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michelgrimard-blog · 2 years

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Et re Vlan!

Revoilà Vladimir Tachisky avec ce doublé!

Tachisky peaufine son approche et moi j'ai un bon exemple pour illustrer la différence entre le sampling et le plagiat.

La source du graffiti est la même que la publication précédente mais cette fois plus identifiable!

Si je transpose cet exercice en musique, ce serait comme pour un instrument du type échantillonneur avec une fonction de ''slicer'' (découpeur!).

Massacre à la scie seulement si vous êtes pas habile sinon, ça découpe une séquence selon ses fractions existantes et repositionne les blocs.

Ça peut aller jusqu'à un mixte méconnaissable.

Si le medium est le message, ne me demandez pas ce que véhicule le message du ''slicer''!

Diviser pour mieux régner? (T'as rien à offrir? Trouves un ennemi commun!)

Refaire un monde existant?

Si l'auteur de l'original, reconnait son œuvre, j'assume ses liens sur FB si y veut lier... même si ses vidéos, c'est des lol pitbulls!

Titre: L'autre génération.

Animation et adaptation

Et ici je remets ce lien pour une compo basée sur cette technique du slicer et de l'échantillonnage.

ou ici

Je pourrais ajouter les titres ''Power Trip'' et ''The edge off...'' qui en utilisent aussi des bases mais ce n'est plus des séquences.

C'est une note de l'instrument donc ça donne une note dans la partition et non une mesure.

Synthétiseur interactif pour ''The edge off...''

Le son agressif un peu cinglé, c'est un loop de 1 / 4 sec et les modulations, une synthèse soustractive dessinée dans le logiciel alors c'est dessiné sur écran lumineux pour la mesure suivante et balayé pour une autre. Ça se retrouve sur écran géant pendant que la mesure joue.

Comme pour la compo en Z, publier mes concepts donne une date.

''Convolution CAB'' c'est l'inspiration, soit une ''micro'' wave (2.5 ko) utilisée dans les simulations d'amplis pour guitare afin reproduire le type de caisson d'une marque.

Cette fois, je ne veux pas savoir comment ça fonctionne pour préserver la magie! Et on s'en rend bien compte que ça change la couleur du son en chargeant cette wave dans Boogex par exemple.

J'ai mes greatests hits aussi...notez bien les noms!

Symphony X Iconoclast! ...Randall Satan! ...Wayne Static Pighammer!

Taurus Stomphead! ...Krank Krankenstein ...Mesa Boogie Mark V...

...

Échantillonnages oui mais sans manipulation de séquences.

Suis pas un fan des DJ mais dans une certaine mesure, oui c'est une autre forme l'échantillonnage.

Vos sélections playlists, c'est supposé être unique.

L'objet trouvé...

Cette méthode de création qui est une variante du collage, on en retrouve dans l'art moderne avec les vilains Dada, les surréalistes et les cubistes.

Qui a le plus de mérite?

Ceux qui font le défrichage ou ceux qui posent l'asphalte après?

Les deux mais quand on donne presque tout les mérites qu'à la finition, c'est ingrat pour tout ce qui a été nécessaire pour y arriver.

L'historique des événements.

re MG

Quand l'idée de la forme et sa fonction, soit le design, récupère l'idée Dadaïste, soit '' Fuck... ou...Beurp!'' ça donne ce magazine vraiment ...

À vous de juger!

Note: Je veux passer un autre Tachisky avant une actualité.

La dernière ''batch'' était très belle en diversité... 1H pour passer au travers!

Et mon estimation sur les âges représentés, c'est rassurant sur ce point. Comme j'ai déjà dit, si c'est juste pas mal jeune vais me dire que mes propos sont juvéniles ou si c'est juste 60 ans que j'écris pour le siècle précédent!

Ma cible avouée, c'est 30-45 ans parce que c'est les décideurs de demain. Un monde qui croit à autre chose, est un autre monde pis ce n'est pas moi qui décide!

Moi je fais mes trucs et explique ce que je pense comprendre.

Donc si j'ai plus jeunes ou plus âgés, c'est un bonus!

J'ai ce que je recherchais pour le montage...y reste juste à le faire!

#MG #art contemporain #michelgrim #grim art #mg art grim

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meowfaces-foryou · 4 years

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Gotta practice more. This song is currently called ShitBoobz.

#me #music #fttcote #falling through the center of the earth #guitars #ibanez #mesa boogie #mark v #d’addario strings #shitboobz #life #about me #rangers #nyr #beard #practice

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ampsheaven · 2 years

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$2195.0 Only! ~ Mesa Boogie Mark V Mark Five Electric Guitar Amp Head , New , Dealer, Best Guitar Amps, Practice Guitar Amps BUY HERE! #BestGuitarAmps, #PracticeGuitarAmps,

#BestGuitarAmps #PracticeGuitarAmps

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ausinetaustralia · 3 years

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Beginning Electric Violin - A Review of Devices

Learning to play electric violin shares lots of resemblances with studying acoustic violin, with a few crucial distinctions. The very first is that nearly every acoustic violin is formed as well as tuned similarly. Electric violins, nonetheless, can be found in numerous forms and varieties, consisting of 4-string, 5-string, 7-string, fretted, and some with the top round eliminated totally to enable much easier playing in the greater settings. And also, actually, your acoustic violin can be "transformed" right into an electric by affixing either a microphone or a piezo pickup to the body. The majority of other electrical violins utilize a strong body, just like a lot of electrical guitars (such as the ubiquitous fender stratocaster). What adheres to is a testimonial of electric violins and a discussion of a few of the added devices you will likely need.

While there are lots of electric violins on the market by large quantity suppliers, most of these simply don't seem very good. A few of the far better (and mostly hand-made) electric violins are reviewed listed below. I made my choice from instruments that I have either played or possessed.

Instrumentation courses brisbane

In general, I am not a fan of standardized tools. Yet Yamaha makes several of the best. Component of the Yamaha quiet series, the design SV-200 includes a twin piezo pickup. This is expected to enhance the level of sensitivity of the tool to the nuances of your playing, particularly vibrant (quantity) range. Being available in at around $1000, this instrument is less costly than the others I will certainly examine below. On playing the instrument, I thought it was without a doubt responsive, absolutely more so than previous Yamaha tools. The on-board pre-amp enables some sound adjustment on the instrument itself instead of in a different, separated system. The down-side of this is that it enhances the weight of the violin.

An additional preferred design is made by NS Styles. This business utilizes an exclusive piezo pickup that is developed to be spick-and-span and seem more like an acoustic violin in its unprocessed state. I sampled a 5-string version, and I believed that the neck was overly thick as well as the instrument rather hefty. Still, if you are trying to find a tidy sound, this might be an excellent option.

Zeta has earned itself a great deal of buzz partially since Boyd Tinseley, of Dave Matthews Band, makes use of a Zeta tool called (what else) the "Boyd Tinsley." Zeta also makes use of an exclusive piezo pick-up that has a very characteristic audio. If you have actually ever listened to Santana play guitar, then you probably acknowledge his distinctive audio that originates from the combination of his Paul Reed Smith guitar combined with a Mesa Boogie amp. The majority of the sound appearing of that amp, no matter exactly how the noise is EQ 'd sounds "Boogified" to me. In a similar way, I felt using this instrument that my noise would get "Zeta 'd" by the pick-up. And you either like this sound or you don't. A big disadvantage to this zeta version is that it is quite heavy.

Mark Wood, One more "store" maker of electrical violins, recognized that attempting to hold a 7-string worried violin under the neck is rather tough, due to the weight. Thus, he created and patented a "flying v-shape" with a band that fits around your upper body and holds the violin up in a playing setting. Though it can take some time to obtain made use of to, this design actually does support the weight of the fiddle well. Make no mistake-- including frets to the violin is a large modification for the classic player. As a matter of fact, if you have ever before played a mandolin, you probably recognize just how much the stresses can alter things. Gliding as well as vibrato strategies are extremely hard on a stressed instrument. In my point of view, the worries are best for enabling guitar players as well as others knowledgeable about stressed tools to circumvent the common demand of determine precision with finger placement which is necessary for playing in tune on the an acoustic violin. The 7-string worried model, which is the flagship tool in his line of electric violins, is valued at $3500. Mark Timber does not utilize exclusive piezo pick-ups. Rather, he uses either Barbera or Schatten pick-ups, which are mass produced piezo pickeps that are made use of in various electrical violins.

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A previous Zeta worker, John Jordan makes personalized electrical violins in practically every mix of product, strings and stresses that you can imagine. Jordan started his very own layout studio when he became disillusioned by Zeta's increasingly commercial mindset. Jordan handcrafts each tool using his copyrighted shape, which eliminates the peg-box and also places machined receivers near the bridge. This is created to make the tool lighter. Jordan is significantly truth luthier of electrical instruments. Most of his versions, especially the ones constructed from wood, are very attractive. Jordan uses a range of pick-ups, including Zeta's exclusive model. On top of that, he likes the Barbera piezo pickup for a much more "Stradivarius-like" sound, and also suggests this pick-up for classical musicians. For rock, jazz and pop, he recommends utilizing the darker, a lot more "Guarneri-like" Ashworth piezo pick-up. Like many various other electrical violin makers, his 5-string unfretted is his most prominent design. It seems to have a thinner neck than various other electrics, which allows the classic 4-string acoustic gamer to make a simpler transition to electric.

Every one of the violins defined over are solid-body models. This implies that the instrument has no hollow, reverberating chamber as well as a result creates little to no audio unless it is "connected in." Nevertheless, an additional means to produce an "electrical violin" is to replace the bridge on an acoustic violin with a piezo pick-up bridge-mount that can be connected in similar to a solid body. The downside to this is that these pickups can generate responses. Nonetheless, this alternative can seem quite nice and also maintains the popular shape as well as lightweight of the acoustic violin. Common piezo models are the Fishman collection and also the L.R. Baggs. There are likewise a number of smaller sized "personalized" companies that make these pickups, as well as it can be helpful to attempt these if you do not like the audio of the Fishman/Baggs. This setup shares every one of the same negative aspects as any type of other violin fitted with a piezo pickup, as explained listed below.

What all electric violins share is the requirement for an electronic pick-up to transmit your playing to an unit with the ability of audio manipulation, such as a pre-amp or shelf system, and eventually to one more system with the ability of audio manufacturing. The two major sorts of pick-ups in use in today's plugged-in tools are piezo and also electromagnetic. Piezo pick-ups are utilized virtually specifically for electrical violins. They have certain features that some gamers locate less than suitable. While a bow modification on an acoustic violin can be totally silent to the listener, the piezo pickup will always transmit bow changes as well as bow sound. The factor for this is that they make use of level of sensitivity to stress as their key methods of replicating noise, and bow pressure is always variable. Likewise, piezo pick-ups tend to seem fuzzy. Various piezo pick-ups feed on the market, and some electric violin companies use their own proprietary versions. The various other kind of pickup in operation for electrical violins is the electro-magnetic pickup. This is the pick-up found in many guitars, and is taken into consideration the excellent kind of audio transmission. While it is possible to develop this type of pickup right into an electric violin, it calls for rather extensive modifications to the electric violin's inner layout as well as is rarely made use of. Perhaps in the future this sort of pick-up will come to be much more available.

En path to reaching our ears, the electrical violin's signal typically is travelled through an unit (or regularly numerous systems) with the ability of sound adjustment. Much of the very same devices made use of by electric guitar players may additionally be made use of for the violin. For example, reverb and hold-up devices by Vocabulary can give warmth as well as deepness of noise, while distortion boxes can permit the violin noise to approximate that of the guitar (a la Jimmy Hendrix playing America at Woodstock). There are essentially numerous various tools, including foot pedals, that can control the sound. Below is just one of Lexicon's top of the line reverb shelf systems. Computer systems are also increasingly utilized for sound control and may eventually change cumbersome sound manipulation boxes.

For electric violins employing a pickup, a pre-amp is essential to magnify the signal from your violin, as well as to allow you to EQ the noise. One popular instance of a pre-amp is the L.R. Baggs Para Acoustic DI. Some electrical violins likewise have on-board pre-amps.

Additional noise control and also signal aggravation occurs when the signal is gone through an amplifier. Due to the fact that many amps function best with mid and low frequency tones, it can be hard to find an excellent amp for the electrical violin, and even then it is generally needed to spend a great deal of time having fun with the EQ. A popular amplifier for electrical violin is the Fishman Loudbox 100. An essential consideration when selecting an amplifier is that each leaves its own imprint on your audio. Therefore, trying before buying is particularly vital with amps.

For an extra true recreation of your sound, a PA system with audio speakers can additionally be used. The audio can still be EQ would certainly with an individual PA system and it is possible to protect the acoustic sound.

Finally, the signal, after passing through the different sound control gadgets, is broadcast to our ears by audio speakers. Frequently, these are built right into the amp. You can also include added speakers to create a stereo impact.

If you are wanting to more or less duplicate your acoustic noise, playing electric violin might not be really pleasing to you. But also for joining a band, it allows the gamer to change their quantity to match the other instruments, as well as to alter the audio to fit in better with a rock or pop design of music.

That being claimed, electrical violin usually calls for a possibly instead pricey foray into electronic equipment, which can be a lot of fun but also challenging considering that the noise you are looking for might take a lot of time to find, as well as might require evaluating a lot of various equipment. Finding "your" audio can be a long trip. Some of the extra fascinating points you can do is to play on a 5-string, which adds a "c string," listed below your "g-string," or utilize an octave pedal, which can drop your pitch a whole octave. Or you can play with distortion or a wah-wah pedal. And also, while excellent method is vital for classical music, electric violin can be much more flexible.

In the long run, going electric can enable the violinist to join teams where common acoustic violin simply can not match the volume of the various other instruments. Furthermore, the nearly limitless ability to manipulate the sound enables the electric violinist to go where no acoustic player has actually preceded.

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guitaramplifier · 4 years

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Mesa Boogie Mark V 90 Watt Amp Head - Black Vinyl Cover, Heavy Duty (mesa183) https://ebay.to/3bBptKC

#Guitar_Amplifiers #Amplifiers

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bluescitymusicllc · 4 years

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Mesa Boogie Custom Shop Mark V 35 1x12” combo. Cream vinyl. Gorgeous. (at Blues City Music) https://www.instagram.com/p/B8dMNeenaut/?igshid=ccstt2tlkucv

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tanoguitarslab · 2 years

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オススメ商品情報！

Mesa/Boogie

Mark V TWENTY-FIVE Head

人気モデル"MARK V"を小型化したフルチューブ25W出力のTWENTY-FIVE Head！美品USEDです！

●販売価格、詳細はデジマートをご覧ください!! https://www.digimart.net/cat12/shop5214/DS07809798/

#amplifier

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zillathegorilla · 6 years

Link

Mark in a box! Dream Theater - Lie intro! check us out at www.mastereffectspedals.com and on facebook at www.facebook.com/mastereffectspedals

#mesa #mesa boogie #boogie #mark iv #mark v #mark iic+#mark 4 #mark 5 #dream theater #lie #awake #john petrucci #baritone

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ausinetaus · 4 years

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Cert iv Instrumentation | Starting Electric Violin - A Testimonial of Devices

Discovering to play electric violin shares lots of similarities with examining acoustic violin, with a couple of essential differences. The initial is that practically every acoustic violin is formed and tuned similarly. Electric violins, however, can be found in many forms as well as selections, consisting of 4-string, 5-string, 7-string, stressed, and some with the top bout eliminated entirely to enable less complicated playing in the greater positions. And also, as a matter of fact, your acoustic violin can be "transformed" right into an electrical by connecting either a microphone or a piezo pick-up to the body. Many various other electrical violins utilize a solid body, similar to the majority of electric guitars (such as the ubiquitous fender stratocaster). What adheres to is a testimonial of electric violins as well as a discussion of some of the additional tools you will likely call for.

While there are lots of electric violins on the marketplace by huge volume manufacturers, a lot of these simply don't sound great. Some of the far better (as well as mainly handcrafted) electric violins are assessed below. I made my selection from tools that I have either played or owned.

cert iv instrumentation

As a whole, I am not a follower of standardized tools. But Yamaha makes some of the very best. Component of the Yamaha quiet series, the design SV-200 includes a double piezo pickup. This is expected to improve the level of sensitivity of the instrument to the subtleties of your having fun, specifically dynamic (quantity) range. Being available in at around $1000, this tool is less expensive than the others I will certainly review below. On playing the tool, I assumed it was certainly responsive, certainly much more so than previous Yamaha tools. The on-board pre-amp enables some audio manipulation on the tool itself as opposed to in a separate, detached device. The down-side of this is that it enhances the weight of the violin.

One more preferred design is made by NS Styles. This business uses an exclusive piezo pick-up that is developed to be spick-and-span as well as sound more like an acoustic violin in its unrefined state. I tasted a 5-string version, and also I believed that the neck was extremely thick and the tool instead heavy. Still, if you are looking for a tidy sound, this might be an excellent option.

Zeta has made itself a lot of hype partly due to the fact that Boyd Tinseley, of Dave Matthews Band, uses a Zeta instrument called (what else) the "Boyd Tinsley." Zeta also utilizes an exclusive piezo pick-up that has an extremely characteristic sound. If you have ever before listened to Santana play guitar, after that you probably acknowledge his unique noise that comes from the mix of his Paul Reed Smith guitar paired with a Mesa Boogie amp. The majority of the audio appearing of that amp, no matter exactly how the noise is EQ would certainly appears "Boogified" to me. In a similar way, I felt playing on this instrument that my sound would certainly get "Zeta 'd" by the pick-up. And also you either such as this audio or you do not. A large drawback to this zeta version is that it is quite hefty.

electrical instrumentation course

Mark Timber, One more "shop" manufacturer of electric violins, recognized that trying to hold a 7-string fretted violin under the neck is rather challenging, because of the weight. Hence, he made and also patented a "flying v-shape" with a strap that fits around your torso as well as holds the violin up in a having fun placement. Though it can take a while to get made use of to, this style actually does sustain the weight of the fiddle well. Make indisputable-- adding worries to the violin is a huge change for the timeless gamer. In fact, if you have actually ever before played a mandolin, you probably recognize how much the worries can alter things. Moving as well as vibrato methods are really difficult on a fretted tool. In my viewpoint, the worries are best for permitting guitarist as well as others acquainted with worried tools to prevent the normal demand of pinpoint precision with finger positioning which is needed for playing in tune on the an acoustic violin. The 7-string stressed version, which is the flagship tool in his line of electric violins, is priced at $3500. Mark Wood does not use exclusive piezo pickups. Rather, he utilizes either Barbera or Schatten pick-ups, which are mass produced piezo pickeps that are made use of in various electrical violins.

A previous Zeta staff member, John Jordan makes personalized electric violins in virtually every combination of material, strings and frets that you can imagine. Jordan began his own style workshop when he ended up being disillusioned by Zeta's significantly industrial perspective. Jordan handcrafts each tool utilizing his copyrighted form, which removes the peg-box as well as puts machined tuners near the bridge. This is developed to make the instrument lighter. Jordan is very much the true luthier of electric tools. A number of his designs, specifically the ones constructed from wood, are really eye-catching. Jordan utilizes a variety of pickups, including Zeta's proprietary model. In addition, he likes the Barbera piezo pick-up for a more "Stradivarius-like" noise, as well as recommends this pick-up for timeless artists. For rock, jazz and pop, he recommends utilizing the darker, more "Guarneri-like" Ashworth piezo pick-up. Like most various other electric violin manufacturers, his 5-string unfretted is his most prominent design. It appears to have a thinner neck than other electrics, which permits the classic 4-string acoustic gamer to make an easier transition to electrical.

Every one of the violins defined over are solid-body versions. This suggests that the instrument has no hollow, resonating chamber and consequently generates little to no sound unless it is "connected in." Nonetheless, one more means to create an "electrical violin" is to change the bridge on an acoustic violin with a piezo pick-up bridge-mount that can be connected in much like a solid body. The disadvantage to this is that these pick-ups can produce responses. Nevertheless, this choice can appear fairly great and retains the customary form and also light weight of the acoustic violin. Usual piezo versions are the Fishman series and also the L.R. Baggs. There are also a number of smaller sized "personalized" business that make these pickups, and it can be helpful to try these if you do not like the noise of the Fishman/Baggs. This configuration shares all of the same disadvantages as any other violin fitted with a piezo pick-up, as described listed below.

What all electric violins share is the requirement for a digital pick-up to transmit your playing to a system efficient in sound control, such as a pre-amp or rack device, and ultimately to another unit efficient in audio manufacturing. The two major kinds of pick-ups in operation in today's plugged-in tools are piezo and electromagnetic. Piezo pick-ups are used practically solely for electrical violins. They have specific attributes that some players locate much less than suitable. While a bow change on an acoustic violin can be completely silent to the audience, the piezo pick-up will certainly always send bow changes as well as bow noise. The reason for this is that they use sensitivity to pressure as their primary ways of recreating noise, and bow stress is constantly variable. Also, piezo pick-ups tend to sound blurry. Various piezo pick-ups feed on the marketplace, and some electrical violin business utilize their very own exclusive designs. The other type of pickup in operation for electric violins is the electro-magnetic pick-up. This is the pick-up found in the majority of guitars, and is taken into consideration the perfect kind of sound transmission. While it is feasible to build this sort of pick-up into an electric violin, it needs instead comprehensive alterations to the electric violin's internal style as well as is hardly ever made use of. Maybe in the future this sort of pick-up will end up being more readily available.

En path to reaching our ears, the electrical violin's signal usually is gone through an unit (or more frequently numerous systems) with the ability of audio adjustment. Many of the same devices utilized by electrical guitar players might also be utilized for the violin. As an example, reverb and hold-up systems by Vocabulary can give heat and also deepness of audio, while distortion boxes can allow the violin noise to approximate that of the guitar (a la Jimmy Hendrix playing America at Woodstock). There are actually numerous various devices, including foot pedals, that can manipulate the audio. Below is one of Lexicon's top of the line reverb shelf devices. Computers are additionally increasingly used for audio manipulation and also might at some point replace bulky sound control boxes.

For electric violins employing a pickup, a pre-amp is necessary to escalate the signal from your violin, and also to permit you to EQ the noise. One prominent example of a pre-amp is the L.R. Baggs Para Acoustic DI. Some electrical violins likewise have on-board pre-amps.

Additional noise control and also signal surge takes place when the signal is gone through an amplifier. Due to the fact that many amps function best with mid and also low frequency tones, it can be difficult to discover a great amp for the electrical violin, as well as even after that it is generally essential to spend a great deal of time playing with the EQ. A popular amplifier for electric violin is the Fishman Loudbox 100. An essential factor to consider when choosing an amplifier is that each leaves its very own imprint on your audio. Thus, attempting prior to acquiring is specifically crucial with amps.

For a much more true recreation of your noise, a system with audio speakers can also be utilized. The audio can still be EQ would certainly with a personal system and it is feasible to protect the acoustic sound.

Ultimately, the signal, after going through the various sound manipulation gadgets, is broadcast to our ears by audio speakers. Typically, these are constructed into the amp. You can likewise add added audio speakers to produce a stereo effect.

If you are wanting to essentially duplicate your acoustic sound, playing electric violin may not be very satisfying to you. However, for taking part in a band, it enables the player to readjust their volume to match the various other instruments, and to modify the audio to suit better with a rock or pop style of music.

That being stated, electrical violin generally needs a potentially rather costly venture right into electronic devices, which can be a great deal of fun however additionally challenging given that the audio you are looking for might take a lot of time to find, and may need testing a great deal of different equipment. Locating "your" sound can be a long trip. Several of the extra intriguing points you can do is to play on a 5-string, which includes a "c string," below your "g-string," or employ an octave pedal, which can drop your pitch an entire octave. Or you can play with distortion or a wah-wah pedal. And, while superb strategy is vital for symphonic music, electrical violin can be a lot more forgiving.

#electrical instrumentation course #cert iv instrumentation

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racingtoaredlight · 4 years

Text

Guts

*Matchless DC-30 (point-to-point)

Today we’re going to dive into the guts of guitar amplifiers and talk about the differences in construction methods, and how that translates to sound.

Some point soon I’ll be able to speak about the different components and their functions with a more knowledgeable and experienced angle, as I continue to read up on this and begin to start building my Tweed Deluxe. For now though, I want to talk about how these things are built...for what purpose...and how that translates to producing sound at the end of a signal. I’ll be speaking on these things from a practical sense.

Lets start off with a super-condensed context before we head to the jump...the earliest amps were handwired point-to-point. In order to produce more units, and hire more less skilled labor, companies like Fender, Marshall and Vox would use what are called “eyelet boards.” These boards laid out how to wire and where to solder, and were still handwired.

Then printed circuit board (PCB) came around. You could take an eyelet board, have machines pre-wire it, then have the whole board dipped in liquid solder, saving time and the cost of human labor, while manufacturing exponentially more units with consistent standards.

The question now is “does it matter?”

***

The Matchless DC-30 at the top is an absolutely stunning piece of amplifier. I have a good bit of experience with Matchless amps...point-to-point handwired Vox (when they were owned by Jennings Musical Instrument Co., the company owned by the guy who invented the classic Vox circuit, Thomas Walter Jennings) homages...but on the smaller 15-watt Lightning combo that was designed to be a studio amp.

The DC-30 is a battleship amplifier, with a complex interactive circuit (meaning that the EQ and gain/volume knobs interact with each other as they’re adjusted), and the example at the top is about as good as point-to-point wiring gets, beautifully clean workmanship with a high degree of difficulty where every inch of wire length needs to be exactly accounted for and soldered.

...but what does that actually mean?

From a broad standpoint, your tone is a giant variable signal. It’s absolutely 100% true that things as minor as the type of pick you use...or how long of cables you’re using in your chain...or, yes, even something as granular as type of battery...all can have an impact on your tone. Laugh, but if you played with a handful of different stlyes of picks made from different materials, you’d be blown away by how different each makes your guitar sound.

Whether you give a shit about that type of granular OCD is a different argument entirely. But what I want to impress is that everything in your signal has an impact. And when you’re talking about things like amplifiers and speakers, things like wire length does have a difference.

And if you want the best sounding signal, a technical argument can be made that the best tone comes from amps that are handwired point-to-point, where the signal (the amp receives) has the least amount of time to decay. You look at the holy grails of amps...Tweed and Blackface Fenders, early Marshalls, JMI Vox’s, Dumbles, Trainwrecks, etc...each grail is point-to-point handwired.

Either because that’s all they could do during the era (Fenders, Marshalls, Vox’s) or because of the belief that the least amount of time signal can be lost, the better your tone will be (Dumble, Trainwreck, Matchless).

***

Which manufacturers who use eyelet boards and PCB would agree with 100%, these camps accurately being able to claim these methods make it more consistent and repeatable. Both sides have a point.

To cut to the chase...not only are PCB amps as good as point-to-point, they allow for a hugely expanded ability to add on features that would be impossible to design point-to-point.

*Bogner Ecstasy 100b

I’m not even going to try and describe what’s going on with this amp because it’d take easily 1,000 words. But I’ve played the shit out of these things, and they are MONSTROUS. The PCB isn’t about mass manufacturing or not having to pay someone...it’s about being able to build multiple different gain structures, EQ sensitivities, circuit paths and buffered effects loops to make sure complicated high-gain metal and rock sounds come through as hi-fi as possible.

Here’s another PCB example that you could hardly say was about cutting manufacturing corners...

*Mesa Boogie Mark V

Three different amps in one, all with individual huge sweeping gain and EQ sections, a parametric EQ on top of all that, variable wattages...the features just go on and on. You couldn’t do this wiring an amp point-to-point.

While Mesa Boogies and I are like oil and water, I’d be a fool to say they don’t sound great. In the right hands...guitarists like Carlos Santana, Larry Carlton and John Petrucci (Dream Theater)...they can sound fucking incredible.

There’s a wide marketplace out there to find an amp that fits your style. Santana isn’t exactly a chameleon when it comes to tone, pretty much using one sound his whole career, but Larry Carlton sure as hell is. Both used similar styles of Boogies, despite approaching the guitar from philosophically different places.

***

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*1957 Fender Tweed Deluxe

One of the things about the early amps that were wired point-to-point by guys who really had no idea what they were doing was their little quirks. In the video above, go to 0:50 and listen for 30 seconds. Watch how that amp transforms from something nice and gritty, into this screaming hell beast by turning the knob for the channel not being used.

That’s a quirk that can be deliberately wired into a point-to-point amp...every one of the multitude of Fender 5e3 clones has exactly this...or a handwired amp using an eyelet board can be built to operate like the traditional amps everyone is used to, but still benefit from the sonic benefits of very deliberate construction.

*Dr. Z Maz 38

...or a amp builder could decide to make an amp that has a very wide range of EQ and gain settings, but puts the sausage recipe behind a curtain so the user doesn’t get overwhelmed, only having to turn a volume and tone knob. Looking at the control panel, you’d never know how much is going on behind the scenes to sculpt the end resulting tone.

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*Dr. Z Carmen Ghia

If you go to 1:45 in the video above, you’ll hear how much that tone control changes the guitar’s sound, and you’d never how much thought and deliberate wiring went into the design of that amp if you just looked at the two knobs.

And that’s the thing...you can get great sounds from either one.

***

Lets finally get to the practical differences. Tone is subjective, and you can get great tone from anything as long as you know how to play. However there are pro’s and con’s to point-to-point vs. PCB...

Point-to-point is going to give you the purest, highest-quality signal, specifically designed for one or a small handful of purposes. The easiest tradeoff is expense...you’re not likely to find any point-to-point wired amps suitable for a studio or practice room under $1,000. None that are the size able to be played in a club for under $2,500.

If they’re lightweight, you’re sacrificing any versatility because you have a one-trick pony. If they have a lot of versatility, they’re heavy...because a lot of components and big transformers add up quickly. But you get that incredible tone...

You also get the easiest repairs and longest lasting amp. There’s no guesswork or any Achilles’ heels in point-to-point amps. For simple repairs, some vacuum cleaner repair shops are able to handle it. Soldered connections typically are more solid and last longer. Construction is typically more robust...if you’re going to take the time and effort to build a point-to-point amp, you want it to last.

For musicians with a defined sound that don’t have to cover a lot of bases, there’s no argument against point-to-point amps. Economic arguments only last as long as asking these types of musicians how many amps they own. It’s typically not many. One point-to-point amp is the same outlay as buying two or three PCB amps, and if you really only use one or two sounds, you don’t need more than a single amp.

***

PCB is a little more complicated. Yes, you can get great tones out of them, but not all PCB is created equal. For those high-quality examples above, using thick, hardy circuit board and consciously thinking about the wiring, you have the big boys.

*1981 Marshall JCM800

*2019 Marshall JCM800 reissue

Here are the downsides to PCB.

Firstly, you’re paying more (when adjusted for inflation) for inferior components and subsidizing Marshall’s profits while they sell you a product for the same price that required exponentially less labor costs. All for a very simple amplifier circuit.

There’s a concept called BIG IRON in the guitar world. It’s hard to say it’s definite or end-all, because it’s hard to call PCB-based Bogners and Boogies BIG IRON even if they’re more than capable of holding their own in that world. BIG IRON refers to massive transformers, huge tubes that led to that beautiful overdrive we came to love in the 70′s and 80′s. Marshall literally is the godfather of BIG IRON.

Well new Marshalls don’t have anywhere near the reputation of their forebears for a pretty easy to spot reason. Those moves done to save money came at the cost of their soul. They just don’t sound anywhere near the same.

That alone would be worth enough to slam the book shut on PCB, but the other big problem is durability. You can’t really tell from pictures, but I’ve touched the Boogie and Marshall PCB’s in real life...the Boogie’s is thick, robust, high quality and proprietary. Marshall’s is barely thicker than a nice business card.

When you’re mounting tubes onto PCB, quality matters. Those bottles heat up and can warp the board and dry out the solders leading to cracks. That method of dipping PCB in liquid solder is great for convenience, but it’s not as durable as doing it by hand. And if anything goes wrong in the PCB, it’s not a trip to the vacuum repair store...it’s digging a grave.

***

We’ll get into the parts and functions of these things in more detail once I start building my Tweed Deluxe. I’ll be wiring it by hand using an eyelet board (provided), but the goal is eventually to build one point-to-point.

That’s all i got for today.

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meowfaces-foryou · 4 years

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Wrote some music while quarantined. Gotta tighten this shit up.

#me #music #guitar #about me #life #jackson guitars #mesa boogie #mark v #fttcote #falling through the center of the earth #new #bohemian grove

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universallyladybear · 5 years

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