#jan dibbets

[garadinervi]

Jan Dibbets, Text by Rudi Fuchs, Dutch Pavilion, XXXVI Venice Biennale, Venezia, 1972 [Exhibition: June 11 – October 1, 1972] [BOOKS@, Amsterdam]

#graphic design #art #exhibition #catalogue #catalog #jan dibbets #rudi fuchs #venice biennale #1970s

[wintercorrybriea]

new cold studies -red s3 by Jan Dibbets behind Diego Villarreal Vagujhely barbells on Jean Paul Barray table and LS Gomma stools

#Jan Dibbets #art

[fall22iksection]

JAN DIBBETS - joiner photograph of a landscape

_ik

#jan dibbets #joiner photograph #landscape

[stormpetrel-studio]

MASAKI YUKAWA EXHIBITION 2023 at Gallery Kobayashi

2023年8月に東京銀座のコバヤシ画廊にて開催された湯川雅紀展の紹介映像を公開しました。今回は、三十年にわたって制作を続けてきた彼が、初期に取り組んでいた点や線といった要素を近作に盛り込むにいたったその経緯や、各作品の制作プロセス、そしてドイツの美術アカデミーで薫陶をうけたヤン・ディベッツとの思い出などを語ってくれています。

A video of the exhibition Masaki Yukawa held at the Gallery Kobayashi in Ginza, Tokyo, in August 2023, is now available on Youtube. In this video, he talks about how he came to incorporate elements such as dots and lines into his recent work, which he has been working on for 30 years, the process of creating each piece, and his memories of Jan Dibbets, who trained him at the Art Academy in Germany.

#youtube #comtemporaryart #modernart #現代美術 #exhibition #jandibetts #oil painting #modern art #jan dibbets #paintings #art #ginza tokyo #masaki yukawa #storm petrel studio #ayumi yoshioka #湯川雅紀 #吉岡亜由美 #gallery kobayashi #コバヤシ画廊 #銀座 #展覧会

[formlab]

Land-Sea Horizon, Jan Dibbets

[germanpostwarmodern]

Gerry Schum (1938-73) is the unsung hero of early Video Art, although he himself wasn’t an artist but instead served as partner/collaborator for the likes of Joseph Beuys, Richard Long, Jan Dibbets, Walter De Maria or Michael Heizer. Schum not only helped bring artists' ideas to fruition but also sought to establish Video Art in regular television programs. Unfortunately his "Fernsehgalerie", a format consisting of a curated selection of artistic videos under the programmatic titles "Land Art" and "Identifications" broadcast in 1969 and 1970, was cancelled after two episodes due to a lack of interest by both the public and TV officials.

But despite frequent setbacks he continued to propagate Video Art and opened the first ever art gallery exclusively dedicated to Video Art in Düsseldorf in 1971 for which Schum also established still valid forms of the sale and distribution of Video Art. The present publication "Ready to shoot - Fernsehgalerie Gerry Schum/videogalerie schum" published alongside the exhibition of the same title at Kunsthalle Düsseldorf in 2003/2004 offers a well-researched overview of Schum's work alongside texts elaborating on his pioneering role in early Video Art. It's still a tragedy that Schum took his life in 1973…

#gerry schum #video art #art book #art history #concept art #book

[pwlanier]

JAN DIBBETS (B. 1941)

Sonesta Koepel Amsterdam

signed, titled and dated 'Jan Dibbets 1985 Sonesta Koepel Amsterdam' (lower centre)

pencil and colour photograph collage on card

Christie’s

[atotaltaitaitale]

.

In search of the Paris Meridian with Arago

Bearing the name of the astronomer Arago and indicating the North and the South, these small pieces indicate the Meridian which crosses Paris.

The Paris Meridian is defined for the first time on June 21, 1667, the day of the summer solstice, and crosses France from Dunkirk to Perpignan. The location of the Paris Observatory (in the 14th arrondissement) will be defined on this date and in such a way that this imaginary line crosses it. It is from the Meridian of Paris that the metric system was created. The meter is the 1/10,000,000th part of half the meridian of Paris. The latter was then abandoned in favor of the Greenwich Meridian at the Washington International Conference in 1884.

Created by Dutch artist Jan Dibbets in 1994, these small bronze medallions were initially 135. Many have unfortunately been ripped out or covered in concrete.

Those Medallions are not to be confused with the kilometre Zero found in front of Notre Dame (impossible to photograph until the end of the construction -it’s currently behind the fence surrounding the Cathedral)

#CelineIsNotAnExpatAnymore #France life #paris #arago #CelineTuesdayTriviaInParis

[tartyfart]

Listen to a recorded document of the conceptual exhibition 'Art by Telephone' at Chicago's Museum of Contemporary Art in 1969.

Transcription excerpt: Artist unknown.

Inspired in part by Laszlo Moholy-Nagy's “telephone pictures” (for which the artist dictated his design for works over the phone to a fabricator, emphasizing the fact that an intellectual approach to the creation of art was not inferior to an emotional approach), Art by Telephonewas an extremely influential conceptually driven exhibition in the MCA's early history. Occurring at a time when the art world was moving away from minimalism and in a more conceptual direction, Art by Telephone asked artists from the United States and Europe to communicate their ideas for artworks over the telephone to MCA curator David H. Katzive. MCA staff then executed the works based on the artists' oral instructions, avoiding all blueprints and written plans. After six weeks, all of the works exhibited in Art by Telephonewere either destroyed or disposed of by the museum.

Some of the artists involved, such as Richard Hamilton and Wolf Vostell, approached the project with a more literal interpretation of the thematic. Vostell mailed a calendar of changing phone numbers from Germany. Visitors dialed the numbers to receive instructions for one-minute happenings. A Sol LeWitt wall drawing was produced with the help of assistants, and Robert Smithson constructed a varied version of his “non-site,” asking that a pile of cement be poured down a steep hill and then photographed for display in the galleries.

The exhibition included installations that relied heavily on audience participation, such as Arman's famous trashcans. The artist asked people to contribute their own waste to the enclosed Plexiglas area. Once it was filled to the brim, the work was considered complete.

Others, such as William Wegman's Third Day, embraced natural occurrences. Third Dayconsisted of a trough, built in the shape of the letters spelling out “third day,” that was filled with water and covered with vermiculite. The water evaporated in three days, exposing the words engraved on the floor.

The exhibition was dedicated to Marcel Duchamp and John Cage, who declined to participate. However, most if not all artists who did accept the museum’s invitation, were influenced by one or both in some way, accepting the idea of process and experience over finished object.

Artists exhibited in Art by Telephone included: Siah Armajani, Arman, Richard Artschwager, John Baldessari, Iain Baxter, Mel Bochner, George Brecht, Jack Burnham, James Lee Byars, Robert H. Cumming, Francois Dallegret, Jan Dibbets, John Giorno, Robert Grosvenor, Hans Haacke, Richard Hamilton, Dick Higgins, Davi Det Hompson, Robert Huot, Alain Jacquet, Ed Keinholz, Joseph Kosuth, Les Levine, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Richard Serra, Robert Smithson, Guenther Uecker, Stan VanDerBeek, Bernar Venet, Frank Lincoln Viner, Wolf Vostell, William Wegman, and William T. Wiley.

#artbytelephone #museumofcontemporaryartchicago #conceptualart #inspired by John cage #inspired by duchamp #experimental proccess #artist as Ikea leaflet #1969 #secondary research #ubuweb

[puztopics]

source: Art of Play https://www.artofplay.com/blogs/articles/perspective-shift-the-illusions-of-jan-dibbets

[garadinervi]

Land Art, (original in colour, reproductions in black and white), Series of films organised by Gerry Schum for Fernsehgalerie, April 15, 1969, Featuring works by Richard Long, Barry Flanagan, Dennis Oppenheim, Robert Smithson, Marinus Boezem, Jan Dibbets, Walter de Maria, Mike Heizer films made with Gerry Schum [The Estate of Barry Flanagan, London]

#graphic design #art #film #short film #flyer #poster #gerry schum #fernsehgalerie #richard long #barry flanagan #dennis oppenheim #robert smithson #marinus boezem #jan dibbets #walter de maria #mike heizer #the estate of barry flanagan #1960s

[anotherwarehouse]

Various Artists, Mel Bochner, Christo, Jan Dibbets, Tom Gormley, Dan Graham, Douglas Huebler, Allan Kaprow, Michael Kirby, Joseph Kosuth, Sol LeWitt, Richard Long, Robert Morris, Bruce Nauman, Dennis Oppenheim, Robert Rauschenberg, Edward Ruscha, Robert Smithson, Bernar Venet, Andy WarholArtists & Photographs1965–70, published 1970

https://www.moma.org/collection/works/109664?artist_id=3591&page=1&sov_referrer=artist

[clarestrand]

SIZE MATTERS. SCALE IN PHOTOGRAPHY. Kunstpalast, Berlin Group Show. 31st Jan 2024.

"Everything changes in an image when the zoom slider is adjusted: certain things are highlighted, detached from their context, exaggerated or reinterpreted. They move closer to us, allowing us to study them, or blur before our eyes"

The scale of a pictorial subject or image format harbours great creative possibilities – but also the potential for manipulation. For the first time, an exhibition comprehensively examines the considerable yet often subtle shifts in meaning that accompany changes in size in photography. Works from the late nineteenth century to the present day raise questions about how scale affects our perception and handling of photographic images.

Photography can change its dimensions more easily than any other medium; pictures can be effortlessly blown up into large images on museum walls and billboards, or shrunk down to a thumbnail on a mobile phone screen. While photography traditionally reproduces the world in miniature, it can also present things in a life-size or even larger-than-life-size format and render the invisible visible.

“While painters have to determine the size of their canvas before applying the first brushstroke, photography is a medium without fixed measurements at the moment of its creation when the shutter is released. It is only afterwards that a decision is made about whether an image will materialise and, if so, in what dimensions,” explains Felix Krämer, general director of the Kunstpalast. “A defining and unique feature of photography is that size is a mutable quality, which is something we want to highlight with this exhibition.”

Bernd und Hilla Becher, Kristleifur Björnsson, Karl Blossfeldt, Georg Böttger, Katt Both, Renata Bracksieck, Natalie Czech, Jan Dibbets, Josef Maria Eder und Eduard Valenta, Leonard Elfert, Claudia Fährenkemper, Hanna Josing, Alex Grein, Andreas Gursky, Franz Hanfstaengl, Erik Kessels, Heinrich Koch, Jochen Lempert, Rosa Menkman, Duane Michals, Joanna Nencek, Floris M. Neusüss, Georg Pahl, Trevor Paglen, W. Paulcker, Sigmar Polke, Seth Price, Timm Rautert, Amanda Ross-Ho, Evan Roth, Thomas Ruff, August Sander, Adrian Sauer, Morgaine Schäfer, Hugo Schmölz, Karl-Hugo Schmölz, Katharina Sieverding, Kathrin Sonntag, Lucia Sotnikova, Simon Starling, Clare Strand, Carl Strüwe, Andrzej Steinbach, Julius Stinde, Anna Stüdeli, Wolfgang Tillmans, Moritz Wegwerth, René Zuber

[liketheseasons]

Land Art 1969 Film

Series of films organised by Gerry Schum for Fernsehgalerie 1969

Featuring works by; Richard Long, Barry Flanagan, Dennis Oppenheim, Robert Smithson, Marinus Boezem, Jan Dibbets, Walter de Maria, Mike Heizer films made with Gerry Schum

Original in colour, reproductions in black and white

[formlab]

Jan Dibbets

[joseveritas]

Escultor Alberto Carneiro; Escultura dentro da floresta -feita com ferro, madeira, corda e fotografia. Jan Dibbets; peça estrutura folhas, montagem de fotografias a cores.