#it's not the charlie hat but it the allusion to it that's killing me

[gingervsblondie]

Blondie Has Servant Trouble (1940)

11:51 PM, Saturday, 19 October 2019

What a title, eh? The biggest first world problem of the 20th century. Needless to say, there are bigger problems in the world in 1940 than Blondie’s servant trouble, but here we are. I’m not in the best mood so why not take it out on this totally well-meaning but inconsequential piece of light entertainment from 80 years ago?

11:55

Hey so: the mailman Dagwood runs into in the intro isn’t the mailman he runs into in the movies proper. I don’t know if it ever was. Maybe in the first movie, I honestly don’t remember, but I don’t know who that guy in the intro is. He’s not the mailman I know and love from these great great flicks.

11:58

Hey, noir detective newspaper guy is back! I guess whatever drama I decided was going on behind the scenes last time is resolved now.

We may never know how much blood he has on his hands, how far he went, interrogating petty criminals in alleys, following the trail that ended at the dog-catchers, God rest their souls.

12:01 AM

So… I think a lot of what I’ve seen so far is stock footage, which isn’t something they’ve done to any noticeable degree in the previous movies. Maybe it isn’t though? I don’t know! I don’t trust myself. Maybe these movies are just so repetitive that I can’t believe that they filmed this stuff a second time anymore.

(Future Euan note: I’m pretty sure it wasn’t stock footage.)

12:03

So far, this entry seems to be about superstitions. You know, black cats, walking under ladders.

I’m kinda checked out. Which I can only apologize for. If you’re reading this I want to give you my all, but I mean YOU KNOW WHAT’S GONNA HAPPEN. YOU’VE SEEN OLD CARTOONS. Man I miss Dagwood and Blondie just chilling on the train.

12:07

Blondie: “Poor Daisy. Maybe she’s tired of doing the same thing over and over. I know I am.”

Holy shit, the movie heard me. I’m scared now. I’m feeling very vulnerable and I’m not ready for Blondie Has Servant Trouble to Sonic.exe me.

12:09

Dagwood just electrocuted himself atop a ladder at the top of a flight of stairs, which he then fell down. And all I can think is “man I wish Dagwood could die.”

12:15

Alexander Hamilton Bumstead has a kite.

Kinda like how Charlie Brown flies a kite.

...

You know, What Have We Learned, Charlie Brown has a really interesting sequence of World War II footage that’s hand-tinted in bright stylized colours. I could be watching that right now.

https://www.dailymotion.com/video/x3x6rhf

12:28

I promise I’ll go easy on the next movie. I’ll look on the bright side for that one.

12:30

The mailman says he transferring. It’d be weird if the movie where I finally notice that there’s a different mailman in the intro is also the last movie with the mailman that actually is in the movies.

12:32

There’s a gag where Dagwood, through a series of hilarious events, runs into the mailman while caught on Alexander Hamilton Bumstead’s kite, and we see the kite flying in the air with the mailman’s hat stuck in its string. And all I could think was “that must have been a very hard shot to get and it was not worth it.”

Dark Side Euan has entered the chat.

12:38

Apparently people said “no offence” in 1940. Did not know that.

12:39

You know, I was in a good mood last night. Maybe things’d be different if I did this then.

See, like: Dagwood just kicked his boss in the ass so hard that he slid clear across the room. And I feel nothing.

12:44

Turns out the mailman transferring was just more “ooh, is the mailman gonna avoid getting run into this time? No. He’s not.” The mailman’s transferring to a neighbourhood where Dagwood’s boss is going to put him so that he and Blondie can have servants. Shenanigans. Malarkey. MALARKEY I SAY.

12:48

Somebody died. I’m pretty sure this is the first allusion to death in the Blondieverse. So people can die. By that token, Dagwood can die, assuming he’s a human.

But you know what they say about assuming: don’t do it if it’s not funny.

Is Dagwood an alien? That would explain what I’ve taken to be the strangely pointy bits of his hairdo, maybe they’re actually antennae. Perhaps he’s some kind of god, or an angel, a being from a higher- wait I’m just doing the Mr. Bean lore now.

12:56

Dagwood, Blondie and Alexander Hamilton Bumstead (to say nothing of the dog) are on the car-ride over to the house they’re going to stay in, where a magic trick manufacturer died (more malarkey incoming.)

While Blondie was getting all horny at the thought of having servants (I don’t know how else to describe it, she just keeps saying the word “servants” with satisfaction,) Alexander Hamilton Bumstead cut her off and said “Daddy, are we still in the United States?” I thought, true to his abolitionist namesake, he was condemning his mother for indulging in the privilege her position in the class hierarchy provided her. But apparently he was just commenting on how long the car-ride was taking.

1:08

They’ve arrived at the house, and it doesn’t have electricity.

Alexander Hamilton Bumstead: “This is a mess, how are we going to eat?”

Blondie: “We have plenty of candles, dear.”

Alexander Hamilton Bumstead: “Only eskimos eat candles.”

Never mind, Alexander Hamilton Bumstead isn’t a progressive in the realm of race politics after all.

1:16

Alright. The movie’s acting like there’s a ghost in the house. They’ve shown us someone under a cover, cartoon ghost style. I’m betting you right now it’s the magic trick manufacturer and he’s still alive and that’ll be the shenanigans and in fact death remains an unconfirmed theory in the Blondieverse. And if I’m wrong, I’ll just go back and delete this paragraph.

1:18

I’m wrong. But anyway I’m pretty sure they used stock footage for real this time, for a shot of Daisy running into a door and hitting her head because there’s no dog door. Unless maybe Daisy had a catalogue of tricks she could do, and so they’re filming them more than once to get the most out of having trained the dog to do that.

1:23

So! The guy under the sheet was a black man by the name of Horatio Jones, played by Ray Turner. I note that he’s black because of our experiences with Willie Best, the only other black representation in these movies up until this point. Horatio’s in the house because he’s being initiated into a lodge, and he has to spend a night in a haunted house. So maybe these movies are improving at representing black people?

(Future Euan Note: Horatio is still a pretty stereotypical character, and has his eyes wide practically every second he’s on screen, but he’s presented as equal in class to the Bumsteads so I guess I can count that as progress.)

1:36

Shenanigans alert: the servants just arrived, or rather two people purporting to be the servants, but they reacted oddly when Blondie said “you must be the servants,” and haven’t said anything, instead letting Blondie talk for them, so I suspect they’re not actually the servants. Maybe they’re there to rob the dead magic trick manufacturer’s house? I’m determined to figure out the shenanigans before they happen.

1:40

The “servants,” on their own:

Servant A: “This is my house, it always has been my house.”

Servant B: “But those young people are harmless.”

Servant A: “Harmless? No-one is harmless!”

Servant B: “...Sometimes I think your mind is-”

Servant A: (Turning, putting his hands on her neck as if to strangle her,) “You’ll never say that again!”

These bastards are straight out of a completely different movie.

1:45

Blondie has her fur coat from the last movie. Continuity! Wooooo.

1:47

Please make this movie be over.

1:51

I hate you

You hate me

Let’s team up and kill Barney

With a baseball bat and a two-by-four

No more purple dinosaur

1:54

Dagwood got a flashlight stuck in his mouth and can’t get it out. Which is upsetting more than it is comical. Reminds of that one bit in The Empty Child.

Gross.

1:57

After getting it out, Dagwood promptly got the flashlight stuck in his mouth again, while demonstrating to Horatio how he managed to get it stuck the first time ‘round.

What a fucking dipshit.

2:03

Eric the fake servant dude just grabbed a kitchen knife and walked menacingly in the direction of the Bumsteads, before fake servant lady stopped him.

Don’t tease me like that, Flournoy!

(Future Euan Note: Wow that’s dark, I’m sorry.)

2:07

The guy playing Eric, the demented mystery man masquerading as a servant and repeatedly holding his head in anguish, is named Arthur Hohl, and a cursory glance at his Wikipedia tells me that he’s a fairly serious actor. And I mean I’m down. I’m struggling with this one but I am down for the introduction of a thespian playing a violent and dangerous man losing his grip on reality.

Maybe, just maybe, it’s Dick Flournoy’s self-insert character.

2:15

There was just a bit where Dagwood ran to get water to douse on fake servant lady, who’s unconscious.

...Which reminds me of this one scene in A Boy Named Charlie Brown, which I’d also rather be watching.

https://youtu.be/E7ID_E-SYbQ

Snoopy’s an asshole and I love it.

2:24

15 minutes left. My eyes are doing that thing where they feel bad to keep open. You know. When one is sleepy.

2:28

https://youtu.be/AQE4bwA6EF4

This movie is weird you guys.

2:30

Welp, the movie broke me. I laughed.

Blondie: (reading a newspaper clipping with a picture of the crazy fake servant dude) “Man eludes police after knifing attorney.”

Dagwood: “Euh- with a knife?”

2:35

This movie’s never gonna end I wanna SLEEEEEEp

2:37

Ignore this entry, I’m just typing something so I don’t fall asleep.

2:38

Dagwood just yelled “Blondie, I’m shot!” What actually happened is he burnt himself with a candle, but if I was a real sociopath, I could edit that line with gunshot sound effects either side of it. Like Dagwood’s Crazy Frog and I’m on Newgrounds circa 2005.

2:42

I think Dagwood just got stabbed. I think Dagwood has a knife in his back. I think Dagwood just got STABBED.

2:43

Nah the knife was just stuck in his jacket. But if I was a REAL sociopath, I could- 

idk, edit in a punchline when you’re not so tired, Future Euan.

(Future Euan Note: I dunno, painstakingly animate CGI blood dripping from his back? I don’t really know what you were going for here, Past Euan.)

2:47

Okay it’s done! IT’S DONE! It’s done.

Quick quick quick, wrap up: This movie was good, probably, maybe? I was miserable watching it but it had weirdly life or death stakes and a psycho killer (qu’est que c’est) which is almost interesting by Blondie standards. It’s even the kind of movie I could see myself stumbling on and enjoying if it wasn’t a Blondie movie, or if it was but I wasn’t on this crusade. The kind of movie I’d find on some weird DVD collection of public domain or cheaply licensed old movies, like a favourite of mine, The Answer, a 1955 episode of Four Star Playhouse that felt very profound when I was little.

My Dagwood Sandwich rating is: one sandwich containing ice cream. You appreciate the ice cream, but you weren’t exactly expecting it in your sandwich. And when somebody asks you how it was, you’re like, “Well, it was ice cream, so good I guess.” And they say, “Did you enjoy it?” and you say, “Well, no.”

AHHHHHHHHHHHH!

I’m gonna go to sleep.

#gingervsblondie

[cupidsbower]

I'm still living the life where you get home and open the fridge and there's half a pot of yogurt and a half a can of flat Coca-Cola. ~Alan Rickman

Supernatural 12x08 LOTUS, and 12x09 First Blood.

Okay, I’m just gonna be right up front with this -- I’m not a huge fan of either of these episodes. I thought maybe the slight feeling of meh I felt for 12x08 was just end-of-year tiredness, so I held off on the review and had a holiday. But I found 12x08 similarly meh, and also sexist and racist which needless to say I’m not keen on.

LOTUS

I thought having Lucifer possess the President was a fantastic concept, and I loved all the scenes with Lucifer acting that part -- they had some lovely resonances with current US politics that didn’t come over as trying to hard. I loved the nephilim plotline too, and look forward to seeing where it goes. Typical that a man-shaped being should take credit for creating life -- I laughed a lot at Lucifer’s hubris on that. He didn’t fall far from the tree, so to speak. That whole attitude fits in well with the gender themes that have been developing since Amara’s return. It also reaffirms my suspicions that Toni’s child is not-quite-human, and I hope that plot thread is picked up again soon too.

I was less thrilled with the stock-standard, “I can’t abort my baby,” thingo. I really wish an American show would go somewhere new with that and actually consider the option of abortion with some seriousness that doesn’t automatically default to it being unthinkable, even if the choice is then made not to. The default of “I can’t” is just so useless as a storytelling device. Why bother to have a nephilim plot and not actually wring all the drama out of it? (I know why, I’m just tired of it.) Anyway, this plot still has potential to rise above that moment of church-sanctioned sexism, so I’m in wait-and-see mode.

I also really liked the potential of the Winchesters ending up in government hands, given their history and the records that must still exist. But more on that when I get to First Blood.

There wasn’t much else I really liked. I suspect we’re seeing the consequences of so many new writers on the show this season, combined with Supernatural’s comparatively small budget. But the final act of the episode just felt off to me in subtle ways -- the action felt lackluster, there were too few agents checking things out, I didn’t buy the convenient timing of the arrest, or the splitting up of the team when it wasn’t really required. Little things in themselves, but they all added up -- a stronger writer could have masked them better. Meh. It had potential to be good, but it was just a bit wishy-washy instead.

First Blood

I will admit, I was pretty damn excited by this episode’s title. There’s so much media and political history associated with the Rambo movies, and so many ways they could have been invoked in the episode to excellent effect.

For a start, the very first film, First Blood itself, is about post-traumatic stress disorder in a combat vet, social isolation and poverty as a result of that, persecution at the hands of biased and totalitarian authorities, and the toll of toxic masculinity. It’s rich stuff, and a surprisingly good film all things considered. There’s a reason it spawned big-budget sequels, and the character of Rambo was co-opted in the Reagan era as a kind of masculine fantasy ideal.

There’s a strong resonance between all these things and the ongoing themes in Supernatural. Hence my excitement.

Sadly, though, the allusions to First Blood stayed at a pretty superficial level. Yes, we had persecution at the hands of totalitarian authorities, and we had Sam and Dean taking out a squad of soldiers in a forest. But... ugh, I don’t even really know where to start.

Okay, lets start with the taking soliders out thing. It’s meant to show us that Sam and Dean are actually hardened soldiers too, who have been fighting in a war since their twenties, and against opponents who hit far harder than any human soldier. Not only that, they have consistently won despite the odds being against them. It was on point that Crowley reminded us that he’s the only villain who has ever taken them seriously, and that everyone who doesn’t ends up dust. The Winchesters are scary, and the version we viewers see is the “fluffy” insider perspective, so it’s easy to forget just how hard-core they are.

It really isn’t out of the realms of possibility for Sam and Dean to take out a squad of special ops agents, and even to do it without actively trying to kill any of them, and for them to be chillingly efficient as they go about it. But as with the last episode, these agents came across more as Keystone Cops than what they are meant to be -- the cream of America’s secret ops working directly for the President. Are Sam and Dean hardened soldiers who can take on demons and angels and punch well above their weight, and so are far more competent than special ops agents once their paths do cross? Or are they just lucky to be fighting poorly trained also-rans? Mixed messages, show, very mixed messages.

I think I was so frustrated by this, because the episode didn’t start off quite so obviously making the agents ridiculous -- the “sit and stew in isolation” thing was genuinely solid, and made me wonder how long before the Winchesters cracked. So to fritter that tension away on a pretty ordinary action scene just felt unsatisfying. I was expecting something a bit closer -- uncomfortably so -- to Dean’s action sequences in Purgatory. That would have really rammed the message home that the Winchesters are serious business.

But that’s actually small potatoes as gripes go -- some writers just aren’t that great at action. It happens.

My biggest gripe for this episode came at the end. It was obvious from early on that Sam and Dean had made a deal. Okay, fine. I could have gone with that as an interesting complication. I was even interested to see the escalation of Mary throwing her hat in the ring of Winchester-self-sacrifice. We’ve all been expecting developments along those lines, so some foreshadowing here for a greater test later on was expected.

Mind you, I would have been super-astoundingly angry if they had fridged Mary again in this episode -- frothing at the mouth angry -- giving up the show angry. Her place in the myth-arc is too central to end her return in such a light-weight way. I’d honestly prefer if they never fridge her again, but at the very least, she deserves an actualised death that’s about her, and not her sons.

Like I say, I could have been interested in this set-up -- the complication of another deal, made in full knowledge of the price, and Mary showing us that Winchester self-sacrificial streak that has caused so much harm. But instead I’m just disappointed and cross. What the fuckety fuck are the writers thinking with this whole Billie and Castiel bullshit?

Let’s consider the best possible light first. Sam had his demon-blood arc, and Dean had his Mark of Cain arc, and a lot has been made of Castiel being a Winchester, so yes, alright. I guess. His previous dark-side path was made for the right reasons, as Raphael was about the re-start the apocalypse, and the Leviathan thing wasn’t really an active choice on his part. So there’s an argument to be made that Billie’ death is Castiel’s first blood, as it’s a murder for personal gain, instead of being the best of a bad lot of choices. In the best possible light, this is the first step of Castiel’s demon arc, and within the show we’ve learned that kind of path can really only be stopped and redeemed by love. It’s also an escalation of the plotline about Castiel’s post-traumatic stress disorder and isolation, which I’ve been waiting for. The show has never really dealt with the fact that angels run on faith, and Castiel is an angel who has not only rebelled against Heaven for Humanity, but has lost faith in his father. I’m as keen as the next person to see it acknowledged that he has an unhealthy dependence on his faith in Dean as a result. There are potentially good things being set up by this development, if it means we’re going to delve more into Castiel as a character.

But! But. But but butbutbut...

It felt like a cheat. Tell me it didn’t. You can’t right? It felt like the writer had written themselves into a corner and decided shock value was the best way out of it. I know, they thought to themselves, I’ll have Castiel murder someone because he’s feeling unloved! I bet they sniggered, deus ex machina, as they wrote the stabbing.

Ugh. I hate that kind of writing.

And if it were any other secondary character but Billie I might still be okay with it. But it was Billie, so I’m not. Billie offered the Winchesters a straight-up deal that they asked for. It’s been pretty clearly established ever since she was introduced that she’s a neutral supernatural force -- not someone like Zachariah who played fast and loose with the rules, or a demon like Ruby with her own covert agenda. Yes, her bailiwick is death, and that’s intrinsically scary, and she made no secret of being irritated by the Winchesters cheating it, either. But she was a straight-dealer despite that. SHE DID NOT DESERVE TO BE STABBED IN THE BACK.

Which isn’t even getting into the fact that she was a recurring black woman character. Killing her in such a way was just as shitty as Charlie’s death, and for many of the same kinds of reasons.

Even if they revive her (they fucking better) and bring her back pissed off and an antagonist, it won’t really make up for yet another black woman being killed off for plot convenience. Ugh.

UGH.

I’m also not really all that keen on this as a path for Castiel, despite my best-case reading above. It just feels like more of the same-old, instead of finding a new story to tell. :(

In short, I haven’t yet hit my NOPE limit with this move, but the show has some brownie points to earn in the next few eps in order to keep my interest. It’s officially on notice.

Not fridging any more women or other minorities would be a fucking good start.

Previously:

The Ministry of Information vs Wayward Sons Carrying On (12x01)

My, my, how can I resist you? (12x02) and follow-up about Bohemian Raphsody

So what am I so afraid of? (I think I love you) (12x03)

I’ve got the joy, joy, joy, joy Down in my heart (Where?) (12x04) and a follow-up about the codependency and about Dean’s self-flagellation and issues with space

There can be only one! (12x05), and a follow-up conversation with elizabethrobertajones on Freud vs Schwartz.

They shall fall by the sword: they shall be a portion for foxes (12x06)  

Presenting the Immaculate Heart Reunion Tour (12x07)          

#supernatural #season 12 #spoilers #meta #racism #misogyny #fridging #castiel #billie #dean winchester #sam winchester #mary winchester #lucifer #sexism