#it's a nice bit of nuance for his character and the story's richer for it

[sarucane]

Do we just keep telling the same story forever? Meta on OFMD S1E7 "This is Happening"

In this S1E7, two characters--Ed and Jim--have to answer a simple question: Am I ready to tell a diferent story?

At the start of the episode, Ed's framing his time on Stede's ship as "sitting idle." He's thinking about preparing for the next adventure, whatever that may be--the next chapter in a story he knows and understands. Because there are rules. A ship has only one captain.

When Stede tries to prove that Ed can tell the next chapter in that story without leaving the Revenge, Ed is pretty unapologetic in his disdain. But he does come along, even while moaning and complaining.

And Stede's just trying to tell the same story, too. What he imagines a pirate's tale is supposed to be, not what it actually is. He doesn't recognize the difference between nonsense and truth, he's so caught up in "entertaining" Ed that he doesn't realize he needs to feed Ed.

But in fairness to Stede, Ed has a poor grip on what he really wants as well. When he fantasizes as he flirts with Stede, he's not imagining a swashbuckling adventure. He's imagining opening a restaurant. He's half in his old life, and half out.

Lucius, the unemotional observer, figures all this out of course.

He sees that Ed is absolutely very receptive to Stede, and that Stede is crazy about Ed. But Ed is caught up in who he's been, without seriously considering how to move forward in this story he's in now. So Lucius confronts Ed. He points out that Ed's story as it is going now ends one way: pain and loneliness. And he asks if Ed wants that.

Stede didn't want Ed to leave, so he told a story about treasure hunting. And Ed doesn't want to leave and be alone again, so he tells the story too. And by telling that story together, Ed and Stede find their way to the same place: beginning a new chapter. Imagining a life they can live together, without devaluing or overwriting anything that came before.

It sounds nice, although it's shallow (Ed's not going to be happy as a pirate, Stede is bad at telling this pirate's story and he'll never be a successful traditional pirate). But it's still a hopeful story, because they're still moving forward. Right on the edge of telling a different story.

And resolving in the opposite direction is Jim's plot. Jim's story is relentlessly upbeat and funny in this ep, but it's a tragedy through and through. Jim, like Ed, is half in their old life and half out. Has been with Olu for more than a year, without actually doing anything, while keeping him at a distance.

And it turns out they were "raised by a nun to be a killing machine." That Nana projected all her own trauma and righteousness onto Jim, and passed cruel judgement when Jim says that they already killed "the only one that matters." When Jim suggests that they might have moved on, and be ready to tell another story.

Jim regresses in this episode. They let Olu walk away instead of telling a new story with him, one where he's their family. They take the petrified orange as a sign that they should go back to being who Nana told them they were, to being obsessed with revenge. But really, it's more like a warning of what they'll become if they cling to the same old story.

It's sad. And it's a painful foreshadowing of what awaits Ed and Stede when they falter on the path forward, when they think their past defines their future. When they tell someone else's story, instead of their own.

#ofmd #our flag means death #ofmd s2 spoilers #ofmd s2 #ofmd meta #ofmd spoilers #ed teach #stede bonnet #blackbonnet #jim jimenez #oluwande boodhari #ofmd oluwande #legit i think this is my least favorite ep #the plot with ed and stede is nice because it gives them something to aim for in terms of how they can just be chill together #and the conversation with lucius is good for ed pushes him in an interesting way--does he REALLY want this he has to figure that out #it's a nice bit of nuance for his character and the story's richer for it #and it's great crew development in this ep sure #but they really pulled their punches with Jim's plot #nana is super cool and funny and all but she's also toxic as hell #and jim's plot feels like the writers just played everything safe and it's annoying

[thesffcorner]

Get a Life Chloe Brown

Get a Life Chloe Brown is a romantic comedy, written by Talia Hibbert. It follows Chloe Brown, a freelance web designer from a wealthy family, who one day has a near death experience. This shakes her profoundly, not just for the obvious reasons, but also because she realizes that if she were to die, she would have nothing to show for herself; no friends, no boyfriend, no adventure and no interesting events. In an effort to change that she makes a list of things to do, and meets a person that just might help her do it: Redford, her new superintendent. I was interested in this book ever since I heard it was coming out, because the premise, for whatever reason reminded me of a mix of two things: the profoundly stupid, yet profoundly watchable film What’s Your Number, and Michelle Pfeiffer’s story-line in New Years Day. This book is neither stupid nor silly; it’s one of the funniest, well written rom-coms I’ve ever read, and not since Red White and Royal Blue, have I liked two characters this much. Let’s start with the writing. I didn’t know Hibbert was British, but one page in and this book was so British it hurt. From the jokes to the banter, I felt like I was watching an episode of Bad Education, and I laughed out loud more times than I can count. Both characters are very snarky, and Chloe especially has a rather dry sense of humor that comes off as rude to others, because it’s so stiff. I found it hilarious, though the real standout for me was Red, because his internal monologues had me in stitches. Let me give you a sample of the jokes, here are a few. “We definitely have bears” “We don’t. If we had bears, it’d be in the news all the time. You know. Fine upstanding British man attacked by a bear. EU to blame. Brexit now.” Gigi appeared helpfully on her shoulder and said “Don’t mumble, darling. Nice big words. Repeat after me: ‘I want to ride you like a stallion.’” “Red snorted: ‘Who are you, Dr. Phill?’ ‘Ah, don’t start that manly crap. We talk about our feelings in this house, boy.’ ‘Can I talk about my feelings for your wife?’ ‘This bowl would be a great hat on you’” This couldn’t be more up my alley. Outside of the humor, the writing on the characters was equally well done. Not only do we get a very good sense of both Red and Chloe as individuals, but Hibbert makes the chemistry between them palpable. I believed that these two people could barely hold off from ripping each other’s clothes off, and later, when they became more emotionally invested, I believed in their romance. All the characters are well written; from Chloe’s family, especially her sisters, to Red’s friend Vic and even his mother. Because we get POVs from both Chloe and Red, I was worried they might sound the same, because both are such snarky characters, but they didn’t; they have very different personalities and ways of approaching their problems, which I found was translated quite well. The plot wasn’t particularly complex; it mostly just follows Chloe making a deal with Red so he can help her tick off things on her list, and slowly getting an understanding of what is actually important to her and what isn’t. The book does also follow Red coming to some realizations of his own, notably what he wants to do with his life, now that he’s escaped an abusive relationship. Which leads me to two points of caution for this book. The first is that the cover and the synopsis might mislead you into thinking that this is straight up comedy, which it is, but more in the vein of How to Be Single or Trainwreck. There are some really heavy topics discussed in this book: there is the aftermath of an abusive relationship, disability, trauma from loss, PTSD even, and a very brutal verbal fight that doesn’t pull punches. It’s a funny book, but it has surprising depth, and Hibbert really touches on some heavy and complicated topics, while maintaining an overall light tone. There’s even a warning on the first page of the book about some of the triggers, so tread lightly. The other point are the sex scenes. Now, readers of romance, and those who are familiar with Hibbert’s other work, will probably know that this book has sex scenes. I’ve heard from other people that they either found them extremely hot or completely over the top. I fall in the former category; the sex is explicit, but I think the scenes are paced well, are genuinely engaging and steamy and actually explore the characters, and their growing attraction to each-other. The only critique I do have is that the characters, especially Red do sound a bit OOC in them, because there’s a lot of dirty talk that is a bit much even for him, but honestly, outside of laughing at it, it didn’t personally bother me. Let’s talk about characters. There aren’t many, but each gets a moment to shine. Out of the supporting cast, my favorite was Vic, though I can’t wait for Evelyn’s book, because she seemed like a hoot too. Out of the leads, let’s start with Red. Redford, who I imagine is named after the dog, being a ginger and all is a charming, attractive and confident man, who has been through a really abusive relationship that has made him spiral into bad decision making. He has quite a few flaws, the most notable being a chip on his shoulder about being treated as a spectacle, or a commodity, by people who are richer than him and can therefore buy him in many ways; buy him for his looks, his time, his talent or just simply observe him like some kind of circus animal. I found all of his quirks understandable and well written; he does make some stupid decisions, and he seems to be incapable of saying no. But he was the better adjusted lead out of the two, which was nice. He did veer off into being a little too perfect and considerate at time, which was just a tad unrealistic, but I really liked his personality a lot. Then we have Chloe who I adored, even though she falls definitely in the tradition of quirky, type A female protagonists. She is obsessed with lists, organization, planning out her days and her life, and there’s a good reason for that: she suffers from fibromyalgia. I will admit; while I do know two people in my life who have, fibromyalgia I knew very little about the disorder. I didn’t know that it seems to be caused by trauma for one, nor did I know that it leads to brain fog or short term memory loss. I think the way the illness was described in the book, and the way it impacted Chloe’s life was presented very well; I can definitely understand and sympathize with how she had developed her coping mechanisms, the healthy and unhealthy ones. Chloe is a very strong character; she is funny, she is smart, she is witty, and what I liked most was she knew her limits, knew when to push and when to take a break, and was actively fighting to live a life she would be proud of, in spite of fibromyalgia. I really liked how well Hibbert explored both what it’s like to live with an invisible illness, and the toll it takes both on the person and those around them, but also how having an illness or a disability doesn’t mean that the person can’t take care of them-self or live a perfectly good life. I’m not disabled, so I can’t speak to that representation, but as just a humble reader who wanted to learn a bit more, I was satisfied. One other thing to note is that Chloe is both plus size and black. In terms of race I appreciated the conversation she had with Red about privilege, and I think perhaps a bit more could have been explored on that front. In terms of weight, Chloe’s weight is mentioned at several points, but it’s not really a factor. I kind of liked that; Chloe gets to be a fat girl who is content with her life, and it’s not even a factor. It was nice. Overall, this book was great. It’s funny, it’s sweet, it’s very sexy, and it tackles some deeper issues and topics like class and disability in a nuanced and lighthearted way. If you are looking for a good romance with some substance, I highly recommend it.

goodreads

#get a life chloe brown #get a life chloe brown review #book review #moni talks

[him-e]

Hi!! I am thinking about to watch Netflix You... would you recommend it? I have read some reviews say that Beck (the leading girl, i suppose) is kind of annoying/ not relatable/unlikable.... What do you think? And what do you think about the show general?

I liked it with some reservations. Overall it’s an enjoyable show, even entertaining at times (the tone is not as dark as you’d think, though it’s still obviously worth a million trigger warnings for the topic it deals with—also mind that there’s no rape scenes or anything, but the entire dynamic between Joe and Beck is based on a fundamental, irreconcilable lack of consent on her part, because Joe essentially manipulates her into starting a relationship with him. And, massive trigger warning for child abuse). Plot wise, there are several things that require a stretch of imagination and are borderline implausible imo (e.g. how easy it is for Joe to gather personal info on Beck via google/social media, the fact that he keeps reading her messages and knowing everything she does via her old phone, the whole… locking people in his special chamber in the basement thing and nobody noticing, how easily he gets away with the shit he does in general despite not being particularly accurate at covering his tracks which is only possible because his victims’ friends seem to not be asking any questions, and other stuff).

I know some viewers were uncomfortable with how sympathetic Joe comes across, but honestly that’s par for the course when your main pov *is* the villain (specifically, a stalker, abuser and murderer who absolutely refuses to think of himself as such, and seems to genuinely believe he’s doing all the right things for the right reasons). I will say it’s a bit jarring because, if you don’t consider what Joe does *behind the scenes*, a lot of the time especially in the first half of the season he superficially seems to be saying and doing all the right things a boyfriend *should* be saying and doing, you know? He’s supportive of her writing, hangs with her friends, even encourages her to stand up against a professor who molests her. His abusive behavior is actually well concealed when Beck is actually around to see, in contrast with the high-key stalking he does behind her back. So it’s kind of subtle, but also not subtle at all given our added insight into what Joe does to manipulate this relationship unbeknownst to Beck. If you will, it’s a pretty interesting commentary on how this sort of behavior can easily go completely undetected, or even pass off as romantic and caring, and how an abuser can entirely hide behind the facade of a good, kind, supportive partner, particularly in the early stages of a relationship (also, you don’t need to be an entirely bad person in every aspect of your existence to be an abuser; Joe is genuinely trying to protect Paco from domestic abuse, and is also himself an abuser towards Beck—neither thing invalidates the other. On the other hand, given how things… end with Beck and Paco, I think the narrative is ultimately suggesting that Joe’s toxicity cannot be compartmentalized, and that abuse is a cycle that keeps perpetuating itself: having known only abusive behavior as a kid, Joe unwittingly replicates that pattern with Paco even while trying to protect him from a violent stepfather—making Paco dependant on him and eventually complicit).

I think the reason Beck might be perceived as unlikeable/unrelatable/a manic pixie dream girl or whatever (? I didn’t read any opinions on her, I’m just guessing) is precisely because we see her from Joe’s skewed perspective: he’s attracted to her but also wants to change the parts of her that he considers superficial and frivolous. He likes her for what she could potentially be in his hands, rather than for what she is. Like, there are a lot of Joe’s internal monologues that drip with contempt towards the way she conducts her life, her everyday activities, her (perceived) obsession with social media, the friends she surrounds herself with and so on. He wants to change her. He thinks she’s stuck in a superficial basic millennial girl life and he’s the knight in shining armor coming to give her a purpose AND a personality, save her from the life she chose, the friends she thinks she likes but who in his eyes are all manipulative jerks, etc. But he essentially fails to understand her, which is ironic considering how he believes to be the only one who *sees her real beauty* or something. 

Once you take the Joe goggles off, Beck is a pretty interesting character—interesting precisely because she’s flawed and at times, yes, unlikeable. The further she moves from Joe’s romanticizing/objectifying gaze, the more nuanced she gets. There’s an episode that starts with her pov, which remains sadly an isolated event in the entire season, and you can physically feel the switch from Joe’s paternalistic monologue to the real person she is—a person, rather than an object of desire or an idealized concept. She can be selfish and self centered. There’s a huge lie she uses with basically everyone to cope with past familial trauma. She’s a small town girl under the pressure of societal expectations, living probably beyond her possibilities and struggling to keep up with her much richer friends, whose world she’s desperate to be a part of, but also kind of resents. She’s into *bad boys*, apparently—according to Joe, assholes who dgaf about her and will never understand her, unlike him, Mr Nice Guy of course—but really, she’s just an average sexually active woman in her twenties who lives in a big city and has a social life, which Joe clearly sees as something awful and corrupt that she needs to be “saved” from, and if you uncritically absorb his skewed (and very patronizing) perspective, it’s very tempting to condemn her as superficial, promiscuous, insecure, immature or whatever.

(I’ve also read some people going like “why would Joe be obsessed with someone like Beck, she’s so boring”, which is completely missing the point imo? First, I don’t think she’s boring, and second, you can be 100% ordinary and still attract a stalker. To Joe, Beck is a blank slate to project whatever he wants on, so her actual personality is kind of irrelevant beyond what superficially fuels his imagination.)

I mentioned the episode with the pov switch and I’m still scratching my head at the decision to introduce Beck’s pov to keep it around for only half an episode and then immediately drop the ball. It would have been so great to watch the second part of the season (when Joe starts unraveling and reaches peak sociopathic behavior), if not entirely, at least partly from the perspective of the victim, who slowly starts seeing his abusive behavior for what it is, and contrast it with Joe’s pov casting himself as the hero in this story. It would have made for a more interesting and complete narrative, with a much clearer message. Instead, they basically used Beck’s pov for like 10 minutes as a plot device to cover a part of the story that was a blind spot for Joe at that time, only to revert permanently to Joe’s pov for the rest of the narrative, and it felt really random and frustrating and pointless. That’s probably my biggest beef with the show—it’s a missed opportunity.

#anon #asks #// #/// #///// #//// #netflix you #abuse tw #child abuse tw

[saranel]

The Last Jedi review, sorta

I don’t think I’ve talked enough (if at all) about what a huge Star Wars nerd I am on this blog, mostly because I didn’t love TFA as much as most people seemed to and I just never joined in the renewed fandom frenzy.

TL;DR on my views on TFA: It was fun enough, some interesting new characters, beautiful visuals, but I’d seen that movie before.  It came out in ‘77 and it was much better then.  Homage is one thing, rip off is completely another.  Mostly, I guess I was just disappointed that they didn’t dare to try and move the universe forward a bit, beyond the already trodden path.

Say what you will about the prequels, but I will always, always maintain there’s nothing wrong with them a better script and director couldn’t fix.  George tries, bless him, but he can’t write dialogue worth a damn.  Not even Meryl Streep could’ve made the line “So love has blinded you” any better than Natalie Portman did, and both she and Hayden have proven themselves to be much better actors than they were in Star Wars.  I’m not bothering with Ewan because he was one of the few really great things about the Prequels. 

That having been said, what George can do is weave a decent background story, and the Prequel Trilogy’s story is much, much richer than the OT’s.  Taking off our nostalgia-colored glasses for a moment, let us be honest: the OT was so successful because it did a very simple thing, and did it well, and had a cast with wonderful chemistry. The story itself is nothing to rave about: just your simple Evil Empire vs Plucky Rebels story.  But the Prequels actually got political and much darker than the OT did, they just did it clumsily.  Still, it was something new in the Star Wars universe and George always tried to expand the known worlds by giving us even small glimpses of other cultures and planets.  Don’t forget that Star Wars was never meant to be high-brow Science Fiction a la Philip Dick, but a space adventure.  This doesn’t mean that the story can’t have nuance, but the point of Star Wars was always to be a fairytale exploration of a fictional galaxy.

Compared to that, the new trilogy seemed extremely lacking to me.  And seeing The Last Jedi a few days ago really cemented that.  Never before have I seen so many things happening in one movie while nothing really happens at all.  It makes Attack of the Clones look interesting in comparison, and that’s saying a lot.  ALSO LUKE, WTF HAS THE MOUSE DONE TO MY SPACE SON, THE FUCKING GALL.

So yes, surprise-surprise, TLJ manages to rip off Empire (with a dash of Battlestar Galactica thrown in for good measure) and does so poorly.  It was not a terrible film by any means, but I honestly thought it was no better than Phantom Menace. And Phantom Menace had the Duel of Fates.  So. 

(okay, to be fair, TLJ didn’t have Jar Jar so that’s one point in its favor)

In a nutshell:

(cut for spoilers)

THE GOOD

- Poe.  Poe was good. Moar Poe, there was a serious lack of Poe in TFA and it has been rectified, this was a very good decision. 

- The silent scene.  Y’all know the one.  People in my theater literally gasped in unison.  I was bored outta my skull up until then and as soon as I realized what Holdo was about to do, I sat up, all ‘oshit’ and it was amazing.  Beautifully shot, beautifully clever, and the most badass hero death in the SW universe.  Only comes in second in terms of best scene in the movie because the other one involved a more established and beloved character.

- MY SON LUKE KICKING HIS NEPHEW’S ASS LIKE IT AIN’T NO BIG THANG.  In full disagreement over how shit went down between them in the past, but Luke showing Kylo who’s the most goddamn powerful Jedi in the galaxy (which Luke did canonically become in later years btw) was such a rewarding scene.  Also, he was dressed in black.  Like in ROTJ. Because fuck yeah.

- Rey’s parentage.  Most people probably hated that she’s not a Skywalker but I just... kinda loved the suggestion that she was the Force’s answer to Kylo?  It’s happened before with Anakin, so this isn’t exactly new, and Anakin, too, came from ‘nothing.’ I liked it.  She doesn’t have to have illustrious parentage to be important in the series, and as much as I love my Space Drama Queen clan, it’s time the universe moves on from the Kardashians of the galaxy.

- Luke’s death.  I don’t agree with 99% of what went down with Luke in this trilogy, I think it was deeply out of character, but his ending?  That was spot on.  Did I want more out of his storyline? Obviously, but examined in a vacuum, his ending was beautiful to me.  Especially that last scene.  Best scene in the movie from start to end.

- Yoda manipulating the goddamn heavens to rain thunder upon the ancient tree.  Ilu Yoda

- Leia and Holdo discussing Poe.  This was an A+++ short scene. Get it, ladies.

- Snoke is gone, thank the heavens.  Worst-named villain in movie history, I couldn’t stop laughing every time someone said SUPREME LEADER snoke.

- CRYSTAL FOXES OMG

- Luke getting his kicks in that boring-ass island via EXTREME ROD FISHING, lmao the nerd

THE MEH

- So, um... Kylo and Rey?  ....ew? (did they not think Finn and Rey were super cute or)

- So, um... Finn and Rose?  ....ookaaaay? (did they not see Poe biting down on his lip when he saw Finn in his jacket or)

- I don’t really care for ships in this trilogy tbh, whatever.  Guess I’m steering clear from attachment until I know who’s related to whom (THIS IS A DANGEROUS UNIVERSE TO SHIP IN OKAY).  Plus, not really feeling particularly strong toward any couple, just... not Kylo and Rey, ew.

- Rose.  I liked her, but... they hardly gave her anything to do.  That casino storyline was such a mess, made it seem like she was there just to be there.

- Finn’s storyline. Snoozefest.  I like him, but... see above.

- lol wtf happened to Chewie...? He was just... there?

THE BAD

- SPACE-WALKING LEIA.  I’M SORRY, OKAY, I know this scene will be big with many people, and lord knows I wanted to see Space Mom use the Force beyond that Spidey Sense shit, but this was just so dumb. 

- All the ‘humor.’ My god, just... no.  Not every scene needs to be steeped in Whedon-speak, please stahp.  I will admit the first scene got a chuckle out of me, but the rest...

- The ‘plot.’  This was literally an extended car chase scene in space with some Sense8 type shit thrown in. Rey hardly even did any training, ffs.  

- so the force-sensitive member of the trio goes on to be trained by a wise, isolated mentor and finds herself drawn to a place steeped in the dark side and ends up seeing only herself reflected in there, meanwhile the rest of the characters are involved in a chase across the galaxy, running away from the evil empire, and at some point decide to ask for help form a well-known swindler who betrays them and in the end everything seems bleak with just a tiny glimmer of hope. HMMMMMM. HMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMMM. 

- quite frankly, I’m still in shock Rey finished the film with two fully biological arms

- O hei, look, it’s The Salty planet Hoth.  With pod-racing.

- Really? Rey blushing at shirtless Kylo? Really

- WHERE IS FORCE GHOST ANAKIN TO GO “BINCH I REDEEMED MYSELF IN THE END STOP THIS SHIT, ALSO I DID THIS FIRST AND I DID IT BETTER” TO HIS WANNABE GRANDSON

- The whole damn Casino storyline.  I don’t care if it’s meant to set up something for the last movie (probably not) but it was long, boring, and a clumsily written attempt at a storyline that could’ve been more nuanced and a good addition.

- why did we have to see Luke milk that alien Y

- NOT ONE DECENT LIGHTSABER FIGHT THE FUQ.  

- Leia (and Han in TFA) giving up on her son instead of beating some sense into his ass with a space slipper. Y’ALL KNOW SHE WOULD.  Baaaaad characterization. Space Mom would never.

- Also, fuck whoever decided that Leia, who canonically has the exact same force potential as Luke because they’re twins, never developed her powers beyond Force Sense or whatever.  If you’re not gonna give the woman a lightsaber, at least have her Force Push fools out of her way. 

- Wtf Rey you obliterated that nice alien’s cart and didn’t even apologize they work hard every day you should be ashamed

- why was it meant to be funny when porgs were slapped around wtf

- “what’s that canon?”  “Basically a small death star” kjashKLAFJSHSAJKDFSADFHSAK 

- Kylo. Can he just die, plz, the expanded universe did the Evil Solo son storyline so much better.  Yet another way in which this trilogy is totes an ~*homage*~  No shade on the actor though, he did a great job.  It’s just the violent manchild character I cannot stand.

- So like... we’re never gonna learn what Snoke’s deal was...? Or how he got to Kylo...? ....Okay then.

- This movie was 2 and a half hours long.

#star wars #the last jedi #tlj spoilers #I bet y'all wish George was still at the helm now #VINDICATION FOR THE PREQUELS AT LAST