Don't mind me, just thinking about how the first pic shows a scene from the pilot episode where Guillermo is wanting Nandor to turn him into a vampire and how the second pic shows a scene from the season 5 finale where Nandor technically did turn Guillermo into a vampire and how the glitter portrait that Nandor made him in the pilot shows them both as vampires and how the portrait became reality for the both of them in the season 5 finale (even down to the similar clothing), and how Nandor gave Guillermo a gift in each respective episode, as shown by: the first - a portrait of turning Guillermo into a vampire, and the second - giving Guillermo the gift of vampirism, as well as giving him the choice to choose.
Nandor: "Look! It's you! I made you into a vampire! And look who's next to you, it's me!" - 1x01, What We Do In The Shadows
Now if you'll excuse me I'm going to lie down in a little corner and combust.
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NO, EVERYONE SHUT THE FUCK UP RIGHT FUCKING NOW
LISTEN
JUST
FUCKIN' LISTEN
Y'ALL ARE SLEEPING ON MY MAN, HYUNSUNG, AND MY GIRL, HEEWON
THEY'RE LITERALLY EVERYTHING YOU COULD EVER WANT IN A F/M COUPLE
SHE'S THE KNIGHT
AND HE'S HER SWORD
ORV NATION, HOW ARE Y'ALL NOT FUCKING SCREAMING ABOUT THESE TWO??!!!!!!
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The part where Dr. Mabuse is standing below the large portrait of the devil creature hanging above the fireplace at the Told's estate - lives rent-free in my head.
He's got this diabolical expression and protracts the fingers of one of his hands as if they were talons.
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the first time we see any part of ed's naked fingers in the s2 timeline I'm 1000% going to gasp dramatically
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the stars are beautiful, and one of them has your name
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One of my favorite metaphors of Glass Onion is the Mona Lisa vs the Glass Onion.
Miles is constantly comparing himself, whether directly or indirectly, to the Mona Lisa. He wants to be “forever remembered in the same breath” as her. He plays up the mystery and the complexity of the painting, the artistry, the skill and the knowledge that went into it; All traits that he wants others to see in him.
But when Miles is describing the painting, who gets the closeup shot? Not Miles, but Helen. Helen is the one who gets multiple shots throughout the movie mirroring the Mona Lisa- same pose, same unreadable expression.
Because Miles isn’t the Mona Lisa, however much he wishes he was. Miles is the Glass Onion. Something trying to look complex and layered on the outside, when in reality, the center is in plain sight. Miles isn’t some enigmatic genius, he is exactly what he appears to be at first glance: an idiotic, rich, egotistical, shithead.
He didn’t make his own puzzles, he didn’t write his own murder, he didn’t create his own art, he didn’t even come up with the idea for his company. His island is filled with things made by other people. He isn’t even the person who did the thing that will forever connect him to the Mona Lisa. The thing that will forever tie him to Helen Brand.
Helen is the one with complexity. Helen is the one surrounded by mystery. Helen is the one who’s more than meets the eye. Helen is the Mona Lisa, and the Mona Lisa destroyed herself to take down Miles Bron.
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You know, I feel like we're not talking enough about the fact that Alastor has in his room a full reproduction (?) of a swamp-forest that's highly likely very similar to the one where he was killed. Talk about being morbid.
Edit: someone pointed out in the comments that the swamp-forest is called bayou. It's a kind of ecosystem in Louisiana.
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invisible scars (referenced previous talk here)
[ID: A colourless, digital Trigun comic of Vash and Wolfwood talking about Wolfwood's scars. They're both laying in bed and topless. Vash lays on top of Wolfwood, playing with the rosary around his neck. Then, Vash kisses a spot on Wolfwood's chest. Wolfwood asks, "What are you doing?" Vash smiles sadly, "You got shot here. In the last town we visited. You didn't even bother moving."
Vash props himself up over Wolfwood, who frowns slightly. Wolfwood is quiet for a moment before he says, "You remember that, huh?" Vash grabs Wolfwood's left wrist and brings it to his face. "And here." He kisses another spot there. "When you helped free the hostages from that robber..." Wolfwood dismissively says, looking away, "Was a lucky shot." Vash huffs, “Don’t brag. Jeez.”
Half of Wolfwood's expression is shown, eyes returning to Vash who is now sitting up, continuing to say, "And..." Vash goes on and kiss Wolfwood's right palm. "You got cut here, even though that girl was aiming at me." A moment from the past flashes, of Wolfwood grabbing a knife aimed at Vash, his hand bleeding.
At present, Vash moves down and puts another kiss on Wolfwood's right shoulder. "And here, from watching my back." Another memory flashes of Wolfwood and Vash back to back. Vash looks back as Wolfwood grins while holding Punisher, bleeding from multiple gunshots in his shoulder.
"And," Vash combs up Wolfwood's hair to reveal his forehead, "Here." A final memory shows Wolfwood with a regeneration vial in his mouth while getting shot on his temple. The next panel is framed in blood with Vash at the center, eyes wide and stunned in horror. The next panel is a closed up shot of Wolfwood's eye, locked on Vash's face.
Back to present, Vash’s head is bowed down as Wolfwood raises a hand to his nape and says, “Spikey.”
Wolfwood looks serious and frowns as he says, "We talked about this. Those were my decisions. They're not there anymore. Forget about them." Vash looks very sad before he smiles ruefully and says, "I still see them. All the time." He leans down so they touch foreheads. Wolfwood’s sorrowful expression can be seen as Vash says, "You protect so much. I could never forget what you've done to me. And many others..."
In the last image, they're drawn more cartoonishly. Wolfwood sweats and asks, "You don't actually remember every wound, right?" Vash points at a spot on his chest. "Kuroneko left a scratch here 7 times." Wolfwood, startled, says, "Why the hell are you keeping count—" End ID]
Credits for ID here and here
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can't stop thinking about cheerleaders in mcr again
the way they've been in so many of their music videos - I'm not okay, teenagers, blood - and photo shoots and represented things like the American dream and the 'popular' crowd and blind conformity and youth and a certain (male gaze-y) kind of femininity
the way you can turn on kerrang and be very likely to see a band of similar genre also using cheerleaders in their music videos but it being 70% up-skirt shots or love interests whereas mcr have never done that
the way mcr never made the cheerleaders or any female characters in their mv's a 'safe' or 'attractive' kind of weird but instead straight up weird allowing them to dance strangely and wear gas masks and be covered in blood and be rejected by getting poked in the eye or even completely ignored actively tarnishing the cheerleader persona
the way gerard way has now dressed up as one, siding with the cheerleaders after being separate from them for so long
as if the cheerleader is no longer just that but also the girl within the uniform, done being used as a symbol of the American dream and the 'popular' crowd and blind conformity and sexualised femininity unwillingly
the 'and so he gets to die a Saint but she will always be a whore' of it all
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