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fluffypichu876 · 5 months

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In retribution to my dear mutual @prototypelq's post, I will also be writing about my 3 favorites games of all time! Making this list was a bit easier than I expected, but because I have too many beloved games to choose from expect a lot of honorable mentions hehehe

And the first game on the list is, of course:

Castlevania: Symphony of the Night

It's no surprise that this game would be here. I mean, it's not like I replay it every year!

SOTN is a game of the genre "Metroidvania". You probably know this term if you have heard of games like Hollow Knight or Ori, but if you don't, basically, a Metroidvania game takes place on a huge map consisting of interconnected smaller rooms. When playing, you'll travel and explore around these rooms, defeating enemies and unlocking new abilities that allow you to acess new areas that were unaccessible before.

The OG Metroid on the NES can be considered the very first game of this genre, but Super Metroid and SOTN together were responsible for defining its standards and popularity today. Hence the term, "Metroidvania".

This game is a heck lot of fun to play. Dracula's Castle is huge and full of interesting areas to explore, filled with enemies and secrets of all kinds. SOTN is based on an RPG-like stat and level system, and you gradually grow stronger as you defeat foes, gain EXP, and level up. Weapons, armor, and other equipment are found all through the castle, further increasing your stats and other attributes.

The soundtrack is an absolute masterpiece. I'm not exaggerating when I say that Castlevania as a franchise has some of the best OST's out there. Michiru Yamane is a great composer, and her instrumental works fit CV's themes and tone really well.

SOTN does not use MIDI samples processed by the PSX's sound chip (except for the Librarian's theme). Instead, all of the game's songs are played through audio streams, granting them CD-like quality, which is a little rare in other games on the system. Here's an example of what Yamane could do with this audio quality:

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Sounds great, doesn't it?

Another aspect of SOTN that I love is of course, the visuals. To this day, I consider this game to have some of the best 2D graphics ever. The levels and backgrounds are beautiful, and every tile is filled with plenty of detail. All of Alucard's animations are fluid, graceful, and an absolute delight to watch and control. Often, the game will mix in 3D elements to enhance the beauty of an area, and it looks great.

There are so many little hidden details in the game that make you appreciate the developers's love and care even more. For example, in the Outer Wall area, a small suspended room can be found at the area map's bottom. In this room alone:

A falcon/hawk/eagle/bird of prey can be observed in her nest. As you progress through the game and return to this room, you can see the falcon coming back everytime to lay, incubate, and take care of her offspring. It's really damn cute.

A telescope can be found in the left wall. Using it allows you to see the Ferryman from the Underground Caverns.

Alucard can sit in one of the chairs. Leaving him there for a few minutes will cause him to fall asleep. Aditionally, in the Japanese version, the fairy familiar will sing him a lullaby (she can sing in any chair, in fact.)

Now, what is the purpose of this area, you ask? None. There are no items, weapons, enemies, or anything of use to the player (except for map completion). The devs just created this room to add more life and personality to the game. And this is just one example!

As much as I love this game, though, I do admit that it isn't as perfect as most people make it. It does have its flaws: the game has very bad balancing issues, and the difficulty curve is essentially non-existent.

I never liked the Inverted Castle. Not because it's just the normal castle turned 180º, but because it doesn't feel like it was coherently designed, instead just quickly put together so they could ship the game claiming it to have double the original content (Galamoth was a great addition, though. I might make a post someday on why I love this boss so damn much).

Overall, this game means a lot to me. It pretty much set up my standards and taste with video games, and it made me understand why I enjoy playing them so much. It's a great game that I recommend to pretty much everyone! It's fun and really easy to pick up, taking only about 12-18 hours to beat for the first time, at max.

Also, can we just appreciate Ayami Kojima's wonderful cover art for the game?

And now, for my second most favorite game:

Sekiro: Shadows Die Twice

My first (and only so far) FromSoft game, and boy did I fall in love with this game.

Well, to begin it, Sekiro has one of the best combat systems I have ever had the honor to experience. It's based primarely on player reaction, testing their ability to counter, parry, and dodge the various attacks thrown at them. Equipped with only one sword (and a few very useful prosthetic appendages), our protagonist Wolf must defeat all sorts of opponents, from respected warriors, shinobis with no honor, animals (yes I did die to a rooster. Twice), the undead, demons, and much more, all so can rescue and avenge his master.

Using your trusted katana, you have the ability to deflect enemy strikes based on your input timing, dropping their guard and allowing for attacks of your own. When fighting enemies in this game, you are not aiming for their health. Instead, you aim for their posture. As you deflect attacks with perfect timing, your enemy will slowy begin to lose posture, and once said posture breaks, you can go for a finisher attack that instantly depletes their whole health bar. It's hella satisfying to pull off. Deflecting attacks poorly can lead to your own posture breaking, though, so paying attention is essential.

There are other aspects to the game's combat, such as Perilous Attacks, which cannot be deflected. To deal with them, you must either dodge, jump, or counter, adding even more danger to a fight and demanding focus from the player. Your prosthetic can also hold a few unique abilities, such as the Firecracker, which helps stunning certain opponents. Wise usage of these Prosthetic Tools will greatly help you on the harder fights.

Oh, and there's a catch: Wolf is no mere shinobi. He was blessed (or rather cursed?) with the power of the Divine Heritage, granting him immortality and the ability to revive from the dead for all of eternity. Gameplay-wise, this means that whenever you die, you'll receive one (or two, sometimes three) chance to revive on the spot at half health, allowing you to properly finish off your opponent. But don't think this makes the game easy! Reviving in the face of a tough boss never means an immediate victory, trust me.

Unlike Dark Souls, which rewards a more defensive playstyle, in Sekiro, the player must be aggressive and constantly take risks to overtake their opponents. Dodging everything and staying away will only drag on the fight and allow the enemy to regain their posture. As a certain character would say, "Hesitation is defeat".

But the amazing combat isn't this game's only strength. Another aspect that I love is how beautiful the game looks. Everything from the lighting, the colors, the gorgeous views, and the very well designed areas come together really nicely, and exploring this rather linear game is an absolute delight.

The battles look graceful, and not just because of the combat system. The special effects look amazing, and add great beauty and danger to every strike. The Divine Dragon's bossfight is the most gorgeous part of the game. It's so cinematic and breath-taking that despite being one of From's easiest bosses, it's easily one of the most memorable ones.

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The instrumental soundtrack is really nice, complementing each moment of the game pretty well. The Divine Dragon battle above has one of my tracks in the game.

And as expected, the game is tough as nails (I died like, 50 times at the first mini-boss. The Ogre has no fucking chill). One of the hardest FromSoft games, according to fans. This game demands a lot of the player's attention, skill, and mostly importantly: their knowledge of the game and how everything works. Your first few hours will be very difficult, as you slowly get an grasp on the game. But once you beat Lady Butterfly or Genichiro (two of the game's most important skill checks), everything just clicks and the rest of the game becomes a lot more doable.

Overall, this game was an blast to play, but it may not be for everyone. I recommend it for anyone who likes FromSoft's other titles, as well as for those who enjoy a good challenge. If you want to get into more difficult games, this game is not too bad of a choice, since it's extremely balanced and very skill-based, completely free of bullshit.

Oh well, time for my last but not least favorite!:

Devil May Cry 5

This shouldn't come off as a huge surprise xD

I might have only gotten into this game earlier this year, but the 160 hours I currently have on it speaks more than enough. I LOVE this game and don't plan on dropping it anytime soon!

It's rare for me to hyperfixate on one specific game and play it for hours and hours without tiring like this, and DMC5 is currently my second worst case of this xD (the first one being Castlevania of course, in which I have 100%'d like 4 games :P).

DMC's combat system is simply too much fun. You have lots of moves at your disposal, and using them creatively and with as much style as possible adds so much depth to the game that beating the heck out of demons never stops being fun and rewarding.

It's also very skill-based, adding another layer of satisfaction to everything. Building up the skill to perform a new combo, finally managing to use Royal Guard with consistency, defeating that one difficult enemy/boss with an SSS rank, or just beating the higher difficulties is absolutely worth it. And even if you don't have much skill with the game, nothing is ever stopping you from bullying enemies in your favorite ways.

The dynamic soundtrack fits the combat really well and gives you the right ammount of adrenaline and motivation to slash through hordes and hordes of enemies. Also thank you Capcom for adding the Jukebox. I can finally listen to Devils Never Cry during an actual battle (and not just the DMC3 credits one!)

The characters are another great strength for me. The DMC Crew is so unique and fun to watch, and the Spardas in particular have a lot of depth to them, keeping the mind of fans very busy thinking about them xD.

So yeah, this game is way too fun for my own good, aparently. Never saw such a powerful brainrot coming. Absolutely recommend it to anyone and everyone who likes some good video-gamey time!

And now, time to cast the spotlight to a few games that I love, but not enough to consider them my top 3 favorites:

Honorable Mentions

Castlevania: Aria of Sorrow & Dawn of Sorrow

My second favorite CV games. Aria of Sorrow picked everything that was good about SOTN and polished it to perfection, creating one of the best metroidvanias out there. Dawn of Sorrow may not be as good, but it has a very special place in my heart.

Final Fantasy IX

One of my favorite JRPGs ever. This game is so charming, but under it's seemingly light appearance is a great story about the meaning of life, and about coming in terms with your own mortality. The battle system is fun and the music is as good as ever. The characters are wonderful and I cherish them to this day.

Final Fantasy X

One of the best games I have ever played. Of all the (4) Final Fantasy games that I've played so far, this one has the best battle system and some of the best enemy/boss design in the series. Alongside the gameplay, the story is the game's second biggest strength, and it has a very high chance to make you cry. The soundtrack is one of Nobue Uematsu's best works for this franchise, making you feel all sorts of emotions. Can't recommend this game enough.

The Legend of the Zelda: Breath of the Wild

This is the only Zelda game that I've ever played (please don't kill me), but boy is it a good one. The land of Hyrule is vast and very fun to explore. The game has such a relaxing vibe: sometimes I would just ride my horse, let it follow a road automatically, and just chill to the music watching the beautiful landscape. I put 170 hours in this game and didn't even realize it until I beat Ganon xD

Devil May Cry 3

Second favorite DMC game! This game is surprisingly polished for its time, and it barely feels dated at all! I personally prefer DMC3's DMD mode over 5's, as I find it more fleshed out, but it sure is a LOT harder.

Metal Gear Rising: Revengeance

My first Metal Gear game. It may be short and relatively simple in terms of combat depth, but it's a lot of fun, the soundtrack is a BANGER, and the cutscenes are a joy to watch. The memes just never end, do they?

Metal Gear Solid 2: Sons of Liberty

Quite possibly Kojima's craziest game to date, but also one of the most fun ones! Not as good as MGS3, but there's something about the old-school MGS gameplay that I absolutely adore. Also the dialogue and plot are so batshit insane that you end up enjoying it despite not understanding a single thing xD

Castlevania: Bloodlines

Most underrated CV game ever, and my favorite old-fashioned Castlevania game. It stands up to SCIV, its SNES counterpart, really well. In fact, I personally enjoyed this game's gameplay and level design more than the latter.

(just three more games I promise)

Pokémon: Black and White (and their sequels)

These games are the most fun i've ever had with Pokémon. They're really good. They've got the best plot of any Pokémon game, and the first BW games actually made me question the morality of keeping these creatures and leading them into battles.

The Great Ace Attorney

My favorite Ace Attorney game. Great story with lovely characters. The cases were a lot of fun, and I'm a huge Sherlock Holmes nerd, so it's only natural that this game appealed to me, I guess xD. I still have to play the sequel, tho.

Metal Gear Solid V: The Phantom Pain

This game might be technically unfinished, but it has some of the best gameplay in the series. The filler side-missions get repetitive but they're oddly fun to finish. It's my second most played MG game, right behind MGRR.

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raayllum · 1 year

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Gosh yes, your tags on that last post. Like, I don’t blame people for liking Viren, for enjoying his character, for finding him sympathetic (or attractive, even if I personally don’t). He’s a compellingly written character! But don’t be offended if people hate him or find him evil… he’s the villain, that’s literally his role in the story

"How dare this villainous character do villainous things" / "how dare the protagonist get narratively rewarded for making good choices" like do y'all even hear yourselves sometimes, y'know?

especially when - and i cannot stress this enough - tdp is for children and will ultimately have a happy ending. this isn't a grown up drama or tragedy or even a grimdark fantasy by any means. it's a hopepunk high fantasy story. people who further retaliation and violence and push people into inherently defensive positions are the 'bad guys'

like i love viren! i think he's very well written and interesting. he's a great examination of how we can lie to and martyr ourselves in a search for security that is also about status & wanting to feel special, about the harm done when trying to win a rigged system rather than solidarity in tearing a system down and making a new one. i appreciate his dry/deadpan sense of humour. he's also one of two primary antagonists in the first 3 seasons. and like, all that can coexist? it's multifaceted character writing? we all presumably passed grade 10 english class?

i also cannot emphasize the importance of being able to separate audience reaction or response from what a piece of art is actually doing or saying enough. "this story is bad because it was personally upsetting to me" without examples given or analyzed it is not well, analysis, it's just a currently very unfounded opinion. and sometimes stories are supposed to be personally upsetting, so like. you also gotta know your lanes

it's why subjective analysis is very useful but learning structural (objective) analysis is arguably more important. something can be structurally pretty weak but very enjoyable (frozen). something can be abysmal enjoyment wise but very structurally solid (1984, which i'd argue isn't meant to be enjoyed, either). and it's important to know the difference if you want to write actual analysis rather than opinion based stuff. analysis isn't necessarily better than opinion based pieces but analysis is more expansive because it can cover the subjectivity and the objectivity and more. which is precisely why i can read "the iliad" and think "wow that was good" but if i wanted to write an essay on it i'd have to do a lot more thinking because i'm demanding something greater of that artistic experience by virtue of wanting to expand on it

a lot of people take "art for art's sake" as a statement regarding the fact that art - which is inherently symbolic in its construction, even in what meaning we construe to words themselves - doesn't have to mean anything and fighting back claims that art should mean something. but i think of "art for art's sake" is more worthwhile to examine under the lens of "this art doesn't exist for the sake of capitalist consumption, but amid it, or sometimes precisely in spite of it" and like. very few things artistically have zero meaning precisely because meaning is also "what was the reasoning behind this" and if there is none (think a tattoo you got "just because") that's typically a subjective reflection of the creator and still indicative of their personality. sometimes the meaning is meaninglessness (nihilism is still a creation in response to us searching for meaning, after all)

i'm getting into the weeds now but the point is that there's definitely been an upswing in recent years of people thinking opinions = analysis and while that often is the case (particularly if that opinion is expanded upon enough to be grounded in the text and the text's context) it absolutely is not as often actual analysis as people think it is

#the english major strikes again #thanks for asking #i was in the atla fandom casually from 2013 to 2016 and when i say Head Empty fandom dear g o d #and ppl get very butthurty about it y'know? which i think stems from a general anti intellectualism #bc who needs the fucking humanities and History in times of crisis am i right #but like. legitimate experts in their fields do know more than 16 yr olds online who think #the curtains aren't blue for any particular reason #like to engage with a text you have to operate under the assumption that Everything has meaning and then #parse out the patterns and then debate what meanings are being ascribed #how they may be integrated interpreted or completely unintentional b the author but still very much ther #tag ramble #anonymous #i feel like ppl very much shield themselves with their own perceived intellectualism and #i know so many ppl who are significantly smarter than me and i fucking love it bc i get to learn #it's not a threat it's an opportunity #what's that one socrates quote??? 'the first step to knowing is knowing you know nothing'#or something along those lines

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