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#mahiru idea!!!
vistkitww · 1 year
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vhalesa · 11 months
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I felt like a genius when I discovered that the color wheel challenge meme has all the revstar characters colors
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upathosarts · 8 months
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yeah
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good-beans · 1 month
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this is so stupid but i always have fun imagining the milgram characters watching their own/others mvs and seeing their reactions, especially for MeMe
That’s not stupid at all, thank you so much for the ask!! It’s sooo interesting to think about! I planned on just posting this drabble, but the more I thought about it, the more I started jotting down headcanons for everyone 👀 Of course there’s the initial disbelief and shock that Milgram can really do what it claims, but once they accept that, they’d have a lot of interesting reactions…
Es gets to watch the video first, then the prisoners are free to watch their own in the privacy of the courtroom/extraction room/wherever. Other prisoners can watch them only with explicit permission from the video’s singer. No one is allowed to watch Undercover except for Es. At first they spend hours looking at those final frames of themself flinching from the camera, hoping to jog any sort of memories, but eventually they give up on it. While actually watching it, they don’t mind the murder silhouettes. While sleeping, however, it has triggered more than one nightmare.
Haruka: He thinks Weakness is very pretty – he’s amazed seeing himself on the screen and hearing his voice, knowing he’s not that good of a singer. Even before his innocent verdict, it gives him a huge surge of confidence. Once he gets to know the others better, he gives them mv permissions, then stares intently at their faces to see their reactions as they watch it. AKAA scares him a bit, seeing his own intense emotions on screen, and he only gives Muu permission to see it. When he’s alone, Haruka pauses the shots of his mother, just to stare for a while.
Yuno: Laughs at the symbolism her mind used in Umbilical. She’s never shied away from sexual words/thoughts, so it's funny the video was as tame as it was. She thinks the song is fun, and isn’t afraid to show the others and sing snippets of it around the prison. Some days it’s too emotional for her to get into it, but most of the time she tries to display a confident attitude about it. After Tear Drop, she’s satisfied with her anger and more overtly sexual images. If anything, she feels too exposed by the shots of herself looking more vulnerable/sad. 
Fuuta: He experiences a solid mix of embarrassment at the gaming theme in Bring it On and feeling a surge of pride that he looks badass in the knight’s armor. He’s worried the warden won’t take him seriously with the video game obsession, but he absolutely loves the song and thinks it portrays his toughness and ideals well. He’s less thrilled with Backdraft, everything about it unsettles and embarasses him. He’s thrown by the shot of crossing out his own silhouette – he’d had self-harming thoughts, but wasn’t quite ready to confront them so blatantly yet. Like Haruka, he can be caught pausing the arcade shot just for a moment before turning the whole thing off and storming away.
Muu: She has mixed emotions towards After Pain. She hates seeing herself look so weak and pathetic, but it gives her a lot of hope that her story will be understood. She misses her friends, and seeing them again is bittersweet. She closes her eyes at the moment of the stabbing – she’s only gotten the courage to watch it through her fingers once. She watches INMF once, then refuses to look at it again from shame/horror. Despite Haruka’s begging, she doesn’t let him watch it, either. 
Shidou: He asks Es what they saw in Throw Down. Upon finding out his family wasn’t in it, he chooses not to watch it. He believes he already knows all about his emotions and crime, so there’s no need to go through that pain again. He’s tempted to watch it when he’s confused about Es’ verdict, but still holds off. He does watch Triage when informed his family is in it. He spends hours in front of the screen by himself. Only after seeing that one does he watch Throw Down, though he’s still left confused about Es’ decisions.
Mahiru: Absolutely loves TIHTBILWY. She thinks it perfectly describes her situation, and that the song is very cute. She lets others watch it, and unlike Yuno, feels like singing it 24/7. It reminds her of her bf, and she thinks that’s very romantic. Similar to Shidou, she spends a lot of time watching I Love You just to look at her boyfriend. She shows it to everyone, just to show him off and talk about him, even if she does skip over the beginning and end each time.
Kazui: He is very similar to Shidou; he refuses to watch his videos until T2, assuming it would be too painful to watch something he already knows and wishes to avoid. Unlike Shidou, seeing Hinako is far too painful, and he regrets watching it and seeing her so happy on their wedding day. Though maybe he’s still waiting, and hasn’t seen any of the videos yet…
Amane: Magic makes her worry more than anything. She fears she’s poisoned by unnecessary vainness since so much of her video involves cute things, colors, outfits, animals, and is set up like a tv show. She’s also worried that Es and the others will really see her as a child because of how cute the whole thing is. She prevents herself from watching it too many times, but buried under all her fears, it gives her a surge of pride seeing herself so talented and pretty and the star of the show. Purge March only reaffirms her confidence in her crime – the video brings up some awful memories, but it shows her as a leader, a warrior, a hero! It brings her comfort and confidence more than anything.
Mikoto/John: The videos are distressing to both of them, and they spend all their time studying the others’ screentime. Mikoto watches in horror as John does things that line up with his spotty memories, and John panics seeing that his actions distress Mikoto more than they’ve reassured/saved him. John does end up watching his own scenes a few times – it feels incredibly good to appear in a way that Mikoto may finally notice him. He feels seen. Now, logically I think that MeMe would be the final tipping point in which Mikoto finally accepts the situation and his DID, but if I must stick to his canon denial, then I’d say he goes on a whole rant about movie magic andt the crazy things you can do with editing nowadays. He doesn’t have a good explanation on how Milgram found his home and knew so much about him, but he explains everything away as cgi or camera effects. Double manages to sway him a bit more, as he hears John speak so plainly to him. Just as the audience had some debate on who was apologizing at the end of Double, Mikoto and John wonder who is apologizing to whom. Though they both come to the conclusion it’s their own apology, they decide that if it was the others’, they’d accept it and forgive them.
Kotoko: She’s very pleased with Harrow, and is unashamed to show it to the others. Though she’d been able to watch a few of the previous prisoners’ videos, it still shakes her a bit when she realizes that Milgram really does have the tech to look deep inside her. She watches it just a few times – not obsessing over it, but not afraid either. Deep Cover, however, is a once-and-done sort of deal. She claims she’s not letting the others watch it because “they couldn’t handle such harsh but true criticisms about themselves,” but she doesn’t end up watching it anymore herself, either.
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doodles-in-sand · 8 months
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sure hope it isnt horribly obvious who my favourites are
(tumblr super crunched them this time i think please click to see the sillys in full quality)
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mgjong · 30 days
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Hated by Life Itself - Milgram AMV
To commemorate the near end of Milgram's second trial I made a small amateur AMV! Hope everyone enjoys and sorry for the bad editing!
Credits and Youtube link under the break!
CREDITS:
Video by: MilgramOfficial
Original Song: 命に嫌われている。/初音ミク
Cover Used: Life hates us now. / Mafumafu 【Sang It】
Lyrics: Vocaloid Lyrics Wiki
Poorly stitched together by: Me!
Youtube Video Link (unlisted):
MILGRAM AMV - Hated by Life Itself (Mafumafu cover)
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fala-alfredo-pasta · 11 months
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Hope when you receive this , you finished TOTK and isn't overwhelmed with requests. Is it alright if i ask for a Kazukoi comic? (Kazuichi x Mahiru)
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idk if this is the same anon but I figure i can knock out two asks in one go yeeeee
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Kaz: the vibrator's for your birthday, Mahi
Mahiru: oh kaz 🥰
Hiyoko: GROOOOSSSS!!!
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rokkucha · 2 months
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OK OK HEAR ME OUT
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THIS IDEA CAME TO ME IN A FIT OF MADNESS AND I NEED TO GET IT OUT OF MY BRAIN (infodump below)
college au right. fuuta meets this cute girl and this cute boy at an event idk at my uni sometimes they'll have things with esa dogs u can just show up and play with so i imagine smth like that
and theyre all there for different reasons so like fuuta is there because he likes dogs, miko is there because he needs stress relief, mappi is there because she just loves playing with them
but so miko & mappi r already friends, night creature solidarity or whatever, and he dares her to go talk to that angsty lookin dude and shes like sigghhhh ok
i imagine they have this ongoing thing where they dare each other to flirt with ppl because mikoto is hot and knows it and mahiru is mahiru
but anyway she goes up to fuuta and sits on the ground next to him & the dog he's playing with
"aww, he really likes u :))" insert sunshine mappi smile
and he has never seen a woman before in his LIFE so bro just fuckin bluescreens
miko laughs in the background and fuuta is like fuuuuck
but mappi thinks wow. hes such a loser i want him a little
she asks for his number, gets it, fast forward she invites him to hang out with her & mikoto
probably just anywhere with free food
im 100% spitballing here btw
fuuta is super on edge but trying to play it cool (boyflop)
but mahiru offhandedly mentions oh mikoto when's the last time u slept >:((
"50 years ago haha"
AND THEY LIKE KEEP HANGING OUT AND FUUTA DEVELOPS A WORSE AND WORSE CRUSH ON THEM
AND EVERY TIME THE 3 OF THEM HANG OUT THEY SAY PROGRESSIVELY MORE CONCERNING THINGS
when they actually get close enough to tell him he's like theres no fucking way
because mikoto is such a ray of sunshine !!!!
and mahiru is so innocent looking !!!!
WRONG
then he says smth like "is this a bad time to say i'm in love with u guys" but with infinitely less rizz
"nah we both actually rlly want to rail u"
ROLL CREDITS
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childrenofthesun77 · 5 months
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Back when mahiru thought his uncle might be dead he had a flashback to the accident that resulted in his mother's death, but one thing I noticed is that we don't actually see akira in this memory? It feels like either mahiru (or someone like lily or jeje) is supressing his memory here.
And if someone possibly killed akira on purpose, who was it and why?
#servamp#akira shirota#mahiru shirota#I mean the biggest plot twist would actually be that she faked her death and is actually alive/a vampire for whatever reason#But assuming she's dead who would have a motive#touma seems unlikely I feel like he would have taunted mahiru with that back when he mentioned killing several people#I forgot how old mahiru was when akira died but mikuni was probably still too young and also he used to hate humans getting killed#No idea why he's working with tsubaki to do a ritual that will kill all of tokyo now#Tsubaki maybe? He might know about what is so special about mahiru. In that case killing the mother (who also knew what's special about him#Would make some sense. She can't tell mahiru or anyone else about it if she's dead.#But killing her in a way that might have killed mahiru as well...assuming whatever is special about mahiru is needed for the ritual#Risky#But maybe mahiru's memories were faked like misono's were with the night kiriko died and mahiru wasn't actually there when akira got killed#Trying to kill tooru after he had to reveal his ties to c3 before he could explain to mahiru what's special about him#Would also fit with tsubaki#tsubaki would also have a motive not to taunt mahiru with it so nobody tries to look into it and finds out what killing her would achieve#If mahiru is needed for the ritual it's probably even better that mahiru and kuro found a way to get rid of the distance limit#because the enemies probably planned with the distance limit in mind meaning mahiru not needing to be there when kuro tries to stop tsubaki#Might be unexpected to them and throw a wrench in their plans
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harukapologist · 4 months
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i might have missed the 01 part of the drawing requests. IN ANY CASE.. how about p!010506 together? shidou showing haruka how he tends to her? or mahiru petting harukas hair and singing to him...
It's fine ehehe the original post where i asked for requests was probably really far down by the time u requested this :D AND YIPPEEEE THANK U FOR PLATONIC 010506 IDEA!!! They are so important to me....
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thatstroubling · 8 months
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Poll: What is, on average, the best Danganronpa chapter across the 3 mainline games?
AKA all Danganronpa murders are the same <3.
Parallels among the murders of the same chapter are listed below:
Chapter 1, AKA: "In a murder committed out of fear and panic, after dusk, in a location where the protagonist appeared shortly before, a strongly motivated individual, after taking initiative on their own, is murdered as a result of a betrayal by the protagonist's best ally, after which the corpse of the victim is found slumped on the floor and during the trial for which the blame is for a prolonged time placed on the protagonist or their ally (who was indeed involved, but ultimately is not the blackened)."
Chapter 2, AKA: "In an attempt to maintain allegiance to an important individual and to uphold a sense of honor for their Ultimate title, a capable classmate bludgeons to death the mentally strong yet physically weak (or mentally weak and physically strong) fan favorite (who therefore ends up dying too early) in a hands-on-hands physical confrontation, after which the placement of the corpse as well as the "perceived" crime scene is messed with to pin the blame on another person."
Chapter 3, AKA: "A-not-mentally-well-adjusted individual commits an immaculate and complicated double murder for a unthinkably irrational or amoral cause, which includes a body appearing at the crime scene out of nowhere in a seemingly impossible fashion, and in which one of the victims is the one who was lured out by the killer and willfully takes part in the action (but unknowing that it will result in their own murder) and in which the other victim ends up being the socially ostracized individual, simply because they happen to be at a wrong place at the wrong time."
Chapter 4, AKA: "Within a set-up for a locked room murder mystery, the good-hearted fan favorite becomes a part of a two-person life-and-death allegiance to perform a heroic act of self-sacrificial killing using an unknown murder method with the intention of getting themself killed so that everyone else may live, while one person is revealed to have had a deeper insight into the killing game for some time."
Chapter 5, AKA: "In an unsuccessful attempt to bring the killing game to its conclusion, the most malicious student of the class orchestrates an almost perfect, convoluted and seemingly unnecessarily but indeed intentionally violent murder (which serves as a way of mangling the corpse to a point where the murder method is concealed), whose solving hinges on the protagonist's new but trusted ally's confession about their not-really-consenting involvement."
Chapter 6, AKA: "After a retrospective investigation that brings to light new circumstances about the game's setting as well as its previous events, an existential crisis consumes the remaining survivors as the identity of the class and the killing game itself is revealed, during which Junko Enoshima appears (of course), and which ends with the true protagonist killing the mastermind in order to seek redemption, freedom and hope for their classmates.
P.S. This whole thing was primarily inspired to by my desire to prove Nagito's assumptions from chapter 4 wrong:
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Most of these are fortunatelly not true when we also take V3 into account: while Rantaro was important, he wasn't stabbed; a serial killer was revealed in the third chapter, not the in the second; and I wouldn't exactly classify chapter 4 murder as a suicide in either sdr2 or v3 (though we DID have two people playing Russian roulette in the Funhouse, yikes). All in all, the murders wouldn't have been nearly as shocking if they correlated with what had been already pointed out in the second game before, so I'm not really surprised that there ended up being other similarities among the murders.
That's all, thank you for reading <3
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good-beanswrites · 6 months
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I put together a few Lights, Camera, Sing Your Sins thoughts! Details about characters, filming, reactions, etc. I doubt I'll get the chance to smoothly work some of them into the drabbles, but I still wanted to share them :)
Post-T1 thoughts:
The first few days out of the prison are really weird and awkward – the prisoners got too deep in the immersion and are slowly remembering what’s real and talking some things out. Before these major emotions can wear off, they’re pulled aside by various writers and teams to make a plan for the next trial. They meet up with deco*27 himself and the songwriting begins
They each have a private bedroom in the facility. The first night, they’re all super excited to not be sleeping in those uncomfortable cells, and then immediately feel really closed off to the others. For some it remains a good thing – Yuno is glad for the isolation, Fuuta’s paranoia about judgment is eased, etc. Still, it’s strange to be separated from the people they’ve been side-by-side with for a year and a half, 24/7. Many of them end up sleeping on the floor of one another’s room or leaving their doors wide open. 
Jackalope is using long distance tech to project his voice into the prison, but the animal in the prison is just a well-trained pet with some hardcore costuming. Freed from its little uniform, the rabbit gets lots of pets and pampering from the prisoners. 
They aren’t allowed to leave and visitors must be for filming purposes only, but each prisoner is allowed a phone call (“hey, just like a real prison!” Jackalope laughs). Haruka calls his sister, and so does Fuuta. They stay on the phone for a really long time. Yuno calls her parents, making sure to say hi to Yura. Muu calls her parents too, and cries hearing their voices. Shidou calls his family; being separated from them for so long only confirms his near-miss intentions. Mahiru realizes too late she should have called her family – instead, fresh off the guilty verdict, she calls her ex to apologize profusely. Kazui considers a few people he could call, but doesn’t take Jackalope up on the offer right away. Later in the hiatus he calls his childhood friend just to say hi; he doesn’t mention any of the experiment stuff going on. Amane wanted to call her father, but she doesn’t want to break the news that she’s not doing a good job because of her verdict. She waits until she knows he’ll be out per his usual schedule, and leaves a brief and formal message on the machine. Mikoto calls his mom and sister, asking about how everyone’s doing (and largely avoiding talking about himself). Kotoko calls her family, surprised at how emotional she gets hearing their voices. 
Jackalope makes the mistake of mentioning updated guilty uniforms in front of the prisoners. Fashion expert Mahiru, designer Mikoto, and just simply nosy Yuno and Muu track down the costuming team to “help.” Though there’s not a ton of alterations to be made, they enjoy being a part of the process. They end up sticking around and chatting about mv outfits.  Mahiru enjoys everyone’s choices and fittings, and promises Amane they’ll go shopping someday and have a proper dress fitting. She asks if Es is going to get a new uniform as well. When told no, she vows she’ll take them shopping as well.
Though not allowed to leave, they’re at least allowed to step outside in designated areas. They enjoy the sun and rain and stars. The smoking group is excited to meet outside. Mikoto makes sure to hang out with them a bit extra seeing as he’s going to leave the group a bit come T2.  
I wrote the drabbles as individual scenes since it was nice to give each prisoner their own time like that, but logically some filming would be overlapped a bit. Jackalope would still want to direct everything as best he could, but there may be multiple scenes filming at once. I just really liked the idea of the mixing of props and costumes. They yell “cut!” as Bee Muu takes a shortcut through the Backdraft set. Yuno accidentally leaves her pink-glasses rabbit in one of the AKAA chairs and Haruka laughs in the middle of a take as he moves it out of frame. Amane is on a quick break from her scene and Mikoto shows her around the train still in full marching band getup. (I just realized these were all back to back videos, but I think any and all can overlap lol)
Shidou is still the one to administer Mahiru and Fuuta’s bandages. Even though it’s fake, he wants it a) to be his real handiwork and b) to be accurate, given the disaster of Throw Down. He’s excited to share his knowledge and explain exactly how each of their imagined injuries would affect them, telling them the proper way to act. Mahiru listens intently, all but taking notes, while Fuuta is bored to death of his doctor-jargon ramble.
Back pre-T1, Jackalope started off telling the prisoners they can choose their song titles (just for organization's sake, Es won’t see them) but he ends up taking over because their titles are really, really bad. It’s a mix of those really long sentence-style titles and cool words/phrases that have absolutely nothing to do with the song itself. Jackalope goes through the files renaming “The Sweet Whispers of A Lost Love,” “Fuck You,” “They say three strikes and you’re out but clearly they’ve never met me before” and “Kotokos_song.mp3”. By the time they start filming second trial videos, it doesn’t phase him to open up files titled “Elegy to a Broken Heart,” “I checked the train schedule five times and still missed my stop,” “I Can’t Be Normal,” and “Kotokos_song(1).mp3”. 
And some post-T2 thoughts:
The verdicts are both easier and harder to handle this time around. This is the second break from the immersion, and it’s easier to separate reality from experiment. However, the videos and interrogations this time around were a lot more raw, so there’s an extra sting of betrayal to them. Es got to look deep – much deeper than most – and still chose not to forgive.
Haruka isn’t really worried about death or harm from the verdict, but he does feel betrayed that Es would throw his life away like that. Muu doesn’t fear the consequences, but is saddened that once again she made someone like her only to turn against her when they saw her true self. The t1 guilties have a little meetup where they breathe a collective sigh of relief and congratulate one another on making it through. Fuuta just kind of sinks in relief, while Mikoto is giving out high-fives. Then they make a beeline for the current guilties to see how they can help.
Mahiru and Mikoto were always helpful to the others, but Fuuta surprises everyone by constantly checking in with the guilty prisoners. He remembers how much the verdict sucked and wants to try and help/prepare them as much as he can.
Red appears every once and a while to force people to take breaks when filming gets very involved/tiring. While Blue is pretty chill and cheery about everyone staying hydrated and getting good sleep, Red is a bit more serious with his approach. 
I think with another innocent verdict and seeing everyone 'behind the scenes,' Kazui would finally, finally start opening up to people. I like to think, as Yuno starts filming another video about very comfortable with her sexuality, he approaches her first with the topic.
When given the chance to make phone calls, most of the prisoners choose the same people as before. Haruka doesn’t want to call anyone at first, but is glad when Muu forces him to call his sister. He’s by her side when she calls her parents. Mahiru remembers to call her parents first, telling them to pass along her well wishes to others. She got the verdict she was hoping for, but Amane can’t bring herself to call home. 
The upcoming videos will likely be even more intense, but that just makes everyone band together more. They give each other confidence. They work extra hard to get silly goofy when it’s in good taste. 
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bluegriff21 · 9 days
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Hikari was always one to stare off into space whenever nothing of interest was happening. It's one of her habits that Mahiru has observed over the course of them spending time together.
But lately, Hikari has taken a habit of staring at her, for a reason she couldn't conjure. And it was always whenever Mahiru was doing her homework too, so it made it even stranger.
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Lately, and more often than Hikari found she preferred, most of the view she had of Mahiru was of her back. It was always whenever she was talking to Minase Suzu too, so it made it even worse.
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Then, one day, when Hikari poked Mahiru to ask for some help on her homework, she found that she could see Mahiru's face upfront and in full view. Not her back, but Mahiru.
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arrowsperpetualcringe · 8 months
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Dadzui make over!!!
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weather-cluddy · 2 months
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I know we're too early into Milgram's "so are the prisoners dead or not?" plotline for this, but since it looks like they're doing death-themed illustration for the fourth anniversary, you know what would be really cool?
The Milgram version of this Kagerou Project image:
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Slightly spoilery KagePro context:
In KagePro all the main characters died and came back to life. The X-rays show the cause of death.
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cozytownz · 9 months
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just a small appreciation post to people that reblog my art & talk in the tags
i hope you guys know it really makes my day to read them
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