recently watched the 90s moomins anime opening again and had a cute idea after.
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Happy new bears, my dear fellows! 🧸
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My full piece for @chuunosukezine ! (✤( ˙꒳˙ )✤)
I designed Maria's mascot based on a vulture and sized her up to make her extra big and scary as she chases down Chuunosuke!!
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Lobby card for Stray Cat Rock: Beat ‘71 (野良猫ロック 暴走集団’71), 1971, directed by Toshiya Fujita (藤田敏八) and starring:
Meiko Kaji (梶芽衣子)
Michiko Tsukasa (司美智子)
Sari Takano (高野沙里)
Yuka Kumari (久万里由香)
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Propaganda
Eva Gabor (It Started with a Kiss)— Not only was she incredibly hot, she voiced The Duchess in Disney's The Aristocats.
Meena Kumari (Sharada, Dil Apna Aur Preet Parai, Sahib Bibi Aur Ghulam)— Meena Kumari was Indian actress and poet, regarded as the "Tragedy Queen of Bollywood" due to her legendary performances in emotionally charged roles. Using words from her biographer: "She had many dimensions — she read poetry, had many literary friends, [and] aspired to the higher life." Meena had an incredibly difficult life, and translated this pain into her volatile acting performances. She is an artist beloved and revered by her fans.
This is round 1 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.
[additional propaganda submitted under the cut.]
Meena Kumari:
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Prasanna Kumari, ed. by Kate Rogers and Viki Holmes, from Not a Muse: The Inner Lives of Women: A World Poetry Anthology; "Woman: Scattered Images"
[Text ID: “And me and me and me too… / The heaviness of being…”]
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Just read “Feminism and Nationalism in the Third World” by Kumari Jayawardena and I’d highly reccommend it. It offers a symmary, exploration and analysis of the ways that feminism developed in Turkey, Egypt, Iran, Afghanistan, India, Sri Lanka, Indonesia, China, Japan, Korea, Vietnam and the Phillipines taking into consideration the political, socioeconomic and cultural factors of each country. These are perspectives that are sorely lacking in western dominated feminism. It also challenges the idea that westernisation and capitalism leads to true emancipation of women or that all feminisms in the global south are merely imitations of western feminist movements. It’s readable, each chapter is relatively short but packed with a lot of really interesting and provocative info. And essential if you want to learn about feminisms around the world outside of the western framework of Suffragette -> Betty Friedan. I also like it because it doesn’t just suggest a blind acceptance of other country’s feminist movements built on their cultural traditions either. But it shows that when feminist movements keep away from true grassroots political action and instead focus on bourgeois, imperialist interests, the movement withers. It also shows just how important understanding different cultural contexts is for understanding feminism, that all female emancipation movements have been influenced by other factors. She also challenges the idea that women are emancipated by entering into education or the work force alone without changing the patriarchal structure. Give it a read!
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GET INTO THE DOWN WITH CIS BUS, MY GOOD FELLOW! THE GAME IS AFOOT
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