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#it’s on hulu folks if you have it
mrs-kelly · 1 year
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re: lrb ASFJKSDL
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gentlebeardsbarngrill · 2 months
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03/02/2024 Daily OFMD Recap
TLDR; Cast & Crew Sightings; SambaSchutte; Vico Ortiz; Captain's Orders; AdoptOurCrew Saturday Sillies; Saturday "Masculinity" Fuckery; March 3 Reminders; FOTC and Short Poppies Watch Party Polls; Our Flag Turns 2; The Pirates Watch party; New Watch Party: Next Goal Wins; Repo News; Articles; Love Notes; Daily Darby/Tonight's Taika;
= Cast&Crew Sightings =
= Samba Schutte =
Samba's new short film "I Keep Bumping Into Candy Maldonado" is screening tomorrow Mar 3 @ 10 am at the Kingston Canadian Film Festival! If you happen to be there, give it a watch!
Src: Samba's Instagram Story
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= Vico Ortiz =
Vico's out here re-tweeting the AdoptOurCrew #TheseThems Watch Party! Way to go @adoptourcrew!
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= Today was Captains Orders!=
Several folks got out and took some time to enjoy nature! I only got a few permissions to share so if I get more, I'll add more tomorrow! Thank you to @lucyrosebutler for sharing! The last two images are me and my sad dry state. Bonus, my nugget before he ran off.
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== AdoptOurCrew Saturday Sillies ==
Our lovely crew-mates @AdoptOurCrew are back again with more #SaturdaySillies! This time around it's Pirate Connections! Want to know how to play? Check out the guide. If you already have twitter, please visit the Adopt Our Crew Thread to play! Don't have twitter? No problem! Their links to the Pirate Connections are below!
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Game 1
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Game 2
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Game 3
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Game 4
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Game 5
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Game 6
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== Saturday Fuckery! ==
Our darling @RedsiesWorld on twitter started up a fuckery! Various crew members managed to lots of positive, healthy masculinity posts running through the #MasculinitySaturday tag!
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== Reminders for March 3 ==
= FOTC/Short Poppies Watch Party Polls =
Have you voted yet for times for the Flight of the Conchords or Short Poppies Watch Party? @iamadequate1 still has the polls up!
How should ep breakdown in a Mon-Fri week be for the 12 eps of FotC S1?
What is a good hashtag for a FotC watch party?
What is a good hashtag for a Short Poppies watch party?
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= #OurFlagTurns2! =
Our friends over at @AdoptOurCrew are hosting several questions on twitter regarding #OurFlagTurns2! If you're on twitter, please respond on their feed, otherwise, if you want to respond on any other platform, just add the hashtag #OurFlagTurns2!
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Mar 3: The Pirates! Watch Party! 
This is a family friendly movie so bring the kids! Or the adults-- or anyone you know, really, as long as it's not against their will! Sunday March 3rd, 3 PM EST, 12 PM PST, 8 PM GMT!
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Watch Party Hashtags:
#OurPirateCaptain
#SaveOFMD
#AdoptOurCrew
== New Watch Parties! =
March 8th - Next Goal Wins!
When: 8 pm GMT / 3 pm EST / 12 pm PST
Thank you @lamentus1 for the info! Now available to buy in the UK: £11.99 @ Apple (https://tinyurl.com/mr3p6bvm) and £9.99 or £11.99 @ Amazon https://tinyurl.com/2fwdmezz.
(US fans can watch on Hulu, and Disney Plus)
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Watch Party Hashtags:
#SaveOFMD
#OurFlagWins
== Repo News ==
Hey all! Sorry it took so long.. I finally got the Renewal Repo Resources up with approved resources this time. I also added a new permission form so if you'd like to offer up your creations to be added to the repo for the purpose of sharing (with or without credit) you can do so and choose how your creations will get to be used. If anything on that form doesn't make sense or doesn't include something you feel needs to be included, please reach out to me! I got lots of feedback but I know there's always room for improvement, and I want to make sure I'm covering everyone's bases.
Please Note: This form is for shareable media. For "Fan Spotlight" I'll still be reaching out individually and those will be in a completely different part of the repo and not for sharing purposes.
OFMD Renewal Repo Sharable Media Submission / Permission Form
== Articles ==
Anti-Warner Bros. Sentiment Grows as Major Boycott Gains Traction (A shout out to @adoptourcrew in it! woo!)
== Love Notes ==
Hey lovelies. I hope if you were able to get outside today that it helped a bit with giving you some relief. Nature really can be healing, as the captain says. If you weren't I hope you got to do something fun, like make a gif, read a fanfiction, eat something you love, and get some rest. Just wanted to remind you that you can do anything. You can write that fic. You can draw that art. You can learn that language, or that subject you want. You can get that new job, or take that break. You can make it through another day, even when it feels like you can't. Remember that. I believe in you <3 The crew believes in you <3 If you don't already, one day I know you'll believe in you too. Sending all the love <3 To Quote @bossbabe.inc "yes the fuck you can".
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== Daily Darby / Tonight's Taika ==
The gif theme tonight is "Strut your stuff". Rhys Gif Courtesy of @lacefuneral Taika Gif Courtesy of @fuckyeahworldoftaika
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obstinaterixatrix · 3 months
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Amelie, a dreamy and romantic young Belgian woman, arrives in Japan to being work as a translator for the giant Yumimoto Corporation. For Amelie, who spent her childhood in Japan, this is a dream come true. It is her chance to become a "real Japanese." Eager to please her bosses and co-workers, she diligently accomplishes her daily tasks with invention and enthusiasm. But unfamiliar with the customs of the Japanese workplace, Amelie commits a series of cultural missteps and is singled out as a deviant within the company hierarchy, suffering a string of demotions. The harder she tries, the more wrathful her superiors seem to become, the more unreasonable and humiliating their demands. Unable to stop her downfall, Amelie suddenly stumbles upon her own extraordinary means of liberation.
happy femslash february, here’s a 2003 french-japanese movie about miserable office workers.
so. the thing is. this movie makes me insane. it’s deranged normal office drama. it’s mundane absurdism. it’s psychological warfare and power harrassment. it’s not romantic. it’s extremely homoerotic. and it is very french. I’m putting it in my femslash feb recs because. well.
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these women are Not Normal about each other. with amélie it’s much more obvious since it’s from her perspective, but there’s a lot about miss mori you pick up from context and extrapolation and she is also extremely Not Normal about amélie.
since it’s about culture clash, I’m sure it’ll be very hit or miss with some folks in terms of how much it leans into stereotypical(/satirical) depictions of japanese office culture, but I felt like 1) there was a wide enough variety of characters to offset completely flattening the conflict, 2) it’s clear to me that amélie is supposed to be shown as having A Very Biased (and sometimes cringe) Perspective.
if you have any interest in toxic office yuri. I Highly Recommend This Movie. it’s available to buy/rent on some streaming services, there are some dvds floating around, and there are other ways to find it if you really want to
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justalittlesolarpunk · 8 months
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Folks…I just watched How To Blow Up A Pipeline and whew, I have THOUGHTS and EMOTIONS. Please if you can watch this film (it’s on Netflix, Hulu and Sky!)
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miru-has-thoughts · 8 months
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How To Watch Professional Wrestling (2023)
Hello people of earth, Jupiter, and wrestling Tumblr! I’ve seen many posts here asking about where to watch professional wrestling. After a few weeks of research and speaking with my buddies who work for various television networks, and those who navigate the interwebs, I have compiled a list on where you can watch your favorite wrestlers without breaking the bank in this economy!
I’ll first talk about the legal ways. 
WWE (for those in the states)
-For those in the states, to watch WWE live, you can get traditional cable, satellite or a streaming service with live tv that includes the USA network. (Fox is a free channel so every live tv service has Fox). I would suggest Youtube TV b/c you get a lot of bang for your buck, but it can be expensive if you do not watch a lot of channels. The other alternative is sling tv, which if I remember is much cheaper than YTTV (about $40). 
-Regular Hulu offers Raw and Smackdown, but it’s available next day.
-The other place you can get your WWE content is Peacock, though the problem is there is no live content and the episodes are uploaded after a month. Peacock is only useful for PLEs and to watch the back catalog of WWE ($5.99/month).
-There is an option to livestream the USA Network on their app and website HOWEVER, you do need a TV provider to access so it defeats the purpose. 
*What I will say is this option is useful for those who live in the West, have cable/streaming service and want to watch Raw live.
WWE (International)
-Most countries have the WWE Network but it is very similar to Peacock in that there is no live content
* This is b/c of broadcasting rights with other stations that stops WWE from putting Raw and Smackdown up straight away like the PPVs 
-WWE also has deals with broadcasting channels around the world, but they more or less work similarly to Peacock.
SO, for the U.S folks, the best way to watch WWE legally and for cheap would be to purchase Sling TV and Peacock to get the full experience that will run you ~$45-55/month.
International folks would benefit from getting a VPN and doing the same (Sling + Peacock)
….
AEW (stateside)
-Again the best way to watch AEW is cable/live TV. The best options here would be Youtube TV and Sling. 
-There is a TBS app, but like the USA Network app, you need a subscription to cable/live tv, and honestly the app lags and is very faulty. Would not recommend. 
-For PPVs, you can purchase from traditional cable providers/satellite ($50/PPV)
-The other one is Bleacher Report (Ditto).
-You can also watch at certain Bar/Restaurants and Movie Theaters which could be a cheaper alternative to buying the PPV, though not every place in the U.S offers this, so make sure you check with your local Dave & Busters, Tom’s Watch Bar, and movie theaters.
(AEW International)
-Now we are in murky waters as AEW has given the rights to a few apps for different parts of the world (besides watching it by cable)
-Canada has TSN, Latin America is getting stuck with ViX, others have DAZN, and the rest are still on Fite TV.
-All these options have faults. TSN is expensive with cable and if you want to watch Collision you need the TSN app and that’s expensive as well. 
-ViX, while the cheapest option of all mentioned, is a joke of an app. Those that have used it reported it’s difficult to find AEW on the app. You HAVE to watch it live as there is no VOD, no back catalog, and the commentary is only in Spanish.There is also no PiP, in fact they don’t even air the fight when they throw to commercial, it just goes to a “we’ll be right back screen”.
-DAZN is expensive, misses shows, starts late, and is buggy. It’s also inflated with commercials before, after and in the middle of the show and the video quality is garbage.
-For anyone with Fite, you get the live stream but you have to wait 30 days for the VOD. Though you do have access to the back catalog.
*This is due to AEW’s deals with the streaming platforms above.
-Fite UK really is the old faithful as you can pay for AEW+ to watch live, get  VOD next day, have access to the back catalog and no PiP.
-PPVs can be purchased and watched through traditional satellite/cable provider
-YouTube (Canada, Mexico, Germany, Italy, France, UK, South Korea)
-PPV.com (Canada, Australia, New Zealand, UK and Ireland)
-SKY Germany
-SKY Italia
-DAZN (UK, Ireland, Canada, Australia, New Zealand, Netherlands, Mexico, Brazil, France, Sweden, Norway, Finland, Denmark, Poland, Portugal, Thailand, Taiwan, Malaysia, Singapore, Bulgaria)
-You can also buy through Fite (pretty much anyone)
Ok, so now you have all this info but you still don’t know what’s best for you? I would say if you want to watch both WWE + AEW, go with the live TV option. If you just want AEW, get yourself a VPN and go with Fite UK. This applies to Americans and International folks!
For PPV, the best option is Fite as when you purchase it, you have it for life and can replay it as much as you want. You also have the luxury of being able to watch on 2 devices simultaneously, so if you can’t fork out the money for a PPV, perhaps buddy up with someone, pay half and watch together on separate devices. 
-PPVs on UK fite are £13.99 each (about $16 American) and fite NZ are $20 American.
*If you cannot afford a VPN, the two free VPNs I recommend are Proton VPN and Urban VPN.
OK so now you have the legal ways of watching wrestling, but now you’re probably saying, “but Jei! This is great and all, but I don’t have money!”. Well my friend, this is where I give you a lifejacket and show you how to navigate the deep waters of the interwebs, and by the time you finish reading this, you will know how to be a damn great pirate!
-What you will DEFINITELY need is a good ad blocker 
-International folks, use a VPN that can connect to a US server.
Websites that have live streams, back catalog, PPVs, and wrestling from many promotions:
- Wrestling Network
- Wrestling Live
- PWrestling
- Watch Wrestling
- All Wrestling
- Watch Wrestling 24
- Watch Wrestling Up
*a lot of these have pesky ads you have to deal with and sometimes streams break in between, but since it’s free… Well, beggars can’t be choosers. Some will ask you to sign up, they are not asking for money, but if you are not comfortable sharing info, choose another site.
-Also while searching some of these sites, I came across a list from a website called Techlazy, and a person named Nagama Ansari compiled a list with more sites and gives an overview on sites I mentioned and others. I’ll link it here.
Well folks, if you made it this far, congratulations on successfully being able to navigate legal and pirated waters. In all seriousness, if you made it this far, I want to thank you for finding this helpful. I recently came back into the wrestling fold and the people in this community have been nothing but positive and friendly both in person and in real life. The best way I can give back to all of you is by using my knowledge working in television and journalism as well as using my network to help make it easier for all of you to enjoy what we love without worrying about paying a fortune to watch what you want.
Also, I am one of thousands of people getting screwed over by television monopolies and streaming services, so this is my petty way to get back at them! 
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amyriadfthings · 5 months
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[Have the whole interview]
The Projectionist
With Andrew Scott and Paul Mescal, It’s All About Chemistry
After “Fleabag” and “Normal People” made them romantic idols, the two actors forge their own tender bond in “All of Us Strangers.”
“Have you seen the sausage ad?” Andrew Scott asked me.
“No, no, we’re not going to talk about that,” Paul Mescal said.
It was a mid-November morning in Los Angeles, and I was having breakfast with two actors who have created some of the most indelible romantic leads of recent vintage: Scott, 47, played the “Hot Priest” on the second season of “Fleabag,” while the 27-year-old Mescal broke through — and broke hearts — as the conflicted jock Connell in Hulu’s “Normal People.”
Now, instead of aiming those love beams at women, they’ll point them at each other in the drama “All of Us Strangers,” due Dec. 22 in theaters. It’s like an Avengers-level team-up, if the Avengers recruited exclusively from the ranks of sad-eyed Irish heartthrobs who caused a sensation over the 2019-20 television season.
But before we could talk about their sexy, shattering new movie, Scott gently ribbed his co-star about an ad for an Irish sausage brand, Denny, that Mescal had starred in just out of drama school. (Though the rest of the world was introduced to Mescal in “Normal People,” Ireland already knew him from the ubiquitous sausage commercial.)
“Look, I needed that job in a massive way,” Mescal said. “That paid my rent for the rest of the year. But if I could take it back …”
“Ah, no, it’s lovely you have that!” Scott said. “I actually thought the character you created in the sausage ad was …”
“… career defining?” Mescal offered.
“It made me want a sausage!” Scott said a little too eagerly, causing both men to laugh. “Easy, folks, that’s too easy a joke,” Mescal said.
Scott and Mescal’s teasing, affectionate chemistry is put to excellent use in “All of Us Strangers,” directed by Andrew Haigh (“Weekend,” “45 Years”). Scott stars as Adam, a lonely writer who finds that his childhood home has become a mysterious portal that allows him to reconnect with his long-dead parents (played by Claire Foy and Jamie Bell). At the same time as Adam grapples with this past made manifestly present, he navigates an uncertain but tantalizing future with his neighbor Harry (Mescal), with whom he develops an intense romantic bond.
Over breakfast, we discussed the movie, which recently took the top prize at the British Independent Film Awards in addition to wins for directing, writing and Mescal’s supporting performance. Here are edited excerpts from our conversation.
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Andrew, you were attached to this movie first. How did you feel when Paul was cast?
SCOTT I was really thrilled because I was hoping that people would be able to see how cinematic and brilliant that role is.
MESCAL It never occurred to me that people wouldn’t be interested in it.
SCOTT Well, the character is such a vessel for love. To be able to play love, it’s something that you have to just know how to embody, and Paul is so excellent about being able to allow the audience in. When I heard he was interested, I was saying to Andrew, “Make that happen!”
MESCAL Even if I didn’t like the script or Andrew Haigh as much as I do, and I knew Andrew [Scott] was going to be doing the film, I still would have done the film.
SCOTT Would you?
MESCAL A hundred percent. And I know that probably sounds sycophantic, but when I was reading it and imagining you’d do it, I thought, “This is built for an actor of your caliber.” There’s lots of brilliant dramatic actors in the world, but what I think separates Andrew is his capacity to understand the dramatic requirements of a scene but also to play utterly against it. He finds humor in subject matter like this, which is really quite heavy, and if you can make an audience laugh, you’re halfway to making them cry.
This is a very tactile movie, too.
SCOTT There’s so much touching, whether that’s familial touching or a more sensual thing. People have talked an awful lot about the chemistry and the sex between our characters, but actually what I think is really radical and affecting about the relationship is how affectionate and tender they are with each other. It’s such a beautiful thing to play, isn’t it? Just real care.
MESCAL I find it healing to watch that kind of emotional intimacy. I remember being surprised when we watched it for the first time, because I didn’t remember being so close to your face when we were talking, how we were totally taking each other in. There’s a weird thing that I don’t think you can cheat: You know how when somebody you love is talking to you, and you look at their lips? It’s like, Jesus, I can’t remember doing that.
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Andrew, you’ve said before that acting is a matter of revealing. What’s being revealed about you by taking on this role?
SCOTT I think an awful lot, if I’m honest. I’m happy to be able to say that to be emancipated from shame has been genuinely the biggest achievement of my life. For a long time, I have felt very comfortable with myself, but it doesn’t take much to go back there — something a taxi driver can say can still wound you. If he might say, “You’ve got a wife?” You could go, “No, I don’t,” or is that sort of a lie by omission? I think the challenge was to undo the work and go to that place where you feel frightened.
How were you able to emancipate yourself from shame?
SCOTT I genuinely think that acting helped me. When I was a kid, I started doing elocution lessons because I had a really bad lisp. “She sells seashells,” I had to say that 17 times a day. So they sent me to elocution, which was boring, but eventually it was speech and drama classes. I was so shy and terrified, but then someone would say, “Get up and do an improvisation,” and some part of me felt …
MESCAL … free?
SCOTT Free, and I loved it. And then I practiced it a little bit more and then started doing it as a job. When I was 18 or 19, I was playing gay parts but I wasn’t out. A lot of people within the industry were queer, so I was surrounded by them and then, bit by bit, started to feel confident. To make something like [“All of Us Strangers”], it moves me, because I never thought that I’d get a chance to expose myself so much in a film like this or for it to be in such a trusting environment with such brilliant colleagues.
And do you rush headlong into the chance to expose yourself like that?
SCOTT I do. It’s my responsibility. The further I go into acting, I think that’s all it is, actually.
In the first scene you share, Paul’s character is boldly trying to flirt his way into Andrew’s apartment. Paul, it’s a kick to see you play a man so assertive and sure of what he wants.
MESCAL I was just so giddy because I don’t think I’ve got many opportunities to play somebody like that. It reminded me of characters I would have played in drama school — a lot more front-footed, a little bit bolder. Part of it was surprising an audience that might associate me with more interior, back-footed characters that I’ve played.
SCOTT I remember so clearly you saying the line, “There’s vampires at my door.” That line could seem completely preposterous and it’s a hard sell, but it’s unique, right? I’m obsessed with writing that has a real autograph about it.
MESCAL ChatGPT wouldn’t come up with that.
SCOTT Exactly. And human beings have an extraordinary way of expressing themselves. I feel the same way when people talk about big acting.
MESCAL I love big acting.
SCOTT Some people do that kind of polite, nobody-will-notice-me acting, and sometimes it can be a little dull.
MESCAL You’re looking for an opportunity to play something truthfully, but also if that truth can be a bigger, more fractious choice, maybe that could be fun.
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What’s the biggest acting you’ve ever done?
SCOTT Oh my God. Pick a card, any card. I did a play called “Present Laughter” by Noël Coward, about a guy who’s an over-the-top actor. It was kind of a farce, and I’m obsessed with farce.
MESCAL I am so jealous of people who can do farce, I don’t know where I would start.
SCOTT It’s all about timing the slam of the door, and there’s no greater feeling than when you’re talking to the other actor and you are waiting for the audience to stop laughing. You’d love it because it’s so physical as well.
MESCAL I’m just a bit scared of comedy because I didn’t do a lot of it in drama school. Don’t think [I’ve got] a particularly funny disposition.
SCOTT Are you out of your mind? I’m going to have a little think now.
MESCAL I’d love to do a rom-com.
SCOTT I think you’d be very good at playing some sort of neurotic.
MESCAL Really?
SCOTT Yeah. I love those kinds of characters that don’t have a sense of humor.
MESCAL No sense of humor. Great. I can do that, I can do that easily. [Laughs.]
With “Normal People” and “Fleabag,” where you played romantic leads, how did you handle the intensity of the audience imprinting on you?
MESCAL I remember the first couple of months of that happening, I was like, “Jesus, what can I do?” And the answer is actually nothing. There’s nothing you can do about it if somebody wants to imprint or project onto you.
SCOTT That was all during the pandemic, wasn’t it?
MESCAL Yeah, yeah.
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Was it better or worse that you were in your house for most of it?
MESCAL Much, much better. Even doing junkets when “Normal People” came out, I was really glad to do it within the confines of my own home. I could put the laptop down and nobody knew where I was.
Andrew, you weren’t trapped at home when “Fleabag” came out. Could you tell something had changed in the way people perceived you?
SCOTT It already happened a little bit when I did “Sherlock” [playing Moriarty] because that really does have a fandom. There were like a thousand people that would come to set, it was absolutely insane.
MESCAL Jesus.
SCOTT So “Fleabag" was completely different in that sense. It didn’t have the same frenzy.
Maybe not as you were filming it, but there was definitely a passionate fandom once it was released.
SCOTT There was, but I really enjoyed that because I love the show. I’m so proud of it and I loved that part, so I liked that it really affected people so much.
MESCAL Still! I watch it once a year.
Paul, you even dressed as the hot priest for Halloween.
MESCAL I did. That went down a bit of a storm.
When you have a breakthrough project like those two series, and you’re seen differently in this business afterward, is it hard not to get swept up by all the offers that come your way?
MESCAL I know what I like. I don’t have the confidence in myself as an actor to do something that isn’t good. I don’t think I can pull the wool over people’s eyes with bells and whistles in terms of performance, and I’m actually glad I can’t do that.
SCOTT But is it weird when you are in L.A. now? I opened up my curtains this morning, and there you are.
MESCAL Yeah, my Gucci billboard.
SCOTT That’s insane.
MESCAL It is bananas. Yeah, I’m really proud of that, but I’m also acutely aware the only reason that’s happening is because people are enjoying the work that I’m doing. It can all disappear, like that.
Paul, you’re currently working on Ridley Scott’s sequel to “Gladiator.” I’m sure you’ve been pursued for a lot of blockbusters, so what made you choose this one?
MESCAL I love the first film and I think Ridley is an all-time great, so that was a no-brainer to me. I don’t really have a desire to make lots of big films in my life, but if this was the only big film I was ever to make, I would put my name into the mix anywhere for that. I’m having a great time doing it, but I also think there’s an obligation to understand that I don’t want an audience to get bored of me, or expect me to do the big indie film every year or two, because they’re really hard to get right.
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Which is hard to get right, the big film or the indie?
MESCAL A film like “All of Us Strangers” or “Aftersun.” I’ve been incredibly lucky that those scripts came across my desk because there’s lots of other indies that are really well intentioned that don’t reach an audience. Also, it’s hard to go to the emotional well year after year with stuff like this, so I don’t want an audience to get bored of my choices or expect that I’m going to do that.
SCOTT Do you remember you got the “Gladiator” call when we were on the set of “All of Us Strangers”? You were so excited. I think I was even more excited, but you were so lit up about it. I think one of the fun things about being an actor that’s open to you is that you can do whatever you really want.
MESCAL That’s what makes you tick, to go from scenes like we get to play in “All of Us Strangers” to then doing stuff where you’re running around in an arena. If I was to boil down why I love this job, it’s that you get to go to work and pretend all day long but the thing that you would imagine as a child is actually actualized.
SCOTT Have there been any moments in “Gladiator” where you’re like, “This is amazing”?
MESCAL The first day was just bananas. There was camels and thousands of extras. Two close-ups on me. A close-up on the action. And you’re just like, “I’ve got to fake this till I make it.” Wild. Wild. Wild.
SCOTT Yeah, it’s playing. It really is. You’re required to play a part, you’re not required to work a part.
It’s heartening to hear you both describe acting as play or pretend. You talk about it in such joyful terms, but some of the other leading men I’ve spoken to will …
MESCAL … fetishize the pain.
SCOTT It embarrasses them.
MESCAL It’s important to say that “pretend” doesn’t make it any less emotional or difficult to do, but I think it actually gives you a greater range of possibility in a scene. That’s not to say there weren’t days on [“All of Us Strangers”] that felt like some sort of psychological torture.
SCOTT Absolutely.
MESCAL But the act of making it? It can’t be that, because then it just becomes about “How hard can I grip this table? How much pain can I put myself through in order to talk about it to the press?”
SCOTT I think of it sometimes like you invited somebody around for dinner and you said, “I could not find any organic chicken in the market, it was an absolute nightmare. Then I had to hoover the place from top to bottom.” And they’re just like, “Give me a glass of wine. I don’t want to hear about what you did, I’m just here for dinner.”
MESCAL Yeah, that’s spot on.
SCOTT What you need to do is have the generosity to get the chicken out.
MESCAL Organic or not.
Kyle Buchanan is a pop culture reporter and serves as The Projectionist, the awards season columnist for The Times. He is the author of “Blood, Sweat & Chrome: The Wild and True Story of Mad Max: Fury Road.” More about Kyle Buchanan
A version of this article appears in print on Dec. 7, 2023, Section C, Page 1 of the New York edition with the headline: Two Hearts Beating As One. Order Reprints | Today’s Paper | Subscribe
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denimbex1986 · 3 months
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'“Have you seen the sausage ad?” Andrew Scott asked me.
“No, no, we’re not going to talk about that,” Paul Mescal said.
It was a mid-November morning in Los Angeles, and I was having breakfast with two actors who have created some of the most indelible romantic leads of recent vintage: Scott, 47, played the “Hot Priest” on the second season of “Fleabag,” while the 27-year-old Mescal broke through — and broke hearts — as the conflicted jock Connell in Hulu’s “Normal People.”
Now, instead of aiming those love beams at women, they’ll point them at each other in the drama “All of Us Strangers,” due Dec. 22 in theaters. It’s like an Avengers-level team-up, if the Avengers recruited exclusively from the ranks of sad-eyed Irish heartthrobs who caused a sensation over the 2019-20 television season.
But before we could talk about their sexy, shattering new movie, Scott gently ribbed his co-star about an ad for an Irish sausage brand, Denny, that Mescal had starred in just out of drama school. (Though the rest of the world was introduced to Mescal in “Normal People,” Ireland already knew him from the ubiquitous sausage commercial.)
“Look, I needed that job in a massive way,” Mescal said. “That paid my rent for the rest of the year. But if I could take it back …”
“Ah, no, it’s lovely you have that!” Scott said. “I actually thought the character you created in the sausage ad was …”
“… career defining?” Mescal offered.
“It made me want a sausage!” Scott said a little too eagerly, causing both men to laugh. “Easy, folks, that’s too easy a joke,” Mescal said.
Scott and Mescal’s teasing, affectionate chemistry is put to excellent use in “All of Us Strangers,” directed by Andrew Haigh (“Weekend,” “45 Years”). Scott stars as Adam, a lonely writer who finds that his childhood home has become a mysterious portal that allows him to reconnect with his long-dead parents (played by Claire Foy and Jamie Bell). At the same time as Adam grapples with this past made manifestly present, he navigates an uncertain but tantalizing future with his neighbor Harry (Mescal), with whom he develops an intense romantic bond.
Over breakfast, we discussed the movie, which recently took the top prize at the British Independent Film Awards in addition to wins for directing, writing and Mescal’s supporting performance. Here are edited excerpts from our conversation.
Andrew, you were attached to this movie first. How did you feel when Paul was cast?
SCOTT I was really thrilled because I was hoping that people would be able to see how cinematic and brilliant that role is.
MESCAL It never occurred to me that people wouldn’t be interested in it.
SCOTT Well, the character is such a vessel for love. To be able to play love, it’s something that you have to just know how to embody, and Paul is so excellent about being able to allow the audience in. When I heard he was interested, I was saying to Andrew, “Make that happen!”
MESCAL Even if I didn’t like the script or Andrew Haigh as much as I do, and I knew Andrew [Scott] was going to be doing the film, I still would have done the film.
SCOTT Would you?
MESCAL A hundred percent. And I know that probably sounds sycophantic, but when I was reading it and imagining you’d do it, I thought, “This is built for an actor of your caliber.” There’s lots of brilliant dramatic actors in the world, but what I think separates Andrew is his capacity to understand the dramatic requirements of a scene but also to play utterly against it. He finds humor in subject matter like this, which is really quite heavy, and if you can make an audience laugh, you’re halfway to making them cry.
This is a very tactile movie, too.
SCOTT There’s so much touching, whether that’s familial touching or a more sensual thing. People have talked an awful lot about the chemistry and the sex between our characters, but actually what I think is really radical and affecting about the relationship is how affectionate and tender they are with each other. It’s such a beautiful thing to play, isn’t it? Just real care.
MESCAL I find it healing to watch that kind of emotional intimacy. I remember being surprised when we watched it for the first time, because I didn’t remember being so close to your face when we were talking, how we were totally taking each other in. There’s a weird thing that I don’t think you can cheat: You know how when somebody you love is talking to you, and you look at their lips? It’s like, Jesus, I can’t remember doing that.
Andrew, you’ve said before that acting is a matter of revealing. What’s being revealed about you by taking on this role?
SCOTT I think an awful lot, if I’m honest. I’m happy to be able to say that to be emancipated from shame has been genuinely the biggest achievement of my life. For a long time, I have felt very comfortable with myself, but it doesn’t take much to go back there — something a taxi driver can say can still wound you. If he might say, “You’ve got a wife?” You could go, “No, I don’t,” or is that sort of a lie by omission? I think the challenge was to undo the work and go to that place where you feel frightened.
How were you able to emancipate yourself from shame?
SCOTT I genuinely think that acting helped me. When I was a kid, I started doing elocution lessons because I had a really bad lisp. “She sells seashells,” I had to say that 17 times a day. So they sent me to elocution, which was boring, but eventually it was speech and drama classes. I was so shy and terrified, but then someone would say, “Get up and do an improvisation,” and some part of me felt …
MESCAL … free?
SCOTT Free, and I loved it. And then I practiced it a little bit more and then started doing it as a job. When I was 18 or 19, I was playing gay parts but I wasn’t out. A lot of people within the industry were queer, so I was surrounded by them and then, bit by bit, started to feel confident. To make something like [“All of Us Strangers”], it moves me, because I never thought that I’d get a chance to expose myself so much in a film like this or for it to be in such a trusting environment with such brilliant colleagues.
And do you rush headlong into the chance to expose yourself like that?
SCOTT I do. It’s my responsibility. The further I go into acting, I think that’s all it is, actually.
In the first scene you share, Paul’s character is boldly trying to flirt his way into Andrew’s apartment. Paul, it’s a kick to see you play a man so assertive and sure of what he wants.
MESCAL I was just so giddy because I don’t think I’ve got many opportunities to play somebody like that. It reminded me of characters I would have played in drama school — a lot more front-footed, a little bit bolder. Part of it was surprising an audience that might associate me with more interior, back-footed characters that I’ve played.
SCOTT I remember so clearly you saying the line, “There’s vampires at my door.” That line could seem completely preposterous and it’s a hard sell, but it’s unique, right? I’m obsessed with writing that has a real autograph about it.
MESCAL ChatGPT wouldn’t come up with that.
SCOTT Exactly. And human beings have an extraordinary way of expressing themselves. I feel the same way when people talk about big acting.
MESCAL I love big acting.
SCOTT Some people do that kind of polite, nobody-will-notice-me acting, and sometimes it can be a little dull.
MESCAL You’re looking for an opportunity to play something truthfully, but also if that truth can be a bigger, more fractious choice, maybe that could be fun.
What’s the biggest acting you’ve ever done?
SCOTT Oh my God. Pick a card, any card. I did a play called “Present Laughter” by Noël Coward, about a guy who’s an over-the-top actor. It was kind of a farce, and I’m obsessed with farce.
MESCAL I am so jealous of people who can do farce, I don’t know where I would start.
SCOTT It’s all about timing the slam of the door, and there’s no greater feeling than when you’re talking to the other actor and you are waiting for the audience to stop laughing. You’d love it because it’s so physical as well.
MESCAL I’m just a bit scared of comedy because I didn’t do a lot of it in drama school. Don’t think [I’ve got] a particularly funny disposition.
SCOTT Are you out of your mind? I’m going to have a little think now.
MESCAL I’d love to do a rom-com.
SCOTT I think you’d be very good at playing some sort of neurotic.
MESCAL Really?
SCOTT Yeah. I love those kinds of characters that don’t have a sense of humor.
MESCAL No sense of humor. Great. I can do that, I can do that easily. [Laughs.]
With “Normal People” and “Fleabag,” where you played romantic leads, how did you handle the intensity of the audience imprinting on you?
MESCAL I remember the first couple of months of that happening, I was like, “Jesus, what can I do?” And the answer is actually nothing. There’s nothing you can do about it if somebody wants to imprint or project onto you.
SCOTT That was all during the pandemic, wasn’t it?
MESCAL Yeah, yeah.
Was it better or worse that you were in your house for most of it?
MESCAL Much, much better. Even doing junkets when “Normal People” came out, I was really glad to do it within the confines of my own home. I could put the laptop down and nobody knew where I was.
Andrew, you weren’t trapped at home when “Fleabag” came out. Could you tell something had changed in the way people perceived you?
SCOTT It already happened a little bit when I did “Sherlock” [playing Moriarty] because that really does have a fandom. There were like a thousand people that would come to set, it was absolutely insane.
MESCAL Jesus.
SCOTT So “Fleabag" was completely different in that sense. It didn’t have the same frenzy.
Maybe not as you were filming it, but there was definitely a passionate fandom once it was released.
SCOTT There was, but I really enjoyed that because I love the show. I’m so proud of it and I loved that part, so I liked that it really affected people so much.
MESCAL Still! I watch it once a year.
Paul, you even dressed as the hot priest for Halloween.
MESCAL I did. That went down a bit of a storm.
When you have a breakthrough project like those two series, and you’re seen differently in this business afterward, is it hard not to get swept up by all the offers that come your way?
MESCAL I know what I like. I don’t have the confidence in myself as an actor to do something that isn’t good. I don’t think I can pull the wool over people’s eyes with bells and whistles in terms of performance, and I’m actually glad I can’t do that.
SCOTT But is it weird when you are in L.A. now? I opened up my curtains this morning, and there you are.
MESCAL Yeah, my Gucci billboard.
SCOTT That’s insane.
MESCAL It is bananas. Yeah, I’m really proud of that, but I’m also acutely aware the only reason that’s happening is because people are enjoying the work that I’m doing. It can all disappear, like that.
Paul, you’re currently working on Ridley Scott’s sequel to “Gladiator.” I’m sure you’ve been pursued for a lot of blockbusters, so what made you choose this one?
MESCAL I love the first film and I think Ridley is an all-time great, so that was a no-brainer to me. I don’t really have a desire to make lots of big films in my life, but if this was the only big film I was ever to make, I would put my name into the mix anywhere for that. I’m having a great time doing it, but I also think there’s an obligation to understand that I don’t want an audience to get bored of me, or expect me to do the big indie film every year or two, because they’re really hard to get right.
Which is hard to get right, the big film or the indie?
MESCAL A film like “All of Us Strangers” or “Aftersun.” I’ve been incredibly lucky that those scripts came across my desk because there’s lots of other indies that are really well intentioned that don’t reach an audience. Also, it’s hard to go to the emotional well year after year with stuff like this, so I don’t want an audience to get bored of my choices or expect that I’m going to do that.
SCOTT Do you remember you got the “Gladiator” call when we were on the set of “All of Us Strangers”? You were so excited. I think I was even more excited, but you were so lit up about it. I think one of the fun things about being an actor that’s open to you is that you can do whatever you really want.
MESCAL That’s what makes you tick, to go from scenes like we get to play in “All of Us Strangers” to then doing stuff where you’re running around in an arena. If I was to boil down why I love this job, it’s that you get to go to work and pretend all day long but the thing that you would imagine as a child is actually actualized.
SCOTT Have there been any moments in “Gladiator” where you’re like, “This is amazing”?
MESCAL The first day was just bananas. There was camels and thousands of extras. Two close-ups on me. A close-up on the action. And you’re just like, “I’ve got to fake this till I make it.” Wild. Wild. Wild.
SCOTT Yeah, it’s playing. It really is. You’re required to play a part, you’re not required to work a part.
It’s heartening to hear you both describe acting as play or pretend. You talk about it in such joyful terms, but some of the other leading men I’ve spoken to will …
MESCAL … fetishize the pain.
SCOTT It embarrasses them.
MESCAL It’s important to say that “pretend” doesn’t make it any less emotional or difficult to do, but I think it actually gives you a greater range of possibility in a scene. That’s not to say there weren’t days on [“All of Us Strangers”] that felt like some sort of psychological torture.
SCOTT Absolutely.
MESCAL But the act of making it? It can’t be that, because then it just becomes about “How hard can I grip this table? How much pain can I put myself through in order to talk about it to the press?”
SCOTT I think of it sometimes like you invited somebody around for dinner and you said, “I could not find any organic chicken in the market, it was an absolute nightmare. Then I had to hoover the place from top to bottom.” And they’re just like, “Give me a glass of wine. I don’t want to hear about what you did, I’m just here for dinner.”
MESCAL Yeah, that’s spot on.
SCOTT What you need to do is have the generosity to get the chicken out.
MESCAL Organic or not.'
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three--rings · 7 months
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Time for a very rare film rec from me.
I highly recommend the recently released film Sanctuary(2022), which is now streaming on Hulu (and I think that's it?).
When I heard a synopsis of this movie I was like, OMG it's made for me. Just watched it and me and my husband both loved it.
I especially recommend it to any kinky folks out there, my fellow Vegaspete fans, anyone who likes the movie Secretary from 2002.
Sanctuary is about a man who has been seeing a professional female dom for years and sees her one last time with the intention of ending their arrangement because he's about to become CEO of a very powerful corporation.
However, she doesn't take this news well and demands he give her half of his new salary, as she made him capable of doing this job through their time together.
From there things...devolve into an increasingly unethical, twisted, unhinged dynamic between them all over the course of one night in one hotel room.
Their relationship goes from safe, sane, consensual, and professional to NONE of those things on a fucking dime. And they're both way into it. Like she spends most of the movie just fucking tormenting him and playing mind games with him, and then points out he's fucking hard in his pants about it.
I think it's pretty clear this movie kinda wants the audience to think it's a thriller, and it may have been marketed that way, but actually it's basically a romcom. Just a fairly twisted one.
That's all I'm gonna say, if it sounds interesting to you, just watch it. It's not that long and it's a good time. And feels like a real throwback to 90s indie films in the best way.
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sirfrogsworth · 1 year
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My friend Brittany and her beau William helped me set up my home theater upstairs with the new TV. It's not quite as involved as my downstairs setup, but it has my nice front speakers and my huge subwoofer, which are the most important components. No surround sound or Atmos ceiling speakers.
I'm still dialing it in, but having home theater sound is so nice. With a good center channel I can hear dialogue so crisp and clear that I rarely need subtitles. And the subwoofer just adds so much heft to everything. Gunshots are visceral. Music sounds like you are there. And if you don't mind the learning curve, there are systems you can put together for under $1000 that would still blow you away. That may sound like a lot to some, but home theater components can last for decades. There are folks rocking out to 40 year old components that still sound worlds better than those cheap soundbars you can get at Costco. (There are actually some great soundbars. But they cost a bit more and they must have a center channel and a subwoofer.)
One thing I am fighting are the streaming apps. I really wish companies would prioritize app development to create a consistent experience across all platforms. And maybe seek out top UX designers to work out the usability kinks. Paramount's app is a design clusterfuck.
Right now I have to use the Hulu app on my TV because the Nvidia Shield Hulu app doesn't do HDR. I have to use the Paramount Plus app on the Shield because the TV app doesn't do HDR. I have to use Plex on the Shield because the TV will not passthrough DTS audio.
So instead of being able to use one remote for one device I have to use 3 remotes to control everything and switch back and forth.
Put the picture is beautiful and the sound is immersive. Can't complain about that.
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jordanrosenburg · 4 months
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I just need to rant for a second because I'm so aggravated. Amazon Prime is $139 annually or $14.99 monthly. It used to only be like $100 annually, or $50 annually if you were a student. I do the $139 annual charge because it's actually cheaper overall than the monthly plan. (14.99 x 12 = 179.88) A lot of services are cheaper annually. But most people see the "lower" monthly fee and figure that's more manageable.
Amazon Prime Video is one of the "perks" of having an AP premium membership. The movies and tv shows on there don't have commercials, rightfully so. However, subscribers will soon start seeing ads unless they want to pay an extra $2.99 a month. So, for those monthly folks, that's now $17.98 a month. FOR WHAT?!
"We are writing to you today about an upcoming change to your Prime Video experience. Starting January 29, Prime Video movies and TV shows will include limited advertisements. This will allow us to continue investing in compelling content and keep increasing that investment over a long period of time. We aim to have meaningfully fewer ads than linear TV and other streaming TV providers. No action is required from you, and there is no change to the current price of your Prime membership. We will also offer a new ad-free option for an additional $2.99 per month*..."
That's funny because, they cancelled The Wilds after 2 seasons. (Netflix does the same thing! And Netflix just very sneakily got rid of their $7.99 a month low-res option. So now if you don't want to pay $11.99 a month which is the new "basic" plan, you have to pay for ads.)
"Access to exclusive and broad streaming video content (including Prime Video exclusives like The Lord of the Rings: The Rings of Power, The Boys, Tom Clancy's Jack Ryan, Citadel, The Wheel of Time, Reacher, and The Summer I Turned Pretty, as well as blockbuster movies such as Air, Creed III, Dungeons & Dragons, Candy Cane Lane with Eddie Murphy, and exclusive live sports including NFL Thursday Night Football). Access to Prime Video Channels, which provides an unmatched selection of subscription channels like Max, Paramount+ with SHOWTIME, BET+, MGM+, ViX+, Crunchyroll, PBS KIDS, NBA League Pass, MLB.TV, and STARZ—with no extra apps to download, and no cable required. Customers only pay for the ones they want, and can cancel anytime."
All of those "channels" are extra costs. And they're saying this as if you can't just download the apps to your TV as if everyone only has firesticks or Amazon TVs these days nowadays.
And also, what if I don't like any of the original programming? What if I didn't care about football? All of the original programming I was invested in, was cancelled! I'm hoping The Summer I Turned Pretty doesn't get cancelled after the third season, but who knows?!
And what's different with APV as opposed to other streaming services is that this is just included with AP. This isn't something you can opt out of to save money. So, you may as well use it, right? What aggravates me the most is the fact that when I go to search for something, it'll either say, "Video not available, watch with [insert extra channel I'd need to pay for here], rent for $x.xx, or buy for $x.xx". I SHOULDN'T HAVE TO PAY EXTRA TO WATCH SOMETHING ON A SERVICE I ALREADY PAY FOR! NOR SHOULD I HAVE TO DOWNLOAD ANOTHER APP OR CHANNEL THAT ALSO REQUIRES PAYMENT.
I am so sick of having to surf between Hulu, Netflix, APV, MAX, Paramount+, Peacock, Apple TV, or Disney+. My Hulu is included in my Spotify because I was grandfathered into that option, so I don't pay extra for Hulu. However, I can't watch everything on Hulu unless I want to pay for the Hulu Live option which is $76.99 a month WITH ADS! So, between paying that or $10.99 for my Spotify/Hulu plan, yeah, I'm gonna keep the $10.99 a month plan. With Hulu Live, you still have the issue of not being able to watch everything you want to watch! There are still movies and TV shows that are unavailable. And I'm not talking about original content. I'm talking about if I have the urge to watch an old movie or binge an old TV show, I should be able to do that without flipping between services or having to pay extra!
I'm aware that rights and ownership come into play here. I know these services have to pay the networks to be able to stream certain shows. However, Amazon is a multi-BILLION dollar company. I think they can afford to eat the cost. They wonder why piracy is still a thing. How could it not be? All of this costs so much money and you still can't watch the things you want to watch!
People turned to streaming services so they could go ad-free and to save money on cable. Now, it all costs the same, even more, as cable depending on how many services you're paying for.
I also think APV is pulling this bullshit as a punishment for the strikes. "We lost so much money because the writers and actors were gone for so long, so now we need to make up for that lost time and also we have to cancel certain shows because they take months to put together and cost so much to film. So now we have to raise our prices so we can try to salvage what we can afford to do." That's essentially the message they're sending.
Amazon has generated approximately $553.7 billion in revenue over the last year. So, this is clearly just the usual corporate greed. Breaking even isn't an option anymore. Every quarter, every year needs to make more money than the last. Meanwhile, Amazon treats their warehouse workers like garbage. (I hope the workers keep unionizing because they literally keep the world running. We're able to get just about anything delivered same day or overnight because of the warehouse workers and drivers.)
The writers went on strike because they were being run ragged and so were the actors. When you have a speedy three month production, that means those people need to find other jobs for the other months of the year. That's why the next season would take a year to make because people found other jobs, so they needed to work around those schedules. And that's not to say some writers and actors and behind the camera workers aren't working multiple jobs at the same time, because they are, but this creates more and more time conflicts. They weren't, and probably still aren't, paying these people enough. So, now that things have been renegotiated, the streaming services are upping their fees for bullshit reasons all because they legally have to pay their workers more and god forbid they don't turn a billion dollar profit.
It costs more money to market towards new subscribers than it does to maintain the ones you already have. But who am I to say anything?
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yugsly · 1 year
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Where can I watch Tatami Galaxy
It's on Crunchyroll/Funimation I believe. And Tatami Time Machine Blues (spinoff, it's stand-alone and can be watched without having seen Tatami Galaxy) is on Hulu. Of course there are ~other sites~ to watch them on if you don't have streaming servies (like zoro (dot) to). It is truly my favorite anime of all time. Ive been endlessly inspired by it's writing and stellar art direction since I saw it for the first time 10 years ago. There is truly nothing like it! I cannot recommend it enough! Tatami Galaxy is only 11 episodes! And Time Machine Blues is the length of a movie! (Time Machine Blues just came out a couple weeks back!) It's also pretty objectively fruity and that's great. I could write an entire essay, dude. WATCH IT! (Anyway I just remembered that some folks that worked on the show follow me on twitter. Thanks here’s your guys Smoking Weed And Being Gay hope you like it)
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gentlebeardsbarngrill · 2 months
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02/15/2024 Daily OFMD Recap Part 1
TLDR; Cast&Crew; Rhys; Samba BTS; Con O'Neill; New Watch Parties: NextGoalWins; Watch Party Reminders; A Safe Space Ship; Hoff The Beaten Path Drama; Florida SuperCon;
Wow yall, I actually have to do a 2 parter today for all the crap that happened. Just. WOW.
= Cast & Crew Sightings =
= Rhys Darby =
Rhys' IG blew up today with all sorts of photos. This was after Samba BTS dumped on us earlier in the day, because apparently our fragile brains needed to explode.
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Just to add to the excitement of the day, there were 2 cameos added.
Regarding Short Poppies - On Cameo - IG link = tysm @lividturkeys and Short Poppies Crew! for the video!
Regarding Rhys' Cats! - On Twitter / GD = tysm @elphia_3 for this vid!
Oh look, Rhys is trending on twitter, I wonder why?!
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= Samba Schutte BTS =
Everybody say thank you Samba because HE SERIOUSLY DELIVERED today and this time it's featuring Taika!!!!
Thank goodness for all the folks bringing over videos to tumblr because there were a lot today. Pictures first, video links below.
Src: Samba's Instagram
Wanna see all the stills on Tumblr? See @londonspirit's post here.
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Some background pictures of the videos produced some VERY INTERESTING research material.
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Tumblr Video Links:
Rhys In the Rain - @bizarrelittlemew
The Underwater BTS - @blakbonnet
Taika Pan Up / David Give Them What They Want - @ blakbonnet
Archie Barrel Lifts / Cast In the Rain - @rhysdarbinizedarby
Getting Into the Water - @ rhysdarbinizedarby
Rhys' IG Story About the Sandwich - @ rhysdarbinizedarby
David Fane Veil - @ rhysdarbinizedarby
Taika Running Into Rhys' Arms - @ rhysdarbinizedarby
= Con O'Neill =
Con O'Neill left a really wonderful thanks today, and special shoutout to @ringasunn and all the folks who contributed to his Con O' Neill Love Project!
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Src: Con's IG
If you missed the love projects or want to see part 4, here's the links to the Instagram videos:
Love Project: Part 1
Love Project: Part 2 
Love Project: Part 3
Love Project: Part 4
== New Watch Parties! ==
Wanna check out NextGoalWins? It's available on Hulu/Disney+ Watch Party: Feb 25, 2 pm PST, 5 pm EST, 10pm GMT
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Watch Party HashTags:
#OurFlagWins
#AdoptOurCrew
#SaveOFMD
= Feb 16: Ongoing Watch Parties =
People of Earth S1 is still going strong! Episode 9&10 tomorrow Feb 16, at 4PM CST/ 10PM GMT Replay of episodes 1-10 Saturday Feb 17, 8 AM CST /2 PM GMT Need access? Contact @iamadequate1!
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== Uncle Season 1 Watch Party ==
Episodes 4 5 6 tomorrow Fri 16th Feb! GMT - 8 PM / ET 3PM / PST - 12 PM and as always those outside the UK: VPN Article
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== A Safe Space Ship Meetup! ==
Remember the in-person A Safe Space Ship event in San Diego CA on the 11th? A bunch of the crew got together and got some fantastic pictures at the Maritime Museum of San Diego! Check it out! Src: Fangirlfoto IG
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== Hoff The Beaten Track Drama ==
Apparently some studios didn't pay their bills so there's some drama going on with Rhys' show Hoff The Beaten Track. If you wanna read the article without a paywall visit: No Paywall / Paywall
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== Florida Super Con ==
Who wants some Revenge? 🏴‍☠️ Welcome aboard the stars of Our Flag Means Death, Vico Ortiz and Samba Schutte to Supercon! Join these pirates July 13 and 14 for a weekend full of Autographs, Photo Ops, and a cast panel. Buy tickets now or walk the plank: Supercon24.com/BuyTickets⁣ ⁣ Photo Op and Autograph onsale dates will be shared soon. Src: Florida Super Con IG
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After waking up naked and hungover in the beds of countless men in college, I began to wonder if maybe I…wasn’t straight. (Reasonable!) I knew I loved women—dating them, having sex with them, connecting with them emotionally—so being gay didn’t seem right. So 12 years ago, while sitting in my sophomore dorm, I turned to the holder of all knowledge: Google. I searched for “bisexual man,” which didn’t reveal much beyond studies about gay/bisexual men and HIV, and an off-hand listicle arguing that male bisexuality was, in fact, real. (No kidding.) There wasn’t much else.
If you Google “bisexual man” today, you’ll find hundreds of articles pertaining to bisexuality. In fact, if you expand your search to just “bisexuality,” you’ll find thousands more. These articles aren’t just attempting to justify our existence; they discuss the nuances of bi identity—how to date as a bi person, how to come out as bi, how to know if you’re bi, and where to find a bi community.
There are also countless celebrities now proudly claiming bi or pansexual labels—Stephanie Beatriz, Willow Smith, Janelle Monae, and Aubrey Plaza, to name a few. For the love of God, Susan Sarandon just came out as bi. (Would I like to see more male celebrities coming out as bi? Yes, so I’m going to have to get famous myself.)
Media representation has also gotten stronger and more serious. We’re no longer depicted as morally dubious weirdos or the punch-lines of jokes. Instead, we're given complex bi characters in shows like Big Mouth, the new Gossip Girl, The Sandman, Sense8, Harley Quinn, and so many more. There was even a show called The Bisexual on Hulu in 2018.
In some arenas, we are in the heyday of bisexual visibility, and I, for one, am living. For the first time ever, women aren’t refusing to date me because I’m bisexual—they want to date me because I’m bisexual! But to be honest, I'm still not satisfied (even though I now get laid significantly more often—bless).
“Sadly, many people still believe that bisexuality doesn’t exist or that bisexuality is a character flaw—a wishy-washy failure to commit to one gender—rather than a commitment to embrace our whole selves," says Robyn Ochs, activist for bisexual visibility and editor of Bi Women Quarterly. “While we have made great strides, we are not yet visible enough. We still have very basic educational work to do.”
Of course, Ochs is right. We haven’t solved biphobia, and bi people still have the worst mental health outcomes of any sexuality by nearly every single metric, including higher rates of depression, anxiety, and suicidal thoughts than both gay and straight folks, according to Current Sexual Health Reports. This is largely due to the double discrimination bi people face by not feeling welcomed or like part of either straight or gay communities, causing us to feel alone and isolated.
That aside, it's important to recognize that we are in (forgive me) unprecedented territory—where we can promote bi visibility while simultaneously moving beyond it, and where we can work to more directly address some of the issues plaguing our community. Visibility isn’t a cure-all. It’s just the first step in any movement, and yes, bi people are having a goddamn movement!
Visibility essentially says: Look, we’re real! You need to treat us with some damn respect. It also helps people realize they’re not alone, that they have a community. Given the aforementioned higher rates of mental health issues for bi people, community is essential. But seeing yourself on screen or reading about someone else’s experience doesn’t automatically transport you to a room full of bi people trying to make friends and find romantic partners. There is a large gap between bisexual visibility and bisexual community. Since I don’t think scientists are on the brink of discovering the key to human teleportation, we’re going to have to create and attend bi spaces ourselves in order to feel less alone. We, the bi people of the world, are going to have build bi communities.
“After visibility comes bi life,” Ian Lawrence-Tourinho, executive director of the American Institute of Bisexuality, says. “We’re not so easy to erase anymore, as much as some will try, there are just too many of us out in the open.”
Right now, bi communities are predominantly online. We have bisexual Reddit, bi Twitter, and my favorite, bisexual TikTok (or BiTok). Using hashtags, we can find and connect with other bi folks around the world, which is wonderful and how I’ve met many of my own bi friends. But it’s time for bi people to move away from the internet (and digital spaces) and actually exist in the real world. We need physical bi spaces.
We need bisexual bars! I want a queer place where I can bring my queer girlfriend and feel comfortable making out with her without gay men judging me for erroneously believing we’re a straight couple co-opting their space. (For what it’s worth, I get why gay men are protective of their spaces, but like, shit, where am I supposed to go? A straight bar? I’d rather die.)
We need bisexual sex clubs! At every queer sex party I’ve been to, I’ve only ever seen women hooking up with women, and men…also hooking up with women. Which, fine! But men should feel empowered to hook up with all genders—in raunchy positions, no less! I want a safe place where my boyfriend, girlfriend, theyfriend, and I can all go to town on each other. As it is now, it feels like sex clubs either cater to gay men exclusively or to a very straight clientele (e.g., men aren’t allowed down in the play section unless accompanied by a woman)—they are fundamentally not inclusive of bisexual folks.
Of course, we also need sober, non-sexual places for bi people. Hello, bisexual rock climbing meet-ups! Bisexual people are obsessed with rock climbing. Why? Unclear. Personally, I’m a grown-ass man who has better things to do than climb rocks, but I’m in the minority of bi folks. I’ve accepted that. So let’s give the bi people what they want!
Maybe you’re not a rock climbing bisexual, but instead, you’re a Dungeons and Dragons bisexual. (Don’t you dare make a “Why not both?” joke!) Why not D&D meet-ups where bi folks can bring everyone in their polycule and nerd the fuck out?
"LGBTQIA+ spaces are often dominated by gay people, in particular gay men,” Vaneet Mehta, author of the forthcoming book Bisexual Men Exist, says. “And while you’d hope that they would be more accepting of bisexuality, they often do not understand or support others in the [bi] community.”
So let's make our own damn spaces. Any bi person can work to create a safe bi space, even those who work traditional nine-to-five jobs. I know this, as I actually threw a massive sex party (over 170 attendees) in Brooklyn, New York called BISLUT. Since I hadn’t been to a sex club that felt genuinely bisexual for all genders, I threw a party for bi men and their admirers. At the risk of tooting my own horn, everyone has been and continues to be absolutely obsessed with it—not just because of the sex, though the sex was awesome, but because bi people were in a safe space surrounded by other bi folks where they could express their sexuality fully and be their most authentic selves.
“Like people of any sexuality, most bis want to have fun, meet each other, and have friends who ‘get’ them,” says Lawrence-Tourinho. “And let’s be honest, we want to have exciting, fulfilling sex and love lives.”
A loving, supportive, and fun bisexual community is what comes after bi visibility. Not only can this type of community improve mental health outcomes, but it can also encourage more bi folks to come out and embrace who they are. Countless studies have indicated how much better life can get once you embrace your sexuality, but there’s a caveat: Queer folks need to have friends, community, and support in coming out. If you lose your friends, your family and your home as a result, your mental health only deteriorates. Safe, physical spaces to foster community can be game-changers in helping bi people come out safely.
These spaces may even help decrease rates of homelessness in the bisexual community. For bi youth who get displaced or kicked out after coming out, safe spaces are essential for finding support.
Am I dreaming big here? Maybe. But why the hell not? By giving people the opportunity to be themselves, we might unknowingly raise the next President of the United States, or the next Lady Gaga, or the next bisexual icon.
Sign me up. My fellow bis: Let’s get to work.
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Catch-up tag
Thank you for the tag, @booksandabeer!
Last song I listened to: “Older” by Lizzy McAlpine
Last thing I read: I am excluding fanfiction here to make this easier to answer 😎 one of my goals for this year is to read more, and to accomplish that I’m reading books I am actually interested in instead of books I feel like I should read. That being said, the last book I finished is “How to Keep House While Drowning” by KC Davis because I need some tips for getting my life together lol. Highly recommend for anyone struggling with cleaning/care tasks. Before that I read “Verity” by Colleen Hoover, which is a right rollercoaster of a novel despite its subpar writing. I enjoyed it a lot and it was quite disturbing.
Last movie I watched: I think it was Bottoms. Wacky movie, not my usual preferred genre, but I’m a big Ayo Edebiri fan and she was great in it. I’m seeing Dune 2 this weekend.
Last TV show: Right now I am trying to get through as much of 911 as I can before my Hulu free trial expires. I am living and breathing this show. I’m almost done with Supernatural and I’m dragging it out because I don’t want it to be over. This rewatch has taken me years. My boyfriend and I are also watching an anime called “Made in Abyss” - and it’s fantastic! 11/10 worldbuilding. I started Succession and I’m not sure yet if I’ll continue.
Last thing I googled: “cheap online glasses” - time for new glasses but I don’t want to pay an arm & a leg
Last thing I ate: Raspberry Mamba
Sweet, salty, or savory: there’s a time and a place for all of these. But if I have to pick one I’m going with salty. My love for popcorn runs deep
Sleep: Could be better!
Currently reading: Fourth Wing by Rebecca Yarros. A friend recommended it to me, and I love a solid fantasy/romance. Y’all. This book has taken over my life and my brain and I’m only halfway through. This is my adult Harry Potter phase but there’s smut and more dragons. And there’s characters of color! LGBTQ+ characters! Awesome worldbuilding!I’ve already been looking at fandom merch on Etsy and my friend is planning a release party for the third book in the series. If you like fantasy, give it a shot and let me know what you think because I want to nerd out about it :)
Tagging a few folks, participate if you want! @forgetfulfish @sixweekoldhedgehog @the-moon-loves-the-sea
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beardedmrbean · 2 months
Note
Thank you for liking my collection, perhaps other people will too
But I saw that post about how funimation is shutting down and it’s capitalism fault…but bitch it’s streaming service exclusively for ANIME. A huge niche
Also to the reason why, their both are shitshows. But Sony owns funimation and bought crunchyroll, two anime streaming services
Now crunchyroll(which is a shitshow too) got popular
Like been to your local Walmart?
There a section at Walmart dvd area dedicated to crunchyroll in mine
So while this sucks (especially it seems that Sony isn’t going to let people transition their Funi stuff to crunchyroll) it not shocking
Now their a mess, let compare this to Disney handling of Disney plus and Hulu
Now yes Disney plus app is have a hub for Hulu now. Which thank you, because I have the Disney plus bundle (I sharing it with other people. SHIT THE MOUSE IS COMING FOR ME!) but it sure as hell more convenient for me to use the Hulu hub than go out to another app to watch Hulu content
Though it FUCKING funny how my continue watching can have Disney plus alongside with seienin anime
But anyways, I can see why Sony did that because, both streaming services are niches and crunchyroll is just bigger
But I’m 23, any anime consumption…
Bitch back in the day most westerners anime fans had to watch cable TVs blocks like Toonami. Like my tv consumption were in flux. I didn’t have cable all the time and watch a lot of dvds especially in road trips. A lot of my anime consumption started by watch adult swim aired anime. Or if my family a little bit of money. Cable box where I watch Digimon on Disney old block Jetix
Actually the photo I sent you will probably help your other anime fans on how I consume anime
But anime streaming services…are niche af. Yes anime went mainstream in the west, but they can easily be gone instantly. Actually one of my favorite Drifters was taken off it streaming services. But I was able to get the blu ray
Sorry for the essay…I’m just SHOCKED on how bad certain people over reliance of streaming services is because I still really the twilight years of renting (grew up near a family video)
Thank you for liking my collection, perhaps other people will too
ya like I said I recognized the obvious ones, never really did much with anime.
As for all the services, it's a really weird thought that's come into my head watching all of this.
Most folks out in tumblr land probably won't remember when the "Bell System" was broken up.
The phone system in the US was a legal monopoly, until it wasn't a legal monopoly and the Fed broke it up into regional things and also opened things up to competition for a bit there were hundreds of different phone companies popping up offering the best price on local or long distance and all that good stuff.
Then they started to get absorbed by the bigger ones, still no return to the monopoly since that's not allowed but went from on choice to oddles of choices back down to just a few choices none of which were terrible.
Cellphones did that too when they showed up, was never a monopoly but there were tons of regional outfits selling service, that all got slowly bought up by larger and larger companies.
Cable and satellite TV as well as internet too.
I think we may be seeing that with streaming services, not really any tiny fly by night groups doing streaming services but there's only so many that can be out there before they stop being profitable, especially the niche ones.
Which I think that merger and the price hike that is coming with it is a thing that was basically inevitable, the price hike will reverse if history is any indicator, at leas so long as people remain pissed about it and don't sub.
That or they'll sell packages so you can customize what you want.
Either way I'm still with you on the need to rely less on streaming services, I feel the same way about the cloud, which I refuse to use, I know how to work around all that if the need arises.
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Text
Queer as Folk for all folk
youtube
*this video contains major plot spoilers.
This show was my teenagehood and is, to this day, legitimately my favorite tv show. The only show I have rewatched, and rewatched more than once.
If you have never seen it, go watch it. It holds a lot of queer history, struggles, and is UNAPOLOGETICALLY QUEER. It has explicit gay sex, it has drugs, it has discovery, it has closeting, age gaps, sex ed - the gay kind, the fight for queer rights, losing queer rights, homophobia and more. It does not subscribe to the heteronormativity of only portraying queers in media a certain way. It showcases queerness.
Excerpt:
"Despite what the gay press said in 2005, we really do still need exclusive queer spaces too. Places where we don’t need to feel like we need to put on a mask for the cisgender heteros who judge us for being the right kind of queer or not. Who watch our every move to decide whether or not we deserve rights. Those spaces are still required, and that includes media spaces. We DO, in fact, need shows and movies just about us. Because we need to see ourselves outside the cis-het norm we might feel forced to adhere to. We need to see ourselves when we’re with other people like us. And I think with the new Queer as Folk, and the new movie Bros coming out this fall, major queer media producers might finally be realizing this. They might as well make more shows and movies just about us because it’s not like we’re going anywhere. The thumpa-thumpa continues. It always will, no matter what happens, no matter who's president, no matter who hates us, no matter what idiot politicians say, no matter what asshole comedians say. Because as Our Lady of Disco, the divine Miss Gloria Gaynor, has always sung to us, "We will survive."
Watch it on Showtime, Hulu, or anywhere else you can.
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