there’s more of a tenderness in the way he treats her. He’s testing out Lucas’ theory! Once Nancy accuses Mike of liking El, Mike’s act of conformity gets pushed to its limit. He only tries kissing El after his conversation with Nancy. When El seemed like she was going to kiss him before, he wasn’t into it. Mike is trying to hide his lack of interest in girls by pushing himself towards the only girl that has shown interest in him because everyone is telling him that’s what he should do!
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And here we are. What is this? This is just… weird. Why did they have this said about what’s supposed to be a romantic couple? This isn’t the first time either. The boys said she was Mike’s cousin earlier. I know there’s a trope where characters call each other friends before getting together, but this is just a whole other level. 
El expressing that she sees Mike like a brother right before they kiss is not a good sign! Mike says that his relationship with El is different, but starts to backtrack. “It’s different… or I guess it’s not.” Um? I don’t think Mike views his relationship with El as familial at all, of course not, but this tells me that he only really sees her as a friend. If he was actually attracted to her, why would he even imply this at all? This also shows how he’s letting other people change how he views his relationship with El. He’s trying to say that he likes her until she implies that they’re more like family, and then he changes his mind. Mike is easily swayed by other people’s opinions when it comes to relationships (at least in season one). 
So I believe Mike mixed up admiration for El with romantic feelings and this was heavily influenced by others pushing him to be with her. Since El is really the only girl he shows interest in in the show (which I’ll get more into in a bit), this points to him being gay! Mike wasn’t purposefully using El to hide being gay, I don’t think he was aware of his queerness yet, but he was conforming to the expectations placed on him. 
Now that we’ve established that Mike’s feelings for El were not genuine, let’s get into the other evidence of him being gay:
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Boys only! This line feels like it has similar implications to Will’s “free of girls!” line. If Will wanting to be free of girls is a hint that he’s gay, then Mike’s “boys only!” serves the same purpose. The same goes for Will’s cluelessness about girls (Girls don’t play video games. Girls go to science camp?) Mike is clueless about girls the entirety of s3 and even agrees with the video game line Will said in s2. They’re clueless about girls because they’re gay. Of course, real teenage boys are often clueless about girls, but I’m thinking about this in the context of a TV show. What does this tell us about Mike? It could just be for relatability but I think there’s something deeper there.
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And here are a few shots of Mike looking disgusted or angry at the thought of showing attraction to girls. The first scene is where Dustin tells Mike he is going to flirt with a bunch of girls. Why is Mike making that face? Flirting with girls confuses and disgusts him, apparently. The fourth scene is where Lucas tells Mike to talk to El with ominous music playing in the back. Why is scary music playing when Mike is thinking about talking to a girl? That’s kind of gay. 
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Mike, like Will, showed no interest in winning over Princess Daphne while Dustin and Lucas fought over her. But Mike staying quiet doesn’t mean he’s disinterested, right? Nope! Princess Daphne foreshadowed Lucas and Dustin fighting over Max. Mike showed zero interest in Max. Even Will was (platonically) intrigued by her, but overall he was indifferent. Mike and Will have the same reaction to Max. They aren’t showing attraction to her, unlike Dustin and Lucas. Again, Mike and Will having similar reactions to girls points to their sexuality being the same. Mike’s reaction was actually more extreme compared to Will! He was trying to kick Max out!
"Awesome? You haven't even spoken a word to her." Funny coming from the person who claims to have fallen in love with a girl at first sight. But that's a topic for later.
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Mike didn’t want Max to join the party because he didn’t like the idea of his friends moving on from their more nerdy interests to get girlfriends. They were ditching Halloween to impress Max. Mike’s behavior towards Max in s2 is the same as Will’s behavior towards El in s3. Will didn’t want to move on from DnD for girls! We know Will is gay, so what does this entail for Mike? If Will’s annoyance towards his friends hanging out with girls was a sign that he’s gay, then we can assume Mike’s annoyance in s2 was for the same reason. Obviously, both Mike and Will have multiple reasons for their behavior, but one of those reasons has to do with them being gay.
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El tries to kiss Mike and, for a second time, he stands still. His eyes are wide and he almost looks scared? He’s not looking at her lips or showing any attraction towards her. Why is it that every time El tries to kiss Mike first, he’s like a deer in headlights? It’s almost like he needs to talk himself into kissing her and that’s why he doesn’t like when she does it first. Seems pretty gay to me!
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I feel like Mike started to pick up on his feelings for Will here. They felt the spark for most of the season, but the Snow Ball is when it really clicked for Mike. He started mirroring the actions of his friends and family from s1 by pushing Will towards a girl. Everyone did it to him so Mike thought this is what he was supposed to do! So why does it feel so wrong? Mike starts putting the pieces together and he’s scared of what he’s feeling. He complained about his friends growing up and moving on to get girlfriends the entire season, but at least he had Will, right? Then this girl takes Will from him too and now Mike is left in the dust. He feels like he has to do the same so he runs into the safety net of El to try and push his newfound feelings for Will away and be normal.
This kickstarts Mike’s behavior in s3. He’s going after a girl to try and be normal so he can be safe! He’s scared to acknowledge his feelings. Why isn’t Will doing the same? Mike is scared for both himself and Will. Mike has heard what everyone thinks about Will, so why isn’t Will trying to prove them wrong? I feel like Mike’s outbursts at Will are not only because of his repressed feelings for him, but also because he’s confused why Will can be so loud about not caring about girls while Mike is trying everything he can to force himself to like girls. They’re supposed to be “growing up” and getting girlfriends, but Will doesn’t want that and neither does Mike. Mike is trying to conform so he doesn’t face the same fate that Will has faced his entire life. It gets so bad that Mike starts to contribute to the struggles Will faces for not wanting to conform.
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The rain fight makes so much more sense in this context. Why was Mike so frustrated that Will didn’t like girls? He wanted Will to be conforming the same way he was because conformity is safe. Otherwise, Will was putting himself in danger. I’m not saying that Mike knows that Will is gay, but Mike has watched Will get bullied for exactly that so he expects Will to conform to avoid the bullying! Mike was advocating against getting girlfriends until Will seemingly got a girl at the dance, so when Will didn't even stay with that girl, Mike’s effort was for nothing. Mike thought he had no other choice but to force himself to like a girl and when Will shows that that’s not the case, Mike wishes that he could do the same. Mike takes his internal frustration out on Will because he wants Will to be safe instead of chasing after the things they both want but can’t have (playing games for the rest of their lives). 
And so we come to the conclusion that Mike was projecting onto Will during their fight. “It’s not my fault you don’t like girls!” Is Mike’s internal struggle being taken out on Will. “What did you think, really? We were never gonna get girlfriends?” And Mike thought exactly that in s2! He thought the party would stick together for a bit longer until Dustin and Lucas ditched them for girls. This tells us that Mike was projecting here because he had the same thought he’s accusing Will of. So if these lines are projections, that means that Mike doesn’t like girls. He has to be gay.
Let’s use that surprise tool I mentioned earlier! Nancy ditched her nerdy interests to get a boyfriend (Steve). That’s where Mike initially got it hammered in his head that growing up means getting a girlfriend and moving on from “childish” things. Nancy’s relationship with Steve is an act of conformity and we know this thanks to Barb who calls Nancy out on her behavior. Will is doing the same to Mike! The argument Nancy and Barb have (this isn’t you) is a small parallel to the rain fight. Mike is conforming because he has witnessed others do it and has been told to do so. He can be like his straight sister, right? 
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Once again, we have El initiating a kiss with Mike standing completely still. That’s the third time this has happened! If Mike was just surprised, why didn’t he start to kiss back? Or at least close his eyes? He had plenty of time to react. When El leaves, he has a strange expression on his face. The way his eyes dart around show that he’s realizing something, a realization in front of the closet with a lightbulb over his head. Mike thought that if he kissed El enough times, romantic feelings would eventually develop and his feelings for boys would just go away. This moment in Will’s room is when Mike realizes that those feelings are not going away. 
If this realization was just about Mike figuring out he’s attracted to boys, why is it happening after kissing a girl? Why is he standing in front of a closet while kissing El? His realization is not about liking boys, it’s about not liking girls. If Mike was realizing that he likes both boys and girls here, it would have happened after his talk with Will, not his kiss with El. He feels the need to hide in the closet because his repression is not working.
The Hopper’s letter sequence supports this as well. Mike is shown during these lines:
 “I feel like you’re pulling away from me or something.”
“I don’t want things to change.”
“So, I think that’s maybe why I came in here, to try to stop that change. To make things go back to how they were.”
El isn’t the one pulling away from Mike. We just saw her tell him she loves him! This line is foreshadowing events between seasons. Will doesn’t try to call Mike and they don’t have any contact. Mike tries to call, Will is pulling away. How is Mike changing? Of course, things are changing because the Byers are moving, but I sense a double meaning here. These scenes parallel the night they found Will’s body at the quarry. Mike feels like he’s losing Will for a second time because things are changing. Mike’s feelings are changing.
And this leads us into s4. Mike still attempts to repress his feelings by staying with El and it’s getting easier since she’s across the country. He doesn’t have to face his feelings for Will when he can’t see him!
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Now let’s talk about his room decor. He has a couple of buff men (well one is a dragon but still) and one woman. This may be an unpopular opinion, but I don’t necessarily think that room decor is always an indicator for sexuality. Nancy has posters of women in her room and as much as I love to hc her as sapphic, I think it’s more likely that she’s meant to be straight in the show. So, in my personal opinion, the woman on Mike’s poster isn’t hinting at his sexuality.
I do think the one way sign is important, though. I believe this serves a double meaning. It’s pointing at the closet, but it’s also hinting at Mike’s sexuality being one way. This sign points in the same direction as Mike’s triangle pocket that’s over his heart and always pointing at Will. Mike’s heart is not split between El and Will, it goes one direction. Will! A boy!
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Speaking of split, let’s talk about this. This line is commonly used as bi evidence, but I don’t interpret it that way. I think this was more foreshadowing who Mike pays attention to throughout the day. Yellow is Will and purple is El! We see Mike noticing all the details about Will being upset, but he doesn’t even pick up on El looking uncomfortable when Angela shows up. He was focused on Will more than he was El! If this line was about sexuality, why didn’t they make it blue and pink (the usual colors for gender) instead of yellow and purple? This feels more person specific rather than an overall read on Mike’s sexuality. And this could just be a double meaning but again, this is my personal interpretation.
Also this line is in past tense. “I kinda did a 70/30 split.” If this is a double meaning for his sexuality, it’s in the past tense. He tried to do a split and it didn’t work because there’s too much yellow! His attraction to boys overshadows his (nonexistent) attraction to girls!
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And now onto this load of bullshit. Mike lied. That’s pretty much a fact at this point. “I’m sorry I don’t say it more.” And he’s literally never said it to her face. “It’s not because I’m scared of you. I’ve never felt that way.” Lie. He was definitely scared of her a few times in s1 and possibly when she hit Angela in s4. But the most important lie here is that he fell in love with her at first sight. Hours after they met, he wanted to send her to a mental asylum so they could find Will. He only started to really care about her when he found out she was in danger and when she said she could help find Will. He called her a weapon and yelled “what’s wrong with you?” multiple times. That’s not love. If Mike ever had feelings for El, why would he feel the need to lie about when that happened? He could’ve said the Snow Ball or some other significant moment in their relationship (there are none), but he lied! He couldn’t name the actual moment he fell in love with her because it never happened. So if Mike never had feelings for El, that means he’s gay. Mike doesn’t show attraction to girls otherwise!
The climax of the monologue is the “you’re my superhero” line. Mike doesn’t even view calling someone a superhero as romantic. He calls his friends superheroes multiple times. Why the hell is that the climax when he doesn’t see it as romantic? And what kind of superhero? Every time Mike refers to El as a specific kind of hero, it’s a male hero. The X-Men and Superman. Other characters are perfectly capable of calling El “supergirl” or saying she’s like Wonder Woman. Why does Mike seem incapable of acknowledging his girlfriend’s femininity? Gay!
I didn’t really talk about how he shows attraction to boys because if you’re reading this, I assume you know that already. I’m just going to leave this here and it should be enough:
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And with that, I’m going to wrap this up here. There’s more evidence I could address, but I wanted to focus on the evidence that’s most significant to me! Mike has not shown genuine attraction to girls and his relationship with El is a form of compulsory heterosexuality. Also, yes the show will confirm his sexuality in some way. Mike doesn’t exist just to be a love interest. His journey through queerness is just as important as the currently confirmed queer characters. I think they’ll confirm it in a similar way to Will and Robin where it’s not explicitly said, but still obvious. Michael Wheeler is gay!
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oceanic-sunsets · 7 months
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Mike around El and his very obvious Not-Crush
I want to start this off with a disclaimer: I interpret Mike as gay, so this analysis and the points I’ll bring up were written with this in mind. Now, let’s begin! 
Since my first watch, I always thought it was kind of weird-funny how Mike never showed any kind of shyness towards El, unlike the other boys, who the audience and characters in-universe never think of as having a crush on El. 
So they know El is a girl pretty early on, so when she first goes home with Mike and he lends her dry clothes, everyone freaks out when she tries to change right there in front of them. Pretty normal reaction for anyone, especially 12 year old boys! So, even in the middle of their freak out, Mike remains as the most well composed of the boys.
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He doesn’t turn around, instead, is quick to stop her, even reaching out towards her arms, and explain she should change in the bathroom, because, well, privacy. 
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He even guides El towards the bathroom door, and we know that he tries to close it but El stops him. So, he understands, she’s still scared, and again, explains she can keep it mostly closed, leaving a small gap open so she feels safer. 
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And then Mike goes to talk with Lucas and Dustin, who are still freaking out and talking about how she’s crazy, Lucas remarks “She tried to get naked” and Dustin makes the same hand gesture three times to really drive his point across. 
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And Mike? remains calm, really, his head is elsewhere, not stuck on the fact that a random, weird girl tried to change her clothes in front of them. Instead, his gears are turning, he’s already coming up with a plan so they can stay out of trouble, so she can be safe, and they can keep looking for Will: El has to stay the night, which Dustin finds insane.
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So, I first interpreted these kind of scenes as Mike being the more mature one of the boys. He NEVER goes “but she’s a girl!” the other characters are the ones who keep pointing that out to him. But really, Mike just treats her like a human being (and then he discovers she has superpowers). 
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And really, it’s funny how fascinating they keep finding this, but not surprising. Again, this is a normal reaction! that’s why I thought Mike was just the logical, more mature one. But that’s not really why: he just never made a distinction or a big fuss to separate THEM, boys, and El, a GIRL, until later on when people kept bringing that up. For Mike, El was just another kid just like them, he shows her his house, his TV, his toys, and has no issue getting close and just treating her like another friend. 
There’s another reason that points to the Duffers being aware of what they’re trying to do. It’s subtle if you’re not looking for it, and really, it just flies under most people’s radars, including our own! 
So we all know this scene, right?  
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The first instance of Mike being directly told he has to have a crush on her, because… he is nice to her, and she’s a girl. So, clearly. And then the bullies arrive, call Will homophobic slurs and Mike gets hurt, we know how that one goes. But you know the scene that plays directly before this one? 
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It’s Nancy. They’re making fun of her/shaming her because she hooked up with Steve, and we know how this plot goes too: the girl is slut-shamed and the boy is praised/admired for “getting” her. Nancy is worried because she left Barb alone and the next thing she knows, her friend is missing too. And she doesn’t feel guilty just because she dismissed Barb, she feels shame, and the kind of comment she’s receiving just adds to the guilt. 
And all this? it’s part of heteronormativity too, and all its social standards of what’s expected of people based on their gender and sexuality. Nancy? A slut for hooking up with Steve. Will? probably killed for being gay! The boys? get bullied just as Lucas is hugging Mike, even if it’s part of a joke. Mike? must like El, because he is a boy who is nice to her, and she’s a girl! See where I’m going? 
Next scene I’m going to talk about is this one: 
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And… It’s a great scene, really. But nothing about it is romantic. The boys help El dress up, and Mike even does her makeup and doesn’t mind! and, I’m sorry, but what 12 year old with a crush is NOT nervous to be that close? he’s just 100% concentrated in what he’s doing.
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And then El comes out, full makeover, and Mike’s reaction is just very sweet and genuine. Dustin hesitates: “She looks…” and Mike immediately goes “pretty”. Now, some people interpret this scene as Mike finally Realizing El is Actually a Girl. I both agree and disagree. 
I agree because that’s how it probably goes for Mike, just now in the sense most people expect. We should keep in mind the previous scenes: Mike is now aware of what other people think/what is expected of him. So he goes “pretty”, and oh, no, she’s a Girl, I can’t say that! they’re going to think I have a crush on her! “...pretty good” saved it:) but wait. That just makes it look even more like a crush! So maybe it is a crush, right? So, I think of this scene as the moment of Mike deciding that yeah, it must be a crush, making now a distinction between “friend” and “girl”.
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Other people have mentioned how particular this choice is: why would they have Mike next to El in the mirror? in the same scene where she’s presenting herself as Actually a Girl for the first time, wearing a pink dress, next to Mike, a Boy, who is even wearing blue! I don’t even think this analysis classifies as far-fetched for the same reason I mentioned earlier: the themes of the show are clear since the beginning, and plots like Nancy’s, Will’s, and later on El’s (and Max's) support that. Mike’s, however? it comes across as subtle (because really, it’s not), but it’s always been there, and the way the Wheelers are portrayed as a family confirms that too. 
 I don’t think he consciously makes the choice to pretend, more like it makes sense for him too, and the future events of the show just keep reinforcing this idea: she’s a girl with superpowers, who saves him and his friends many times, and people keep telling him he likes her! why wouldn’t he like her? And then there’s also survivor’s guilt but uhh… Let’s not go there, that’s another whole analysis. 
It’s now time to talk about my least favorite topic: mlvn’s kisses. They have never been portrayed as genuinely romantic to me, even if I did think the snowball one was sweet when I first watched it. But that’s the thing: it’s cute, I guess, but it’s just there like a point you have to mark as done in a checklist. Entirely different to Lucas’ and Max’s scenes: Lucas hesitates when he asks Max to dance, and he’s clearly nervous, exhaling before asking, and their kiss is awkwardly endearing, genuine, and realistic for their age unlike anything in Mike and El’s relationship and… The beginning of s3 is proof of that. It’s almost like they’re kissing to prove a point: El is older now, and Mike is her boyfriend, they kiss like in the soap operas! (for Hopper’s and the audience’s dismay) and for Mike, well, El is his girlfriend, that’s what he’s supposed to do, right? (as he takes her hands off him). 
Going back to the snowball, Mike plays the “date” role too perfectly. He does exactly what he should: he tells El she looks beautiful and asks her to dance, again, no hesitance. They dance and he kisses her… You guessed it, no hesitance. You could argue that it’s because it’s not their first thing, but the thing is… That one was a mess. It was out of nowhere, after talking about being family, as if Mike suddenly thought “yeah I think I should do this” and went for it. And… Did El even know what a kiss was? 
Anyway, back to s3. They break up and all that, supernatural shit happens and oh! Mike tells a whole room of people that he loves El! how can that not be proof that he at least has a crush? well. Because Mike is not lying, just as he wasn’t lying when he called her pretty. He does love her, wants her to be safe because she’s his friend, and feels responsible for her safety (for many reasons). The thing is… Mike is aware of the Implications of the word.
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He is being honest. He’s also confusing his feelings for romantic ones, just like he has since mid-s1. What’s the difference between the “ily” plot in s3 and in s4, then? wouldn’t that just be a repeat of the same? 
No. This is a point of debate and I know we have different opinions on “When Did Mike Realize”, but for me, the contrast between this plot in s3 vs s4 is that s3 Mike is unaware, while in S4 he’s IS aware Throughout s3 (and before) he genuinely thinks his feelings are romantic. Until THIS happens
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 …and suddenly he’s confused, thinking it makes no sense. I choose to interpret it this way because it’s supported by the S3 script, which portrays Mike as confused and wondering what is wrong with him. This would’ve been a great moment to portray Mike as endearingly nervous/shy: they’ve been broken up and it seems like no one had said anything that hinted at a romantic relationship during that time. If Mike had romantic feelings for El, he should’ve been thrilled, but he doesn’t move, doesn’t close his eyes, doesn’t even smile. But it’s not disgust, it’s confusion. He’s starting to question things. To what degree? we do not know. 
We can, however, infer from the events of S4 that he knows something. 
The airport scene is as sad as it is funny, because this is probably the first instance in the whole show that we see Mike Wheeler acting nervous-shy in the way you would in front of a crush: 
(Exhibit A)
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(Exhibit B)
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ok, Mike, Will didn’t imply otherwise? are you trying to convince him or yourself? 
(Exhibit C)
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(Exhibit D)
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This whole conversation is so insane because everyone is so focused noticing Will’s crush that they miss Mike’s behavior? Mike, who during this conversation hesitates a lot, chooses his words carefully, exhales, you can see him swallow and just. He looks more nervous here than in the entirety of ALL his scenes with El on the show.
I could keep going on about s4, really, because there’s a lot to unpack there. But this is getting too long!
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flaringgoosebumps · 2 years
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one day, I'll tell him everything.
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how much it hurt when he went away
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how the days without him dragged me down
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what I would've said if I had known sooner
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what he means to me
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how much he's always meant to me
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how much he always will
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dinitride-art · 1 year
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Sometimes we make mistakes. Sometimes we intentionally look at differing opinions and interpretations and begin to think that maybe we weren't as correct as we thought we were. Now that I’m here, only evidence in the show matters. No interview or tweet or confirmation or interpretation matters. It’s just me, my own brain, and what’s right in front of me.
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Fisher, why is Will in front of the disco ball at Rink O’ Mania? It looks like the Mind Flayer and the blue and yellow strip lighting is just a reference to season two when Will had an episode at the arcade. 
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What is the point of this interaction between Mike and Will? There is an unresolved conflict from season three. It needed to be addressed. (What was the conflict from season three?)
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What are Mike and Will’s motivations in this scene? There’s been a shift in Mike and Will’s relationship. (Caused by?) El and Mike’s relationship. Their relationship also affects Mike’s relationships with his other friends besides Will. (Who is Mike fighting with about this change?) Will. (Why?) This change has affected Will differently than the others. 
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Do Mike and Will have a closer relationship with each other than they do with the rest of the Party? 
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Why were these scenes different? Mike couldn’t repair his relationship with El like he managed to do later in the story with Will. (Why?) 
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Is there any significance to over the shoulder and perspective shots of another character with soft lighting? Does this commonly convey a characters feelings towards another character? Why is Will lit like this?
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Why is Mike looking at Will in this scene? 
He’s listening to Will's explanation of the painting he just gave him.
Why isn’t Mike looking at the painting? If this scene is about El’s feelings why is Mike looking at Will? Why is Will lit in a way that commonly conveys the romantic feelings of another character?
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Why is Will important in this scene? He has feelings for Mike. (Why is Will in the same shot as Mike?) 
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Why is Will still in the same shot as Mike? Does Will’s presence in this scene tell us more about Will’s or Mike’s feelings? What do we know about Mike’s feelings? Why couldn’t Mike tell El that he loved her? Why didn’t Mike reach out to Will? Why were we told that he did but wasn’t able to get through? 
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What did Will’s presence in that shot tell us? Were Will’s feelings already conveyed by having a close up shot of his reaction to Mike’s confession? Why was Will important in this scene?
What does this scene tell us about Mike?
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Why is Will in the same shot as Mike again? Does this scene suggest anything about Mike? 
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Why isn’t El next to Mike? Why is Will standing next to Mike? 
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Why is Mike standing next to Will? 
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Why is El’s exit from this scene emphasized? Will asks Mike if she’s talked to him. They talk about how what happened has affected her.
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What is the purpose of this scene? Mike and Will talk about Vecna/One/Henry and Will tells Mike that he is still alive. It tells us that they’ve lost. (Why is Will telling Mike that Vecna’s alive?) Will confided in Mike about the Mind Flayer in season two. He trusts him.
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Why does Will trust Mike? Why does he tell Mike first? 
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Why is it important that Mike reaches out to Will to reassure him? Why isn’t Mike trying to talk to El? Why isn’t there a scene where Mike and El talk? Why is this action prolonged?
What does this scene tell us about Mike and Will’s relationship? They have worked through the conflict from season three. (Is it significant that Mike is the one reaching out to Will? What does Mike reaching out to Will tell us? Do Will’s feelings about Mike change the context of this action?)
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Why is Mike standing next to Will.
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bugsbenefit · 11 months
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seeing a "Mike is completely oblivious to his feelings and doesn't know he's in love with Will" take float on my dash from the wild and... i'm sorry i hate this interpretations so much. everyone can see things differently, but Mike having no clue of his own feelings makes absolutely no sense with what we see on screen to me. none
if this is ranty ignore little old me, i just need to complain today lmao
not only does Mike pause to look at Will's lips multiple times, which you could maybe argue he just doesn't realize anymore (doubtful since it's not something he's always done, it only started in s3 which is less than a full year away from s4 canonically)
there's also the whole fact that nothing else of his s4 conflict would make sense anymore. if Mike didn't know he didn't love El, what was he worried about telling her then, that she wouldn't like the truth of? it can't be that he loves her because he knows she would like that. Mike has to consciously be aware of something he knows he should tell El, but can't, because he's scared of how she'll take it
the same also goes for the sbp scene where Mike looks back at Will, shocked or conflicted, because Will is pushing him to confess to El. the initial shock would be inappropriate if Mike was already planning to tell El he loved her anyways and had no idea he actually loved Will
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it also means that Mike didn't intentionally lie during the monologue with is almost more egregious because we saw Mike talk to the other's about sending El to Pennhurst with 0 concerns. he didn't know El overheard that so it might be something he thinks El could believe. but he himself would remember that he didn't "fall in love with her that moment", saying otherwise just makes Mike look like the dumbest, most unaware character in the whole show by far. not even just the show, it would probably make him one of the most oblivious characters out of Any show i can think of right now actually
it would also make no sense why we're completely barred from Mike's inner feelings during the monologue. if Mike genuinely believed what he was saying we'd be allowed to know his thoughts, since they wouldn't spoil anything yet. but alas, not only does Finn keep his lips sealed, even the rough drafts from three years ago skip over his internal feelings or thoughts completely which is extremely unusual for an emotional monologue of this importance and magnitude
everything else aside, the idea that Mike would just. not realize. he's queer and in love with his best friend is kind of bizarre to me. it really plays into the fanon version of Mike who is inhumanly oblivious and stupid. because canon Mike is actually not that bad with feelings, he can articulate himself if he wants to and he can pick up on and explain complex emotions he himself feels all the way back in s1. saying that Mike is genuinely too oblivious to realize his feelings isn't at all in line with his canon characterization
and besides it not making sense for his character. it's also a nonsensical choice from a writers perspective. if Mike would genuinely be unaware of his feelings for Will and his queerness; Byler would be rushed. i'm excited for Byler as much as the next person but this would be a horrible way to go about it. because s5 would then need to include:
Mike realizing he's not in love with El
Mike realizing he's queer
Mike dealing with the consequences of being queer in the 80s/coming to terms with said queerness to the point he feels comfortable acting on it
Mike realizing he's in love with Will
Mike and El finally breaking up
Mike and Will confessing to each other and getting together
that is an absurd amount of things to cram into a single seasons and essentially a character 180 in 8ish episodes. and all these points also need space and time to breathe to sit well with the audience. having Mike realize he's not in love with El and realize he's in love with Will would need a significant pause in between to feel good for the audience, but there's only so much time left. that will feel rushed no matter how well you write it. if they just revealed Mike being queer and in love with Will to the audience while having him already be aware of it we'd skip steps 1-4 on this list. the audience getting new information and recontextualizing things that already happened takes significantly less time than having a character go through the realizations first hand since that takes more development time
at this point, there's no way to write Mike realizing he's queer from scratch well with only one season left. there just isn't. especially with the amount of plot we need to cover in s5, the action, and all the other characters that need solid endings. opening a whole new can of worms for Mike is counterproductive. last seasons close character arcs, they don't kick new one's up that would take forever to properly flesh out
the thing that just really bothers me about this whole, "Mike doesn't know yet, he's oblivious" narrative, besides making little sense from a writer's pov and directly contradicting his canon character. is also that most takes just read extremely belittling. because a lot of people who say this seem to be aware that there won't be time to properly explore Mike's character or feelings like this. and they're fine with it because Mike will just be "Will's boyfriend", and only Will needs to come to terms with his queerness, Mike doesn't need an arc. and it's weird. the idea that Mike will have his whole queer realization in s5 hinges on the fact that Mike's character isn't important enough to get a fully fleshed out arc/time to naturally move from point A to point B, and that he'll just go from one relationship to the next with no problems
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patcaps · 4 months
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you can read my other thoughts on the finale here so i’m not gonna just say all the same things again but
the ending was always gonna be divisive with people loving it or hating it, liking it but wishing some things were a bit different. it’s the ending of a beloved show and nobody is ever gonna agree on what the right ending would be. it sucks to have folks outright rejecting it but it also sucks to see people like “you are wrong for having any criticisms whatsoever” like, i’m all for being able to discuss aspects of media and what we liked and didn’t like. it’s not always a bad faith interpretation, or cynicism, or being poor at understanding the writing and intention. and i love meta and analysis that doesn’t completely pick apart something and refuse it any grace or leniency. i think sometimes we’re way too hard on stuff that is ultimately heartfelt and from a place of love and joy, and unraveling them dampens the magic.
anyway. that aside. i love this show so much. there are things i’d have done differently, pacing choices that made it fall flat in places, but it’s not my show and these guys know their characters and love them as much as we do. and the ghosts and mike and alison never stopped being family - which is, ultimately, the biggest thing that matters. not the house, not where they are, but how they’ve helped each other for the better. alison and mike spent their entire lives making sure the ghosts were never forgotten, always went back to catch up. they got to enjoy all the fun and love of visiting family without the stress of living under each other’s feet 24/7 - and relationships with family often improve tenfold with that breathing space.
the show ended where it started with the plans to turn it into a hotel, but this time instead of the ghosts panicking and being like “drive her out, kill her” they loved alison enough to take all of that change on, safe in the knowledge that alison would never ever just abandon them. that’s such a neat way of showing how they’ve all helped each other. like, robin’s seen that house and the houses and land before it change so much but he felt so good about this change, literally said he felt christmassy finally, because they could do this. for her. for their friend, their family member, their alison.
they existed before alison and they’ll exist after her, but in the meantime they get to enjoy being her family and also know they’ve given them a more stable, secure, less stressful living arrangement that works for them all. they aren’t fully dependent on alison anymore and alison was no longer fearful of leaving and losing them because she knew they’d still be her family no matter what. i’ve seen some people interpret this as “they’re saying having a baby meant her found family weren’t important anymore, they have to go be a traditional family alone” and that was my kneejerk response too, but then i sat with it. and actually, alison goes from being a (presumed) orphan with no family besides mike and his side, to having all of that plus the ghosts, people who love her and always welcome her back to visit whenever she wants. how lovely for her to have her very own family she can go and see, who did such a kind thing for her, however bittersweet a decision it was initially.
and yeah, it’s true that the ghosts have less of alison there to take care of things like personalised entertainment, but that’s the whole point of them leaving - alison wasn’t in a position where she could worry about entertaining them all the time whilst also being with her husband and raising a newborn. it wasn’t fair to keep asking her to run around after a houseful of ghosts when looking after yourself and a small child is hard enough. she could have stayed and ended up resenting them, getting frustrated and angry the way they did with mike’s mum, potentially souring that relationship with the ghosts. instead she moved out and gets to go back and see them and love and enjoy them fully without that responsibility 24/7. i’m sure she took them new things, gifts, let them watch tv and read books, i bet they had requests for whenever she visited which she was more than happy to supply. and i bet they always had new anecdotes and things to catch her up on.
the more time i have, the more i warm to it all. it’s easy to say “they should have stayed together at the house” but this show is about being human, about life and death, how existence is both cruel and kind and beautiful and unexpected and it changes you and you change it. they did stay together, just not under the same roof. home is more than just button house, more than just a dream because dreams change as we go, and belonging is about more than just a destination. alison found home and belonging in the ghosts, and they found it in her too. the rest is just bricks and mortar.
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thestrangestthing89 · 3 months
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Catching up on some of the behind the scenes stuff. My take on what we have seen so far...
Mike having a similar look to season 1 is so good for him. I think it shows he is more comfortable with himself. He's going back to his roots when he was the character everyone loved. So I think we will get a more authentic Mike and Paladin Mike back right off the bat.
I like the blue polo with the yellow collar. And it looks like his jacket is a little green in the video with him and El (like a sage green/greyish green color). It reminds me a bit of the color block polo he was wearing in S3 which makes me wonder if Will is going to have a matching one this season too.
I say this as someone who realized byler was happening in S4 and started shipping it because it was the logical conclusion to draw. I tend to interpret things in a logical way. Byler wasn't something I wanted to happen and forced onto the narrative. I saw it happening and realized it was a good story and there was evidence backing it up. So when I say that Mike and El broke up in S4 it's not because I want it to be true (I honestly do not give a fuck about their relationship and gave it very little thought prior to coming on here). It's because it's the most logical thing to happen based on the story that we saw.
That being said, Mike and El's relationship closely resembles Nancy and Steve's. El broke up with him with the From El letter and he knows this. I've written about this a lot so I'm not going to get into it here, but the fact that at the end of S4 shows a 2 day time jump and after this point Mike and El aren't even talking and they are rolling their eyes at each other is meant to indicate that something happened with them during that time jump that wasn't good.
The fact that S5 seems to pick up a couple years later (judging by El's hair) I think is further proof that they already filmed part of S5 back when they were doing S4. The part that picks up right where S4 ended I think was already done. So I think this is where we will get to see a clarification of what exactly happened during that 2 day jump and get confirmation that Mike and El broke up already.
Their relationship was defined as being immature and made both of them feel badly about themselves. They were already at a point where they wanted it over so there is no reason narratively why that needs to drag out over 2 years when neither of them is happy.
Especially considering Mike's new look where he is dressing more like himself. They have established for 2 seasons that Mike isn't himself when he is with El. So him acting more comfortable and looking more like himself all points to him and El having broken up a while ago. He had time to figure out what was authentic for him already over a time jump.
I think Mike and El's conversation has more to do with reestablishing a friendship. They didn't communicate well when they were in a relationship and El dismissed Mike's feelings a lot (the conversation about bullying being one of those times), so I think it's possible they drifted apart during the couple year jump because I think it's hard for Mike to trust her. I saw people comparing it to the train track conversation back in S1 and I think that's accurate. That conversation was meant to indicate the first time Mike started seeing her as a friend (even though they really didn't reach an understanding here the way he thought). But I think this time it actually will establish a real friendship in a way that was different than before.
I do think think it's likely Mike and Will are together at this point in the beginning of S5. But either way I think a lot of this conversation with El has to do with Mike telling her how he feels about Will and them being honest with each other for the first time.
Mike and El have very few one on one scenes together. I think I can count on one hand the amount of conversations they have had where it was just the two of them and a group wasn't around them. To me, this indicates that this conversation is actually important. Unlike a lot of their other conversations where they weren't communicating well or they weren't acting like themselves. But I think in keeping with the pattern the show has always had, this is likely the last one on one scene with them until the end of the season. They tend to not interact much in the middle of every season so I would be surprised if there was much more content with just the two of them.
This scene is very platonic just based on their body language. They aren't close or acting in any romantic way. And again, the fact that they seem comfortable indicates that they have had time to reflect on their relationship and heal from it. Mike is never comfortable around El in S3 or S4. He is never comfortable with her touching him or being close with her. So the fact that he is here, is further proof to me that it's already over. He isn't pretending anymore (I think he was done with this by the end of S4).
Another thing that makes me think they haven't spent much time together over a jump of a few years is Mike directly telling Will in S4 that he wished he spent less time with El and more with him. He already made the mistake of not spending time with Will and regretted it. He isn't going to do that again. So I think it's possible that he has been spending more time with Will to make up for it and ended up pulling away from El. And this conversation in S5 is meant to be an acknowledgement of that and the fact that he can have a romantic relationship with Will and a platonic one with El at the same time. Two people he has been struggling to have a relationship at the same time with since pretty much the beginning of the series.
Very curious to see what Will's look is because I don't think it's a bowl cut. I always thought that hairstyle was meant to indicate him holding on to his childhood and all of his trauma. If he has a new look I think it's a good hint that not only is he more comfortable with himself but that him and Mike are already together at the beginning of S5. The show has already established that the two of them are only comfortable with themselves when they are together. Mike being true to himself is a good thing. It shows he learned and grew from his immature behavior in the past few seasons. I would be surprised if Will's look doesn't indicate the same based on where his character arc left off at the end of S4.
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celticcrossanon · 4 months
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BRF Reading - 30th of December, 2023
This is speculation only
Cards drawn on the 30th of December, 2023
Question: How does Harry feel about the 'brotherly love' between Prince William and Mike Tindall, as per the media articles?
Note: Harry's energy is very heavy in this reading. At first the cards refused to shuffle, like he was sulking and didn't want to answer, and when they did start moving and shuffling the energy was exhausting. I'm drained and all I have done is shuffle the cards and pull 4 for the reading.
I'm not going to go too deeply into Harry's energy here, instead I am going to skim the surface and give you those impressions.
I feel nauseous as well - that just hit me as I went to pick up the cards, so I will now look at them and not touch (touching gives me more of the energy they are emitting). I would say Harry is sick to his stomach over the thought of someone else being William's brother, even thought he may not admit that to himself.
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Interpretation: Harry is not happy about this at all.
Card One: The Four of Cups in reverse.
The Four of Cups is one of my cards for gossip. This tells me that Harry has read or heard the gossip about Prince William and Mike being like brothers. The energy from this card is very upset, so I would say that Harry is very upset over this news. It is a temper tantrum energy as well, with the sense of Harry screaming 'Mike can't be Wills's brother, I am his brother!' and then holding his breath until he passes out (I'm actually feeling both nauseous and light headed as I write this).
The Four of Cups is reverse can mean someone wanting to have those opportunities again, and that is the other energy I am getting from this card. Harry still sees himself as Prince William's brother, and he wants to be the one having the 'brotherly love' articles with William, not Mike. He wants to be the royal brother again.
Surprisingly enough, I am getting no recognition of the pain he has caused his brother - Harry seems to think that he can go back and his relationship with William will be exactly like it was in the past. He expects William to welcome him back with open arms and not to hold any of his actions against him.
Cups is the suit of emotions, so this card tells me that Harry is having quite a few feelings about these media articles.
Card Two: The Empress in reverse.
The Empress is the maternal card, the caring and nurturing card, and it tells me that this is how Harry sees Prince William - as a caring and nurturing big brother who will always love him and protect him, no matter what he does. He sees Prince William more like a parent than like a sibling, or at the very least a 50:50 blend of both. In the reverse, this card tells me that Harry's reaction to those articles is that of a child who feels betrayed by its mother/nurturing parent.
You know when you say No to a toddler and they throw an tantrum and say 'I don't like you any more?' to hurt you because they are not getting their way? I am getting that sort of energy from this card - a petulant, sulky energy that says 'you hurt me by being friends with Mike in front of the media so now I am going to hurt you'. The hurt and outrage is not so much that Prince William is friends with Mike, but that Prince William showed that affection in front of the media and destroyed Harry's bubble that he was the favoured brother and Prince William loved him best. That is where the outrage is coming from - the parent (Prince William) dared to do something that showed the child (Harry) was not the centre of his universe, There is an energy of the child (Harry) lashing out in response to this, so I would not be surprised if another attack directed at Prince William appears from the Harkle camp quite soon.
Card Three: The Page of Pentacles
The energy from this card is quite calm, in comparison to the other two cards, but it is also nasty, and intentionally nasty. Pages can be earth sign children, and they can be messages, and Harry is the earth sign son of the King who is currently throwing a tantrum over these media stories (behaving like a child).
The Page of Pentacles is also my card for the UK, and Pentacles is the suit of material goods. The energy I am getting from this card is that Harry is comforting himself and deliberately trying to hurt his brother by saying something like the following to himself: 'Mike Tindall is only pretending to like you [Prince William] because of your position, as you can give him money and status. He doesn't really like you for yourself. You need me because I am your brother.'
It is a mix of energy that is sheer nastiness that wants to hurt Prince William and energy that wants to weasel back into place as Prince William's brother (an "I'm the favourite - you like me the best anyway' energy) that is also very insecure. Underneath it all is sheer terror at the thought of being replaced by another family member.
Underlying Energy: The Knight of Swords
This card has the same energy that it did in my reading yesterday: Two men (brothers/half brothers/family members/friends) who share a very close bond, have similar beliefs, and who will fight the other person's battles with them. Once Harry thought this was himself and Prince William. Now it appears that it is Prince William and Mike Tindall, and Harry does not like that idea one bit. I would not be surprised if he lashed out at Mike Tindall in some way, as he does seem to see Mike as replacing him or taking his place in the family, at least with Prince William.
Conclusion:
Harry hates the idea of Prince William and Mike Tindall being like brothers. In his mind, he is the only brother that Prince William has, wants, or needs. Harry is very hurt that Prince William would do something that would let the papers say that Mike Tindall is like a brother to him (I can hear screaming in my head saying 'That is my job', with an emphasis on the word 'my'). He sees Prince William as a parent as well as a brother, and like any hurt toddler, he is going to lash out at the parent who hurt him, safe in the knowledge that said parent does really love him and will forgive him once the temper tantrum is over.
As well as these hurt feelings, there is an energy of possessiveness in this reading (a sense of 'you can't have him - he is mine) and an energy of 'William will always forgive me'. Harry seems to think that the moment he goes back to the UK, things between him and William will be just like they always were - maybe not right away, but definitely in a week or two. Having Mike Tindall in the picture mars that image and brings a lot of insecurity to the surface. Harry thought he would always have the role of 'the royal brother' and he is terrified by the thought that this may not be the case - that he can be replaced by another family member in any way (replaced in Prince William's affections, in who does what with Prince William, in who Prince William walks with/sits with/invites into his activities etc).
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chirpsythismorning · 2 years
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It would appear I am indeed one of the very few optimistic (delusional?) Bylers left.
Not saying that if you feel hopeless and need to move on, that you can't. A lot of you have been through this before with other shows. Again and again. You’re tired and fed-up and you have every right to be.
Technically, Season 5 won't be out for another 2+ years anyways, which means the best thing for everyone regardless is to get whatever we need off our chests now and then to just go on a hiatus for the foreseeable future. 
When it comes to how I feel about Vol. 2, there were definitely at least a few good moments. If this season has anything going for it, it’s the emotional value. This is without a doubt the most I’ve cried ever while watching the show. One scene in particular that had me on the floor was the scene with Will and El reuniting and hugging. And of course the scene with Will and Mike in the van (DAMN YOU NOAH SCHNAPP FOR MAKING ME SOB SO HARD ALL DAY THAT I GOT A MIGRAINE!)
But yes, I am a Byler. So you could say I was a bit disappointed in that department.
And yet still, I think my take on the later part of season 4 is much different from the majority.
Because personally, I don’t think that what played out in Vol. 2 means that Byler is dead. If anything, I believe it to be more endgame than I did before (well, at least in comparison to pre-s4. There’s no denying pre-Vol. 2 confidence levels remain unmatched. Truly the best era for the Byler fandom to date).
I think my main issue is, like so many of us on here, I thought it was guaranteed we would get to see Mike become aware of Will’s feelings. 
Alas, we did not.
And to be totally clear, without this revelation, Byler can’t go anywhere. 
Neither forwards, nor technically backwards.
This means the baiting game is not over. Which as bad as it sounds, is why I’m still so optimistic…
Now, if they had made Will’s feelings obvious to Mike, or even the fact that Will is gay as being obvious to Mike, but STILL had Mike behave the way he did in Vol. 2, now THAT would have sucked. It would have been canon rejection on Mike’s end.
But we didn’t even get rejection from Mike. 
Instead, we got Will coming off as a hardcore M*leven shipper in Mike's eyes, all while the audience was getting the exact opposite interpretation of this situation; that Will is helplessly in love with Mike. 
Will is able to voice the extent of his love, albeit through advice to Mike about his own situation with El, in a way that no one else on the show has been able to. Most of the other characters need a bunch of bystanders to make them realize their feelings and push them in that direction. But Will, he doesn’t need someone holding his hand along the way, telling him what the right thing to do or say is. His love isn’t something he needs to really think about in order to understand it. It just is.
(Which is SO fucking ironic when you think about how Mike always needs help with figuring out his feelings for El and even sounds like he’s reading off a script when he’s trying to explain himself to her. Whereas with Will, s2 monologue teas, it’s the most natural thing Mike’s ever done. Unscripted, straight from the heart… And both Vol. 1-2 continued to drive home this concept, so maybe jot that down..)
It’s just that, unfortunately, in Will’s eyes, Mike will never return this love, which means his only option is to let Mike go. If supporting Mike and El’s relationship means putting himself dead last in every respect, so that his best friend and his sister can be happy, Will is going to do just that. 
But as far as Mike knows, Will holds no romantic feelings for him. I mean after all, Will is guiding Mike literally every step of the way to confessing his love to El, and that doesn't sound like the behavior of someone who’s in love with you, now does it? 
So why would Mike, throw everything on the line, including the survival of their family and friends in Hawkins by not simply just telling his gf he loves her? All while El is right there loving him and needing his love to fight (presumably), with Will beside him literally rooting for him to do just that? This is very obviously the only option in Mike’s eyes.
Which is ironic, because in a way, I think that Mike has truly never seen him and Will as an option, just like Will, but for an entirely different reason. 
Mike views his feelings for Will as childish, something he will grow out of, or at least should have by now.
“We’re not kids anymore. What did you think, really? That we were never going to get girlfriends? That we were just going to sit in my basement and play games for the rest of our lives?”
If Mike can’t love El, then how can he possibly love any women? She’s special. She’s a superhero. He HAS to love her, right? It’s the best option he could ever possibly have. Well, at least considering…
But what happens when suddenly, he comes to the realization that him and Will ARE an option? And that the only thing ever stopping them was himself and his inability to just be honest with everyone and himself?
I think the truth is, there’s a reason that they’re holding off on this revelation for Mike. 
It will be a catalyst. It will change everything.
Now, how exactly do you think Mike is going to react to this? The fact that Will was in love with him this whole time and he had no idea?
Honestly, I think he’s going to react horribly, but not for the reason everyone assumes.
Because I would argue that, if Mike was going to react badly with disgust or even just let Will down nicely to confirm it’s indeed unrequited, then the Duffer’s would have just given this revelation up by now. But they haven’t.
Once Mike finds out that Will is (probably always will be) in love with him, and that instead of telling him, Will used his love to help Mike get closer to El, even when Mike himself was having doubts over and over? That Will went as far as to lie about the painting he worked so hard on for Mike in order to rekindle their dying friendship, to instead insinuate it was commission from El, to give Mike that final push he needed to even have the courage to tell El he loved her? That all the moments like this that they shared as of late, was really just Will talking about himself? That the only reason he was able to tell El he loved her in the first place, was because he was so moved by Will’s love for him??
This is going to break Mike.
And let’s be real here, two episodes would not have done this revelation justice. 
So now, just knowing the direction they went for Vol. 2, as well as coming to terms with it, I have reached the conclusion that, despite how bleak things seem now, ‘maybe all of this is happening for a reason’ (s2 Mike Wheeler, we miss u).
Which brings me to the other most important piece of the puzzle, which is that, arguably, El needs to be the one who ends things once and for all.
The general audience has been given the impression El is head over heels in love with Mike, and so of course they were rooting for Mike to get on with it and just tell her he loved her. 
But that’s the interesting part. He finally did tell her, but her reaction in the aftermath was not something a lot of fans expected. 
It seems that she’s distancing herself from Mike, a fact that Will acknowledges to Mike later at Hopper’s cabin, with Mike genuinely confused because he thought he did the one thing he had to do. 
He told her he loved her. Which makes everything alright now, right?
But maybe it doesn’t.
Maybe the reminder we got, of that speech from Max to El, about how she didn’t need Mike or Hopper or ANY man to know her worth, was foreshadowing for what honestly needs to happen in order for El to really process and realize her own true feelings about Mike.
Because, although I do believe El genuinely thought she loved Mike, is it possible that Mike was not only having doubts about saying it because of the reasons he argued, or even because of some repressed feelings for Will, but also because El hadn’t given him what he needed to truly believe she loved him.
Mike, like a lot of people, doesn’t need to hear “I love you” to believe that someone loves him.
“I didn’t say it.”
“You didn’t have to.”
He wants something more meaningful, or more specifically, something along the lines of the speech Will gave to him in the van.
Will’s confession disguised as El’s, was what Mike needed to finally say I love you to El... 
Something I think we also got caught up in, is this idea that the Duffer’s were just going to drop M*leven and throw in Byler, with everything else going on, while they still have a whole ass season to promote for another 3+ years, and to their mostly 80’s loving homophobic audience. If Byler is going to happen, it’s going to be the definition of slow-burn and endgame. That’s literally the only way. 
This puzzle is complex, which sucks if you want all the answers now, because we’re just not going to get them. If they give up all their moves, then what is the point of telling the story at all? 
Other pieces of the puzzle include things that arguably still need to happen before Byler can, even regardless of the constraints they have as show-runners who run the biggest show on Netflix’s dying platform. 
Things like Will and El’s love for each other as brother and sister. Considering all the fans that said Will hates El because he didn’t stand up to her bullies or that he’s a home-wrecker who just wants to get with her boyfriend, is why I do think they needed to debunk these insinuations within the narrative. And boy oh boy did they deliver on that front. Will is the most selfless son of a bitch on the planet, who loves his best friend and his sister so much. They made that very clear. And you can see that despite a few homophobes here and there, the general audience's reaction to Will in Vol 2 is sympathy and to Mike it's confusion and betrayal...
Hmm, making El realize she doesn't even love Mike, after making Will's unrequited feelings for Mike more clear, after making Mike behave like an IDIOT this entire time juggling these two relationships, only for him to become aware of whats going on, and to clearly be in love with Will?
Sounds like a good way to set up Byler to an audience that might not have humored it before...
And like I said, with how important I do think it was for this to happen in order for them to go the Byler route, is why I don’t necessarily see this approach as a bad thing. We even got the Will and El hug in 4x08, which maybe it’s just because Noah and Millie are so close, but I would easily rank that on my top most well-earned moments in the whole show.
We NEEDED that. Especially in terms of what is likely to come in season 5 with Byler endgame...
Also, yes the Will angst sucked and it's just trauma porn at this point. I’m not going to deny that fully. I agree with pretty much all of the criticism in regards to how they chose to do certain things when they didn't necessarily have to, but I also simultaneously am able to understand that it again, maybe this is all happening for a reason. If they are indeed going to have Will play a big role in the final season, than them forgetting his birthday, Mike being oblivious and all this other shit he's been through combined, sets up a really arc for him next season, not even necessarily a villain one, but all of this pain has the potential to lead to a happy ending. And I'm being full serious.
Like we have Finn Wolfhard saying the ending of Stranger Things will be like the ending of Schitt’s Creek??? That it will end at it's highest point. The last episode of Schitt’s Creek is literally a happily ever after gay wedding, there's no other way to interpret that…
We also know that a lot of ideas for the last seasons were planned from the beginning, with David Harbour saying that he knew the ending way back in s2 and that it's beautiful and has been the intended plan all along. That there's easter eggs that will have us going 'WOW this is what we've been watching the whole time'? That it's wonderful?
If you’re the level of Byler truther that believes they were somewhat planned all along from the beginning, then you would also know that if they plan a happy ending for Mike and Will, then they would have no problem killing us this painfully in the beginning of the end, because they know we’ll be the ones cheering on by the actual end, and it'll be the homophobes who are pissed and stuck with this result forever as endgame. 
I’m just saying, don’t be surprised when s5 gets closer and we actually see them promoting Byler… like a lot. And we actually start getting in canon hints at scenes with El herself even trying to get them together.
Groveling Mike Wheeler era?
Will finding a potential new love interest and Mike pining/jealous?
Come ONNN! You guys are way more delusional than you’re giving yourselves credit for and I urge you to join me!!!
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