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#matthew murphy
usaigi · 1 year
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Part of the AU where Ziwe exists in the marvel universe and interviews superheroes
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doyouknowthismusical · 6 months
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dance-world · 1 year
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Nicholas Cunningham - photo by Matthew Murphy
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puppethalo · 5 months
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Musicians made from left over shipping label scraps! I made these freehand using pen hence the wonky anatomy and such (Dolores' wack nose, Dan looking lopsided etc)
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derekklenadaily · 3 months
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jujamcyn: The greatest thing you’ll ever learn is @derek_klena is returning to @moulinrougebway starting February 6th! (📸: @murphymade)
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merp-blerp · 8 months
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All the photos that inspired 35MM: A Musical Exhibition (2/2)
Photos by Matthew Murphy
“Immaculate Deception”
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Alternative photo for “Immaculate Deception” (courtesy of @35mm-a-musical-exhibition)
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“Leave Luanne”
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“Mama, Let Me In”
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“Why Must We Tell Them Why”
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“Twisted Teeth”
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“Hemming & Hawing”
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“Cut You A Piece Of Me”
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“The Ballad Of Sara Berry” Variants
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← Part 1
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adlamu · 6 months
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i can feel you SLIPPING AWAY | haven't made a graphic in ages, so here's an LFT-themed one
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fliesandtherainfall · 27 days
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Dirty Sticky Floors-Dave Gahan (2003)
Its Okay To Be Shallow-Love Fame Tragedy (2024)
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marleneoftheopera · 1 year
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Another photo of Paul as Raoul! From his Instagram story.
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dailypostsofthewombats · 10 months
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my deranged babygirl <3
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inbarfink · 3 months
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loganthewombat · 11 months
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do y'all like my dog don't pet her tho she bites
new account btw @dailypostsofthewombats
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purecommemasolitude · 2 years
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35MM: A Musical Exhibition my beloved
reasons to listen to the cast album I've been looping for the past few days 😌 under a cut because this got long, content warnings at the end (for those thinking "huh that name sounds familiar" it may be because this is where The Ballad of Sara Berry comes from
Origin of The Ballad of Sara Berry (also Leave, Luanne, but I think LL is possibly more popular among already-fans of 35MM? As opposed to Sara Berry's transcendental popularity)
OG cast has Alex Brightman, of Beetlejuice fame-- today's teenage theatre children like Mr. Brightman, don't they?
But actually the cast recording is full of fantastic voices + actors: not only Alex Brightman, but also Ben Crawford, Jay Armstrong Johnson, Lindsay Mendez, and Betsy Wolfe, in alphabetical order
It's a song cycle rather than a traditional musical, so you can easily get much fuller of an experience simply listening to it + looking at the photographs for each song than you would get if you only listened to the cast recording of a more """normal""" show (did I steal this from the commentary album? maybe)
Who doesn't love murder? (Sara Berry)
Each song has a corresponding official photograph, which are as much part of the show as the songs. Is that not cool?? (It's cool.)
Nice lyrics! Although I did raise my eyebrow at some of the Genius annotations, I did very much enjoy seeing a deeper delve into the meanings-- for which the official commentary album was also very nice
Both The Seraph and Mama, Let Me In are about Queer Experiences™ and as we all know there's a lot of Queers™ in theatre spaces, so common experiences can be found 😌
I am not immune to ending songs that reprise several other songs from the soundtrack-- And Neither Are You
Genuinely the whole concept of 35MM-- the themes of photography, the accompanying photos, the transitions, the themes of the songs-- is just so tubular
If you love harmonies, you will be very pleased listening to these songs
35MM has a wide array of genres that therefore appeal to everyone: Vampire love(ish) duet (Twisted Teeth), everyone have fun (Why Must We Tell Them Why?), everything is batshit (Crazytown), I Am Crying (Cut You A Piece), etc
Who doesn't love demon children? (Caralee)
Also I am not going to pretend that I am a musical technique expert for every instrument ever-- at most I can offer some opinions and advice on the trombone-- but as far as I can tell the instruments are all well-played
35MM also has songs with a wide array of perspectives about (generally romantic) relationships, therefore appealing to everyone: Twisted but in love (Make Me Happy, also debatably Twisted Tweeth), developing (On Monday), Oh No This Is Unhealthy (Hemming & Hawing, also in a way Good Lady and The Party Goes With You), yearning™ (The Party Goes With You), I Am Crying (Cut You A Piece and The Seraph, but in different ways for different reasons)
The parts of The Seraph where [redacted for spoilers] and Cut You A Piece when [redacted for spoilers] come in are actually vocal arrangements that can be so personal
Since every song is its own story, if you're not fond of one then you can stop dealing with it as soon as the next song hits
Remember that post going around about specific narrative songs? Yeah.
👌 arrangements
Who doesn't love some good old-fashioned chivalry and knights? (Good Lady)
As popular as it is, I do also hold the opinion that 35MM is underrated
Adding on to which, the non-Sara Berry parts are Definitely underrated-- half the people who know 35MM only know Sara Berry (a statistic from I Just Made It Up But I Think It's Likely Labs) and that's such a shame because the rest of it's so good as well but it gets much less attention
As I've mentioned throughout this list, the show has an official commentary album, ft the composer & photographer, the og cast, and a few others, which is just so funky-- and it's really interesting to listen to the process and some of the thoughts behind the show
Who doesn't love vampires? (Twisted Teeth)
Relating to item 9, the transitions (Transition 1, Transition 2, etc) placed throughout the soundtrack also reprise (or pre-prise in one case) other songs from throughout the soundtrack and it's very neat
The lyrics Spotify gives you for the last song (titled "Finale") are actually the lyrics to the Legally Blonde finale, which I find amusing
Relating to item 7, there are not only genuinely very good lyrics, but also gems such as "You make me happy all the time/And you know that I'm a fucking fuck"
Speaking of lyrics, The Seraph's lyrics are just So Much slash pos. Like "You've shown me there is faith without fear or regret/You are a love as close to Heaven as I'll get" with the context of queer love? Screaming wailing sobbing slash pos
The whole message and lyrics of Cut You A Piece is just. screaming wailing sobbing slash pos (reprise)
The soundtrack is very symmetrical and I think that's neat :)
In conclusion, please listen to 35MM: A Musical Exhibition; it's so good and I've been thinking about it nonstop for the past three days
Now for CWs: While I wouldn't say it's an Edgy Show With Dark Themes™, there are definitely heavy themes and topics. Christianity is woven throughout the soundtrack, esp in The Seraph, Mama, Let Me In, Immaculate Deception, and Leave, Luanne off the top of my head
Also some death, such as in Cut You A Piece, and straight-up murder, more graphic in Sara Berry and implied in Leave, Luanne
Leave, Luanne also deals heavily with domestic abuse and Twisted Teeth contains one comparison to rape
iirc the show isn't very sexual, other than this one bit in Crazytown, and there's some slight language but not very Much iirc, but feel free to shoot me an ask about any possible other CWs/elaboration on anything I mentioned above!
If you're still here: congratulations now listen to 35mm pls <3
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dance-world · 1 year
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Andy Jacobs - photo by Matthew Murphy
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puppethalo · 6 days
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Did some testing on a dollar tree sketchpad (brand is crown jewelz!) and besides the paper texture being a bit scratchy to the touch, it's actually not that bad! It even took markers/highlighters pretty well too which made me hella impressed!
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According to Genius Lyrics the song “Twisted Teeth” from 35mm is about vampires???? Was I supposed to just figure that out myself??
I mean it makes sense but I genuinely didn’t notice. How are y’all just picking up in context clues without having to be told? Is that something I can learn or?
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