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#johns hair in the gif is just...
collinnmckinley · 9 months
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Call of Duty: MWII + MW2019 ↳ Infinite gifs of Cap. John Price [22/∞] | Hatless.
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javelinbk · 5 months
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The Beatles' appearance with Gay Byrne and Ken Dodd, Granada Television Studios, 25th November 1963 - part 4 (part 1, part 2, part 3, part 5, part 6) (x)
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cametotheshowinsd · 1 year
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Miss Americana & the Heartbreak Prince (1989) dir. Taylor Swift ✘ They whisper in the hallway, "she's a bad, bad girl."
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flyboytracy · 3 months
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he can close his eyes now, his kids will still be there when he opens them
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footnoteinhistory · 13 days
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with-eyes-closed · 1 year
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San Francisco Airport, 18 August 1964
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ex0rin · 11 months
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Wyatt Russell in distress for @lowlifesymptoms | Black Mirror: Playtest
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author-morgan · 1 year
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Title: Ghost of Days Gone By Rating: M Pairing: John Marston x fem!Reader Summary: Running from the past can only get you so far —but there's a chance the past holds the keys to your future. Or in which Jim Milton shows up at Pronghorn Ranch, and you're both visited by the ghost of days gone by. AO3 link
Do you ever cry for the ghost of days gone by?
“FOUND YOU A new milkmaid,” Tom Dickens announces, leaning on the fence as he watches you milk one of the cows. Used to be that Pronghorn Ranch kept half-a-dozen milkmaids, but that was before the lot of them got ideas above their stations and went chasing fame and fortune. Didn’t much matter to you, though. Your days of infamy are passed, and despite a coffer filled with the remnants of that life, working day in and out for David Geddes was enough to keep you content. In exchange for keeping the livestock, you had three meals a day, a roof over your head, and fair wages for fair work —more than could be said for those girls who ran off a few months back.
You place another bent metal pail under the cow’s udders, continuing your morning routine. “This one ain’t gonna run off for the circus, is she?” You ask, rising from the stool and brushing off the straw and dirt clots from your shirt and pants ‘fore turning to greet the newcomer.
“Don’t think so.” You recognize the rough voice instantly —even after all these years. And if your ears are trying to deceive you, then your eyes confirm what you already know. He’s not as skinny as when you last saw him, and instead of wiry scruff, there’s a dark beard on his chin and jaw, patchy where two long scars cut 'cross his cheek —new additions. “Jim Milton, ma’am,” John Marston says, extending his hand and snapping you from a far-off place filled with distant memories. He masks his surprise better than you do, but you know the look in his dark eyes.
It's less of a handshake and more of clumsily fumbling while trying to hold on to his hand —Tom casts an odd glance, but at least you can blame the awkwardness on milk and mud-slick hands. “Nice to meet you, Jim,” you tell him, smiling through the newfound ache in your chest. “C’mere and give me a hand.” You nod in the direction of old Bessie in her stall, knowing John Marston doesn’t know the first thing about how to milk a cow. “Thank you, Tom!” You call, waving to him as he heads back to the main barn to help Abe with the horses.
But then your attention snaps back to John —no, Jim. It’s been years since you last saw John Marston —more than that, it’s been almost twenty years. He and Arthur Morgan left you to your whims in a little livestock town in the middle of nowhere California after a successful stagecoach robbery. Pronghorn Ranch is the last place you ever thought you’d see him again, but it’d been the last place you thought you would’ve ended up too. “What the hell are you doing here?” You don’t know whether to hug or slap him, so you do neither, just gawk at him like you’d seen a ghost. “Thought you was dead.”
“Heard the same about you,” he says, remembering the day some of Colm O’Driscolls’s boys said they’d put a bullet between your eyes for making off with one of their scores. John had been enough of a fool to believe them —especially when the months started to pass and your paths never crossed again.
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TOM DICKENS COMES to fetch the new hand after the day’s work is almost finished —to formally introduce him to David Geddes. Afterward, John goes to your cabin, knocking on the door, awkwardly shuffling from foot to foot as he waits. You motion him in and close the door. There’s a moment’s pause when you both stare at one another as though not quite believing the other is real, but then you surge forward, arms twining around his neck with little hesitation. John Marston stumbles back, stiff as a bonefish at first, but he quickly caves into the warmth of your embrace, arms wrapping around your waist and cheek pressed into the crown of your head.
You step back first, hands lingering on his shoulders for a fleeting moment before turning to sit in one of the rickety chairs at the table in the center of the room. “What are you doing here?” You’ve already asked him earlier, but now he can’t use the guise of working to avoid answering. 
John sits next to you and shrugs, staring at the rough floorboards under his boots. “I don’t know” —seems like nothing made sense anymore, not since he shakes his head— “I thought maybe…” he fumbles for the words and knows he’s making a fool of himself. John Marston lifts his dark gaze, finally settling on a piss-poor explanation for why he’s turned up at a small ranch in West Elizabeth.
“I’m trying to do better...be better,” he finally ousts. “Got a son now.” It’s a quiet admission and it strikes something deep in your heart. “He’s still in Strawberry,” John tells you, knowing that’d be the next question —his boy was helping the doctor prep tools and clean between patients for twenty-five cents and two meals a day. A better life than he’d had for the past eight years. “Wanted to make sure this arrangement was gonna work out.” 
“And his ma?” You ask, almost timidly. 
He shakes his head, eyes downcast. It won’t nothing pretty that night when the Van der Linde Gang fell apart. Abigail. Susan. Arthur. “She…” John takes a deep breath, remembering how he went to Copperhead Landing to find his family, but only Jack and Tilly were waiting for him. “It was a mess,” he tells you. “Dutch came full undone. Lost a lot of people.” Left me for dead too. 
You hadn’t known everyone in the Van der Linde Gang, just John Marston and Arthur Morgan from the few times you’d run into them on the road and in towns. But you remember how they both used to talk about Hosea Matthews and Dutch Van der Linde and reading about the train and bank robberies and all the murders —all seemed out of place given the two men you knew. “And Arthur?” But somehow, you already know the answer —doubt John would be here in the first place if Arthur Morgan was still around.
He just shakes his head again, not wanting to talk about that night on the mountain, about what Arthur did for him in the end. And how it feels like he’s wasted his life since then —chasing gold in the Yukon, still on the run at every turn, unable to raise his boy right on his own. “Never thought I’d see you again,” John says, the rasp in his voice turning to a crack.  
You nudge his side lightly, offering a fleeting smile to cut through the suffocating despair. “We always did have a habit of finding each other.” Even as ghosts, John thinks though he doesn’t say as such. 
“So, what happened to you?” He asks, not about to let you come away from this conversation unscathed. “How’d you end up here?” A ranch in the middle of nowhere West Elizabeth won’t where he expected to find you, either. 
It’s both a long story and a short one. “Left it all behind.” Living like a criminal wouldn’t carry you through life much further, especially not with the law and the Pinkertons rounding up the last of the outlaws. Was a surprisingly easy choice to make after you met the man who’d eventually call you his wife. “Got married.” The memory is enough to make you smile in earnest. You glimpse John, his dark gaze focused only on you, lips slightly parted to take a slow breath as he realizes.
“Had a little homestead further east.” It was a small two-room cabin in the woods, warm and welcoming. A home. “Quiet life. A good life,” you muse. But it didn’t last long enough. “Then I got a visit from Colm’s boys,” you tell him, still not understanding how they found you that far east. “Came to settle a debt from a score I stole off ‘em.” There’s a certain apathy in how you say it —cold and matter of fact, as though to say such is life. You stare out the window on the opposite wall, eyes nigh devoid of emotion as you recall that night. “Buried them and my husband six feet deep,” you tell John, and he grips your hand —the rough pads of his fingertips pressing into your palm.  
“Guess I had it comin’, in the end.” You’d long been afeared that your sins would return to visit. They had, and the cost was almost more than you could bear. In the days and months afterward, it seemed your punishment from the Almighty was to keep living and try to make amends for past misdeeds. “Don’t get to have good things happen to you after the things I did.” John doesn’t say anything, just nods —it’s a sentiment he knows well enough.
Ain’t much more either of you can say. Life hadn’t been kind since you last saw one another, but fate or some high power must have a warped sense of humor to lead you back to one another after all these years. Sighing, you slip your hand free of John’s and reach for him, fingers following the new scars on his cheek and jaw —the one cutting across his thin, cracked lips too. “How’d you get these?”
His dark gaze flits across your face, and he lets out a trembling breath when you pull back your hand. “Wolves tried to make a meal out of me,” he answers —won’t a pleasant week between getting shot in Blackwater and mauled by wolves in the Grizzlies.
“Too rotten for ‘em?” You ask, teasing. “That why they spat you back out?” And John laughs, lips twisting into a ragged smile as he leans into you, resting his forehead against yours.
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AFTER A FEW days of adjusting to the routine, John heads back into Strawberry on a late Sunday morning to fetch his son. Mister and Misses Geddes assured him there’d be a place for his boy on the ranch, and so long as he did his share, he’d even earn a few coins to fill his own coffer. If nothing else, Jack Marston would have a score of people to help look after him and teach him a thing or two about animal husbandry.
You’re starting a fire in the kitchen stove when you hear the wagon jostling to a stop and horses whinnying. Setting a pot of water on the burner, you turn to the door, wading into the cool spring evening air —equally excited and nervous to meet John’s son. The boy sitting next to him in the wagon seat climbs down with a book tucked underarm and glances around the ranch —to the big house and barns, the horses in the corral, and the ranch hands enjoying their day of rest on the porch with a bottle of whiskey.
He looks like his father, that’s for certain, but you imagine he must have his mother’s eyes. “Jack?” You greet softly, knowing John told the others his boy’s name was Lancelot.
The boy looks surprised that anyone would know him in this part of the country —especially given who his new persona is supposed to be. There’s a question budding in his bright eyes. “She’s a real good friend of mine from long time ago,” John explains before you can properly introduce yourself, wearing a little smile as he steps around his boy to grip your shoulder, a silent thank you almost for being so understanding —accepting of his sudden appearance back in your life. Jack’s gaze flits between you and John. Even he knows it’s been a long while since his pa’s looked this happy.
You step closer and extend a hand toward the boy, and he gives a timid but firm handshake. “It’s nice to meet you, Jack,” you say with a smile, but then your attention shifts to John. “How about you boys stay with me?” You suggest, pointing over your shoulder to the women’s cabin —empty for the past few months save for you. “Be easier to keep an eye on him that way.” It’s better than staying in the stuffy bunks with the other ranch hands and one he won’t pass up. After living on the road for so long, it’d do Jack good to have a motherly figure back in his life.
Jack starts to the cabin with his bag, and you fall back to keep stride with John, nudging his side with your elbow. “Least we know he won’t turn out like you.” There’s a hint of laughter in the way you say it, a twinkle in your eye, too.
“What’s that supposed to mean, missy?” John asks, knowing good and well what it is you mean, and he's unable to hide his own amusement. But you don’t say anything else —just smile for him.
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IT’S A SLOW life. Routine and almost boring compared to always running, always having to have one eye trained over his shoulder, but to be a decent man working for his keep every day is enough to keep John Marston happy for now, especially knowing what it means to his boy. It’s the first time Jack’s ever known the same place for more than a few weeks or months at a time —first time he’s had a whole bed to call his own too. Despite the hard work, day in and day out, the ranch starts to feel like a home —like maybe he’s found his calling in life. Or at least Jim Milton’s calling.
The rooster crows at the break of dawn, but you’re already awake with a pot of coffee brewing and bacon in a frying pan. It’s the scent of the bacon that draws both John and Jack from their bunks and to the table. Taking breakfast and supper together every day is bittersweet —makes you think of what could’ve been had Colm’s boys never found you, but there’s no point dwelling on the past like that. John won’t ever be the man you buried, and Jack won’t ever be your boy, but for the time being, you’re content with this mismatched family. “Mornin’ boys,” you greet, cracking half-a-dozen eggs into the leftover bacon fat. “Coffee’s ready.”
John mumbles his appreciation as he pours himself and you a cup before sitting at the table with the most recent copy of The Blackwater Ledger. 
It’s a quiet life, too. Until shouts and gunshots break out in the night — until flames rise from the barns to lick at the night sky. John’s out of bed before you, pulling on his boots and starting to the door. You peer out the window above your bed, recognizing the men and their horses. The Laramie Boys. They’ve already set the cattle loose and the barn ablaze —another attempt to drive David Geddes off the land to make way for Abel Atherton. “Stay here with Jack,” John tells you. 
But you’re already throwing open the lid of an old trunk tucked away in the corner, pulling out a worn Lancaster repeater and bandolier of ammunition from a life you meant to leave behind for good. “You forget who I am, John Marston?” You ask, pressing a round into the loading gate. “Been dealing with this lot longer than you have” —you cock the handle of the rifle, starting toward the door, pushing past him— “and I’m tired of this bullshit.” 
Hanging Dog Ranch isn’t a long ride, but on a moonless and starless night, it feels like it’s miles and miles away. The shadow of the windmill rises from the landscape, almost blending into the backdrop of tall trees. Lanterns pock the stables and tents —and in one of the corrals is David Geddes’s stolen cattle. The Laramie Boys were there, all right. John lifts a hand, a silent gesture for everyone to stop and dismount. You’d go in on foot from here. He directs Tom to the windmill —a good vantage point to keep an eye on anyone and do away with any of them who try to flee— and Abe to the opposite side, near the ranch house.
You crouch behind one of the boulders next to John. He watches as you pull the rifle off your shoulder and reload it, cocking the handle —ready to go. John Marston knows you can handle yourself, knows your skills with a gun are on par with his, if not a little slower, but he doesn’t want to chance you getting hurt. Not when you and Jack are all the good he’s got left in this world. “Ain’t letting you just walk in there,” he says.
Had you been younger and more ill-tempered, you would have argued with him, but now there’s no point in it —one way or another, this whole feud would end tonight. “I’ll flank the backside then,” you tell him. Between the four of you, the whole place would be surrounded. You turn to cut through the grass and the tree line, but he grips your forearm ‘fore you can head off. He means to say something, but all he can do is offer a curt nod and let you go.
Once the first shot rings out in the night, you move in. Part of you thinks after putting up your guns for so long, it should be harder —killing folk— but it’s just as easy now as it had been when you first met John Marston on the road. You ram the butt of the rifle into the back of a man’s head, and it doesn’t take much to pull the trigger when he goes to his knees, dazed. All that’s around you are corpses. The rest must be holed up in the barn or around the front. You sidle your way along the back of the barn, then stick an arm through one of the barn windows at the back and wave it ‘round, but no one shoots.
The barn is quiet —seems empty, too, but you know it ain’t. Crouching behind a stack of hay bales, you reload your rifle to finish the job. Couldn’t be but a handful of them left after that. But one of them is the gang’s leader. Caleb Hensley. A vile man who didn’t know how to take ‘no’ for an answer. Dried straw crunches underfoot, the sound coming from the loft above. “Can’t hide forever!” You shout, tracing the footfalls above. There’s a lull in the gunfire outside when you step out from behind on the wooden posts, thinking you’d have the leader of the Laramie Boys cornered for an easy shot, but there’s no one there.  
Caleb Hensley steps out from one of the stables and swings a rough-cut piece of lumber. It’s a narrow miss, and you pull the trigger before he can strike again, but the shot goes wide, and he’s on you again. “Always thought you were a real hard woman, didn’t you?” He mocks, wrestling the rifle from your grasp. You duck around him, making for the discarded gun, but Caleb Hensley kicks the rifle away and grabs you by the hair, hauling you back up. 
Off me! You aren’t sure if you shout it or if it’s just a scream in your head. “Wouldn’t do that if I were you,” he warns, twisting your arm behind your back. You can feel the bite of cold and sharp metal against your neck. “Hate to slice such a pretty neck.” It’s an acrid whisper as he runs his nose along your shoulder, inhaling a mix of smoke and flowers. 
John pushes open the doors to the barn, his gun drawn, but he lowers his revolver when he sees you —and the glint of the knife pressed against your throat. “Let her go,” he says —cool and collected. 
Caleb Hensley twists your arm tighter, a new rage building in his gut. “Won’t give me the courtesy, but you’ll fuck some piss-poor farmhand?!” It’s a venomous sneer, but the accusation doesn't get to you the way he thinks it will, not when your fingers brush against the hilt of the throwing knife tucked into the back of your bandolier. John sees the shift in your breathing, the slight nod of your head as though telling him to get ready.
Breaking one arm free of his hold, you drive the knife straight back into Caleb Hensley’s thigh, deep as it’ll go. The sudden shock is enough for his grip to slacken and for you to slip free entirely. “Bitch!” He shouts, unholstering his pistol, but John’s there before he can fire a single round —and it’s over with the blast of a shotgun.
John tosses down the sawed-off shotgun and turns to you, half-blocking the mess of blood, bone, and brains splattered across the dirt and hay. “You alright?” he asks.   
“M’fine,” you answer. But there’s a slow red flower blossoming on the white linen of your nightdress. He reaches for you, hand cupping your cheek and tilting your head to the side. “Shit,” John breathes, pressing his hand against the cut and the slick warmth of blood —it spans from the base of your neck and across a collarbone to the edge of your sternum. It’s not deep, at least, and it doesn’t hurt —or maybe the pain hasn’t settled in yet.
The ride back to Pronghorn is quicker and John dismounts his black bay Thoroughbred and turns to you, still astride your speckled Appaloosa —he scarcely lets your feet touch the muddy ground before sweeping you up in his arms, carrying you from the hitching posts and back to the cabin. “M’legs still work, Marston,” you mutter into the crook of his neck, and he shakes his head at your stubbornness. There’s even a hint of laughter in his deep sigh too. All these years and a moment like this makes it seem as though nothing’s changed.
“Jack!” He calls out, nearing the steps of the cabin, and his boy opens the door. Jack stumbles away, his eyes wide and full of fear as he looks between you and his pa. John eases you down onto the bed and glances over his shoulder. “Bring the wash basin, son,” he says, and Jack does, fumbling over his own feet.
“I’m alright, Jack,” you assure the boy with a feeble smile when he places the basin bedside. You can see the color fade from his round face when he looks at you and the blood soaking through your night dress —it reminds him too much of the day he lost his ma. “Just a bad scratch.” John huffs as he wrings out the wet cloth. It’s not exactly a lie, but it ain’t the truth either. He tilts your head to the side gently and starts wiping away the drying blood on your neck.
Under different circumstances, you might’ve laughed at the tinge of color on his cheeks as he silently asks permission to help you undress —poor timing to suddenly become a chivalrous man. With a grimace, you shrug out of the shift and quickly bunch up the stained cotton to keep your modesty intact. John’s gaze flits between the cut and your face, trying too see if he might be able to decipher the far-off look in your eyes, but then he presses too hard, and you wince. “Sorry,” he mutters, redoubling his focus. His brows are furrowed, lips pressed into a taut line —and he misses your hazy smile.
"Need to bandage it,” he says, voice dropping to a low rasp. You nod, turning to face away from him before offering up your shift to make crude dressings —he'll buy you a new one. The feel of his rough fingertips against your skin sends a chill down your spine and sets your heart to racing again.
John ties the strip of cloth off at your shoulder and lets out a breath he hadn’t realized he’d been holding. Then he offers one of his shirts in place of your ruined night dress —a faded black flannel with colored patches at the elbows. He holds it up for you to slip your arms into, and you quickly do up the buttons, turning so you can face him.
“Thank you.” It’s a tired whisper, and John doesn’t say anything in turn, only kisses the back of your hand before returning to his bunk on the other side of the cabin.
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THE WAGON’S PULLED up to the front of the barn, loaded with crates and other sundries to be sold at the market in Strawberry and along the path there. Most times, Jack goes with John to make the deliveries and pick up new supplies, but this time the boy is headed toward the stables instead of the wagon seat. He and Duncan Geddes had been getting along quite well, especially when it came to helping work and train the foals.
You lean against the split-rail fence of one of the corrals, watching Jack Marston longe a nine-month-old filly named Llamrei, after one of King Arthur’s horses —Mrs. Geddes had even been kind enough to let Jack name the new foal. “Not goin’ with your pa?” You ask.
He shakes his head. “Thought I’d stay and help with the horses, ma’am,” Jack answers, then he clicks his tongue to help Llamrei keep her gait.
“If you think you’ll be okay,” you start, “I’ve got a few errands to run in town myself.” It’s been a month or two since you made the trip to Strawberry, and your list has steadily grown to include fabric, sewing needles, and a new kettle for coffee.
“I’ll be fine, ma’am,” the boy assures you. Nodding, you head to the main barn, where John and Abe are finishing loading everything.
Coin purse tucked away, you climb into the wagon seat next to John. “Afraid you’ll have to suffer me today, Jim Milton,” you say, adjusting the brim of your sunhat and brushing down the creases of your canvas skirt. The corner of his lips twists into a smile as he takes hold of the reins and gives them a quick snap, setting the horses in motion toward the road and down the path to Strawberry.
It's good to get away from Pronghorn for a little while. Strawberry ain’t much, but it has everything simple folk could ever need for a good life. John pulls the wagon in front of the depot and waves you off to tend to your errands while he unloads everything and picks up the post.
You leave the general store with a ream of calico fabric tucked underarm and a small basket stuffed with linen and wool cabbage, new thread, and fresh sewing needles. It was almost time for autumn to set in, and wouldn’t be much longer 'fore the hands started bringing their coats and thicker denim to be patched up for the colder seasons.
John’s securing the last crate into the wagon from the post office and tying down the waxed canvas tarp, but you’re looking westward through the tall pines. “Those clouds don’t look good.” The sky’s gone dark since arriving in the early afternoon —smell of rain's on the wind too. He looks up, too, frowning. “Roads go right hell ‘round here in a storm,” you tell him. “We’ll break an axle tryin’ to beat it back.” Last thing you needed was a stuck wagon and ruined supplies, and the last thing you wanted was to be caught in a squall like the one brewing.
All Trackers can offer is a warm meal, but the innkeeper, Bartholomew Bogue, points you and John to the Welcome Center just up the road; they usually had a room or two to spare when the rest of town was booked. The fringes of the storm have already arrived as rain and howling wind. You start through the muddy street after John, holding down your hat to keep the wind from ferrying it away. “Room for the night, please.” He slides a dollar bill across the desk to the concierge, who quickly hands over a room key and motions toward the stairs by the door.
The room is simply furnished —a single four-poster bed caddy cornered, a dresser and vanity, and a table next to a cast iron heater. It’s warm and dry and almost more inviting than your cabin at Pronghorn. You drop your hat on the table and lay your shawl out to dry near the heater. “I’ll take the floor,” John offers —an attempt to be a gentleman— toeing off his muddy boots near the balcony door and setting his gun belt on the dresser.
It's a ridiculous suggestion. “Bed’s big enough for us both,” you counter, stepping behind the dressing screen, stripping off your wet outer clothes and corset. Wouldn’t be right to have him sleeping on the floor on a night like this —cold and wet. He doesn’t argue, and you’re glad for it. You slip between the sheets and quilted blanket, watching as John goes to add another log or two to the heater. And the bed dips with his added weight when he lays beside you. “G’night, John,” you tell him, turning onto your side.
“Night darlin’,” he echoes, reaching over to dim the oil lantern on the end table.
The steady rain turns into a deluge permeated by the flash of lightning and the rumble of thunder. It’s a jagged bolt that seems like it cuts through the window and a deafening clap that first wakes you in the middle of the night. You stare up at the ceiling, a knot rising in your throat as your heart starts to pound. John’s still asleep —dark hair falling in front of his face—and it makes you feel a fool for acting like this. After all these years, a storm can still send you into a panic. You roll onto your side and stare out the window, but the shift in the mattress and tug of the blankets is enough to stir John Marston. “What’s wrong?” His voice is a grating rasp.
You run your hands over your face, wiping away budding tears before they fall, shaking your head. “Can’t sleep,” you tell him, fighting the tremble in your voice. “The storm.” It’s a poor explanation, but John has mind enough to piece together why the thunder and lightning have you acting like this. Was on a night like this Colm’s boys came for you. Was on a night like this, you had to bury Bo and watch your home burn.
John sits up, reaches out, and wraps an arm around your waist, then pulls you back to him —closer now than you had been before the storm picked up. You settle back down, head resting on his pillow, noses almost touching, and breaths mingling.
“Spent years hopin’ we’d run into each other again,” he admits. You first ran into John Marston on the road. He and Arthur Morgan were planning to rob the same stagecoach you’d been scoping out for well over a fortnight. A fake limp, crocodile tears, and a little womanly charm stopped the driver easily enough —all according to your plan. That was until two hotheaded outlaws came kicking up dust and firing their revolvers into the air shouting about it being a holdup. At least they had half a mind to share the take when it was all over.
And somehow, after that, you and John found yourselves running into each other —at saloons, on the road, planning a heist or two. Arthur always told him he was a fool for not bringing you back to camp. Given your talents, the three of you probably could’ve walked into the New York City Assay Office or the Philadelphia Mint and made off with enough gold to buy a small country or two.
It was a good few years, but then John and his gang wandered off too far, and you’d decided it was time to hang up the illicit lifestyle ‘fore the law finally caught up with you. “Be lyin’ if I said I didn’t miss you a little too,” you tell him, eyes tracing the scars on his cheek and across his nose.
“Only a little?” John teases, hand moving from your waist to cheek —the rough pad of his thumb tracing a line beneath your bottom lip and over your jaw. That gets you to smile for him, even if it’s fleeting, and he’ll count it as a small victory.
“What was he like?” Curiosity gets the better of him —all he knows is it must’ve been someone special to handle you. You close your eyes, picturing the small cabin tucked away in the eastern mountains after a new dusting of snow —can still see Bo splitting wood to bring in for the stove and hearth. But it’s been so long, and now you can scarcely recall the color of his eyes. John almost regrets asking when he sees the new tears welling in your eyes, but then you smile and reach to fiddle with the ends of his hair.
“Good. Honest. Kind. Hard-working.” Bo had been a logger, a working man from a decent family, had even built his house with his own two hands. A stark contrast to how you had lived for all of them years —always on the move, robbing people, and killing folk. “Didn’t deserve him, I know that.” You didn’t deserve Bo after the life you’d led. And John knows he hadn’t deserved Abigail, either. Not really. But maybe, just maybe, you deserved each other and the chance to atone for past sins together. “John,” you whisper his name, and he can hear all your heartache, despair, and longing —it damn near breaks his heart and scares the hell out of him, too.
He acts without warning and without permission, settling his scarred lips on yours —something he’s wanted to do for years and something he should’ve done sooner. His kiss is achingly slow and painfully tender. And you sigh into his mouth, hand sliding from his chest to the back of his neck. It tugs at the corners of your heart, leaving you to shatter when he draws you closer, hand straying from the curve of your back to rest against your neck —his thumb finding the proof of your racing heart. John groans softly against your mouth, and it brings you both to part, breathless. “Sorry,” he mutters, resting his thumb against your lips. It’s the same one he’d stroked across your pulse.
You part your lips, just slightly, not enough to take his thumb into your mouth but enough to suggest. “You’ve always been a bad liar, John Marston.” And he kisses you again, his thumb sweeping up until his hand is cradling your cheek, then further still until his fingers are threaded into your hair. It’s not soft as his first kiss, nor as gentle —it’s keen and desperate, an attempt to chase away the years of loneliness and yearning. You graze your teeth across the flesh of his lower lip, catching it at the edges, and the sound that rumbles from him is sharp-edged, not unlike a warning. But you aren’t willing to retreat. There won’t be any running this time.
John pulls you close until his chest is pressed tight against yours, and the hem of your linen shift is rucked up at the waist, a leg lazily draped over his hips —and the thunder rolls.
The old bed frame groans under your combined weights when you both start shifting, fumbling with the ties and buttons of both your underclothes —a wordless understanding that you both want, no need, this. He’s quick with the buttons of his faded scarlet union suit, ridding himself of it as you shrug off the plain linen shift, letting the thin nightdress fall to the floor next to the bed. 
“Darlin’,” he breathes, tugging you into his lap as he starts pressing a short line of kisses across your clavicle, following the path of a new scar —thumbs brushing against the underside of your breasts and tracing sweeping lines across your ribs. His hands wander around your body. From your thighs, hips, waist, whatever he can reach —like he needs to touch you to stay grounded in this life. 
“John,” you gasp, threading your fingers into his hair, holding him against you. His lips twitch against your warm skin, halfway between a smile and smirk as his nose trails along your neck and over the swells of your breasts, leaving warm kisses here and there. The gentle shift of your hips pulls a low rumble from his throat. Nestled between your thighs, you can feel his cock twitch. 
The rough pads of his fingers trail from your sternum, across your belly, and lower still, slow enough to give you time to object if you wanted, but you don’t. You press your face into the crook of his neck, fighting to regain your breath when he parts the seam of your cunt. He pushes two fingers in, and you cry and sigh and keep whispering his name like a prayer. John slides them deep enough to stretch you good, to let his palm grind against your clit —then he moves them, slow and gentle at first, then quicker when you start to sing like one of those pretty songbirds in the early morning mist.
He bites his lower lip, curling and scissoring his fingers deeper inside you, making you squirm. Then repeats the same motion, this time achingly slowly, ensuring you feel the torturous drag of his scarred knuckles. But impatience wins out this time, and you let out a low keening sound as John pulls his hand away, palm giving one last squeeze to your hip —leaving a slick dampness behind.
Reaching between you, John takes hold of his cock, stroking himself thrice over with his slick hand, and when he pushes in, he does so slowly —impossibly gentle, too. Your legs quiver and tremble from strain and desire as John finally eases your body against his. He trembles —it’s heaven— and he gasps like the sound is wrenched out of him against his will, eyes closing tightly, and distress written over his face as his hands fumble over your body, finally settling an open palm to your back when your hips meet his —tight and flush.
Your hands grip his shoulders, palm pressing into one of the scars there. One day you’ll ask him about that one and the one on his thigh and bicep too. Some you know the story of —the wolves, a more crooked nose from defending you in a bar fight, the silvery line on his calf from getting tangled up in barbed wire cutting through grazing land running from the law.
John doesn’t move, not yet, and you don’t either. There’s something about this moment, being like this. His dark eyes gleam as he looks up at you with something akin to adoration. But the mounting heat in your belly is too much to fight against, and you rock your hips against him, and it shatters him. You sigh, soft and sweet between pants and heaves of breath. All you can focus on is his face —flushed cheeks, mouth drawing out impious noises mixed between grunts and moans, a slight quiver in his bottom lip. You cup John’s face in your hands and kiss the curse from his lips.
A calloused hand slides over your ribs, stomach, and up to your breast, kneading it gently as he rubs slow, teasing circles around a taut nipple. You gasp his name, clinging to him, moving in unison as John lowers his mouth to your neck —soft lips skimming your pulse, moving to suckle a sensitive patch beneath your ear.
You ache and burn, and it's one of the most beautiful feelings you've ever felt —like maybe you should have stayed with him all those years ago. John’s grip on your hips tightens, almost holding you still as his hips thrust up into you. The warmth. The rhythm. It’s almost too much for him to bear, and John Marston isn’t willing to let this moment fade so quickly. “Darlin’,” he chokes, and then it’s a breathy groan that sounds like your name.
He rolls to the side, taking you with him, and nestles himself between your thighs again. John rasps atop you, groaning, moaning in pleasure as your cunt takes his cock deeper with each thrust. His cock twitches. His lips shape your name. You warm every inch of him, and the aches in his bones from the last months of work thaw with relief with each movement. It’s soft at first, but his mouth is at your ear, and you can hear it. John is coming apart inside you, and your name is the one on his lips. You smile and turn your head, catching him off guard in a kiss, legs parting wider and drawing up his sides to pull him deeper.
Clinging to John, you think there’s nothing in the world you'd trade this moment for. Everything else means nothing compared to the weight of his arms around you, the feel of his cock buried deep inside you. His hand shackles one of your ankles, then runs up the length of your calf, over your thigh, and your stomach bunches up in knots as his fingers drift back to your calf, hooking his hand behind your knee and drawing your leg up around his waist.
“John, please,” you plead softly, and he will deny you nothing, if only for selfish reasons. He fully relents to the passion and desire —letting himself love and be loved. His thrusts are deep and slow, yet quick all at once, and you find your eyes already stinging with a sheened wetness from the way he feels buried inside you. John’s breathing intensifies, his lips finding yours. He needs your kiss, has gone too long without, and gladly swallows the little gasps and whimpers you make —savoring his hot skin pressed against yours. You feel everything. Each ridge and vein, the weight of his swollen cock striking the place which unravels you.
His hand slides down between your breasts, across your stomach, and still further until he reaches where you’re joined —his thumb pressing against your clit, starting to rub slow, uneven circles. You tense at the jolt of euphoria, walls clamping around his cock. John bares his teeth, almost growling as his thrusts became faster, desperate. There will be no coming back this time. A grounding touch of his lips at your ear, a hoarse —nigh silent— plea for you to relinquish into his touch. His arm slides around your waist, lifting you against him, bodies flush and trembling.
Before long, he feels the rhythm of your breathing change to short, sharp gasps and your body tensing under his hands, back arching, hands scrabbling for purchase on his shoulders and back. Fingers digging into his flesh as you cry out his name on a great, sobbing breath. Seeing you undone like this is enough to finish him off. He pulls his throbbing cock from your heat, and you almost protest at the empty feeling, but John shushes you with his lips as he presses himself tight against you —cock twitching, coating your stomach with his sticky seed.
John settles, bracing his weight above you on bent arms. Wearing a hazy smile, you reach up, tracing his brow and the scar cutting through it, and urge him to rest atop you completely. He gives in, pillowing his head on your breast, listening as the frantic beat of your heart returns to normal. His own slowing in sync as you trace constellations across his shoulders, finding new scars and old ones, too. It feels like he should say something —a quip about being grateful for the storm, but you’re both content in silence, only listening to the thunder roll on outside.
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TIME IS A fickle thing, and before long, John Marston’s been a ranch hand for David Geddes for over a year. After supper one evening, just after Jack’s settling into his bunk, John asks you to ride with him —to the wildflower meadows and burbling creek just down the way. Twilight drops her curtain of orange and red, fading to indigo in the distance and pinned in place by the Moon and stars.
John glances at you and feels that warm tingle rise in his chest again whenever he sees you —whenever his fingers brush against yours while doing a chore, whenever you tuck your head under his chin at night, whenever your lips touch his cheek for a chaste kiss. He didn’t think it would be possible to feel this way again…and yet. He leans forward in Rachel’s saddle, arms crossed atop the horn.
“I, uhh–” he’s thought about how to say it all day, rehearsed it in his head since the crack of dawn, but now the words evade him. Always did have a way with words, you think, smiling as you dismount your Appaloosa and bend to pick one of the wild bluebonnets. “Been thinkin’ bout maybe gettin’ a place of my own,” he finally admits. 
It’s the first time you’ve heard the idea, even if you’ve noticed how he lingers with the newspapers when they come in —looking over the parcels of land for sale around the state and across the Montana River. “Have you?”
“Yeah” —he nods, as though assuring himself, too— “near Blackwater, maybe. Or down in New Austin.” But saying that’s the easy part. “Was–” his voice trails off and takes off his hat, scratching the back of his neck nervously “–was wondering if you wanted to come with me and Jack?” John asks. “If it works out,” he quickly adds. Won’t like he had many dollars to his name, after all. There’s still a bounty on his head, too, even if no one’s come looking to collect on it in a good while.
You go oddly quiet, and John sees the hitch in your breathing and the tears gathering in your eyes as you think about having a life like that again —like the one Colm O’Driscoll stole from you so many years ago. He slides from Rachel’s saddle and looks at you, surrounded by the golden light of a setting sun and violet wildflowers —a dream. “Will you come?” He asks again, doing well to hide the tremble in his voice, the fear of rejection.
But it’s the way John looks at you, eyes dusted with love, that does you in —the same way he looks at every new sunrise and sunset—body relaxed, mind at ease. You’re the spring flowers blooming and the snow falling, the gentle rain that pitter-patters against the roof. He looks at you the way you would look at the simple things in life so often forgotten but reminding him why the world is beautiful —why life is truly worth living again. “Only if you’ll have me.” You tell him, stepping to him, heart pounding.
Seems a silly thought to him to entertain —of course, he’ll have you. You’re probably the only person in the world who’d still have him, especially knowing the life he used to live. John reaches for you, his rough, warm hands settling on either side of your neck, thumbs affectionately running across your jaw. “Course I will, sweetheart,” he murmurs, leaning toward you —a kiss to your forehead, nose, cheek, a delicate peck to your lips, lasting just long enough for the scuff of his beard to start tickling. 
And that’s when you know this is another chance for a simple, good life and that wherever John Marston is, is the only place that’ll ever feel like home. 
[RDR2 taglist: @erzsebetrosztoczy / @gallimaufrea / @hc-geralt-23 / @Idkjj04 / @ksziggy / @little-honeypie / @mrsragnarlodbrok / @overratedsun / @qhbr2013 / @xiakahazou ] if your name is italicized, tumblr would not let me tag you. if you’d like to be added to my RDR2 taglist, or any other taglist, just let me know with this Google Form!
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wolframpant · 2 months
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I, Claudius Episode 7 Queen of Heaven
I've done many terrible things, Claudius. Well, no ruler could do otherwise. But I've always put the good of the Empire above all else. Well, who saved Rome from civil war again? I did. Augustus would have plunged us into it time and again with his ridiculous favoritism. He set Agrippa against Marcellus, Gaius against Tiberius, Tiberius against Postumus. There was no end to his follies. And it fell to me to... remove them - one by one. Don't say you never suspected. That's why I tolerate Caligula. He's sworn, if I keep his secret... he'll make me a goddess as soon as he becomes Emperor. Now, you too must swear that you'll do everything you can to see that it happens. Don't you see? If he doesn't make me a goddess, I'll be in hell. Hell, suffering torments day and night, year after year after year.
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seeminglydark · 2 months
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Would Caro ever grow their hair out long as an adult? Understandable if it bring up BAD PTSD FEELINGS AND FEARS, was just curious. Related: Would Johnny ever grow his hair out long?
HM im going to say probably not in caros case. I think they would get past the PTSD of it a few years after their brittney spears moment, it was always about not having control over it and less about the hair itself i think (which is why im comparing it to that analogy,) but these days Caro is fairly low maintenance about their appearance and hair like they used to have requires a LOT of work and upkeep. The only thing they bother with these days is skin care and drawing in their eyebrows. They want to be out the door, driving with the top down, or stuffing their head and shorter hair into a motorcycle helmet and not worrying about fixing it up afterward haha! on the opposite end of the spectrum, while ive yet to draw caro middle aged, in my head they have thinning hair/pattern baldness and absolutely rock it.
As for John. ok i actually sketched it a bit for the Human Version of him in werewolf AU, johns hair is thick and wavy bordering on curly, and i just. he looked too much like Mr Universe. And it made me laugh. its not bad, but it REALLY didnt fit his character specifically.
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I'm very hair-centric with my character designs, and while i love a cute metalhead or long haired boy, hell im married to a long hair boy, and at some point Avery (character in Seemingly Dark) will be the long haired boy in my stories, to me, john without his trademark pomp or hawk just doesnt feel like john.
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ageless-aislynn · 5 months
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I've always loved the look of tv!Master Chief in his undersuit, so I did my best to recreate my very own action figure undersuit!John. 😇😉
Click to make bigger. Now, granted, people with steadier hands than I could've painted details on the suit to make it more authentic but, well, ya girl has to work with what ya girl has to work with. 🤷‍♀️😉
The recipe, if you're interested, is a Valaverse Action Force Special Ops trooper body and the Star Wars Black Series Axe Woves head. They did not swap easily, I should warn, but it's doable. 😉
I really love him and am so glad to have him on my desk at long last! ⭐💖⭐
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illiana-mystery · 1 year
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John Geiger, Speed 2: Cruise Control (1997)
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plasticfangtastic · 8 months
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Of The Same Poisonous Ilk. Ch. 2
A Homelander fanfic
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A/N: will try doing weekly post for this series, thank to all those who read this, all aplicable tw are put down here if I miss any plz let me know, long chapter ahead! previous chapter here:
Sypnosis: As if God himself had decided to play a prank on him, Homelander is finally blessed with a true equal... Himself... yet not quite the same.
R18+ Violence, gore, smut, selfcest, butchlander, homewell, discussion of sexualization of minors, Child abuse, Femlander, Multiverse shenanigans, Canon Divergent, Darkfic, 3some, Bi-Lander.
Chapter two
Gasping, his throat collapsing, her hand viciously gripping at his throat, his eyes rolling back and their hands in a deadlock.
He had no clue why she snapped so quickly.
Just before with sleepy eyes and groggy lips calling after a man whose named sounded like his own, she pulled, forcing their lips together, Joan devoured him madly, desperately, groaning loudly against his lips, gripping at his hair, her hands starved after him, as his own hand cradled her cheek he felt the damp on her cheeks, that sweet moment died out, she pushed him after trying to kill him, shivering like a wounded doe.
As she calmed down Homelander watched her in awe unsure of what game this woman was playing– why had she become so upset? He could feel his lips throbbing, bruised from the intensity of her kisses and wanting more, both left gasping, she clung to the blanket covering herself as she moved towards the corner, her hair wild and her cheeks bright red.
Homelander leaned forward on his elbows, he felt it again, electricity circulating in his body, feeling her leave had left him oddly vacant. He was falling into a spell, wanting… needing… itching to touch her, a primal craving consuming his desires, they both stared at each other unable to speak yet willing, filling the dark room with nothing but quiet breaths, their heartbeats slowing together.
“Disappointed?” he jokes, wanting to calm her down.
She sniffed, cleaning the tears still staining her cheeks.
“I am sorry.” She cried looking away from him. Homelander never said it but hearing it from her felt strange as if she wasn’t made for it– I… I won’t do it again… so don’t hate me.”
“Is alright… come here…” He stretched his hand– that Jon and you?” he asked nervously, tightening his jaw.
“No!! It wasn’t like that… I thought for a second he was still alive…”
She got closer to him, trembling horribly, afraid he would bite this time around, but Homelander didn’t do such thing, he wrapped his arms around her, feeling that electricity once more, her body fit so neatly against his own, her smell intoxicating– smelling of oats, milk and sunflowers like himself. Her body just the right temperature, her skin made his own crawl, touching her was the finest velvet, her hands just as soft as his own, she sobbed under his gentle embrace.
She held him as she cried lighty, it all remained a mystery to him– one he wanted to unravel. He had only fantasized about hugging himself as a small child…but receiving it now… it felt soothing… without the cringe and shame, this wasn’t that disgusting experience with Doppelganger either, this was him in a way– just better… She was a beautiful new thing, she was real and dependant of him. John and Joan felt the warmth of each other resting in the bed, falling asleep in each other's arms. She slept so soundly, his heart sounded just like Jon’s, in her dreams she saw him, on top of a big rock chewing on jerky, the sun hiding behind him as he watched the vast empty desert, no matter how much she wanted to sit by his side, her legs wouldn’t move.
Homelander awoke, he usually woke at the crack of dawn but for once he overslept, looking down to find the woman still wrapping him, he had slept in his suit which was unheard of but it was a fair trade-off… he had never slept holding another person for an entire night. Looking at this sweet thing he thought of himself at that age, Maeve would make love to him but she would be gone by morning, Madelyn never stayed for longer than an hour or two if he was lucky but now he had the full experience and he didn’t just felt spoiled– he felt light as he squeezed this coiled body around him, surprised that even his little Homie hadn’t ruined the moment, watching her in his arms as she held for dear life at his body– he only found comfort and nothing else, fixated with the song of her heartbeat, gently pushing her finding himself whining as he lets her go, watching her sleep soundly, he brushed her soft hair aside tucking her in. 
He had never once felt this relaxed in the morning– not without sex being involved somehow of course. He caressed her cheek in and let her sleep, he had one mission and that was to look at the contents of that phone.
Ashley bites at her nails, unsure of what to do, the rest of The Seven, Stan Edgar, the head of Crisis management and Dr. Park awaited for Homelander who was unusually late, the prospect that that female had killed him while they slept was being discussed psychically– and then the doors tragically opened up.
“Good morning! I see we’re having an important meeting” He said with genuine glee.
“I texted you three times this morning, sir.” Ashley whispered, taking her place by his shadow– we had one of analytics cracked her phone.”
“Could’ve just asked me– we got the same fingerprint.” he laughs lightly as he heads for his spot catchign Dr. park's attention–"So what brings such illustrious faces this morning.”
Stan raises his eyebrow, gesturing to the head of Crisis management.
“As Dr. Park already briefed the rest of your team, it has come to our attention that our surprise visitors are from another dimension and such ramifications well… long story short You and the rest of the Seven must ensure that our two visitors remain inside the tower, and away from the public.”
“So you invited Starlight?” Homelander chuckles– give it five seconds before she’s texting her boytoy at the FBSA!”
“I’m well aware of the irony… but in the event she does get out or Leaper… it would be a good idea to have a backup– as I was informed it appears that she’s your equal in a fight.”
He scoffs at the idea, taking a seat at the helm.
“If they can’t kill me what makes you think–
“You are to do whatever it takes to take her down, understood.”
Homelander said nothing, feeling the heavy stare of his boss, he would entertain him but he wouldn’t– Joan was worth something to him, there was only one of him, only one original Homelander... but afterall God had made Eve out of Adam's rib, he wouldn't insult the lesser God by throwing away a gift to his most perfect creation.
Starlight cleared her throat trying to calm the flames about to ignite.
“I’m certain that our guest might be reasonable and understanding– I mean she hasn’t attacked since yesterday, no?”
Homelander looked at the young blonde and bitterly nodded, Starlight could only hope this woman could kill their Homelander, in that fight she would put all her bets on her.
“She’s still asleep in my penthouse…” His ear picked the light snoring.
The older man looked rough, muscular and no nonsense, he turned the TV screens on-- each revealing their own stories.
Three stills of Homelander, of three versions of him– A tired one covered in scars and worn down by the sun trying to light a cigarette, a young man with longer hair holding the bottom half of a jaw, and a shirtless man, more muscle than body fat, covered in in a blue glowing liquid, his eyes glowing the same color.
Dr. park took to his side, touching his tablet.
“I don’t need to explain that this footage is highly sensitive– I was frankly blown away if I’m honest” 
He looked far too eager.
“We couldn’t access any of her social media accounts… well their versions of them… seems MySpace, Friendster and Douyin are the main sites, she also has a LINEs account, thus we were able to read her conversation currently we have someone from analytics transcribing”
A screen showed a snipped between Homelander and a man named J with a love heart emoji”
“Joan darling you will do the interview… is that or you post an apology video”
“But I didn’t do anything wrong!!”
“We know and we stand behind you, yet we can lose any more points– do you want people not to love you anymore?”
“alright…”
–… but her gallery well” He takes a deep breath throwing rapid looks at the head of the Seven, revealing there were hundreds and hundreds of Videos and thousands of pictures– our visitor decided to vlog her entire journey, taking multiple daily blogs and stopping only until she could find where or how to charge her phone based on the dates and breaks, I had one of the interns select a few highlight-reels but there’s no doubt this girl is… well…” He looks at Homelander feeling his throat shrink– a Homelander.”
Dr. Park fumbled a bit on the screen.
“We analyzed several of her videos and pictures to determine if they were some high-quality Deep Fakes but all videos came out as real” he said nervously.
One screen flipped thru different photos of Homelander, her in multiple Vough branded events, selfies at movie openings, smiling with Stan Edgar, a version of him that seemed friendly with her and a man that looked vaguely familiar to Homelander in a way he couldn't pinpoint, there were plenty of selfies advertising a make-up and skincare brand called “Homegirl”, a few risque poses here and there that made him blush and angry that he could hear the other men in the room react, for all purposes Homelander was no different than a social media influencer, one photo peeved at the supe, just a selfie with a pair of streamers and a cute sign saying thank you for 300 million Youtube subscribers alongside a diamond plaque.
“The videos were the most insightful.” he cleared his throat– she had kept quite extensive records… her phone battery life last 46 hours on one charge– this technology could revolutionize the world! we are certainly already copying for next year’s V-flip model” He said giddily.
Homelander leaned closer, all eyes focused on the screen. Annie already trying to figure out how she would tell Butcher that his worst nightmare had happened, Maeve clung to hope that this girl wasn’t anything like her ex and the other three were counting the seconds before the meeting would abruptly end, except for Noir who wasn’t entirely sure what was happening as this girl wasn’t Homelander… his only worry is that he had a Yoga class to attend and he might be late now– looking at those picture this person was far more sociable than his best friend.
The video played, Lady Homelander fixed her hair in an unseen mirror stuck in a grand room.
L.E.D lights glew soft blues, a large king size bed peek from the side and behind her a futuristic night sky, a handful of plants decorated a corner and a machine flew around spritzing the plants.
“Hi Guys!! Dunno when I'm posting this but it seems I'm in a little pickle…”she forced a smile but it broke quickly–… I dunno when I’ll be able to talk to you guys again, but it seems I’m in the future?” She took her phone and turned the camera around to the window. It was New York but miles taller, vehicles flew on invisible roads, roofs and balconies covered in greens and massive billboards projected themselves in glorious technicolor– I think I’m going to go insane… I’ve been here for three days and no sign of Leaper… I might be trapped here but I can feel him still here. I have to believe it!.”
The video cut to another scene, this time of Ashley– present one straightened herself unable to believe that in another dimension she would still be trapped in hell.
But this Ashley seemed… sexy, she had an air of confident and dreamy eyes to her, her make up metallic and perfect, her hair long and luscious, and her skin glowing, in her hand a glass of wine, she dressed in a intricate chiffon gown and pearls.
“So tell my audience a bit about yourself…” The Homelander voice whispered.
“I’m Wednesday. And I’ve been Wednesday for over ten years, used to be Monday but now am hump day– thank god! couldn't stand being Monday.” she said with a sultry tone– Monday always has to deal with his bad mood, best days are moi, Thursday and Saturday… altho I don’t like Saturday, she thinks we can be friends.” she seemed grossed out at the thought.
“You guys aren’t friends?”
“We don’t talk to each other outside the groupchat– y’know we ain't gonna let each other serve him the same meal twice, but we ain’t actually talking– it just makes things easier.”
“In what way?” She pressed– "I mean if all of you are his wives…”
“So we should be besties and bake pies together?” Ashley sounded disgusted– look I see him once a week, I get all I want, I live in a grand apartment and I haven’t aged a single day since he infected me with the V-Virus, can you believe I am sixty this year?” she laughed then took a sip of her ‘wine’.
“So it makes you happy?” She sounded sad.
“Why wouldn’t she?” That familiar voice creeped behind her, she turned the camera finding a suited man untying his blue tie by the entrance of the living room, Homelander didn’t expect the house to look like a scene from blade runner meets dune, walls so tall and the sepia lights coloured the skin of his mirror image a uneasy shade, this man younger perpetually trapped in his mid twenties at the latest, his hair swooped to the side and longer, the camera close enough to catch the sickly paleness of his skin behind the yellow tint and bright red eyes-- but not so by light but on their own, Ashley moved towards Homelander– hello my love, work finished early today… missed you.”
“Oh sweetie I missed you” She had jumped to his side wrapping her arms around his shoulders– come here tiger.” she chuckled into his lips.
Ashley eyes widen as  sexy Ashley kissed her Homelander, and had the camera lingered a second longer Homelander might’ve puked as the kiss was more than just passionate, the two basically humping on sight, nobody dared say a thing– a new video played, before the barf bags were distributed.
“Six wives? What’s the logic there Jonathan?” her voice annoyed.
“Sunday is a day of rest… I’m just a man I would die if I don't get some ‘me’ time” He chuckled, the young man sat in a thick leather armchair, plants around him and some marble statues to his side, everybody could’ve sworn it was the Venus de milo, a lot of paintings from the renaissance period adorned his presence- why does it bother you?”
He sounded younger, everything about him felt strange, like peeking into a fabricated memory, his skin had no wrinkles or hard lines but it was him… and it shouldn’t.
“Their names” she grumbled- the lack of them”
“Is easier than remembering their names” He smiled devilishly– is a joke don’t shoot. They don’t want to know each other… ask them! I just follow what my lovers like” he laughed lifting his hands defensively.
“Is hard to believe you and I are the same person… we don’t share anything.” she sounded exasperated.
“We share one thing and that's we are apex predators… you think of them as mud and I see cattle” She paced the camera to the dehydrated corpse by her foot– I get quite hungry after six days with my wives… and just for the record I do know their names… Victoria, Margaret, Ashleigh, Rebekah, Keneth and Kumiko… used to have a Klara and a Serge but they broke our rules.” He looked saddened by his own words.
He stood up picking up the dead corpse with ease, lifting its head to the gaping wound on his neck, he placed his empty cup beneath the wound watching a few drops fall.
“I miss Serge… his veal tasted like the sun kissing my skin once more.” Annie's mouth dropped– but I love them…”
“Do You? Or are you filling the empty void with sex?” The girl stood up and led the camera thru the art gallery into a massive painting of a young girl no more than 16 or 17, long wavy blonde hair, pale blue eyes and thin lips, on top of a cream marble fireplace, Homelander leaned closer he couldn’t mistake that teen for anybody else but Madelyn, but how?– or you just miss her?”
“Maybe I am still a little bit human… or not.” The man teleported beside her, never making a peep– She turned me… guess I still love her in a way.
“And she left you so you decided to get six wives to replace her?”
He chuckled, taking a silver box from a set of five by the fireplace, he opened the latch to reveal a beating heart, dried but it beat weakly, alive, the second the light touched it, strange strands made of sticky flesh began chasing after Joan, pale pink threads twirling and winding into a bleeding and sickly primitive appendage, growing rapidly, white fragments growing inside the threads, doubling in size every second it gets closer.
“She’s still here” he shut the box and the muscle wilted into a fine red dust– she’s not very talkative these days.”
“Can we see somebody else!!?” Homelander squirmed in his seat, feeling his cheeks reddened.
“Well is definitely not something of this world” Stan said, not hiding the sickly feeling in his stomach– but I was told there were two other subjects.”
The Deep had passed out with open eyes, the thought of being Homelander “wife” was horrific and had completely ignored the horror scene afterwards but A-Train nudged at him with a shit eating grin, he just watched the trio with a smile so big he would happily die.
The screen had paused on a woman that Homelander recognized, Rebecca… Ryan's mother-- Jonathan’s Rebekah. She looked so beautiful as she entered the grand room carrying a small infant in her arms wrapped in pink. 
The woman unfazed at the metal box in her husband’s hand.
The man began to picture his funeral, as he went to subject number two, he had already ordered the death of the analytics members who’ve seen this video.
The video played and this man looked far more exhausted than Homelander could’ve imagine, it almost looked like make up on him– he wore a Hawaiian shirt, his arm slightly muscular and a growing beard shadowed his face, his hair just growing from a recent buzz cut and the circles on his eyes inmensed as he made waffles.
“Youse gonna wear that shit all day?” he took a long puff of his cigarette– I got you clothes for a reason, mate.”
“Yeah! I just got these washed and I like the feeling… Either way, come on! give me content, you can just be an annoying hardass all the time! I’ll get demonetized!”
“You also want me to to put on a fucking monkey suit and dance like a fucking wanker?” His accent was so painfully Australian– now do ya want two or three for brekky?”
“One”
“Chookie” He slap her plate with three waffles– you need to eat…now take the fucking suit off.”
Her plate was jammed packed with waffles, bacon sausages and eggs, and she could do nothing as he slathered the bitch in maple syrup.
“Milo or coffee?”
“Milk is fine.”
That he didn’t argue, The man served a second plate and the camera poorly followed to the figure seating next to him, Annie’s mouth dropped soon followed by Homelander.
Sitting beside her was Butcher… slightly younger, his skin beaming, and his hair nicely combed in a similar fashion to Homelander’s, his face clean shaved and not a scar adorned his features, he looked admittedly handsome– had he not worn Homelander’s suit he wouldn’t find this so disturbing, he looked just like the first time they’ve met all those christmases ago, Homelander bit his cheek anxiously.
From the angle they could see his cape draped over his shoulders, a thick chain dangled on his chest, and a detailed eagle sculpture adorned his shoulder, red gloves sat by the breakfast table dividing Joan and the impostor.
She recorded him eating as he moaned on that first bite.
“Aww Cyanide this time! so tingly.” He said in a sweetened voice– surprise you hadn’t tried it before Butcher, darling.”
Johnny gave a defeated sigh and moved to the fridge, writing cyanide on a whiteboard.
“Nathan is going to be so disappointed…” he mumbled.
“So how long have you two been doing this… thing?” she sounded uncomfortable.
“Two years. Easier to kill the cunt if I kept him around… dunno why it had to be in my fucking apartment!!”
“Ryann’s school is closer to your place.”
As if on queue a young girl shouted from across the house, a little girl no more than 8 ran into the kitchen with her hair in messy pigtails.
“Daddy, I can't find my shoes!!”
Maeve and Annie exchanged panic looks, and Dr. Park sweating a litre under his jacket.
“Did ya check the laundry?” he said in a calm voice trying not to laugh at the mess on her hair– did dad try to do your hair again?”
“Hey she’s wiggly” Butcher said with a lightest english accent he could muster.
“He just sucks!” She giggled playfully.
“He's a stubby short of a six pack actually” both chuckle together.
This was Ryan, the face too similar not to be him, her hair a dark red but her eyes the same shape but black eyes. That expression made his chest tightened as he watched his copy calmly fixing the girl's hair as she nodded, the camera came back to Not-Butcher.
Homelander could do the math, this was Maeve's and Butcher's Ryan, Joan had said so last night and now he saw the product.
This one seemed so content too, both men stayed quiet until the girl was out of the room.
“So you two are raising the kid together while you let him figure out how to kill you?”
“Shocker I know!” he cleans his hand and steals a waffle off Joan’s plate– look one day me and the bin chicken over 'ere realize that we both cared about the kid, so begrudgingly we sat one arvo and agreed to this… altho this cunt over here thinks I'm his maid!”
“Last time I tried cooking you hit me with a rolling pin over some eggs!”
“You calcified them!”
The man smiled behind his hand as he took his cigarrete back into his mouth, Joan did nothing to stop the cameras as the fake-Homelander stood up after a couple bites, wrapping his arms on the shorter man, forcing a kiss on his temple and lips as the man stabbed at his neck with a dirty kitchen knife– to no success.
“I’ll be late today, Daddy” he said shamelessly.
“Give me one reason why I shouldn’t kill you Park” Homelander's voice had no humor to it, his eyes glowing so bright the heat made Maeve's hair frizz out.
“Ah… what happens next!” he sounded panicked– just wait!!.”
As Johnny kissed the bastard back the air was vacuumed out the room, a fat persian cat clawed at the floorboards yowling, Johnny shouted “Horror!” and the fake-Homelander moved to catch the feline as the house was sucked into a vortex, standing before the vortex was Leaper, his hair messy and his expression dazed and angry, he made a small size portal by crossing his fingers together into Ryann’s bedroom her stuff toys spat back at the trio, the girl was flung straight into the mayor vortex, as Leaper grinned.
“Told ya I’ll get even you cheap fucking whore!” He jumped into the hole and before Fake-Homelander could say a thing the portal closed after him.
“This Leaper can still create portals, it seems he needs to make a formation with his hands to activate his powers– but it might just be a quirk, it is likely that once our guest wakes up he might be able to escape anywhere in New York or further” He said, sweating buckets.
He still destroyed the TV screen, causing everybody to get on edge.
“You think you can humiliate me?” he growled, red light clinging in his eyes.
“I don’t think that was Dr. Park's intention, Homelander” Stan said– his scientific curiosity got the best of him and I am certain that this situation won’t repeat itself, right?” He said in his trademark humorless tone– it’s also not you, I think everybody here can state that that man is merely a look-alike” Stan raised his hand towards his temple.
"Don't really look like you, sir!" Deep butted in-- he's balding and you have great hair, Homelander!"
"Couldn't tell, he's australian! like what the fuck!? right?" Said Ashley almost in a panic.
"He's gay tho" Maeve risked it staring at Annie as she died alive-- terrible taste in men too."
Homelander grumble, stroking his tired eyes.
“Sorry I had my assistant make the compilation, she must’ve made the mistake! She’ll be disposed of immediately!!” he blurted.
“I’ll do it myself” Homelander grumbled and the man whispered into the ear of the head of crisis management who wrote the name down and slipped it into Homelander’s hand.
The video had continued to play on the screen beside it unnoticed.
until shouting began.
“What the fuck is wrong with you!!??” His voice echoed in a run down building– "Do you have any idea whatchu did, Pendejo!!?”
The man was unseen but the camera got closer struggling to focus, catching the young man in front of him with more clarity. It was A-Train wearing a military uniform, a light blue scarf wrapped around his neck, his vest heavy and his gun resting before him, the man bit at his lip trying to hold back his emotions.
“You!” The man came out of obscurity, he wore a similar uniform, his sleeves rolled up pointing at him with small dark red gloves– I should kill you!”
The shit eating grin was spat back at A-Train from the rest of the room.
“Jon… Colonel, sir. I had to do it, otherwise those people would ‘ave died!”
“I Know you did the right thing!!” He spat back with a trembling hand– But you should’ve called for me!! God dammit Reggie– I made a promise to your brother! Don’t you dare make me break that promise!!” He cried catching the younger man forcing him closer– I promised I would bring you home… You could’ve died, Reggie… I can’t lose you man! I can’t lose another one of my brothers!”
He sobbed softly, trembling against the younger guy.
“I didn’t want you to die, Colonel… There’s no future for us if you ain’t around” he said stifling his tears, returning his hug.
“You’re too young to care about my future!!” he shouted back behind tears– "this war doesn’t need to lose anymore people, much less humanity’s future!”
He held the young man’s face, forcing him to look straight into his deep blue eyes.
“Don’t ever do that without me!” He said holding back a sob– thank you for saving those people, you did the right thing… those families are still together because of you, but had you failed…” He pushed him back into his arms– I don’t think I could've ever faced Nathaniel, I couldn’t face the rest of our squad.”
“Colonel.”
“My life belongs to all of you, is not precious. Is not like yours or the rest of y'all that’s the weight of being a leader. I will protect you.” he said firmly as the afternoon sun burned thru the cracks of the abandoned building.
“Jesus what a cry-baby” Homelander said with great indignation.
To the rest of the room, whose ears had picked up with great interest, watching this was as if they were seeing an oscar winner contender, if he could pull off that charade in front of them they would buy him the ballot votes themselves, but their eyes were glued to the screen trying to figure out what creature that was, to come to terms that there was a version of him that appear to be made good and they’d drawn the shit end of the stick.
The video cut abruptly to a new scene, Homelander seemed more disgusted at this overly dramatic display of brotherly love than the prior acts of homosexual behaviors while the rest of the room dream of a game of switcheroo– the scene was of Jon. Maeve mouth dropped slightly as she caught a glimpse of the tall man, he was bulky, pure muscle, maybe 6’2’’ or 6’ 3’’at least– that or A-Train was short as fuck in that universe. He had a charming genuine smile, with messy blonde hair, a patchy coloured beard decorated his sharpened jaw, and his arms qualified as weapons with how big and beefy they were.
His cheeks sunburn and his smile bright enough to light up a baseball stadium.
He laughed earnestly as an older black man spoke to him.
“So that’s what actually happened.” Said the black man.
“Que la Virgencita tenga piedad contigo, Earving.” Jon replied, shaking his head with a giggle still caught in his tongue– Dunno what am going to do with you uncle, but sure as hell am glad my mami ain’t around to hear you.”
“Grace loves me, my boy.” he snorts– "should've seen her back at her age” he pointed at the camera woman.
Homelander wished he was alone, just to hear Black Noir once more, his friend barely registered the scene, just staring at the unscarred face, his voice lively, and his hair all there, he was aged maybe twenty years older than the young man beside him on screen, but he had an unusual youthfulness to him.
Homelander relaxed transfixed on the interaction.
“So how did you get a medal of honor?”
“A ship holding refugees was ambushed. I had only gotten the V-Serum two months prior but in that moment I suddenly learned how to fly and well, long story short… I was left bruised but not a single person was lost that day.”
She kept the camera still on him, making sure to frame his biceps, the camera occasionally flickering lower, unsubtle voyeuristic at the man’s body as she “struggled” to keep the pace, not that his army rags helped with modesty, they were tight beneath that vest, a gun strapped to his hip.
“You care a lot about people?”
“I was given these powers to help people, don’t get to be selfish anymore– all I want is to make sure no kid grows up without their loved ones… I lost my sister in one of the attacks, left me two kids, and I can’t look at their faces while knowing the monsters that took her are still free and hurting people, not when I got these powers, if I had yours I could’ve ended this myself, I am sure of that.”
He sounded so bitterly wounded, Joan just let the camera linger on his eyes.
“Now with you around we can save more people! and I’ll do anything I can to help you find a way home as a thank you, Te lo prometo.”
She had blushed behind the camera as his hand petted her hair, freezing under his gruff hands.
“So what’s with the spanish?” Joan asked nervously– aren’t we American? Or do you just like speaking spanish?”
“I’m Mexican, silly” he said, thickening his accent jokingly– Well technically my parents are Americans hence why I sound American, but I was born and Raised in el De Efe, then left to the US when I turned eighteen.” He grinned– I wanted to go to the same army university as my dad, and I joined the army, served for twenty years and then this invasion started– by then borders began to mean very little… they needed bodies on the field, this whole army is composed of everybody still walking after those monsters came and took it all” He said angryly– Still a beaner tho”
She had ignored most of that.
“You had parents?”
“You don’t?”
“no…” Joan said quietly– I…”
“I’m so sorry…” he stopped walking, turning to face her, instinctively putting his hand on her shoulder with a deeply apologetic look on his face, something truly unseen in this boardroom– It couldn’t’ve been easy… my dad him and my mom were engaged when they made me– one night my dad went to get dinner and never came back. My mom learned the morning after that a drunk driver killed him… my dad was army and my mom worked for the government, she got a job at the mexican embassy because it paid well and my grandpa didn’t want anything to do with my mom” He said sadly– had a stepdad but all he did was drop my sister and that’s it.” 
“You close to your mom?” She asked meekly, feeling safe and small under his grip, her hand trembling slightly.
“Close? This boy calls his momma everyday” Earving blurts– is a miracle she isn’t here to tuck him to bed.”
“Uncle!”
The group walked in a destroyed city, smoke and ash permeated in the air, when the camera caught something strange, from a distance a beast roared from on top a cracked building, it was beautiful and awful– coated in pearlescent skin, horns and bone shaped its head like an orchid, it’s eyes small but plenty, its body slim but large, it was a dragon with wings twice its size, its mouth larger ripping into its throat as its chest illuminated and puffed, Jon eyes widen ordering everybody to take cover, as he took flight.
The alien dragon spat a killer lazer only stopped at the projectile man took to its throat.
Small creatures emerged, walking on leathery wing stilts, their markings gray and brown, they moved fast and hop– they were blood-thirsty, launching themselves in groups at every slow body on their path.
She tucked her phone in her tits, the last thing the camera took was Joan laser slicing the aliens.
“This is the last world that our guest visited… if she’s mistaken” Dr. Park let an image on screen linger, one of the alien beings corpse, it was bigger than a human, its head short but its appearance resembled a Tupuxuara, Jon opened its mouth to show rows of sharpened fangs and a bright glowing green tongue.
“These ones are foot soldiers, the big ones are tanks, there’s like 3 other types besides the actual brains.” Jon said, the man cleaned his hand– they would rather send these abused creatures than face us. I feel bad for these animals” His voice quivers– I don't think they’ve had a choice. It is not their fault… they shouldn’t be here… it should be those monsters fighting us” He turned the head to reveal a metal panel sticking out from healing skin around a peeled skull.
“We should kill him” The Deep spoke– I mean we might not be able to contain them.”
He stated the obvious while pointing at the alien, which was somethign to process later, the universe now seeemd so big to the fish talker.
Homelander leaned back.
“If she stays here then there would be two of me”  That was also a terrible outcome, aliens seemed like the sensible decision– we don’t know if our Super Villain could actually bring a horde of alien dragons to New York” he caught himself there thinking of how stupid but awesome it sounded– he obviously resents Joan”
Ashley cleared her throat.
“She’s marketable” Ashley said coldly– nobody gets to 300 millions subscribers without being charismatic, her camera work is impressive for being done with a phone, her selfie game is off the charts, she’s young, hot and has A-list powers… those tits will fly themselves off the shelves`` Even Stan had Ashley’s attention– A long lost sister… maybe your father had an affair or a secret family… we could make her…” She sheepishly looked at Homelander– your side-kick. Think of this: two siblings separated by a cruel joke of fate, suddenly reunited after spending years hiding her powers and then one day she comes to America in search of her long lost brother who just happens to be not just any Supe, but the greatest Superhero in the world!”
“Side-kick?”
Homelander scoffed at the idea then paused looking back at the screen.
He wanted to sit alone, to watch all the videos and paint a better picture of this woman, of those versions of him.
They all talked but all he saw was that man, who looked too perfect, he didn’t need a padded suit, painting greek sculture’s green with envy, his smile so big, so pretty, so strange, he was the true uncanny staring back at him, and that woman who was him, had cried after him, this is the body they had wanted of him, the personality the whole country thought he had, this was how the world thought Homelander was, if he was here instead of Joan, he would kill him, he wanted to rip his face off, to wear his face... they would love him if he looked like that, the suit so baggy around his body as he stared at that roided abomination.
He found himself taking the tablet off Dr. Park, not knowing when he had stood up, speeding through the video until one video caught his attention.
Some bonfire party, Joan wrapped around Jon’s arms dancing gleefully, somebody else held the camera, as she hid her blush and smiled awkwardly as the man taught her the moves, some Bobby Pollido classic played in the background.
He stood there until the screen cracked around his thumb.
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ashes-in-a-jar · 2 years
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This is literarily Mr. Michael Distortion Man
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footnoteinhistory · 1 month
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JOHN LARROQUETTE in CASSIE & CO. 1.12 "Lover Come Back" (1982)
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