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#lucy stillman
isa-belle1367 · 14 days
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I like to imagine that after desmond lived through Altair's memories, he would be unable to sit still. Because altair is almost always moving around and chasing targets, I imagine that Desmond would get used to that. However, it's kind of hard to keep on moving when you're in a cramped sanctuary, so just imagine desmond like climbing the fucking walls and scaring the shit out of everyone.
Lucy: "Has anyone seen desmond?"
Desmond, who is on the ceiling right above her: *whistles to get her attention*
Lucy: "WTF HOW LONG HAVE YOU BEEN UP THERE?!"
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wolfofartblock · 15 days
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tali-zorahs · 3 months
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remember when?
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teecupangel · 8 months
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Behold! A crack fic idea!
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Extra point if each time one of the Desmonds does something that goes against the timeline we get a flashforeward to the present day, and it's a different kind of post-apocalypse each time.
Extra extra points if the post-apocalypses get increasingly absurd and ridiculous as the story goes on.
Okay, so for this one, we have:
Clay!Desmond
Layla!Desmond
Minevra!Desmond
The Reader
which means I can do this:
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How the Desmonds met cat!Desmond:
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I kinda like the idea that we never learn who sent cat!Desmond into the past. Hell, we never learn he’s actually a Desmond as well. He just keeps following them and likes to use his claws to get a ‘piggyback ride’. XD
A visual representation of how the Desmonds are tackling every major events of their ancestors:
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(not part of the visualization: the dude in charge of the Templars in Cyprus because the Desmonds actually forgot about him and thought he was just one of the mooks)
And then we have Elijah who tries to act all serious and kinda like a dick (it's the Aita genes) but can't help but lean into any kindness and gentleness the Desmonds show him.
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The poor modern gang:
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(It would be funny if they didn't realize that there are multiple Desmond running around at first so they assume they only have one Desmond to worry about)
Rebecca updating her notes every few weeks:
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The modern day gang's relationship with the Desmonds (that the Desmonds are unaware of)
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Also... this was the first ridiculous 'apocalypse' I thought of XD
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What the structure of the idea would probably be:
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tamiisnthere · 2 months
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Just simple headshots of models I know I have, but I don't use them often. (×_×)
(↓ Credits under Keep reading)
Programs: XNALara & Fire Alpaca
Assassin’s Creed © Ubisoft
Authors of Models:
o0Cristian0o (DeviantArt)
carbint (DeviantArt)
raccooncitizen (DeviantArt)
lips--like--morphine (DeviantArt)
Unknown, reuploaded by oOLeonValentineOo (DeviantArt)
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goga-je-pieroga · 1 year
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Template from @soggybread2481 on pinterest. Enjoy!
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yasashii-leaf · 4 months
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The modern team, currently being created but I already like the basics, especially Rebecca. for Caterina's hair I was inspired by a concept art that I saw, and for Lucrezia I was a little inspired by the series The Borgias (I've never seen the series but the costumes are incredible! )
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shibaxthieff · 4 months
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what’re you taaaaaaalkin aboutt no i don’t have an unhealthy obsession with desmond miles from the hit franchise assassins creed developed by ubisoft studios whaddya meannnnnnnnnn
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rk1kincorrect · 1 month
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ac as quotes my best friends have said:
ezio: whats that thing in your eye? your rectum?
altair: … your retina
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desmond: i am not supportive and nurturing.
rebecca: yes you are … you literally are
desmond: nurturing? do i breastfeed?
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kadar: its giving mittens… on ur feet
malik: … socks.
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ezio: look at those crusty ass feet. concrete grippers
desmond: feet so crusty they could grab these butt cheeks….. omg im so sorry that was not meant to come out
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desmond: do u bite or cut ur nails
altair: i rip them
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desmond: altair try this
altair: no i cant im vegan (lying)
desmond: i just watched you devour a chicken salad
altair: no you didnt
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lucy: lets go get teddy bear boba
shaun: what is that
lucy: … boba
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malik: aw shit we cant go here. it’s for kids between the ages of 3 and 5
altair, genuinely distraught: oh GOD we are NOT between the ages of 3 and 5
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desmond: he’s like a person from avatar if they were white
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ezio, clearly a man: WOOOOAOAAOAOAO.. did u just say im a female girl.?? …… 🎶that boys a liar 🎶 ……
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isa-belle1367 · 2 months
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Do you guys think desmond stopped trusting his Eagle vision after finding out lucy was a Templar. I mean, Lucy showed up as an ally with the vision. So do you think desmond started struggling to trust people even more because if Lucy was a Templar, and yet she showed up as blue, who's to say that Shaun and Rebecca aren't Templar.
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altairz · 3 months
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«Babe, why are you offended?»
«I am not a babe for you,Dan»
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teecupangel · 4 months
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Hello! first time asker! I've only just recently got back into AC and you're pretty much the only AC blog I've followed so far (after reading your fantastic Eagle of Alamut fic) but the thing that happened to me seems very much something you'd enjoy.
Which is the Altair Jumpscare I got
to preface, I'm an ad blocker extraordinaire and put that on pretty much everything - except my mobile games. But even so, with how much i adblock the ads i DO get are very generic with very generic characters.
EXCEPT FOR ONE BIZARRE AD
A Tap-Away ad that for some inexplicable reason had Altair in it where he waved his arms like a wacky inflatable tube man and was then promptly sucked into the tapaway cube.
I was so caught off guard that i didn't nab a screenshot and I have been trying and failing to get him to show up again after 3 weeks of doing so much more Wordscape than I've ever had before to no avail😭
But it did spawn the idea of Desmond, with a burner/stolen phone, playing a mobile game and getting that Altair Jumpscare like i did which, with some digging by Rebecca because why the hell is he in an ad??? find a breach in Abstergo's database which they can exploit.
Welcome to the fandom! I hope you enjoy your stay (don’t mind the missing exit).
Aaahhh, Wordscape. I used to play you but then you keep interrupting my time with ads so I deleted you… like all the others who dared to give me ads that takes majority of the screen.
Ngl, I would have tried that game because it dared to show Altaïr to me. Then promptly delete it after a few hours XD
Alright, for this one, we’ll set it during AC2. He’s not that close to anybody yet so he sorta kinda stole Lucy’s burner phone while she was looking.
He always had a knack for stealing, probably the only thing that didn’t make William Miles say ‘again’ more than five times.
It only became so much easier when he started reliving Ezio’s memories.
The Bleeding Effect, right?
That’s what Lucy called it.
Regardless, Desmond figured it would be alright to play it anyway. It had a cell service and he always returned it to Lucy’s bag before she notices anyway.
It was during one of his free time (Rebecca said the Animus was acting fussy for some reason), he figured he can play one more level before they tell him to go back in.
The level wasn’t anything new, kinda funny that one of the words was ‘imprison’ and he got a bonus for trying out ‘prim’ (primo was a no go though and it took a moment before Desmond realized it was because it wasn’t English, fuck, was this the Bleeding Effect as well?. Just when he cleared it, the phone let out a loud static sound.
Which was weird because (1) the game’s audio was set to mute and (2) the phone itself was set to full silent with 0 volume on any kind of media.
They all turned to stare at him and he would have apologized, had he not heard someone shout his name coming from the phone.
“Desmond!”
It was Altaïr.
It could only be Altaïr.
The voice was the same voice he heard back in the Animus.
And he shouting at Desmond, staring at the screen as he slammed one hand against…
The screen?
Golden wisps wrapped around him, dragging him to the darkness behind him as he shouted, “Desmond! Find us! We’re-”
The ‘ad’ disappeared.
And Desmond was now staring at the next level.
He could clearly see one of the words was already filled out for some reason.
‘Breach’.
“Desmond…”
“Sorry, Lucy.” He handed the phone to Lucy as he said, “I was just playing ‘cause I was bored.”
Before Lucy could grab it, he pulled it back and pressed it over his chest as he asked, “Did you guys hear Altaïr too?”
“We heard him but, more importantly, Desmond…” Rebecca glanced at Lucy before she said, “None of us should have any phones at all. Abstergo could track us.”
“It’s not mine!” Lucy immediately said, taking a step back as she said, “I don’t know why you think that’s my phone, Desmond.”
“What?” Desmond blinked, “But… I took this from your bag…”
“Shit.” Rebecca’s eyes widened as she realized, “Did… Did Abstergo plant that in your bag, Lucy?”
“What?” Lucy turned to stare at Rebecca.
“That’s not possible. We’re the ones who brought that bag here, remember?” Shaun reminded Rebecca, “And we’re absolutely sure we didn’t put that phone there.”
“Then… who did?” Rebecca frowned as she mumbled.
“We need to get out of here.” Shaun said, “Desmond, turn that phone off and give it to Rebecca. She’ll check it.”
“Wait-”
“We don’t have to tell Bill about this.” Shaun said, “That phone could have easily given Abstergo our location. We need to move.”
Lucy’s eyes widened when Desmond gave the phone to Rebecca and she said, “We need to destroy it then. To keep us safe!”
“What? No!” Desmond stepped forward to cover Rebecca.
No.
To cover the phone.
“Altaïr just used it to contact me. We need to know how it was able to do that.”
“It’s a risk but he’s right, that Altaïr could have just as easily been a trap but we need to be sure.” Shaun was already taking down the papers on his corkboard as he said, “Come on, Lucy, let’s pack as quickly as we can. We can contact Bill on the move.”
Desmond frowned.
Lucy looked pale.
Was she afraid that Abstergo already knew their connection.
“Hey.” Desmond placed a hand on her shoulder, feeling her freeze. He smiled at her as he said, “We’ll be fine.”
His smile grew as he said, “I’ll kill any Templar coming our way, okay?”
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wolfofartblock · 2 years
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au where they're each other's only friends and are aware of each other's secrets -- Desmond only sticking around and allowing Alex to get close to him because he's well aware that probably nothing coming after him could hurt Alex anyways, and Alex having become obsessed with the bartender that's slowly made him feel more human but oh no that obsession's turned into genuine care for the idiot
Desmond gets kidnapped like normal but is fully expecting Alex to come and find him (it's likely that they wouldn't even get him out of the country before Alex found them bc Alex is an obsessive weirdo and was probably watching Des's apartment anyways), but we'll pretend he found Desmond only after the Assassin's rescued him for shenanigan purposes
God I was in a huge AltDes mood and then on my long drive back home from visiting family, I went back and started reading AlexDes fics :'( I also wanted to get some drawings out before school started again x.x
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asscrackcreed · 2 years
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imagine the bleeding effect makes des feel the same way his ancestors do e.g. he falls in love with maria/christina because altaïr/ezio did or seeing achilles as his father figure. and then shaun (lucy) and rebecca have to watch desmond cry over ppl he’s never met
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sparrow-in-boots · 11 months
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okay so, I'm going to get to Lucy Stillman and the franchise's treatment of her, but i think I need to explain my own feelings about the portrayal of the modern brotherhood first. I do not buy the "brotherhood = conspiracy theory cult" angle. It's flawed and leads to terrible takes overall, by the lore and by the fandom.
It's a holdover from the fact that the game decides to run with conspiracy theories that we have in the real world, and assign them all to the Isu. they even poke fun of it in the earlier games with the whole lizard people and space wizards in tinfoil hats comments. now that's a whole can of worms in itself given how deeply racist and antisemitic the overwhelming majority of conspriacy theories are, but it's not a good way to portray the assassin brotherhood because that's not what they are. they are far leftists. they are anarchist cells, they are commune organizers, they are revolutionaries. that's not me saying it either, that's just canon, plain and simple.
but that would make the story too close to real-life politics and they can't do that cus it's not in their interests.
therefore, the brotherhood is coded as isolationist cultists, or at least as far as The Farm goes. in current year, i think we can all agree there's an inherent fallacy (if not outright disengenuous portrayal) of painting your leftist organization fighting against the capitalist neocolonial hegemony with the same strokes as the whacky people starting communes in the middle of nowhere to escape 5G towers, fluoride water and the [insert villanized minority group here].
i don't buy it, i don't appreciate it, and i think we could have had a stronger story without it, even regarding Desmond's backstory.
THAT SAID, let's take a look at Lucy. her's is the story of a girl who was forced into adulthood too early after being left to her own devices by a very sheltered and isolating community that failed her, and then inducted into a cult which ultimately killed her and then was promptly swept under the narrative. that cult is the templar order by the by.
Lucy was born and raised within the Brotherhood, and pretty much set lose on the world with no connectiosn to speak of. surely they must have given her a paper trail, fake parents and school enrollments, medical records, the works. she was told to infiltrate Abstergo and probably given a general path towards that, namely research that could be useful to them, but otherwise? she was on her own.
first thing that comes to mind is when Amish folks get their time away from their hometown to experience the world and choose to come back or not. i can't comment on their experience and general view on this so i won't attempt to draw a parallel here, but just that initial mental connection speaks for itself imo.
She speaks of having to wait tables to make ends meet, and while that's the socially expected experience of solo living for a young adult leaving home (work minimun wage jobs, go to college, climb the chain, start small, etc), she has no home to return to. In fact there's this looming tension that even opening up to missing her home or going into detail about it could blow her cover. Even in the privacy of being around friends and colleagues, there's this necessity of keeping up a front. She has to buy it so deeply it becomes her, inside and out, and doing that at such a formative age is bound to take it's toll.
You're removed from everything and everyone you've ever known. You don't know when or if you'll ever see them again. In fact they can die at any moment and you might never hear about it. Contact with them is a fraught and dangerous thing, and even the slightest slip could spell your doom and theirs. Connection is a constant swinging sword of Damocles over her, and who can take comfort and solace from community like that? No one, is who. So of course she'd seek that away from where she could endanger everyone.
So in comes Vidic. She knows he's a templar, of course she does, but he's kind and understanding, a bit frustrating and headstrong, but she can usually talk him into chilling out here and there. And of course, one can draw a parallel between him and Bill. Both are strict and charismatic (in their own way) father and mentor figures, but while Bill is cold and hard, Vidic feigns affection (as Haytham so eloquently put) and the worst part is, it works. Any affection and attention is good attention for the starved, and Lucy's been on the end of her ropes since she's been outside of the Brotherhood.
She knows and can see it's all manipulation, she's not that blind of course, but it chips away at her. That's what emotional manipulation does after all. And then, in come the agents to kill her, and Vidic stops them.
All her life she's heard how brutal and merciless the templars are, and surely she's seen it too while working under them, but right when her facade slips and she should be dead, she's not. Because Vidic spares her. Of course that leaves a deep impression on her, and further erodes her resolve. Slowly but surely, she opens up, and Vidic is an expert at what he does. She may hold quite a bit of guilt and shame at turning, but the templars were there when the brotherhood wasn't.
Bill says that of those they send to infiltrate the templars, they are either "too strong" and can't keep up the charade, or are "too weak" and turn. How is being a human being who needs connection and community "too weak"? How is being slowly lovebombed and manipulated into choosing the wire mother and then being foresaken the plush one when in need weakness?
Desmond says that she "seemed so sincere, like she really wanted to make a difference", and I truly believe she did. Her morals and belief were twisted through years of emotional torture and isolation, and she knew she couldn't return to the brotherhood after how far she caved under the pressure. There's no space for the nuances and endless gray areas of such an unbalanced war in the current brotherhood, and she knows it, so throwing in with the templars for her was the lesser evil. She's not fool enough to buy their propaganda wholesale, but it's a necessary concession in her mind so she can excuse her taking advantage of their attention and community. Again, as long as she's useful to them, she has a place among them.
However, the way she's treated by the narrative is... w o w. We never get the chance to hear it from her side, expect by a pathetically short email on the ACR dlc. While having the protagonists agonize over someone's beliefs after their passing and finding no solid answers, they really don't spend nearly enough time for that to carry much weight narratively. In fact, there's hardly much of a critique on the conditions that led her to that kind of fall from grace, and even less is done to fix it.
She, much like Clay, are the epitomes of how the brotherhood is mirroring too much the templar's and Juno's disregard for human life, and how that needs to change in order for them to turn the tides. But nothing comes of it, because our anchor to the modern timeline gets doomed by the narrative and now all those loose plot holes go nowhere. Her funeral, her burial, her memory, it all gets waved about like an annoying gnat on the dinner table, and nobody does anything but try their best to ignore it until it goes away. Her actress couldn't keep with their schedule, so they got rid of her in the most pathetic horrifyingly dismissive way possible.
Personally I'm not a fan of the templar turncoat plotline they gave her, but if that's what they wanted to go with, then it needed much MUCH more careful writing and it needed to fucking GO SOMEWHERE. But it doesn't. And it sucks.
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