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cappycodeart · 5 months

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"In a twist of fate, I found you again..."

Some artwork inspired by some story stuff for my Glitchy Simon AU. Unfortunately the file got accidentally deleted before I finished it,,,, thankfully, I took a screenshot, but it still pains me bc I WASN'T DONE...

A lil story blurb + related doodles under the cut:

For several days, Simon had been wandering in this universe that looked uncomfortably close to the world he left behind over a thousand years ago (give or take a handful of historical details here or there). Betty living there crossed his mind, and while he knew pursuing her was a horrid idea, he... he couldn't help himself. He wanted to see her so bad, even if he knew it wasn't actually her, y'kno? Just... to see her as a normal, happy human again could satisfy himself enough to live his days in peace. At some point he was able to locate her and caught a glimpse of her from a distance. And, with this simple gesture, he found himself... content...

However... fate had a different plan as she caught sight of him too, setting the stage for things soon to come...

That first meeting went insignificantly enough for Simon to not think much of it. She didn't recognize him? Had the Simon of this world not met her yet? Well, even better! He could simply give himself a fake name and walk away from her life with hope to leave it at that. But, to his dismay, they kept running into each other by accident: on the street... in the shops... at the fated library. He was no longer a blip to be forgotten in her memory, but an acquaintance... one that was making an impact on her. Not Good...

It was only a matter of time before she found out.. she knew she wasn't going crazy when she caught sight of the faint blue glow and strange ear-piercing static she heard standing next to him. No, something was off with this one. Her roommate scoffed at the suggestion, but she had to know. Who was this man, really? And why did standing next to him fill her with a dread she couldn't explain?

Soon... he was cornered. Left with no other choice but the truth, he told her about who he really was and why he was here. She couldn't help but feel... sad. So sad for him. She didn't know why, but her heart yearned to do something about it. But that was the LEAST thing Simon wanted…

#adventure time #fionna and cake #simon petrikov #betty grof #petrigrof #glitchy simon au #itchy #fan art #digital art #2023 #shaded #background #line art #so... let's just say... in itchy's story... betty kinda takes fionna's place in the magical universe hopping adventure... hehehe #it's only been 2 months and he's already got like 3 arcs and this one is the least developed but also the most important aughgh... pain...#maybe forcing myself to post things chronologically will motivate me to work on this arc #I think it’s working… but in that case it might take time before the next update

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youhearstatic · 5 years

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Exit Interview for a Fic (AKA: 10 Questions Every Fic Writer Secretly Wants to be Asked)

I started doing this list of questions every time I finish a ‘major’ fic. I’ve been putting together an updated fic list and realized I hadn’t ever done it for It’s About Time. So here we go!

1. Of the fics you’ve written, which is your favorite and why? At this point I’d have a really hard time picking between the still unposted (and unfinished) TwinSwap and the Dragon!Barry story. (The dragon AU has a lot more to it that I’ll hopefully get to eventually. There’s a few twists I adore with that one.)

I really, really, really love both of those. I’m also, obviously, really keen on the whole Barry POV canon compliant story and the hanahaki story, Chrysanthemums (Lovesick). And I’m still pretty proud of Like Friendship Set Aflame. (FYI that last one is rated Explicit.) Plus, Losing Time is still something I feel good about.

2. Which scene was your favorite to write in It’s About Time? The scenes of Barry and Lup pining for one another are always fun of course but writing them together and in love? It’s just so good. I think my favorite to write was chapter 44. I started that first scene with no specific goal and it all just kind of organically evolved into what it did and where it all led and it just felt like it fit together well. And they were just so damn happy and absolutely gooey in love. Legato was obviously pretty good, too, but there was a lot of stress writing it because obviously it’s a Big Deal and needed to be Really Good.

(Putting the rest under a readmore because this is very long and self indulgent.)

3. Which part of It’s About Time was hardest to write? I struggled a few times. One of the hardest was chapter 34. I had a plan, there were story beats I was trying to hit and an overall arc to their relationship that called for things to go a certain way. But they just wouldn’t. I wrote and scrapped thousands of words trying to get there and finally realized the option I’d been too blind to see. Changing my plan meant a lot of other things had to be changed and created a lot of other hard to write parts but it also helped with the characterization for Barry and the change and growth he was going through.

4. If you could change anything in It’s About Time, what would it be? I kinda wish it wasn’t over? Like, don’t get me wrong. I’m excited to be on the part of the story I’m telling now - the part that initially drew me to even telling the story? But, holy crap, I miss Lup. I miss the crew and happiness. This is a long slog through dark times and if ever there was a time to say “Poor Barry” then this is it. I mean, I don’t think it’s all darkness? I think there’s surprises that make it worth it? (I really hope so! Like the appearance of certain characters in chapter 7 of Time After Time, for example.)

And to be honest? I miss the interest that story got. Views/comments/etc have severely fallen off and I’d be lying if I said it didn’t make it much much harder to motivate myself to work on it despite my determination to finish. (I get it though. It’s much more fun to read Blupjeans falling in love than Barry alone and kinda losing it.)

5. Did you make an outline for It’s About Time? Did you stick to it? Well, I mean, there’s the outline of the canon 11 cycles and that extrapolates out to giving the expanded story a specific set of story/character beats. As things got closer to Legato I had certain circumstances I wanted to hit in a certain order. So I guess yes, more than anything else I’ve written this had an outline. It wasn’t exceedingly thorough but it was definitely my game plan for things and yeah, several times that had to be scrapped like I mentioned about chapter 34 in question 3.

6. Which scenes did you cut, and which were added in It’s About Time? The scene of Barry cooking for the crew - specifically for the twins - wasn’t supposed to be in his POV. It was in Lup’s POV and I didn’t think it worked for his but then I couldn’t let it go so I just kinda... did it anyway.

I remember that snow cycle went on for much longer than intended, too. I’m really glad though, it got me away from the one cycle/one chapter format which helped me feel more relaxed about telling the story how it worked out rather than forcing things to fit certain ways.

There were definitely things that were cut but always because the scenes just weren’t working the way I thought they would during planning.

7. Who was your favorite character to write in A Thousand Tiny Moments? It’s Barry’s POV and I feel like I have a pretty strong grasp of him at this point. Gheesan and Selba were a lot of fun to write. Probably my still favorite OC is Embrace, though. One day I want to get art of Barry and Embrace, the big golden mongoose from cycle one.

Okay, this is maybe a weird answer since he’s not exactly a character? But I enjoyed writing my take on Griffin’s narration that opened chapter 36.

8. Which came first, the title or the fic? For a long time this was just called “the fic I’m not gonna write” because I’d never really jumped hard into writing fanfic before. Previous to starting this thing I’d only written a couple of 1k-ish minifics for a different fandom and only written something over 10k ... a handful of times.

9. Which idea came to you first in It’s About Time? It’s a little tricky answering this question because, even though it’s split up between Stolen Century and then the rest of the podcast timeline being in Time After Time, I tend to think of them all as one piece - Barry’s story.

I think the part that hit me first was thinking about Barry in Taako’s pocket spa and what kind of things would be running through his mind.

In this very first consideration of his POV, I’d forgotten he wouldn’t have memories yet. So then I backed it up to that night between Wonderland and his cave/getting back in a body. What all must he have been thinking while they slept? After so long to be so close to the end and then have to get in a body and relinquish any semblance of control to the boys and his memoryless body? Honestly, I find that idea terrifying. From there it just kept spinning out to considering different bits of canon from his point of view. I don’t remember what the point was that finally convinced me to start writing but I’m still surprised it happened after so long of not really being a fic writer.

10. What are some facts readers may not know about It’s About Time? The first thing I wrote for this fic was Contradictions, the so called test minific. Then I got obsessed. I wrote pages of notes, picking out details that were relevant to Barry’s story and thinking and enormous lists of questions about what was going on with him or in his head at certain points. I spent literal days thinking about how to account for things inferred from canon. For example, why didn’t Barry remember things between bodies? When did he get the boys’ artificing projects that he gives them after reunion tour?

Then I started writing longhand in notebooks. I started out writing where Contradictions left off: Barry’s trip out of the gerblin cave with THB and arriving in Phandalin. For a while I thought that’s what the fic would be: just Barry’s time from that wagon ride to Phandalin and ending with him getting into the tank as his last moments as ‘the red robe’ before revealing himself as Barry Bluejeans again.

Eventually I realized that I needed to include Stolen Century and decided to start from the chronological beginning of the story. I’d written the entire century (albeit much, much shorter in this first draft - there was nothing between Tessaralia and Legato, for example - and then probably 15k of stuff directly following the defeat of the Hunger - that night and the following morning, as well as the first part of the Faerun things, Frank Texican’s part that is chapters 8 & 9 of Time After Time, and parts that still haven’t posted in Time After Time, including that section I’ve mentioned several times as the bit I’m MOST excited to share.

After that it still took me weeks to decide to start posting and then another few weeks to decide to start posting Stolen Century and tell the story in order. I kind of wish I hadn’t done that just because it’d be nice to see them falling in love after all the awful alone and voidfished time but it’s good to have it done this way and have specific memories and all the characterization solidly built in order.

#barry bluejeans #it's about time #taz balance #taz fic #mystuff #exit interview for a fic

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televinita · 7 years

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kateschechterxthorwasmyfirstotp replied to post: If you did not watch the last episode, they kind of righted that wrong...

Eh...I read what they tried, but I deemed it Not Good Enough. That was a pretty fundamental betrayal of my deepest shipping principles and too many years apart for me to ever feel okay about them again.

#I have been trying to coherently explain it for like 20 minute and I keep getting bogged down in anger and sadness at the memories so tl;dr: no

EDIT: actually you know what, I am gonna explain it, via copy-pasting the long ass 4-part blog post I made about it the night it aired (I didn’t watch because I was behind on the season, but I hung out in the Tumblr tag and read live reactions), which incidentally was the night after we put my dog to sleep so those two Sadness Memories are wrapped around each other. I always meant to post at least part of it to Tumblr and I regret not doing that.

February 2013

Wednesday: Unedited Ranty Version LOL NOPE BYE. Literally just...not accepting this. Never watching the episode, done with future episodes, the show can just stop here. Unlike with Glee, I am above this. I don't feel it hard enough to be canon, and god, I am so much better for it. Sucks for all the fans who can't just handwave it and decide not to believe. I'm not even going to bother repeating all my Kurt/Blaine rage from last fall, because Sara and Grissom met late enough in life that they aren't in quite the same category of fairytale romance, even if they are soulmates, but -- my anger about relationships losing their magic if you break up in the middle and see other people after finally getting together? So very applicable. (Honestly, show, what happened to them having a marriage that worked for them and no one else needed to understand? Why couldn't you just leave that alone? Why did you have to pick? There was no reason to pick. No picking! /nasally Seinfeld voice.) I'm kind of sorry they already lost their spot in the Top Five All-Time OTPs Kingdom to Kurt and Blaine, because I would have really enjoyed kicking them the fuck out tonight. If I believed this were happening. Which I realized, 5 seconds after writing the above, that I am not. Goodbye, and good luck. Thursday morning (a.k.a. just kidding I’m still mad as hell and back to yell) I like how they keep talking about "implications into next year" and how the story will continue. No, it won't. You've separated them before, a fact I had forgotten about because I refused to watch 9x05 and it was clearly just a pause button on the way to spinny-camera grand reunion kissing as opposed to a real breakup, but there's no way to fix this now. There is no more to the story; you don't get to tell a story after this. Glee already proved to me that there is no way to make a worthwhile arc out of a vile bomb drop. Although I am kind of sorry that this relationship could actually have withstood cheating and it would have been easier to swallow than divorce. Maybe because it still feels like cheating. You're meant to be with someone, you can't have extracurricular people! I have some unfinished business with those first 7 episodes of season 13, and I'm not sure what to do with that -- they were great and I hate to leave them unwritten about, but if I go back there is a slim chance it will get devious like Grey's Anatomy and suck me back in underhandedly, and I'd rather spite myself than give it that opening. So I'm not totally sure if this is the end. But it sure has that really certain Bones Episode #100 level sense of THIS IS UNFORGIVABLE. GAME OVER. Thursday night Reading other people's opinions is always a dumb way to go, because instead of saying my piece and being done, now I'm riled up and feel like I need to FORCE people to understand something they just don't seem to be getting, whether they're being practical and pragmatic or writhing about it in "but they were my first real ship!" angst. (as if they are only a ship, instead of so much more) The thing is, this isn't just a dumb writing choice you can complain about. This isn't even about whether it's in character or not. It is literally. Not. An option. Some couples just aren't allowed to break up. A UST couple that takes more than 5 years to get together is one of them. And once they get married, that's absolutely it. A victory for permanent commitment and contentment. There's no divorce in good storytelling, there are no separations. That lazy nonsense is reserved for books, movies, and silly soap opera types like Grey's Anatomy. Couples like Grissom and Sara, they are foundations. Institutions. When you want to change the look of your house or test out something new, you work with the existing structure. You don't knock it down and build it back up from the floorboards. To be fair, I was always upset by the "long distance marriage" - there was no reason for it; there was never a reason Grissom couldn't be off screen right here in Vegas, teaching at a local university or simply pursuing his own research supplemented with travel when necessary. The longer it went on, the less happy I felt. But since they told us it worked, I put up with it for the joy of having Jorja Fox back on my screen. I see now that was a mistake, and the only way to keep them safe was to push them away. The point is: TPTB broke television law. I can't judge this like other shows as a good or bad direction for the characters, or wonder how it will affect Sara in the upcoming episodes, because they are untouchable. It's honestly laughable that anyone thought it was okay to even try this. Can you imagine if the second X-Files movie followed through on its misdirection and went "lol yeah Mulder and Scully haven't seen each other in 5 years"? I

[2017 edit: FYI I have not stopped being angry about the bitter irony of this comment since the revival spoilers hit.]

If you need more universal examples, that's like tuning in to find out the Brady Bunch has split back up into two separate households, or Disney is going to experiment with a new movie where Minnie elopes with Goofy.

You don't get to pretend you're setting up for a season or two-season arc. This isn't an arc. This is a slash and burn project. Let's pretend, for a minute, that this is planned as an emotionally complex journey that will force them to examine what they mean to each other and get them back together, Costa Rica style, in next year's season finale. Do you think that would be worth it? Do you think the struggle to get there will make the ultimate conclusion heartwarming, fill you with elation as you see them beat all the odds? It will not. It will be long tainted by then, a sour coda to an unfixable mess, because what you had wasn't important enough to preserve. You can't ever get back to what you were, and it's already too late. That is the best case scenario. There are no character motivations to explore. There is nothing to dig into. A death warrant was signed and went up as effectively as a brick wall in stopping the development of this relationship in its tracks. Televinita out. #breakingupwithCSI #I reject your canon and substitute my own Thursday: Post-Essay Messiness Oops. Reading my old reviews because I can't remember GSR's chronology off the top of my head, and...there is no way I'm letting anyone use this as justification for being in character, but this conversation does seem sort of relevant all over again. "Sooner or later a relationship in stasis withers. You get angry. You need more than the safety of knowing that you're not alone." "Then he should've just walked away." "Well, maybe he couldn't. Maybe he needed her to leave him." Apparently I also got kind of angry in the early part of season 9 when Sara left again, and may have threatened to break up with this show at that time? *chagrined look* But 2008 Me seems to have still accepted this as a possible, if highly undesirable, turn for the couple. What changed? And am I crazy, or is it possible to decide neither of the times Sara left were actual breakups as opposed to pause buttons? Oh, that's right. What changed is they got married. I repeat, when it comes to long-running couples on TV, wedding bands are as much a promise to the audience as they are to the people involved. You put a ring on it after proper courtship, that's a universally accepted sign for "you win: permanent freedom from being jerked around for Drama/Conflict/ratings."

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