Sin saber tu nombre, voy a ser tu hombre
Ya te vi en dónde, pues tengo hambre
Sé que quieres hacerlo, fácil pude entenderlo
Perdiste el control de tu cuerpo
Solo falta un beso para perder la calma
Pero me pone ready y la aventura nos llama
Tu cuerpo a los lejos habla
Dize, cuéntame su drama
Sigo echándome fiero
La noche se hacía tarde y yo todavía en su juego
Tratando 'e quitarle su timidez
Para así contemplar su desnudez
Intenté besarla y me esquivó
Ansioso con las ganas me dejó
Aunque no le quedaba ese guille, me le pegué y le dije
🪩Sabaeton pt.14🪩
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🎸, 🎤, 🎧, 😘 :)
🎸 Favorite Stage Theme?
Carnival Night Act 2, next question. lol no
In all seriousness, this person right here is extremely partial to Hard Times Act 1, what can I say, I'm a simple guy :P
Though, to be honest, something about the Buxer tracks is so... well constructed, even in comparison to the rest of S3K's already top tier OST. Of course the song itself is from the 80's, but the way it was translated to Genesis, the choices in instruments, those crunchy samples taking over the least amount of cartridge space possible in the game's already gargantuan size. Flying Battery and Death Egg are beautiful tracks, but something about the way they got IceCap working still amazes.
As for 3D Sonic, lately I've been feeling Skyscraper Scamper Night a lot. It's the kind of song I think of when I'm about to stream and I have to pick a Sonic song to play from my almost 500 track playlist. I fucking hate Skyscraper Scamper Act 1 with a burning passion, but you can never be mad at Kumatani's music :P
🎤 Favorite Vocal Track?
Every Sonic Frontiers boss, oh, and One Way Dream.
I cannot possibly understate just how much this OST changed my life. This wasn't my first rodeo, I've been here for years and I've spent a lot of my time listening to Sonic OSTs both new and old. When Forces came out, I celebrated the fact vocal songs were back, and I wanted more. I love Sonic vocal songs, and for a long time With Me was my go-to vocal song. But holy fuck these tracks blew me away.
My expectations were surpassed. Final boss-tier songs playing every four hours or so, and probably my favorite credits theme ever in this franchise. It felt like playing through the final battles of Sonic Adventure 2, Heroes and Black Knight over and over again, all in one game. The bar was set very high before this game, and now it's even higher.
And, of course, I picked Find Your Flame as my absolute favorite. I think it perfectly represents Sonic as a whole. Confident, fighting to the very end for his mission, sticking by his friends, very high energy, very powerful and, in the end, a moment to calm down and reflect on the best things in life, that flame that keeps him going.
🎧 Favorite overall soundtrack?
Sonic Unleashed. It and CD are still at the top, but Sonic Frontiers came very close to stealing that, too. The thing I still love about Unleashed's OST is the overall variety, it's so well-rounded and high quality, aged just as beatifully as the game itself. Also, I live for jazzy Sonic tunes, they always hit different.
😘 Favorite ship?
I see you mentioning KnuxAmy here and there, and I'm a bit guilty of not talking about that underrated ship more. Low-key it's still one of my favorites :P (One day I'll finish that Angel Island fic, maybe)
I'm sorry, I was very busy enjoying the absolutely wonderful state of SonAmy in 2023 :P
And tbh I'm not as active in the shipping side of the fandom as I used to
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Miserere Mei | Allegri - by the Norbertines of St. Michael's Abbey (Extended Version)
#goodfriday#stmichaelsabbey#catholic Allegri's Miserere is one of the most famous and most beautiful pieces of sacred music ever composed. It is a song of great sorrow and an appeal to God's mercy: poignant at any season of Life, but especially during Lent. Drawing from King David's lament in Psalm 50, it is a composition of great sorrow and an appeal to God's mercy: poignant at any season of Life, but especially during Lent. It explores the beauty and emotion of penance and the mystery of conversion. In this video, Fr. Edmund walks us through Allegri's technical mastery in the music, its important liturgical context, and its enduring relevance for our lives and the life of the whole Church. Be sure to listen to the full playlist of our Gregorian Chant & Polyphony here - • Sacred Music: Gregorian Chant & Polyp... To learn more about St. Michael's Abbey visit: https://stmichaelsabbey.com To join the Abbot's Circle visit: https://www.theabbotscircle.com To request a Mass visit: https://stmichaelsabbey.com/mass-requ... To submit a prayer request visit: https://stmichaelsabbey.com/prayer-re...#stmichaelsabbey#catholic#goodfriday
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Song of the Week: "Mira Mira" by Don Elektron, MariaDennis, Sam Bruno
Don Elektron, MariaDennis, Sam Bruno – “Mira Mira”
I can’t find much information about the artists behind this track but it’s a powerful, crunchy electronic dance number with a Latin beat.
Songs of the Week for 2024
January
“Easy Fun” by gglum
“Until Everybody is Free” by Bella Cuts
“Hand to Hand” by Katy Kirby
“Barnyard Disturbance” by Christian McBride & Edgar Meyer
February
“Mira Mira” by…
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Nightwish - The Phantom of the Opera
2002
"The Phantom of the Opera" is a song from the 1986 stage musical of the same name, based on the 1910 French novel of the same name by Gaston Leroux, which tells the tragic story of a beautiful soprano, Christine Daaé, who becomes the obsession of a mysterious, masked musical genius living in the subterranean labyrinth beneath the Paris Opéra House. The song was composed by Andrew Lloyd Webber, with lyrics written by Charles Hart and Richard Stilgoe, and additional lyrics by Mike Batt. The song was originally recorded by Sarah Brightman and Steve Harley, which became a UK hit single in 1986, prior to the musical. Listen to it here! In its theatrical debut, it was sung by Brightman and Michael Crawford in their roles as Christine Daaé and the Phantom. Listen to it here! The Phantom of the Opera was the longest running show in Broadway history, and celebrated its 10,000th performance on February 11, 2012, becoming the first Broadway production in history to do so. It is the second longest-running West End musical, after Les Misérables, and the third longest-running West End show overall, after The Mousetrap. The original West End production at Her Majesty's Theatre, London, ended its run in 2020, its run cut short by the COVID-19 pandemic.
Nightwish is a Finnish symphonic metal band from Kitee. The band was formed in 1996 by lead songwriter and keyboardist Tuomas Holopainen, guitarist Emppu Vuorinen, and former lead singer Tarja Turunen. The band soon picked up drummer Jukka Nevalainen, and then bassist Sami Vänskä after the release of their debut album, Angels Fall First (1997). In 2001, Vänskä was replaced by Marko Hietala, who also took over the male vocalist role previously filled by Holopainen or guest singers.
In 2002, Nightwish released Century Child, along with the singles "Ever Dream" and "Bless the Child". Century Child was certified gold two hours after its release, and platinum two weeks afterwards. It set a record on the Finnish album charts of most distance between a first place album and the second place. An enduring favorite of fans is the band's version of "The Phantom of the Opera". The song was routinely played in concerts until October 21, 2005, when vocalist Tarja Turunen was fired from the band and later replaced with Anette Olzon, whereupon the band announced that they would never play the song live again. This would hold true for 17 years until November 27 and 28, 2022, when Nightwish was joined by Dutch singer Henk Poort on stage at the Ziggo Dome in Amsterdam to perform the song. Marko Hietala joined Tarja Turunen at a couple of her solo shows in 2023 to sing "The Phantom of the Opera" with her. They are set to tour together in Spring 2024 in Latin America on Tarja's "Living The Dream – The Hits Tour".
"The Phantom of the Opera" recieved a total of 82,7% yes votes!
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