A medieval Catholic religious wood carving of the Crucifixion.
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La Bête de la Mer / Tapisserie de l’Apocalypse (Tapestry of the Apocalypse)
Medieval tapestry of the Ignatius of Antioch (Christian saint and martyr)
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Book of Hours with calendar for Rome use, 1495, France.
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Time Travel Question 40: Medievalish and Earlier 7
These Questions are the result of suggestions from the previous iteration.
This category may include suggestions made too late to fall into the correct earlier time grouping, hence the occasional random item waaay out of it's time period.
In some cases a culture lasted a really long time and I grouped them by whether it was likely the later or earlier grouping made the most sense with the information I had. (Invention ofs tend to fall in an earlier grouping if it's still open. Ones that imply height of or just before something tend to get grouped later, but not always. Sometimes I'll split two different things from the same culture into different polls because they involve separate research goals or the like).
Please add new suggestions below if you have them for future consideration. All cultures and time periods welcome.
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Silos's pharmacy.
In the ancient Abbey of Saint Dominic of Silos, the old pharmacy has been preserved to these days. In old times, it had a botanic garden, a pharmaceutical laboratory, a very interesting library and hundreds of earthenware pots for potions and remedies.
More information about the Abbey here (EN):
The monastery dates back to the Visigothic period of the 7th century. In the 10th century, the abbey was called San Sebastián de Silos, but acquired its current name when Dominic of Silos was entrusted to renovate the abbey by Fernando the Great, King of Castile and León. Dominic had been prior of the Monasteries of San Millán de la Cogolla before being driven out with two of his fellow monks by King García Sánchez III of Navarre, for opposing the king's intention to annex the monastery's lands.
Ps. Thanks to all the people who has reblogged and liked this post. 😊
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americans learn what the middle ages are challenge
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ok but making someone like Dulcie join choir is evil. She’s so tall and awkward and she moves like she just bought her body and hasn’t figured out how to work it yet. Why would you put her in that setting. Cath needs to have her own five year crushing guilt arc over specifically the choir stuff and anytime they get into a fight Dulcie’s gotta just be like “remember when you made me join choir” but she brings it up with the same tone that Cath has when bringing up the affair
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Alright uninformed rant time. It kind of bugs me that, when studying the Middle Ages, specifically in western Europe, it doesn’t seem to be a pre-requisite that you have to take some kind of “Basics of Mediaeval Catholic Doctrine in Everyday Practise” class.
Obviously you can’t cover everything- we don’t necessarily need to understand the ins and outs of obscure theological arguments (just as your average mediaeval churchgoer probably didn’t need to), or the inner workings of the Great Schism(s), nor how apparently simple theological disputes could be influenced by political and social factors, and of course the Official Line From The Vatican has changed over the centuries (which is why I’ve seen even modern Catholics getting mixed up about something that happened eight centuries ago). And naturally there are going to be misconceptions no matter how much you try to clarify things for people, and regional/class/temporal variations on how people’s actual everyday beliefs were influenced by the church’s rules.
But it would help if historians studying the Middle Ages, especially western Christendom, were all given a broadly similar training in a) what the official doctrine was at various points on certain important issues and b) how this might translate to what the average layman believed. Because it feels like you’re supposed to pick that up as you go along and even where there are books on the subject they’re not always entirely reliable either (for example, people citing books about how things worked specifically in England to apply to the whole of Europe) and you can’t ask a book a question if you’re confused about any particular point.
I mean I don’t expect to be spoonfed but somehow I don’t think that I’m supposed to accumulate a half-assed religious education from, say, a 15th century nobleman who was probably more interested in translating chivalric romances and rebelling against the Crown than religion; an angry 16th century Protestant; a 12th century nun from some forgotten valley in the Alps; some footnotes spread out over half a dozen modern political histories of Scotland; and an episode of ‘In Our Time’ from 2009.
But equally if you’re not a specialist in church history or theology, I’m not sure that it’s necessary to probe the murky depths of every minor theological point ever, and once you’ve started where does it end?
Anyway this entirely uninformed rant brought to you by my encounter with a sixteenth century bishop who was supposedly writing a completely orthodox book to re-evangelise his flock and tempt them away from Protestantism, but who described the baptismal rite in a way that sounds decidedly sketchy, if not heretical. And rather than being able to engage with the text properly and get what I needed from it, I was instead left sitting there like:
And frankly I didn’t have the time to go down the rabbit hole that would inevitably open up if I tried to find out
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A high middle aged Catholic religious painting of St. Gertrude the Great. Artist unknown. I hope this holds you over until I can post regularly. I'm also reading the book " The Life and Revelations of St. Gertrude the Great.
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Wild Goats, Horns Interlocked
Detail from “The Ashmole Bestiary”
1511 (Bodleian Library)
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St. Cecilia by Pietro Lorenzetti, 1340s.
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i'm not saying that a venn diagram of the demographics you're likely to run into at a ren/medieval faire and the demographics you're likely to run into at an american episcopal church would just be a circle, but I am actually saying that exact thing.
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Such medieval "reliquaries" — containers or shrines for the bones or other relics of saints. This pendant is a phylactery — a type of amulet — that housed saintly relics and was supposed to give protection to those who wore it
The Garbage pit it was found is in a court at a noble palace that dated from the High Baroque period in the early 17th century. Though it contained mostly pottery, the pendant was found in a layer of the pit that dated to the 14th century.
Pendant's distinctive artistic style of the pendant suggests that it dates to the 12th century, and that it was already old when it was thrown away.Probably crafted in the workshop near the city of Hanover, about 175 miles north of Mainz, that is known to have made similar objects.
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