Having a chat about the Barbie movie with @neroushalvaus helped me to put something that bothers me about the movie to words.
At the end of the movie, when Barbie becomes a human, we see her dressed in beige, sensible clothing. Symbolically, she has grown up into a woman – and as a woman, she no longer wears the bright, pink, girly clothing she used to wear earlier.
Meanwhile, in our reality, women come to watch this movie all dolled up in their best pinks and glitters – a movie that ends with Barbie, a world-famous emblem of femininity, leaving neon pink behind her and choosing to wear muted colours instead.
Somehow, in this regard, I feel like the real-life response to the movie is more uplifting than the movie itself. In real life, adult women are celebrating the movie by wearing girly clothing, and they’re feeling happy and confident while doing so. If bright, girlish aesthetic makes you feel good, growing up doesn’t mean you have to leave it behind.
The costume design makes sense for Barbie’s character arc, sure, but on a symbolic level... I don’t really like what it says about the relationship between girlish/hyper-feminine aesthetic and adulthood, and I guess it just makes me a little bit sad how that part of the story and the real-life response to the movie clash.
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I'm gonna keep FF13posting for a while.
I decided to replay the game a while ago, saving it for when my PS3 was set back up. I didn't think I would enjoy it - and even now I'm plodding through it - but the reason why I'm playing it anyway is because back when the PSN store closure was going to happen, I bought Lightning Returns in the hopes of finally following up 13-2, which is a game I really enjoy.
The FF13 trilogy seems to be made up of very disparate games; the first game was standalone in regards to story - it shares the Fabula Nova Crystallis framing as Type-0 and the original incarnation of XV, sort of like a vague series like how every numbered FF game is disconnected from each other - and every new game set in the XIIIverse is a radical departure from the last.
I say that the first game is standalone because the creative team had to break the ending of the first game to provide a reason for the second game to exist. Like they legitimately cracked it open like a coconut. And from what I understand, the third game is radically different in its setting, tone, everything.
But they're still the same characters who I enjoyed seeing in the first game, so I wanna see them ride out their story even if I think the progression from game to game is kind of ridiculous. I'm not playing Lightning Returns over eight years since my one and only 13 playthrough without freshening up on the game.
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This is probably the first time in a while that I’ve read a manga chapter, especially MHA, where I’ve gone Wait, that’s it? not out of anticipation (or, you know, the chapter going by too fast because Action Scenes) but because it’s very clear it got chopped in half to make the workload easier on an author who’s breaking his back just to make it to the deadline.
Like, it is very clear Horikoshi - or WSJ, or both - is just dragging his way toward the finish line like a starved and dehydrated man. I would say he needs way more than two weeks to recuperate and take care of his health, but then we’d have to wonder if the break would even matter considering we’re (arguably) watching the reverse play out with JJK where Gege is flooring the gas pedal as far as he can make it go just so he can blast through the finish line so he can make that idol manga I guess idk.
Personally I just find it sad to watch what might possibly be an author (and his assistants) struggling to keep up in real-time. And not even just an author, but one who’s done two other manga in the past that didn’t have anywhere near the same level of success MHA has garnered and was pretty much on his last strike with getting a successful story out the door for WSJ.
I think about what MHA Could Have Been if he’d just stuck to his guns with some of the original intents he had for the story (e.g. the UA Traitor reveal being done in the Summer Camp Arc, humanizing the LoV, making the world Darker and Edgier as time goes on, etc.), but this is not that kind of industry where you can let your story breathe and take its time anymore, and so we’re given the hand we’re dealt with.
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Chapter 322: Digging for Clues (Pt. 1)
It was early afternoon before Stephanie and Theresa arrived at the dig site. Having flown south into Luxor on the east bank of the Nile, Stephanie and Theresa quickly found themselves ushered into a ministry SUV and ferried across the river and into the deep desert.
Finally, in a rocky basin at the Eastern edge of the Valley of the Kings, they stopped at an encampment next to a large excavation.
“Wow,” Stephanie said as they stepped out of the vehicle. “This is amazing. And to think you grew up coming on these digs.”
“It’s not as glamorous as it sounds,” Theresa said, wrinkling her nose in distaste. “Living in a tent in 100-plus-degree temperatures, no running water, scorpions everywhere – I hated every minute. But I loved being with my mom, so I put up with it.”
Faisal Hassan of the Egyptian Foreign Ministry, came round the car to stand next to them as a large man approached.
“Uncle Sullah?” Theresa asked, launching herself into the big man’s arms. “It IS you!”
“Theresa! It has been much too long,” the man cried, embracing her. “I’m sorry that our reunion must be so ….”
Theresa’s eyes dropped and she reached for Sullah’s hands.
“What happened here, uncle?” she asked.
The man’s expression darkened.
“I don’t know, Theresa,” he replied. “I’ve been working with the authorities, but I don’t have any idea what happened to your mother. One moment, she was here – the next, she was just … gone.”
“Where was she when she disappeared?” Stephanie asked.
Sullah looked at her, blankly, for a moment.
“Oh, I’m sorry, uncle,” Theresa said. “This is my best friend, Princess Stephanie of Weston.”
Sullah bowed.
“Your highness,” he said. “Please come this way. I’ll show you the dig where Mrs. Matthews was working.”
Leading them down a steep ramp, they found themselves in the remains of an ancient courtyard. What had once been a fountain stood in the center, surrounded by columns.
“Your mother suspected this structure extended several hundred feet further back into the dunes, but this is all she had uncovered so far," Sullah said. "I halted all work once we knew she’d disappeared, so things are pretty much the same as she left them.”
Theresa walked slowly around the pool edge when she stopped suddenly and dropped to her knees.
“That’s one of my mom’s tools, I’m sure of it,” she said. “Mom never left her tools laying about – you know that, Sullah.”
“Please don’t touch that, Mrs. Vanderhall,” Inspector Valsan said, approaching. “This is a crime scene, after all.”
“She wouldn’t have left it just laying here,” Theresa said. “She was always so careful with her tools, and ….”
She leapt to her feet.
“Oh my God … is that what I think it is? Is that BLOOD?”
“We don’t know, Mrs. Vanderhall,” Valsan replied. “It’s still being tested, so it’s unwise to jump to conclusions. It could be ….”
“Just stop,” Theresa said, angrily. “We both know what it is, and what it means. Stop trying to make me feel better, because it’s not working.”
CHAPTER 1 | BEGINNING OF PART 4 | PREV | NEXT
Continent of Oceana | History of Weston | History of Corwyn | History of Torenth | History of Allycia
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